Beyonce is one of the most widely beloved musicians of the past 20-plus years, so getting the chance to work with her is a dream for many artists. That’s a dream that Megan Thee Stallion recently realized, as Bey hopped on a new version of “Savage.” That was a huge moment for her, and she spoke about it on a recent Instagram Live session, saying that she cried when she first heard the remix.

Megan said, “I know that they say manifest it, but b*tch: that’s a real thing! That is a real thing. Manifestation is a real word. I ain’t know that! […] I just really can’t believe it. I heard it for the first time and I called my grandma, and I was like in f*cking shambles. I was really crying, I was like, ‘I really got a f*cking song with Beyonce.’

She went on to speak out about how the collaboration was extra special because she and Beyonce are both from Houston, so she has admired her from a long time. She continued, “You go from going to a Destiny’s Child concert in like the fifth grade, right, and you see Destiny’s Child, and it’s just really freakin’ amazing. And wanting to be a performer, wanting to be in the music industry, wanting to be any kind of entertainer, and you look at Beyonce, Beyonce is the standard.”

Watch Megan discuss the collaboration above.

Despite the quarantine, Haim continues to promote their upcoming album Women In Music Pt. III. For musicians, an unmistakable part of an album promotion process is the obligatory performance on late-night television. But, since all talk shows are currently being videotaped from home, artists are forced to get creative. Haim were able to work around the restrictions of quarantine by concurrently performing their latest single “I Know Alone” via video call on The Late Show With Stephen Colbert.

Sitting on the floor in each of their respective homes, the Haim sisters busted out all their equipment for their performance. Each armed with a keyboard and microphone, the band gave a swaying rendition of their track.

Sharing the song on social media, Danielle Haim said the single is about feeling removed, which particularly resonates with what the world is facing:

“it was always going to be the next song we wanted to show u guys from wimpiii, but it has kind of taken on a new meaning. the first lyric we wrote was ‘i know alone like no one else does’. this came from feeling like I was in the deepest spiral of being alone and feeling like i felt loneliness deeper than anyone ever had . i remember there were a lot of solo drives with a couple diet cokes in the passengers seat, going for hours at night to clear my head. Now with everything going on ‘alone’ feels like a ritual. only I know my own little secret routine on these days of being by myself and I almost take comfort in it. It’s my own way of staying sane in my alone-ness and it’s really helping me get through this.”

Watch Haim perform “I Know Alone” on The Late Show above.

Women In Music Pt. III is out 6/26 via Columbia Records. Pre-order it here.

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

2017 was a busy year — Melodrama and CTRL alone sucked the air out of the room — so casual listeners are forgiven if they somehow missed Rina Sawayama’s unassuming mini-album, Rina. Her digital anxiety anthem “Cyber Stockholm Syndrome” instantly proved she knew her way around a hook, and the glitterati-rejecting “Ordinary Superstar” indicated she had her own ideas about what being a pop star might mean. But if Rina was a pretty good independent pop EP, then her full-length debut, Sawayama, out earlier this month, is great. And three years later — in the middle of a goddamn global pandemic — there are no excuses for not getting deep into Rina’s eclectic new record.

Born in Japan in 1990 and raised in London, Rina is nostalgic not for those massive, crackling ‘90s anthems that ruled American airwaves but for Y2Ks brittle synth-fluff and wailing, arena-loud guitars. Like Poppy before her, Rina is fascinated by the way the internet has forever fused itself with interpersonal relationships, and is equally determined to bring the emotionalism of screamo into the traditionally feminine world of mainstream pop performers. But where Poppy sought surrealist personas and tongue-in-cheek, fake-deep philosophy, Rina is more interested in taking pop’s historical signifiers and making them her own.

“XS” pretends to be a homage to R&B’s obsession with materialism, but the chainsaw-revved spikes of electric guitar add the correct amount of camp to the song’s threadbare lyrics, dismantling the song’s shallow desires without deflating the fun of living beyond your means, either emotionally or financially. On its heels comes “STFU!,” another early single that wields raging guitars in a similar fashion (and also like Poppy, owes a debt to Grimes), knifing rampant misogyny and the fetishization of Asian women with a daydream-y, rage-fueled expression of anger that most women, and frankly, plenty of men, will likely find cathartic.

But despite these hints at a new guitar-focused sound — late in the album, “Who’s Gonna Save You Now?” reprises nu-metal again, with similar success — Sawayama isn’t a pivot to pure blissed-out angry rock. This is the kind of debut that emerging pop stars dream about making; and at the core it’s anchored by the monster single, “Commes Des Garçons (Like The Boys),” which might be my own personal song of the year, while I’m still thankful the rest of the album is divergent from that song’s wub-wub club sound, weaving spun-sugar throwback pop and slinky R&B alongside the aforementioned nu-rock standouts, all without ever losing the thread that ties them all together.

Like the standouts on her early EP indicated, Rina is at her best as a songwriter when she gets into the sticky, ugly ephemera of human relationships, and the stark, self-aware assessment of “Bad Friend” makes the woozy chorus hit like a hot and cold chill — most of us have been on both sides of this coin. On the other hand, “Chosen Family” asserts a bond that can’t be broken even when blood ties have been, naming loved ones as whoever the heart decides they will be and converting this trusted inner circle into family, an all-too-familiar ritual, in the queer community especially.

Releasing the one-off single “Cherry” in 2018, Sawayama made a public statement about her own queerness, addressing the prevalence of biphobia, and rallying the LGBTQ community behind her in the process. “Chosen Family” follows up on the subject in a completely different way, skating as close to unabashed tenderness as Rina gets on an otherwise high-energy song cycle. Again, her ability to include this kind of cinematic ballad on an album that’s dominated by bangers, and not have it feel out of place, is a testament to the record’s flexibility and cohesion.

There are so many layers on Sawayama that even a full two weeks after the record was released, I’m still finding new elements cropping up on the songs I’ve been through a hundred times. One of my favorite deeper cuts, “Paradisin’,” initially feels like a long lost cousin of Hoku’s “Perfect Day” (popularized by the Legally Blonde soundtrack, natch), until a new listen earlier today had me realizing the saxophone interlude ties it directly into the blessed lineage of The 1975-leaning bops. Listen with this in mind and it’s easy to imagine Matty himself singing the track, and actually, that’s another band that effortlessly blurs the line between earnest and ironic in the way that Rina does. So it’s probably not surprising to learn that the band’s guitarist, Adam Hann, contributed to the album, and that they are both affiliated with UK label Dirty Hit.

While the majority of Sawayama is catchy and wild enough to earn play after play, I’d be remiss not to spend longer praising “Commes Des Garçons (Like The Boys).” Here, Rina’s wordplay hat tips one of the most celebrated Japanese labels in the world, spotlights the gay male community, and delivers a female empowerment anthem that’s also a certified dancefloor destroyer. The remix, featuring Brazilian drag queen Pabllo Vittar (you heard him on a Charli XCX joint) simply doubles down on all of these elements, with welcome weird glitchiness, and since it’s the thought that counts, I can say I love the brazen sleekness of the original.

Though I do hope that 2020 will be full of pop albums that carry epic cultural narratives along with them, in the way that Fiona Apple’s recent Fetch The Bolt Cutters does, I’m secretly glad that plenty of massive, established stars have pushed or shelved their releases. This gives a soon-to-be star like Rina the space to take center stage, and gives otherwise occupied listeners some free time to explore a record they might’ve otherwise missed. On her full-length debut, the Japanese-British pop star delivers a freewheeling record that delights in confident, unruly weirdness — put your headphones in and give this album the obsessive listens it deserves.

Sawayama is out now via Dirty Hit. Get it here.

Two doctors who run an urgent care clinic in Bakersfield, California have made a viral sensation of themselves by going against the recommendations of experts in epidemiology and advocating for the immediate reopening of the country.

In a video that’s been shared widely across social media, Drs. Dan Erickson and Artin Massihi claim that, based on their testing numbers at their five clinics in Bakersfield, COVID-19 has a comparable infection and death rate as the seasonal flu. Therefore, they say, lockdowns aren’t warranted and should end immediately.

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One look at New York or New Jersey’s hospitals in recent weeks, or a cursory peek at the stats showing that COVID-19 has killed more Americans than the average flu season just this month alone (54,000 deaths in April so far—flu kills an estimated 12,000 to 61,000 in the U.S. annually), really ought to be enough for people to view these “no worse than the flu” claims with skepticism. But Americans who are struggling with being unable to work or are just tired of staying home have glommed onto these doctors’ claims as gospel truth and used them as proof that the response to the pandemic has been overblown.

This seems like a good time to remind people that a dissenting voice should not automatically be convincing just because it says what you want to hear. Not when that voice is weighed against thousands upon thousands of other professional voices—including the vast majority of infectious disease experts who have made this their life’s work—who say something different. Not when statisticians and epidemiologists point out the flaws in these doctors’ methodology and erroneous conclusions. And not when the professional organizations in these doctors’ own field call them out for misinformation.

In a joint statement, the nation’s two largest emergency medicine associations have roundly condemned Drs. Erickon and Massihi’s “reckless and untested musings”:

The American College of Emergency Physicians (ACEP) and the American Academy of Emergency Medicine (AAEM) jointly and emphatically condemn the recent opinions released by Dr. Daniel Erickson and Dr. Artin Massihi. These reckless and untested musings do not speak for medical societies and are inconsistent with current science and epidemiology regarding COVID-19. As owners of local urgent care clinics, it appears these two individuals are releasing biased, non-peer reviewed data to advance their personal financial interests without regard for the public’s health.

COVID-19 misinformation is widespread and dangerous. Members of ACEP and AAEM are first-hand witnesses to the human toll that COVID-19 is taking on our communities. ACEP and AAEM strongly advise against using any statements of Drs. Erickson and Massihi as a basis for policy and decision making.

You can choose what professional medical associations made up of tens of thousands of physicians say, or you can believe two random doctors from Bakersfield. (Or any of a handful of dissenting voices on the internet—do not @ me with your YouTube “research,” please.) Or you could recognize that in the modern scientific era, a majority consensus in specific areas of expertise is where you should place your bets.

We aren’t living in the time of Galileo, where a lone scientific voice tried to break through and was punished for it. Science has evolved, as has the methodology for determining what’s legitimate and what’s not. We live in a time where lone dissenters in science are either 1) innovative pioneers whose work is checked, verified, and added to the body of knowledge, or 2) quacks or hacks whose work is debunked or discredited for not being scientifically sound.

But let’s say you’re convinced these doctors are onto something with their data. They do sound quite scientific and doctory, after all, and you’ve heard that a few other (notably preliminary, non-peer-reviewed) studies have come to similar conclusions.

Carl Bergstrom, a professor of biology at University of Washington, explained in a detailed Twitter thread why the data extrapolation from the two doctors doesn’t make sense.

Bergstrom wrote:

“Unfortunately the misleading claims of those two doctors in Bakersfield keep making the rounds, so I want to very briefly address the problem with what they are saying. I won’t get into their possible motives, past political activity, etc.

What they did was simple: they looked at the fraction of patients who tested positive for #COVID19 at the clinics they own. They found 340 out of 5213 tests were positive, about 6.6% Then they assume the same fraction of the whole population are infected.

From there, they scale up to the state level and claim 12% incidence statewide. The news story says it is using the same calculation, but it can’t be—how did they get from 6.6% to 12%? Perhaps they estimating infected *ever* versus infected *currently*. It’s not clear.

Using that 12% infected figure, and a known 1400 deaths in California, they assume 1400 out of 4.7 million have died. That gives them an infection fatality rate of 0.03%. That is, they think that if 10,000 are infected, 3 will die on average.

The problem with this approach is that during a pandemic, the people who come into an urgent care clinic are not a random sample of the population. A large fraction of them are coming in precisely because they suspect that they have the disease. This generates sampling bias.

Estimating that fraction infected from patients at an urgent care facility is a bit like estimating the average height of Americans from the players on an NBA court. It’s not a random sample, and it gives a highly biased estimate.

Moreover the estimate does not pass even a basic plausibility check.

In New York City, 12,067 people are known to have died from the virus, out of a population of 8.4 million.

This is a rate of 0.14% of all people. Not just infected people. All people. That gives us a lower bound on the death rate in New York. Not an estimate, a lower bound.

The death rate for infected people is obviously higher than 0.14%, because not everyone in New York has been infected. And yet that 0.14% lower bound is nearly *five times as high* as the 0.03% that the Bakersfield duo are claiming. They’ve used absurd methodology to arrive at an implausible number.

If the pandemic were not so severely politicized, this would be a non-issue from the start.”

The comparisons to the flu really need to stop. No flu season has had 54,000 confirmed cases in a month. No flu season has resulted in refrigerator trucks being backed into loading docks at hospitals to have a place to put the deceased.

When people say, “We don’t shut down the country for the flu,” well, yeah. Exactly. Because this isn’t the flu. Even if COVID-19 did have a similar infection and mortality rate as the flu, we don’t have a vaccine and we don’t have a proven treatment for this virus.

And the vast majority of people who study infectious disease and pandemics full-time have come to the same conclusions—not just in the U.S., but worldwide. That’s why the vast majority of countries around the world have gone on lockdowns. And those that did so early and began testing and contact tracing early have managed to contain their outbreaks. Even here at home, with the far higher death count than anywhere else in the world, we’ve managed to start flattening the curve with our mitigation lockdown measures.

Obviously, no one thinks we can stay as stringently locked down as we’ve been until we get a vaccine. We do need to get the economy moving again—but when it’s safer to do so than now. We haven’t even had a drop off in cases and deaths yet as a nation. Many states are opening up weeks too early, according to the best modeling available. Literally just weeks, but weeks in a pandemic can make or break an outbreak.

There’s much that we’re still figuring out about this virus, but that doesn’t mean we don’t know anything. Years of planning and simulations and studying outbreaks and disease around the world have led to the responses we’ve seen around the world. It’s not for “the average flu.” It’s not some nefarious plot to steal people’s freedom. It’s an attempt to save as many lives as we can from a disease we can’t control and can’t treat.

We’ve made economic sacrifices to do so, absolutely. And if we open up too early, we’ll just have to do it all over again, and the sacrifices we’ve made so far will be for naught.

That’s the resounding message from infectious disease experts around the world, no matter what two random doctors in Bakersfield say.

Over the past few weeks, the N95 respirator has gone from gear worn by people working in hospitals or on industrial sites to something you see your neighbor wearing when they’re walking their dog.

The tight-fitting mask with a pliable metal piece near the nose does a lot more than provide a protective barrier for the mouth and nose.

According to The University of Tennessee, it “uses an electric field to ionize the neutral air to generate ions and electrons, which then charge the nonwoven fibers through field and induction.”

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The N95 respirator is one of the biggest heros of the COVID-95 pandemic because it has prevented countless people from spreading and contracting the deadly virus. It has also made it possible for healthcare workers to work closely with people who’ve been infected without contracting the virus themselves.

The “N” in the respirator’s name stands for “not resistant to oil,” and “95” is because it has the ability to remove at least 95% of submicron particles, such as viruses, from the air.

via Alamosa County Public Health / Flickr

It was invented by material scientist and engineer Peter Tsai and his team at the University of Tennessee in 1992 in an attempt to develop electrostatic filtration technology. The respirator would go on to be used in industrial settings until it was later discovered to be effective at preventing the spread of diseases in medical settings.

The N95 received a U.S. patent in 1995.

Tsai is a world-renowned expert in nonwoven fabrics and was a professor at the University of Tennessee’s Material Sciences and Engineering Department for 35 years before retiring last year.

However, his retirement was short-lived.

Due to the COVID-19 pandemic, he’s come out of retirement to find new ways of sterilizing his respirators so the single-use masks can be used for longer periods of time.

“I just want to help people, and just do my job,” Tsai said in an interview with NPR.

via Red River College / Flickr

The N95 masks are in short supply across the world, so many people are using chemicals such as alcohol and bleach to sanitize them for reuse. But that can cause them to deteriorate and become ineffective.

So researchers from around the globe have been filling Tsai’s inbox for suggestions on how to sterilize their masks.

Among those who’ve been experimenting on ways to sterilize the masks is a collective known as N95DECON that’s been working with heat, a form of ultraviolet light, and hydrogen peroxide vapor.

Maha Krishnamoorthi, vice president of the University of Tennessee Research Foundation, calls Tsai that a “rock-star” and says he’s become the “man of the hour” during the COVID-19 pandemic.

“And he said, ‘No — I’m man of the minute,'” Tsai told Krishnamoorthi according to NPR. Tsai believes that the people wearing his masks are the real heroes.

“The front-line hospital workers — they are heroes,” Tsai said. “I’m just trying to help them to wear the mask.”

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Since declaring national sports and media essential businesses, Florida has become the only place in America broadcasting live pro wrestling. WWE was broadcasting live from the Performance Center in Orlando until this weekend when they started taping multiple times a week instead, and All Elite Wrestling will start producing live shows in Florida next week. In his most recent press conference about the coronavirus pandemic, Florida Governor Ron DeSantis mentioned WWE and talked about when he thinks sports in the state could have live audiences again.

The focus of this press conference was DeSantis laying out the plan to reopen the state’s economy, starting with restaurants and retail stores opening at twenty-five percent capacity this Monday. The governor criticized the lockdown measures undertaken by other states throughout the press conference and emphasized the negative economic and social impacts of the lockdown. Florida is still logging hundreds of new COVID-19 cases per day, though the average number of new cases per day has decreased since the state put a stay-at-home order in place at the beginning of April.

After going over the initial stages of the plan to lift coronavirus prevention restrictions in Florida, DeSantis brought up leisure activities like restaurant dining and sports. As with his initial explanation to ESPN about WWE being classified as an “essential business” and his later statements about the decision, DeSantis spoke highly of sports companies investing in Florida and about people having new sources of entertainment. About WWE specifically, he said:

I wanted the wrestling to be filmed in Orlando. I’d like them to do WrestleMania. They were going to do WrestleMania in April. That’s hundreds of millions of dollars. I want to keep that good relationship. I want them to invest in Florida.

DeSantis mentioned the upcoming UFC event in Jacksonville and charity golf event, then moved on to speculation about when sports could have live spectators again. “There’s going to be a lot of good stuff going on, ” the governor said, “but I don’t think we’re probably ready to have any fans. But I do think if the trends are good… as you get into June, July, I think there is a window.” DeSantis added that “you’re not going to have everyone packed in,” but hypothesized about people sitting ten feet apart at baseball games.

While the future of sports and just about everything else in America is uncertain, it’s at least a possibility that there could be WWE and AEW shows this summer soundtracked by live crowds, just a seventy-five percent quieter ones than usual.

Hello! Are we still here? We are! Do we want to be? Not really. A big reveal in week seven of NBA Self-Isolation and our own more rudimentary version is that personal forms of escape are on the rise.

For some, this is exercise and physical betterment, for others, building incredibly intricate models of fictitious universes or pretending to go on vacation. Players are testing the boundaries of their bodies and hobbies, seeking out small rushes in their daily routines meant to provoke themselves or, in one specific case, Dwyane Wade. Let’s see who pulls off a jailbreak of the mind, shall we?

Lou Williams

Sweet Lou has a story in three parts (well, in truth it was one fluid video but these are the relevant stills) for all of us struggling through this seventh week in self-ISO, contending with dwindling energy levels yet sleeping more than ever before!

First, escape from routine! Williams bursts out of his home into his backyard, already in the process of yanking his shirt off as he goes.

Then, gleeful, he goes sprinting full tilt toward something in the distance.

A pool! His pool! Mid-air, Williams holds his nose against the plunge and gives a quick thumbs-up to the viewer, before he goes hurtling under the water.

Rating: A lesson to symbolically bust loose when you need to, but do it within the advisable framework of public health and safety.

Mike Scott

Scott, not one to shy away from, well, anything, has been laying lowish these past weeks. But thankfully there was something to stir up his isolation this week — his teammate, Tobias Harris. Harris tweeted something of an inspirational message about harnessing the direction of your life through the power of positive thought and Scott, told him quite positively, what to do next. It was all just some friendly razzing between friends though because Scott shared Harris’s message on its own a little later.

Rating: Let us never forget to razz our friends and loved ones! For even when times are bleakest a good razzing will unite us. Razz the economy, razz leadership, razz, razz against the dying of the light.

Donovan Mitchell

Mitchell’s quar has been lifted for a little while now but it seems his spirits are soaring, too. First, wanting to get in on the trickshot from home trend many players are trying, Mitchell engaged in some backward shooting.

He had about, five tries? His delighted face falling anew with every shot that didn’t. Don’t worry, he made one in the end. Then, even though every single day is Sunday now, sure, Mitchell shared this cozy scene on this week’s actual Sunday showing that it is up to us to maintain traditions.

Rating: Be the wind beneath your own wings.

Patrick Beverley

Bev and the boys played a round of Scrabble at dusk, going for triple word scores in the fading, languid light of an L.A. sunset like an all-inclusive resort drink abandoned and melting down at the side of a pool.

Rating: ‘Lumen’! I’ve never in my life thought of that one. Yoink.

Fred VanVleet

It is hard to be a precious asset on a team full of literally priceless artefacts of the heart, but the Raptor’s Fred VanVleet is just that. VanVleet has spent his mostly private time in ISO with his family, perfecting the games of “I’m a scary lion” or “I’m a scary bear” with his two young kids. He’s branching out this week, giving his daughter a professional (professional basketball) pedicure, complete with mini UV lamp.

Rating: Had you cried yet today? It was time.

Ben Simmons

Simmons hauled out the ol’ rod and maybe hauled out some fish from this picturesque small lake or large pond. He didn’t share any catches so I’m guessing no nibbles, but still, doesn’t this look nice?

Rating: Be your own bait.

Ersan Ilyasova

I feared we hadn’t heard from this rangy deer in ISO and lo, here comes Ilyasova very wholesomely exploring some local woods with a child on his shoulder, something right out of a Turkish fable where all seems lost until a large and benevolent figure in sweatpants comes to rescue you so long as you keep the faith and respect the natural world.

Rating: The kid needs to watch for low and high canopy branches, though.

Terry Rozier

Not so scary Terry! I’ve used this line already, I think? It doesn’t matter. Everything is as fluid now as this sunlight cascading down onto Rozier and the little tiny puppy he loves, nestled safely in his arms.

Rating: Honestly I have never seen this guy so happy and he is giving us good reason to rescind on a nickname that perhaps never even fit his true, secret heart!

Boban Marjanović

Boby got on the world’s largest inflatable pool innertube and splashed around for an afternoon while Bad Bunny played in the background. Flexing and flopping in the water.

Rating: Really need dimensions on this innertube.

Kyle Kuzma

Here are Kuzma and Snoh, pulling up and imploring you to get in loser, we’re going on… safari?

Rating: Kuzma and a little husky puppy are not the pairing we knew a pandemic would give us but it’s the duo we needed plus, how nice is it to no longer have the sneaking, upsetting suspicion that Kuz was very lonely on the Lakers roster!

Aaron Gordon

As we’ve been seeing, Gordan has leaned very deeply into exploring new, creative pursuits in self-ISO. First there was painting, then artistic photography in the swamp at sunset and new modes of dress, now, he is exploring the traditional technique of the diss track. This one was aimed at Dwyane Wade’s questionable Dunk Content judging and opened with a bottle of Wade’s own D Wade Cellars wine. It feels fine if you think of it more as something Gordon had been meaning to get around to doing and less that way if it was something he’s been stewing on since February.

Oh phew, he was having fun.

Rating: D Wade wine, a perfect pairing for all of life’s dishes, even revenge.

Rudy Gay

A trend picked up with Rudy Gay in the literal middle of it, a picture of him screaming on court and photoshopped into various scenes. No, he didn’t really “do” anything but it is nice to picture his reaction to each one.

Rating: He said the iconic boxing photo was his fav but I think it’s really ‘Happy Fiesta’.

DeAndre Jordan

If there’s anyone who was going to get into tie-dye in lockdown it was going to be Jordan. Here’s hoping he gets so into this trend that he soon runs out of things in his home to tie-dye and sneaks, safely, into the Nets practice facility to clandestinely gather up his teammates jerseys to take home and go to tie-dye town on. It’s just good to see someone finally willing to step into Bill Walton’s shoes as the NBA’s leading tie-dye loving 7-footer.

Rating: But of course the Nets, the NBA team most likely to get right into tie-die of their own volition down the road, are super into it upon return to play. Looks like we have a new Association Edition uniform on our hands!

Jimmy Butler

Good news, Jimmy Butler’s mental and emotional state continues to hold up well in isolation. You can tell by decoding the subtle hints he gives such as harassing his friends who are doing nice things for him and fixating on Excel spreadsheets he’s meticulously keeping up that track his body fat.

Rating: The Miami system at work.

Lonnie Walker

For context, Lonnie Walker is a pretty big guy! I’ve been lucky enough to stand in front of him talking and he has a huge presence as much as frame. His hair is taller than people of a more diminutive stature, etc. When Walker got his great dane puppy, Bishop, in January, the little guy was as big as one of Walker’s shoes, now he’s about as big as half of Walker’s body and still, technically, a puppy.

Also, a bonus from Walker, we now know that he has a photo of himself, Gregg Popovich and Bruce Brown in heart-shaped frame in his house.

Rating: Get you a bundle of joy that doubles as a free weight.

Marco Belinelli

Belinelli’s been heavy into challenges! First, cinnamon, now, Lego. He did a full Jurassic Park set up a couple weeks back and has since done up a Stranger Things situation. Would love to know if he keeps these on shelves in a dedicated Lego room or reuses pieces to do some off-roading in his builds.

Rating: Lego is just a 3D puzzle so don’t be knocking on Beli when you or people you know are paying triple the list price on a 1000 piece puzzle of a windmill.

Myles Turner

Just your weekly reminder that Myles Turner is going to come out of this with core strength that makes the rest of us look like rapidly collapsing solar systems. Crumpling not in real time, but at light speed.

Rating: He even said next week he’d try this without the wall.

Tim Hardaway Jr.

Ah yes, another day in the week in the month in the life of being Tim Hardaway Jr. Lying on his back dock with a stogie, patiently awaiting the return of his manatee pals. [Editor’s Note: That’s a very nice Cuban cigar. Get you a cigar plug like Timmy has.]

Rating: If patience is a virtue then Hardaway Jr. makes waiting a fine art.

DeAndre Bembry

Bembry with the number one rule of dressing for the self-ISO you want.

Rating: In this case pulling a look off just involves leaving one room for another so congratulations, you did it. You’re doing it.

Jordan Bell

Uh sorry, Bell wishing his dog a happy birthday and referring to it as “my lil one” is what’s going to break your heart today, even if you were holding out for something else.

Rating: Don’t worry, there’ll be something tomorrow that equally shatters you!

Richard Jefferson

Some people are mourning the things that have been lost due to the pandemic, the economy, a sense of trust in government, things like that. But Richard Jefferson took a detour this week to say farewell to his heart’s purest joy, Coachella?

Rating: I am going to miss all the fake Coachella lineups though.

Isaiah Thomas

Thomas took a walk and got scared of a toad that seems more afraid of him, then had the gall to call the little, sort of ashamed looking guy “nasty”.

Rating: Let a warty guy live!

Dwyane Wade

We go live to Dwyane Wade to catch his real-time reaction to Aaron Gordon’s scathing dis track and, oh, here’s Wade and he appears to have his mind on other things, namely dressing for the vacation he wishes he was going on. Wade, can we get a sense of your feelings on the claims Gordon made about you, while really enjoying your wine?

You’re absolutely right, there is no law like that.

Rating: Wine maker, freedom fighter.

PAUL PIERCE’S PLACE

Bad and troubling news, Paul Pierce had been quiet this week. Did he get arrested breaking into closed beaches? Will Paul’s isolation jailbreak be from literal jail? Did he hurt himself running across the hot sands of freedom? It was starting to get tense but then,

Pierce showed up poolside with a towering hookah to let us know he is, for now, taking a breather from tempting fate. We love the beach too, Paul, but they have been there for literal eons and will continue to be once this is all behind us! The metaphor for time is sand!

Offset put on a livestream concert to benefit the Atlanta Community Food Bank yesterday (April 29), and he was joined by Saint Jhn, Gunna, Rich The Kid, and Young Thug. The event had a number of highlights, but one of the most interesting takeaways was when Thug told the story about the time he says he “kinda died” due to liver and kidney failure.

He said, “I kinda just stayed in the bed and I was like, ‘Yo, call the ambulance. I can’t move my body.’ Then later, when the ambulance came, I couldn’t get out of the bed. They had to get me out of the bed, basically. I felt like my whole body was numb and I couldn’t move. I went to the hospital and I had found out that I had liver and kidney failure. And I kinda had sorta passed away, like I kinda died. I was in the hospital for like 17 days. I left the hospital, my mom didn’t trust it. So I left the hospital, went to another hospital, they was like, ‘Man, you got liver and kidney failure. You supposed to be dead. Basically, you’ve been dead.’ I’ve been killed before.”

There were a couple instances over the past few months where Thug found himself in the hospital for reasons that weren’t publicly disclosed, once in September and again this past January. It’s not clear if either of those visits are related to Thug’s story. The good news, ultimately, is that he seems to be doing just fine now.

Watch Thug tell the tale above.

It may not have been the flashiest performance (that would be tough in a movie with Leonardo DiCaprio, Brad Pitt, Margot Robbie, AND Al Pacino), but Damian Lewis delivered some much-needed exposition in Once Upon a Time in Hollywood. As Steve McQueen, the Billions star explained Sharon Tate’s relationship with director Roman Polanski and hairstylist/third-wheel Jay Sebring to a party-goer, and us, the viewers.

In a new interview with GQ, Lewis detailed what it’s like to receive a phone call from (a presumably excitable) Quentin Tarantino asking you to be in his movie:

“Look, I’m doing this movie… Steve McQueen’s in it, man… and I’ve just always thought, man, that you’d be a great Steve McQueen… and will you come and do my movie?”

Lewis said yes, obviously, although there was some hesitation. Not about the script, but his costume, specifically, his wig. “I just felt a bit like, basically, if Jon Bon Jovi was playing Robert Redford who was trying to play Steve McQueen — that’s sort of who I looked like. And it didn’t feel quite Steve McQueen enough. Because at least one of those people isn’t very cool,” he said. “It was too straight-flowing, and it just looked a bit sort of ’80s soft rock.” The wig was adjusted to what ends up in the film (“A bit sort of curlier and unkempt and matted”), but to be honest, I would not have minded seeing Brody from Homeland as Steve McQueen looking like the lead singer from Air Supply.

Distracting? Sure. But it would have looked cool as hell.

(Via GQ)