Category: News

The world recently learned that Tom Cruise was indeed going to win his unofficial space race with the Fast and Furious franchise to make the first narrative feature actually filmed in outer space, or as close as he can realistically get to that label, while teaming up with SpaceX CEO Elon Musk. Soon enough, NASA confirmed that they’re working alongside Cruise and Musk to help make it happen with filming set to go down on the International Space Station. Of course, the film has no projected shooting date, given that we’re still in the middle of the pandemic, and Cruise is still sandwiched within lingering Mission: Impossible franchise productions.

However, the outer-space project does officially have a director, who’s currently writing the script, and the fellow’s previously worked with the lead actor. Given that clue, one might guess that Steven Spielberg is involved (he helmed War of the Worlds with Cruise and is known to get space-y with his subject matter), but nope, it’s not Spielberg. The correct answer would be Doug Liman, who directed Cruise in American Made (with Cruise as a CIA-recruited pilot wrapped up in the War on Drugs). The pair also worked together in Edge of Tomorrow, with Cruise fighting aliens while trapped in a time loop. In other words, the Top Gun: Maverick star has found the right guy for the job. Here’s another nugget from Hollywood Reporter:

Plot details are being kept secret, but it is known that [Doug] Liman is writing the script … Liman and Cruise, who will also both produce, have been cooking up the onscreen adventure for some time.

The piece also reconfirms that Musk and NASA are onboard. This will be another leg of their adventure after the SpaceX Demo-2 mission — still scheduled for Wednesday, May 27, pending weather — which will place NASA astronauts aboard SpaceX’s Crew Dragon spacecraft. It should be a historic mission, as will be the case for the next Cruise-Liman project. Yep, Dominic Toretto is definitely getting Cruise’d.

(Via Hollywood Reporter)

As you’re no doubt aware, we’re living in strange times, and I’m not even talking about our current global pandemic situation of which we shall not speak, for at least the next handful of minutes. I’m referring to the so-called United States “Space Force,” which is a thing that (apparently) exists in our reality. I’m still as surprised as anyone else about that development, and it’s not worth rehashing how that fifth branch of the U.S. Armed Forces came to be. Yet the better news is that this real-life “WTF” inspired a launching point for the reteaming of The Office‘s Steve Carell and creator Greg Daniels. The resulting Netflix series, understandably, aims to resurrect the magic while also trying hard to be The Not-Office. The end result is sometimes messy and manic.

On some level, one has to acknowledge that The Office comparisons are inevitable, and it feels like the show was too conscious of this incoming criticism, to its detriment. Carell and Daniels, because of their previous success, are also bound by it until Space Force can prove that it’s shifted into a different gear. Yet given that all nine seasons of The Office are still streaming on Netflix (until later this year), viewers are more than equipped to judge from that high-up standard. Also, yes, we’ve got another workplace comedy from Daniels, who’s now co-creating with Carell, and Ben Schwartz is also onboard to bring the Parks and Recreation vibes. Mostly, though, the show hopes to be a different beast than both previous hits. It’s a tough spot to be in, man, since Space Force (as a Daniels-Carell project) exists because of The Office, but it’s bound to that predecessor even while aiming at different stars.

Look, Space Force is an okay and watchable series, although uneven. If one takes the whole first season (there’s a tee-up for a sophomore turn) into account, the biggest problem is that the show doesn’t immediately reckon with its own identity. At moments, it feels like it’s flirting with the being a bigger-budgeted, higher-concept incarnation of the Office without the mockumentary structure. The show also takes stabs at Dr. Strangelove levels of farcical madness, only without Stanley Kubrick’s masterful helming of characters who belly-flop into sheer stupidity despite certain failure as an outcome. The show also sometimes feels like a twisted family comedy, but Space Force begins to know itself after a handful of episodes, when it starts edging toward an equilibrium.

Carell, of course, is making his return to comedic TV (following Apple TV+’s The Morning Show) to portray the unwitting leader of the U.S. Space Force. Officially, he’s the U.S. Air Force’s highly decorated General Mark R. Naird, who packs up his (also reluctant) family for an incredibly not-scenic, but secret, Colorado base to sign off on billion-dollar missions that spectacularly fail. He’s assisted and opposed by an ensemble cast of recognizable and even iconic presences. John Malkovich (!), Ben Schwartz, Jimmy O. Yang, Tawny Newsome, Lisa Kudrow, Jane Lynch, Patrick Warburton, Noah Emmerich, and Diedrich Bader all pop into and out of the frame at a sometimes dizzying pace. It’s a lot to take in — this cast and this show. As a result, Space Force attempts to be a lot right out of the gate and only starts to succeed when it stops being so “extra.”

A lot of the try-hard feel comes from Carell leaning into Michael Scott mode during scattered, shouty moments that linger past their screentime. Naird’s development feels too arrested until around the midseason point, when he spends an episode in a moon-simulation base. Magically, his struggles then become compelling and watchable and even relatable, and that’s when the show’s writing becomes crisper and other characters more well-rounded. It’s an odd turning point for the show, and a welcome one, since the first episodes of this Netflix series didn’t grab me. Yet it was a relief to see Naird become something other than a (to be blunt) pompous prick who does unfunny things like tasking a monkey with equipment repairs. Once those quirk-stunts stop happening, Space Force becomes a different, better show, although the less-than-smooth introduction may mean that people don’t get that far. Likewise, those who surround Naird start to gain characteristics that move beyond surface level development.

Those players would include the great John Malkovich as Dr. Mallory, the Space Force head scientist and voice of reason; Ben Schwartz as an F-bomb hurling media director whose name and aura suggests The Mooch; and Jimmy O. Yang’s scientist, who’s the closest to being the brains of the operation. Meanwhile, the women of this series are woefully underused for awhile, other than Naird’s daughter, played beautifully by Diana Silvers. It feels like Lisa Kudrow gets the shaft as Naird’s wife, and Tawny Newsome (who plays a Space Force captain that is initially relegated to being Naird’s personal pilot) also isn’t allowed to shine until quite late in the season.

One key strength of Space Force is an unexpected one. Due to the inspiration for its high concept, I expected the show to be much more inherently political than it turns out to be. That’s a relief, although the series doesn’t shy away from an overall critique of governmental ineptitude and appalling, billion-dollar levels of waste. The T-word never surfaces, although it’s plenty clear that the show’s mad-tweeting POTUS (who wants to put “boobs” on the moon, and it might be a typo) is you-know-who. Likewise, the show’s handling of space warfare manages to treat the subject with such absurdity that one would be hard-pressed to find it politically offensive on either side of the coin.

Space Force‘s debut season has a lot going for it, but when one has an incredible cast, an obviously generous budget, and polished production values, those assets can be both a blessing and a curse while a show tries to find its (space) legs. Likewise, the co-creators’ legacies make this a tricky show to evaluate when nostalgia gets involved. When it comes to The Office, affection runs so high (throughout multiple audience generations) that people might forget that its first season wasn’t so wonderful. The show took awhile to catch hold of hearts and minds, and I wonder if Space Force should initially be allowed that same latitude. Is such audience leniency possible in 2020? I’m not sure, though my suspicion is that people will feel very strongly (in a positive or negative sense) about a show that’s more than alright, although not spectacular.

Netflix’s ‘Space Force’ streams on May 29.

Rum is ever-expanding and massively varied. That makes finding the best rum tough. You can make it anywhere and there are far fewer rules on what makes rum, well, rum. Generally speaking, rum is a sugar cane distillate that uses either raw sugar cane juice, sugar cane honey (condensed sugar cane juice), or molasses (a by-product of sugar production).

That being said, you can technically make rum from any product that has sugar in it. Case in point, Tuzemák (from the Czech Republic) is made with sugar beets and potatoes. Some craft distillers are starting to use sorghum (a grass) as their base. It’s easy to argue about what rum even is sometimes. But, for this, we’re focusing on the standard, sugar-cane-based stuff.

To figure out which rums the people are drinking, we popped over to Ranker. Over 10,000 votes we’re cast for the best rum brands, a clear top ten emerged. We dropped them below alongside call outs for bottles we think you should give a shot.

10. Malibu

Expression to Try: Malibu Black
ABV: 35%
Average Price: $17

The Rum:
This Barbados classic (owned by Pernod Ricard) has been the mainstay of bartenders and sweet rum lovers for decades. The base for Malibu Black is a Malibu’s dark rum blended with their signature coconut liqueur. The ripple with this expression is the higher ABV (standard Malibu is only 21 percent), giving this one a bit more kick.

Tasting Notes:
Expect a mild alcohol burn followed by an oily sense of coconut and molasses. There’s a saccharine nature to the sip that calls out for ice and fruit juices to temper the rough edges. In the end, if you’re mixing this deep into a piña colada, you’ll be fine.

9. Diplomatico

Expression to Try: Diplomatico Reserva Exclusiva
ABV: 40%
Average Price: $40

The Rum:
This is a massive step up from Malibu and also probably deserves a much higher spot on this list. The Venezuelan rum is a blend of 12-year-old rums made on antique copper pot stills from both molasses and sugar cane honey. The juice is then mellowed in ex-bourbon barrels for over a decade before the master blender creates a damn-near perfect sip.

Tasting Notes:
Red fruits, soft vanilla pods, and dark spices greet you. There’s movement from the sharp spice towards a fresh herbal nature that leans almost savory as the sweetness peaks but never overpowers. Notes of wood, smoke, and citrus make appearances as the velvet end fades slowly through the senses.

8. Sailor Jerry

Expression to Try: Sailor Jerry Spiced Rum
ABV: 46%
Average Price: $20

The Rum:
This rum has caught the attention of a lot of bartenders and spiced rum fans the world over. The rum was made to honor legendary tattoo artist Norman “Sailor Jerry” Collins. It’s a blend of rums sourced from Caribbean distilleries that are then infused with spices, leaning heavily into vanilla and cinnamon.

Tasting Notes:
The spices come through boldly upfront. There’s a sense of oak somewhere in the background alongside clear hints of vanilla, rum-sugars, and alcohol. Pepper spiciness, oakiness, and tart fruit combine on the long finish.

7. Mount Gay

Expression to Try: Mount Gay Black Barrel
ABV: 40%
Average Price: $30

The Rum:
Back in Barbados, Mount Gay continues to the up the game with their very drinkable rums. Black Barrel just got an overall last year thanks to master blender Trudiann Branker. The expression includes blends of three to seven-year-old mostly pot stilled rums. The blend is then finished in heavily charred ex-bourbon barrels for six months.

Tasting Notes:
There’s a lot going on with this sip. Expect a touch of marzipan next to oak char, bright citrus, and dark baking spices. Wisps of smoke mingle next to rich vanilla, zesty orange, bitter cacao, tropical fruits, and dark molasses. There’s a jammy nature to the end that accents the charred bitterness and banana-rum sweetness as it lingers on the senses.

6. Ron Zacapa

Expression to Try: Zacapa XO
ABV: 40%
Average Price: $110

The Rum:
Diageo’s Ron Zacapa makes one of the best rums to ever come out of Guatemala. This rum is made with only sugar cane honey. It’s distilled at sea-level but it’s aged high up in the mountains in ex-bourbon, ex-oloroso sherry, and ex-Pedro Ximenez sherry casks. The rum is aged for at least six years and sometimes as long as 23 years before blending and then an additional year finishing in ex-Cognac casks.

Tasting Notes:
This subtle sip leans into the wood on the opening with dark, powdery spices and a note of cola sweetness. Hints of smoke lead through the dark and peppery spice as pings of fruit and sugar cane mix on the palate. The end is slow and mild as the spice and wood fade subtly.

5. Bacardi

Expression to Try: Bacardi Reserva Ocho
ABV: 40%
Average Price: $30

The Rum:
Bacardi is one of the most iconic rum distilleries in the world. This Puerto Rican made expression started out in the late 1800s as the private stock for the Bacardi family’s own table. The expression is a blend of rums that have aged at least eight years and works wonders as a sipping or mixing rum.

Tasting Notes:
Stone fruit and Christmas spices coalesce on the nose. Nutmeg and vanilla dominate as orchards full of plums and nectarines lead towards a wisp of smoke and a note of wood. An earthy minerality arrives late with hints of tobacco, cream soda, and a trace of dark chocolate bitterness.

4. Appleton Estate

Expression to Try: Appleton Estate 8 Year Old Reserve
ABV: 43%
Average Price: $35

The Rum:
Master blender Joy Spence has reinvigorated this Jamaican rum with an almost complete relaunch of the brand. Their Eight Year Old Reserve commemorates the 250th anniversary of the distillery. The expression is a blend of mostly pot stilled rums aged up to eight years in barrels hand-selected by Spence.

Tasting Notes:
Fresh honeycomb meets Christmas spice initially. Banana and orange kick around on the palate with a minerality and clear note of oak. That earthiness marries minor notes of fruit, molasses, and herbaceousness on the curt end.

3. Old Monk

Expression to Try: Old Monk Supreme
ABV: 40%
Average Price: $25

The Rum:
This Indian rum is a massively popular brand internationally. The rum is a “dark rum,” meaning that molasses is added after the distillation to add color and sweetness along with other “flavoring agents.” This is a rough one but so widely drunk overseas that it’s not out-of-place to see it listed.

Tasting Notes:
Old Monk Supreme takes some of the rougher edges off by blending slightly older rums. Still, expect a big rush of alcohol followed by a sweetened rum note. There’s the idea of oak but it feels more like essential oil than actual wood. Hints of butterscotch and fruit ring true on the palate as a little bit of dark spice lead towards a hot and sweet finish.

2. Kraken

Expression to Try: Kraken Black Spiced Rum
ABV: 47%
Average Price: $20

The Rum:
This spiced from Trinidad and Tobago starts off with rums aged for one to two years. The juice is then spiked with 13 spices, with a focus on cinnamon, ginger, and clove. The rum becomes a deep brown that looks almost black. Caramel is added near the end to hold the color.

Tasting Notes:
Vanilla-heavy cream soda and caramel dance with clear molasses rum notes. The sweetness isn’t overpowering and the spice brings a sharpness next to a mild bitterness. The sweetness and alcohol dominate as the spice fades throughout the finish.

1. Captain Morgen

Expression to Try: Captain Morgan 1671 Spiced Rum
ABV: 35%
Average Price: $20

The Rum:
It’s almost impossible to avoid Diageo’s Captain Morgan, especially if we’re talking about spiced rums. Their 1671 bottle commemorates the actual Captain Morgan sailing the high-seas and aims to be a lower-ABV sipping spiced rum. The spiced rum is moved into Spanish oak for an additional year of mellowing before bottling.

Tasting Notes:
This sip is much like the classic spiced rum from Captain Morgan with a lot of the edges sanded down. There’s a throughline of vanilla, cinnamon, and molasses up top with a hint of Cherry Coke sweetness. Notes of the wood peak in next to bold sweetness and sharp cinnamon. The end is brisk with the thought of those spices, cherry, and molasses lasting the longest.

A lawyer for the family of one of Florida rapper YNW Melly’s alleged murder victims recently addressed rumors that circulated on some hip-hop blogs which speculated that the rapper would be released after one of his co-defendants was granted bail. On Monday, it was reported that Cortlen Henry, aka YNW Bortlen, was granted released against a $75,000 bond, prompting some sites and fans to run with the idea that YNW Melly would also be allowed release. However, John M. Phillips, who represents Christopher “YNW Juvy” Thomas, Jr.’s family, made sure to refute the rumors, saying fans are “beyond delusional” for believing them.

“He’s not getting released unless a jury says so,” Phillips clarified via tweet. “There is evidence he killed these young men in cold blood. Whether you like his music or not, these families deserve justice.” His tweets came as a response to tweets from accounts like @saycheeseDGTL and @djvlad which surmised that court documents pertaining to Bortlen also applied to Melly. Phillips also made it a point to clarify that he represents the family of YNW Juvy, not YNW Bortlen.

Bortlen and Melly are both on trial for allegedly murdering two of their YNW associates and manipulating the crime scene. Evidence found at the scene didn’t match the statement Bortlen gave to police about the shooting, causing police to believe that Melly shot and killed the two fellow rappers, then damaged their vehicle to make it appear as if they’d been killed in a drive-by. Melly pled “not guilty” and has since had a release request denied after reportedly contracting COVID-19.

James Cameron is confident that Avatar is destined to again become the highest-grossing movie ever, and that Avatar 2 will meet its scheduled release date of December 17, 2021. I’m not one to doubt the guy who made Aliens, Terminator 2: Judgment Day, and Titanic, but I do have a question for the bravest pioneer: what the heck is Avatar 2 about? There’s going to be more FernGully-esque shenanigans from the Na’vi, certainly, and much of the film will be set in water (as seen in this hilarious photo), but actual plot details were scarce until producer Jon Landau spoke to RNZ.

“This is the story of the Sully family and what one does to keep their family together. Jake and Neytiri have a family in this movie, they are forced to leave their home, they go out and explore the different regions of Pandora, including spending quite a bit of time on the water, around the water, in the water,” Landau said. He also explained the appeal of Avatar and why people are willing to wait in multi-hour lines to explore Pandora:

“I think, why do people turn to entertainment today, more so than ever? I think it’s to escape, to escape the world we’re in, to escape the other pressures they have in their lives. I think with Avatar, we have an opportunity to allow people to escape to an incredible world with incredible characters that they will follow, in much the same way as Peter Jackson was able to do with Lord of the Rings, so that’s what we’re looking forward to doing.”

Lord of the Rings has Gollum. Avatar has the Mighty Ikran. Equally beloved.

(Via RNZ)

Post Malone’s Nirvana tribute livestream performance from last month was a huge success, as it raised a bunch of money for charity (over $5.3 million now). The show also yielded a new creative partner for Malone: He was joined by Travis Barker, and now the two are working on new music.

In a recent Spin interview, Barker was asked if he has anything else lined up with Malone, and he said that he was actually in his bus, on his way to go see Malone:

“I’m going up to Salt Lake to just write for a week with him. Just jam and have fun. I went up there the day before [the livestream] and we went through the set one time. Then the next day we went through the set one time and we just played it. You can’t over-rehearse Nirvana songs or it loses its vibe. So the whole vibe over there has been very relaxed and just whatever happens happens.”

Barker also spoke about how he came to be involved in the Nirvana tribute:

“I was sitting at home and I was working with this artist named Poorstacy. I got a phone call from Brian Lee. He writes with Post a lot and is a really good friend of his and he said, ‘I have this song idea I want to present to Post, I’d really like you to record drums on it.’ So I sent drums back 45 minutes later. He’s like, ‘This is awesome. Would you be down to do this Nirvana thing with us? We were talking about maybe doing 20 Nirvana covers and it’ll be a charity for coronavirus and help first responders.’

And I honestly thought he was joking ’cause the idea of driving to Salt Lake City… ‘Really, are we gonna learn 20 Nirvana covers and really are we gonna figure out a way to live stream it?’ So I was like, ‘I’d love to, I love Post and I love you, so just tell me if it’s actually serious.’ We kept talking about it and they said they were serious and I should come out there in three days. So I was like, ‘Whoa, this is really happening.’ So I just spent the next three days learning 20 Nirvana songs, which was fun because Nirvana is one of the greatest bands of all time. And then just driving out there and doing that quarantine was so cool when people are sitting around and really need live music. And what better band to pay tribute to than Nirvana?”

Additionally, he revealed that a Blink-182 song called “Quarantine” will “will be out in the next two weeks” and he’s “really excited about it.”

Read the full interview here.

The first few times I interviewed Scoot McNairy, I got a little aggressive with rampant questions about his righteous mustaches. In my defense, these discussions of facial hair often lightened the mood as we discussed his recent heavy roles on True Detective‘s third season and the most recent round of Narcos: Mexico. Scoot’s always a good sport about answering the most bizarre of inquiries, but for his latest project — an HBO Max dramedy, Love Life, starring Anna Kendrick — no such lightening was required.

Don’t get me wrong, it’s not that there isn’t a mustache present with this Scoot project. There is one, although it’s not as plentiful as those that he sported in the above two projects and Godless. So, the Halt and Catch Fire actor was off the hook (this time) for any facial hair talk. Fortunately, he’s still gracious enough to discuss this latest role (a wealthy entrepreneur and slightly older man who plays a key role in helping Kendrick’s character develop) with us, including how much of a relief it is to step into the shoes of a less-stressed-out character. I also wished to discuss the latest Narcos: Mexico season finale, which ended with a fantastic, fictionalized, and quiet confrontation between his DEA agent character, Walt Breslin, and the drug lord (portrayed by Diego Luna) that he put behind bars, and Scoot was game for that, too.

Love Life is a nice piece of an escapism. Would you characterize it as a romantic comedy or dramedy?

I haven’t seen the project as of yet, but after reading and talking with [showrunner] Sam Boyd, it feels like it’s more of a dramedy, and also a sort-of slice-of-life over the course of ten years, well, basically a decade.

Even though it’s not 100% cheery, this role’s definitely more lighthearted than anything you’ve done lately. Did that feel like taking a load off?

You know, it was a lot of fun. I started in this business twenty years ago, and for the first ten years, mostly what I did was comedy, and I haven’t been able to do that in eight or nine years. So, I was really looking to try and find something to do, comedic-wise, and Sam had this project that I really liked. So yeah, I really enjoy doing comedy or dark comedy, so this was really fun to step back into that — a lighter role.

Whenever I think about artists switching up genres and entering different phases, I think of an old Ethan Hawke interview, where he expressed his surprise at how shooting horror movies was a lot more silly and less terrifying than he expected. Was making a romantic comedy the same or different than you expected?

That’s a really great question, but you know, it just felt familiar. Comedy is something that I’m somewhat uncomfortable with but obviously very, very scared of and stuff, and it’s also about challenging yourself with something that you haven’t really done in a long time and something you really enjoy doing. And also just moving around, switching it up, and trying not to get pigeonholed into a sort-of genre, just to stretch your wings, I guess.

I don’t know if you’re aware, but one of the Love Life promo shots zeroes in on your character, Bradley, with a martini. You’re playing a character who drinks martinis!

Yeah! He’s a New Yorker, really into art and very motivated and ambitious. That being said, there’s also a lighter side to the character. I just hadn’t done comedy in so long, so I was really itching to do it. And Anna Kendrick is genius, and incredible at what she does, and I was really looking to work with her on something that was comedic and in her wheelhouse. She’s incredible in this, and it’s such an amazing project for her and role for her, so I was really excited to just be a part of that.

And the writing feels realistic and without too much reliance upon clichés.

Sam Boyd, the creator, he’s a really really smart guy. He was incredibly great to work with and collaborative and all that, but he wrote an incredible story. Really heartfelt and funny and sad at times, so I think it should be a really fun, wild ride.

Do you have a favorite romantic comedy?

Some of the older ones like When Harry Met Sally and Richard Linklater’s earlier stuff, including Before Sunrise. I loved those movies and the big, broad comedies like the Will Ferrell stuff.

Producer Paul Feig’s helming of Bridesmaids might bring a lot of curious eyes to this project. There are some similarities.

Yeah, definitely, I hope so. It’s really special and unique and also brings us back to movies like Reality Bites. It’s kind-of like a version of that for the newer generation.

That newer generation has been embracing romcoms on Netflix. Do you have any take on why those movies are doing so well there?

I don’t, to be honest, I didn’t know that. But as of right now, in the position where people are in quarantine, romcoms are movies that make you feel good, so maybe we’re seeing a lot of that just because of the times we’re going through.

Talking about your Love Life character any more would lead to spoilers, so do you mind if I ask you about the Narcos: Mexico season finale?

Nope. You mean the one we last finished?

Yes, and specifically, the conversation between Walt Breslin and Félix Gallardo. I’ve been comparing it to other great confrontations like Pacino and De Niro in Heat and FX’s Justified ending.

Wow.

Did you draw inspiration from any movies or TV shows, or was it solely about those two characters to you?

Oh, I was terrified to do that scene, to be honest to you. A lot of what you’re seeing is just terror, but I know that there’s always, in these sort-of male-driven shows, there’s always this reference back to Heat. You know, Carlo Bernard, one of the creators of the show, he worked with Michael Mann and actually worked on Heat, so we’re always throwing that around and stuff, so yeah, in so many ways, it’s going to resemble that scene. But I don’t speak Spanish, and that whole scene was in Spanish. It was a long one, so I am very glad to hear you say that it turned out so great because it was a very nervous one for me.

Aren’t you a Texas native? I grew up in Oklahoma, and Spanish wasn’t required but strongly encouraged. I can’t imagine going into that scene dry.

I learned a little bit in the time that I had, but even as a kid, I never picked up much Spanish living in Texas.

So when you think about Walt and Félix, do you sense any admiration there as well as contempt? Or was I reading too much into that?

Oh for sure! You develop, in law enforcement, when you’re going after a case for X amount of time, I’m sure you develop a relationship with that person, and you know so much about them that there is a sense of admiration and respect when you’ve kind-of got your guy. The very thing I think about that scene is that, like, there’s this idea that Walt got his guy, and he’s won. And throughout that scene, he [realizes] that’s he’s only created a worse problem. And I love the sort-of dynamics that shift in that scene. And him going through what is to come because of what [he’s] done. Like, [he] didn’t do anything but cause a worse problem.

And on a personal level, Walt didn’t even get the closure that he wanted.

Yeah, neither one of them. It feels like they both lost.

Have you heard anything about another season?

No, I would gladly be open to doing more. I had a wonderful time on the show and loved working with the crew down there and all the people on the show, executives and Netflix. It was a dream job, so I would happily jump back down there.

The first three episodes of ‘Love Life’ premiere on May 27 with the launch of HBO Max.

Jimmy Fallon was trending on Twitter for much of Tuesday, often with the #JimmyFallonIsOverParty hashtag, due to a resurfaced clip from a 2000 episode of SNL where he appears in blackface as Chris Rock. The Tonight Show host, who is off this week, has since apologized for the impression, calling it “unquestionably offensive.”

“In 2000, while on SNL, I made a terrible decision to do an impersonation of Chris Rock while in blackface. There is no excuse for this,” Fallon wrote on Twitter. “I am very sorry for making this unquestionably offensive decision and thank all of you for holding me accountable.” In the clip, which is not available on NBC’s website, Fallon-as-Rock explains to Regis Philbin (Darrell Hammond) that there aren’t many black people on Who Wants to Be a Millionaire? because “black folks don’t want to answer questions.” Via Variety:

The clip began to resurface when a tweet by the user @chefboyohdear stated, “NBC fired Megyn Kelly for mentioning blackface. Jimmy Fallon performed on NBC in blackface.” Kelly, the former Fox News anchor [who] had a tumultuous run at NBC where she hosted her own hour of the Today show on a $69 million contract, [departed] from the network after she faced severe criticism for a conversation about wearing blackface on Halloween. The network publicly condemned Kelly for the controversy, and cancelled her show, Megyn Kelly Today, in fall of 2018.

Rememeber when Fred Armisen played Obama? That was weird!

Anyway, the Fallon scandal is reminiscent of an SNL sketch from 2019, “State Meeting,” where a state ethics official played by Kenan Thompson asks a group of (white) “Virginia state representatives” whether they’ve ever dressed in blackface. When one member of the group says that it doesn’t count if you did it in the 1980s because it was “funny and cool” then, Thompson responds, “It does still count, and it was never funny or cool.”

(Via Variety)

There are many things to love about Portland, Oregon. It’s glorious uniqueness as a city can be seen, heard, and most importantly, tasted. With over 80 breweries calling Portland home, it’s no wonder many burgeoning brewers move West to claim their stake in one of the country’s most influential craft beer cities. However, craft beer isn’t the only thing brewing in this coastal locale.

Westward Whiskey is proud to make its grain to glass whiskeys in the Pacific Northwest. Everything from the whiskey’s water source — which consists of snowmelt and rain from Mount Hood — to its inclusion of locally malted barley, all stems from the region.

Head distiller and blender, Miles Munroe says, “I think malted barley makes the most complex and flavorful whiskey out there. Our approach to American single malt is a very minimalist one where we want the features of great beer, such as fermentation flavors and careful malt selection, to exhibit themselves in the whiskey.” Munroe continues, “we place as much importance on the production of our wash as a brewer would of their beers, creating flavor every step of the way.”

Munroe studied at American Brewers Guild and was a professional brewer for three years, with the full intention of eventually becoming a single malt whiskey maker. Most of the distilling staff at Westward have a brewing history. Plus, all whiskey starts out as beer, so brewing is a great place for any distiller to start.

Another truly special, heartwarming aspect of Portland culture is its collaborative spirit. Westward prides itself on partnering with Northwest tastemakers such as world-class winemakers and breweries in the local area. The result is the creation of an American single malt whiskey that’s as innovative as it is rebellious. “We’ve established a regional style of single malt, so we don’t use sherry barrels or peated barley because that has nothing to do with the Pacific Northwest,” Munroe adds.

The two primary expressions are Westward American Single Malt and Westward Oregon Stout Cask Finish, both of which recently won gold at San Francisco World Spirits Competition. The newest release, Westward Oregon Pinot Noir Cask just launched as an Oregon exclusive and will be introduced to additional markets early next year. We were lucky enough to taste all three and here are our thoughts.

Westward American Single Malt

ABV: 45%
Price: $70

The Whiskey: Westward American Single Malt is aged in the Willamette Valley where they annually see 30 percent more rain above the national average. These conditions make for perfect aging conditions for Westward’s distinctive signature single malt.

Tasting Notes: Balanced and bold from start to finish. Though the aroma has a bit of a punch — you can smell the high-proof — your senses will welcome the blend of brown sugar, vanilla, and slightly fruity notes.

Westward Oregon Stout Cask Finish

ABV: 45%
Price: $90

The Whiskey: Released merely a year ago, this “red label” is the crème de la crème of stout cask finishes. “Really great beer makes really great single malts,” says Munroe. This expression takes the single malt above and re-barrels it into American oak that’s been pre-seasoned with stout from a long-list of great Oregon breweries. The whiskey then mellows for another year while absorbing the stout flavors.

Tasting Notes: Expect a harmonious combination of robustness, velvety chocolate, and toasted nuts, particularly pecan. It’s definitely meant for sipping. However, the alluring oak-coffee-cocoa aftertaste makes us want to experiment with an Old Fashioned.

Westward Pinot Noir Cask Finish

ABV: 45%
Price: $90

The Whiskey: Westward Whiskey Pinot Noir Cask Finish teams up Westward with local friends from Suzor Wines. The expression spends time mellowing in their old pinot barrels before small-batch bottling.

Tasting Notes: The nose is absolutely divine (is there a candle for this?) with hints of fig, plum, and brown sugar. The depth of flavor pulls through with an exquisite fusion of fresh berries and drawn-out spices. This whiskey is like the perfect song — released at the right time and exceptional in quality.

Lady Gaga and Ariana Grande became friends while collaborating on the Chromatica single “Rain On Me,” and now the two have gotten the chance to have more fun together. This time, Gaga and Grande teamed up on a new promotional video for the album, in which they portray the “Chromatica Weather Girls” and give their finest weather report.

Reporting from Los Angeles, Gaga stands under an umbrella wicking away copious amounts of water and begins, “It was beautiful just yesterday, but oh wow, how things have changed. Today, it is pouring rain. We are soaking wet. And while some are complaining of the recent downpour, we would like to celebrate the rain.”

She then throws it to Grande in also-rainy Beverly Hills, who references the song’s lyrics by saying, “Rain on me, tsunami! Water like misery but the people are still going.” Gaga then responds, “So true, Ariana. The world is rising up in a massive act of kindness to celebrate the rain the world so desperately needs to quench the thirst of the Earth.”

The shots eventually widen to reveal the two have people helping them achieve the raining effect by spraying water on top of them. At the end of the segment, Grande signs off, “Back to you, f*cker.”

Watch the video above.

Chromatica is out 5/29 via Interscope. Pre-order it here.