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The Best TV Shows On Netflix Right Now

Last Updated: June 16th

There are plenty of good TV series on Netflix. Arguably, too many, in fact. If you’re trying to figure out what to watch next, here’s a great place to start with a look at 65 of the best shows on Netflix right now (including some of the best Netflix original series). You can also find recent changes, including new seasons and removed shows, at the bottom of this list, while some of the most recently added entries listed first.

Related: The Funniest Shows On Netflix Right Now

NBC

Hannibal

3 seasons, 39 episodes | IMDb: 8.6/10

Bryan Fuller’s Hannibal is a perfect series to binge-watch, given that the ability to watch back-to-back episodes evens out some of the slow pacing. Hannibal is dark, macabre, and brilliantly creative, and while it has many of the same characters viewers know and appreciate from the movie/book series, it also has an entirely different and unique tone (some would even say better). The murder scenes are equally gruesome and gorgeous, the series’ long arc is as disturbing as it is engrossing, and the acting from Hugh Dancy, Mads Mikkelson, and Laurence Fishburne is superb. It’s a slow, morbidly addictive burn, and viewers must stick around for Michael Pitt’s Mason Verger in season two, if only for one of the most beautifully unsettling sequences ever seen on network television.

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community
NBC

Community

6 seasons, 110 episodes | IMDb: 8.5/10

Has there ever been a sitcom as downright clever as Community? Aside from the gas leak year, Community was quicker than nearly every other comedy out there, with jokes flying fast but also taking seasons to reach a punchline. After getting caught with a phony degree, former lawyer Jeff Winger (Joel McHale) heads to Greendale Community College to get a legitimate degree. There he gets into increasingly hilarious hijinks with his Spanish study group. Between paintball wars, zombie outbreaks, and the increasingly ridiculous presence of Senor Chang (Ken Jeong), Community is never, ever boring. Quit living in the darkest timeline and get to watching.

Netflix

Feel Good

1 season, 6 episodes | IMDb: 7.5/10

Comedian Mae Martin stars in this feel-good dramedy series about a stand-up performer (named Mae), who falls for a young woman named George. Mae’s a recovering addict; George has just emerged from the closet. Sparks fly between the two, but Mae’s past drug use and George’s reluctance to come out to her friends and family threatens to break them up.

joe exotic tiger king
Netflix

Tiger King

1 season, 8 episodes | IMDb: 8/10

There are stories too bizarre, too mind-boggling to be true… and then there’s this seven-part docuseries. Cults, queer romance, exotic cats — this true-crime binge has it all. Is Joe Exotic, a gay, gun-loving conman running an exotic zoo out of his home in Oklahoma, a criminal or an American hero? Did animal rights activist Carole Baskin murder her husband and feed him to her tigers? Why are so many zoo employees missing limbs? These are just a few of the questions you’ll ask while watching this train wreck. Have fun, kids.

best binge worthy shows on netflix
Netflix

Narcos: Mexico

2 seasons, 20 episodes | IMDb: 8.4/10

Good news: Narcos is back. Even better news: Mexico is basically an entirely revamped show, which means you don’t need to be familiar with past installments to enjoy the wild ride. Diego Luna plays the new big bad, a drug lord looking to expand his reach, while Michael Pena plays the fed tasked with busting his operation. Luna looks to be thoroughly enjoying playing the sleazeball gangster-type, and since this installment is set in the 1980s, expect plenty of decadence, a killer soundtrack, and a ton of cocaine.

Netflix

The Witcher

1 season, 8 episodes | IMDb: 8.5/10

Henry Cavill leads this fantasy epic based on a best-selling series of books and a popular video game franchise. The expectations are high, but they’re more than exceeded by Cavill, who plays a mutated monster hunter named Geralt. Showrunner Lauren Schmidt Hissrich laid out for us the changes she made from page to screen, introducing key characters like the sorceress Yennefer and the destined princess Ciri early on, changes that take this show to the next level. It’s a cross between a police procedural and a Lord Of The Rings-style adventure. You’ll love it.

Netflix

Living With Yourself

1 season, 8 episodes | IMDb: 7.3/10

The only thing better than a series starring Paul Rudd is a show starring two Paul Rudds. The funnyman leads this new original series while playing a man named Miles, who seems pretty dissatisfied with his life so far. After agreeing to participate in a mysterious spa treatment that promises a better, more successful life, Miles is left with a practically perfect doppelganger intent on taking his life from him. It’s dark and weird, and did we mention the two Paul Rudds?

best shows on netflix
Netflix

When They See Us

1 season, 4 episodes | IMDb: 9/10

Director Ava DuVernay’s limited series about the wrongfully accused men in the Central Park Five case is an emotionally heavy reimagining of a truly tragic event in our history. The series sheds light on racial profiling and corruption in the NYPD as a group of young Black men are targeted for a heinous crime and put on trial with little evidence. It’s a gripping, heartbreaking retelling, but one that feels sadly relevant.

Netflix

I Think You Should Leave with Tim Robinson

1 season, 6 episodes | IMDb: 7.6/10

Saturday Night Live and Detroiters alum Tim Robinson creates and stars in this 15-minute sketch comedy series that is perfectly happy to offer up a few irreverent laughs without all of the post-comedy commentary that weighs down other funny shows in 2019. It’s a mixed bag of unconnected stories about toddler pageants and old men out for revenge and how Instagram has warped our social interactions in hilariously bizarre ways. What each of these skits has in common is Robinson’s particular brand of comedy and his unrivaled ability to make you laugh.

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best netflix shows
Netflix

Tuca & Bertie

1 season, 10 episodes | IMDb: 7.4/10

Ali Wong and Tiffany Haddish voice the stars of this animated comedy from BoJack Horseman artist Lisa Hanawalt. Wong plays Bertie, a 30-something songbird thrush with debilitating anxiety, a knack for baking, and a truly toxic work environment. Haddish plays her best friend Tuca, a loud-mouthed toucan who loves to party and hates the thought of settling down. The friends try to hold on to their single days, even as Bertie takes the next step in her long-term relationship and Tuca struggles to find her place in the world. It’s a more colorful, comforting world than BoJack, but it’s got the same great humor and surprisingly-thoughtful musings.

Netflix

Dead To Me

2 seasons, 20 episodes | IMDb: 8.1/10

Christina Applegate returns to TV with this grief-com about a woman trying to pick up the pieces after her husband is murdered in a horrible hit-and-run accident. Applegate plays the angry, grieving widow with equal parts humor and empathy while Linda Cardellini plays her sunny, optimistic best friend. The two meet in a grief group and navigate the challenges of moving on after loss while also solving a murder mystery. There’s no way you’ll know what to expect here, which is half the fun of watching.

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good netflix shows - russian doll
Netflix

Russian Doll

1 season, 8 episodes | IMDb: 7.9/10

Natasha Lyonne stars in this Groundhog Day-from-hell remake about a woman who’s forced to relive the last day of her life over and over again. It’s been done before, but this series stands out thanks to its mix of dark humor and a tinge of the supernatural. Lyonne is one of the often overlooked OITNB stars, but it looks like this series is giving her a chance to show off her comedic chops as her character, Nadia, endures a constant loop of partying, dying, then waking up to do it all over again. As bleak as the premise is, Lyonne manages to find a silver lining, a universal message that basically read, “The world is sh*t, let’s help each other out if we can.”

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Netflix

The Umbrella Academy

1 season, 10 episodes | IMDb: 8/10

Superhero team-ups are a dime a dozen, but the TV adaptation of this award-winning comic series created by Gerard Way — yes, the lead singer of My Chemical Romance — feels wholly unique and thus, totally refreshing. The show follows the story of seven kids, all born on the same day to mothers who didn’t even know they were pregnant. They’re adopted by a mysterious billionaire and trained to use their supernatural abilities to fight evil in the world, but when they grow up, their dysfunctional upbringing catches up with them, and they’re left struggling to live normal lives. It’s all kinds of weird, which is exactly what the genre needs right now.

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Netflix

Chilling Adventures of Sabrina

3 seasons, 31 episodes | IMDb: 7.7/10

Kiernan Shipka stars in this witchy revival of a sitcom classic. This Sabrina Spellman is darker than what millennials are used to. As a half-mortal, half-witch, Spellman is an outcast with the magical community and the first season explores the cult-like fervor of magic users, their worship of Satan, and why Sabrina is being pressured to sign her name over to the Dark Lord. The show also tackles issues of romance, friendship, and sexism in clever, crafty ways and with season two newly released, expect things to get even more nightmarish for the Spellman clan.

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netflix series - bodyguard
BBC One

Bodyguard

1 season, 6 episodes | IMDb: 8.2/10

The UK’s most popular new drama has made its way across the pond. The procedural thriller stars Game of Thrones’ Richard Madden as David Budd, a military vet turned police officer tasked with protecting a high-profile politician during a, particularly dicey time. There’s plenty of suspense and action to string you along, coupled with a vulnerable performance by Madden, who ditches his King of the North swagger to play a man conflicted by his past and his present duty to his country.

Netflix

The Haunting of Hill House

1 season, 10 episodes | IMDb: 8.7/10

Mike Flanagan knows how to do horror, and his latest series for Netflix, The Haunting of Hill House, is proof of that. The show, like the book off which it’s based, follows the fractured Crain family as they try to make peace with their dark and twisted path. Of course, through some carefully-timed flashbacks, we see why the Crain siblings are so messed up: They lived in a haunted house as children, a house that eventually caused the death of their mother. There are plenty of frights to keep horror fans interested in this thriller, but the real point of this show is investigating trauma and its lingering effects. Makes sense that horror is the best way to do that.

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amc

Breaking Bad

5 seasons, 62 episodes | IMDb: 9.5/10

Not just the best series on Netflix, Breaking Bad is the best series of all time. There’s no debate about that.

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NETFLIX

BoJack Horseman

6 seasons, 77 episodes | IMDb: 8.5/10

Not enough people on the Internet have explained that BoJack Horseman is not what it might seem like. Not enough people raved that it was an often very funny, often very heartbreaking meditation on depression. It’s an animated sitcom about a washed-up horse, and somehow, it’s also an incredibly profound look at deeper themes. It’s amazing, but it may also leave you in a depressive funk for days afterward. Its fourth season even placed it among our best TV shows of 2017, and, thankfully, Season 5 is just as funny and sad as ever.

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Netflix

Stranger Things

3 seasons, 25 episodes | IMDb: 8.9/10

A throwback and love letter to the early 1980s movies of Steven Spielberg and John Carpenter, the Duffer Brothers’ Stranger Things feels both familiar and new. It’s about a boy named Will (think E.T.‘s Elliot) who is captured by a The Thing-like creature and trapped in a Poltergeist-like world. His mother (Winona Ryder) recruits the local sheriff to investigate Will’s disappearance. Meanwhile, Will’s dorky, Goonies-like best friends take to their bikes to do some sleuthing of their own and eventually befriend an alien-like girl with telepathic powers (the E.T. of the series). Season two continues that vibe as the show dives deeper into government conspiracies and alien monsters intent on wreaking havoc on small-town Indiana. It’s great PG horror/sci-fi, like the blockbusters of the early ’80s, and even if you didn’t come of age in the era, there’s something for everyone to enjoy.

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NBC

The Office

9 seasons, 201 episodes | IMDb: 8.8/10

The original UK The Office mainstreamed Ricky Gervais’ awkward, uncomfortable humor, while The Office diluted it (some), layered in one of sitcom’s greatest romances (for four seasons, anyway), and surrounded Steve Carell with a remarkable, quirky supporting cast. The first four seasons still stand as the best workplace comedy in American sitcom history, even if the final four seasons were increasingly mediocre — though the series did redeem itself in the end.

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NBC

Parks and Recreation

7 seasons, 125 episodes | IMDb: 8.6/10

Witty, heartfelt, and funny, you’re not likely to find a more likable sitcom than Parks and Recreation. The first six episodes aren’t very good, but once they figured out what to do with Amy Poehler’s Leslie Knope, the sitcom began to thrive, thanks in huge part to its endearing supporting cast. Parks and Rec is blissful television, and a must watch for any fan of great sitcoms.

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Netflix

Arrested Development

5 seasons, 84 episodes | IMDb: 8.9/10

The series lost some of the mystique it had gained after its cancellation because Netflix’s season four wasn’t to everyone’s satisfaction — though it flowers with repeat viewings, especially with the recut version of it. Arrested Development still stands as one of the funniest, most inventive, and most influential sitcoms of the generation.

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orange is the new black as one of the best netflix original tv series
Netflix

Orange is the New Black

7 seasons, 91 episodes | IMDb: 8.2/10

One of the best original shows on Netflix, this prison dramedy is a deeply human, funny, moving, realistic, progressive show about life and the bad decisions we’re all destined to make. OITNB humanizes the dehumanized, transforms labels — felons, thieves, murderers, embezzlers — into real human beings and reminds us that, even in prison, life isn’t put on hold. Life is being led. It’s a remarkably excellent series, and addictive as hell.

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better call saul - one of netflix's best tv shows
AMC

Better Call Saul

4 seasons, 40 episodes | IMDb: 8.7/10

In its first season, Better Call Saul quickly put to rest any fears anyone might have had about a spin-off from arguably the greatest drama of all time, Breaking Bad (which sits atop this list). Vince Gilligan and Peter Gould return as showrunners, and they continue to bring the same level of complexity, intensity, and character development to Saul as they did for Breaking Bad. What’s most remarkable about the series, however, is that they managed to transform the Saul character into someone humane and sympathetic while staying true to the same character in the original series. Indeed, Saul is the most detail oriented and perhaps the smartest show on television, and one hell of an intense, suspenseful drama, which is all the more impressive because we know roughly where it will end up.

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FX

American Horror Story

8 seasons, 106 episodes | IMDb: 8.1/10

Ryan Murphy’s horror anthology on FX is an unpredictable tour-de-force that, when it sticks its landing, is one of the best shows on TV. The series chronicles truly terrifying, mind-warping plots across multiple seasons, connecting some, ignoring others. What grounds these outrageous storylines involving haunted hotels, murder houses, insane asylums, cults, and covens is the cast, most notably Jessica Lange, Sarah Paulson, and Evan Peters. Murphy relies on their visceral portrayals of individuals unhinged to sell this whacky, nightmare-inducing rollercoaster and sell they do.

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Starz

Outlander

3 seasons, 43 episodes | IMDb: 8.5/10

At first glance, this bodice-ripper from Starz reads like the television adaptation of a dime-store paperback romance novel. It’s got time travel, sexy Scottish men in kilts, an arranged marriage, even a bit of witchcraft. But the show, starring Caitriona Balfe and Sam Heughan, elevates itself beyond those tropes, touching on everything from love and loss to the politics behind some of history’s most infamous conflicts. From the highlands to the French court, the series delivers awe-inducing visuals, career-making performances, and the kind of drama to keep you hooked.

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IFC

Documentary Now!

2 seasons, 14 episodes | IMDb: 8.1/10

Fred Armisen, Bill Hader, and Seth Meyers have created something truly unique with their riff on our culture’s obsession with docu-style TV series. The SNL alums mock the stylistic choices and subjects of other shows of its ilk, with episodes dedicated to everything from Grey Gardens to The Thin Blue Line. And the guest list for this thing is unbelievable.

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Netflix

Mindhunter

2 seasons, 20 episodes | IMDb: 8.5/10

In Mindhunter, Jonathan Groff plays Holden Ford, a character based on the real-life John E. Douglas (the inspiration for Jack Crawford in the Hannibal series). The series itself is based on the origins of an actual behavioral science unit in the FBI used to study serial killers in the 1970s and 80s. Ford is a young FBI Agent who takes a keen interest in psychology which, in turn, grows into an interest in the psychology of sequential killers. It’s a fascinating exploration into the origins of what now seems commonplace, a science that has inspired dozens of police procedurals. What’s more interesting here, however, is that while Ford is studying serial killers (all of whom are based on actual serial killers from that era), Ford develops his own obsession with serial-killers that mirrors the obsession serial killers have with their victims. It’s engrossing and fascinating. The series comes from Joe Penhall and executive producer David Fincher (who also directs several episodes), and fans of Fincher’s Zodiac will appreciate Mindhunter for its same attention to detail, and the same dedication to character and research over surprising twists and reveals.

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Showtime

Twin Peaks

2 seasons, 30 episodes | IMDb: 8.8/10

If small-town murder mysteries full of camp and supernatural phenomenon are your thing, well then why wouldn’t you watch (or re-watch) Twin Peaks? The series, crafted all the way back in the ’90s by David Lynch, is a cult-favorite and for good reason. With Kyle MacLachlan playing Special Agent Dale Cooper, a poor schmoe who’s called in to investigate the murder of homecoming queen Laura Palmer, he’s met with more than he bargained for. Conspiracies theories and otherworldly beings, time travel, and dwarves in red business suits soon follow. The original series may have ended with cliffhangers and unexplained plot-holes, but with the more recent Showtime revival, now’s as good a time as any to catch up on all the strange events that seem to plague this sleepy town.

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unbreakable kimmy schmidt, a good tv show
Netflix

Unbreakable Kimmy Schmidt

4 seasons, 52 episodes | IMDb: 7.7/10

This Tina Fey-produced sitcom — which was originally supposed to air on NBC before the network agreed to give it to Netflix — is as dense and irreverent as 30 Rock, but it’s also immensely life-affirming. It’s funny, fast-paced, chock-full of pop-culture references and maybe the easiest Netflix original series to binge-watch. And, like 30 Rock, Unbreakable Kimmy Schmidt also includes a lot of fun — and unexpected — celebrity cameos and pop culture references throughout its four seasons.

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netflix tv shows - walking dead
AMC

The Walking Dead

9 seasons, 131 episodes | IMDb: 8.3/10

Currently, the highest-rated scripted series on cable television, The Walking Dead is an up-and-down show. When it’s good, it’s phenomenal; when it’s not, it can be a slog (especially in the earlier half of the series, when Frank Darabont was showrunner). Greg Nicotero does fantastic FX work, and the series is particularly compelling because no one — no matter how high they are listed in the credits — is safe from the zombie apocalypse, and the showrunners seem to relish in killing off cast members (other than the almighty Rick Grimes). Some of the binge-watching value, however, is lost because it’s so difficult to avoid being spoiled to plot points of one of the most talked about series on TV. Nevertheless, unlike almost any television drama, up until the sixth season, The Walking Dead improved with age, Beware of the cliffhangers, however, in season six, and a precipitous fall off in quality thereafter.

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FX

American Crime Story

2 seasons, 19 episodes | IMDb: 8.5/10

Although the original trial took place 20 years ago, and despite the fact that anyone watching the series already knows the outcome, The People vs. O.J. Simpson somehow remains a tense, suspenseful watch. Buoyed by incredible performances (the season was nominated for over 20 Emmy Awards, winning 8), The People vs. O.J. Simpson recreates the events following the murder of Ronald Goldman and Nicole Brown Simpson and recasts them in the light of what we know now. In its second season, the shows moves focus on the assassination of design legend Gianni Versace by Andrew Cunanan. While not as strong as the amazing ensemble in Season 1, Season 2 boasts memorable portrayals of conflicted, complex figures by Darren Criss, Penelope Cruz, Édgar Ramírez, and (surprisingly) Ricky Martin.

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sherlock as one of the best netflix series
BBC

Sherlock

4 seasons, 13 episodes | IMDb: 9.2/10

Sherlock is the best iteration of the Sherlock Holmes ever to air on television. The British series from Steven Moffat stars Benedict Cumberbatch and Martin Freeman, and despite the fact that it has been updated, it brilliantly captures the same spirit of Arthur Conan Doyle’s classic stories. It’s fast-paced, engrossing, brilliantly acted, often very funny, and frequently tragic.

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netflix series right now - master of none
Netflix

Master of None

2 seasons, 20 episodes | IMDb: 8.3/10

Intimate, funny, warm and kind, Master of None confidently tackles issues of sex and race from a perspective original to mainstream television. Creator, writer, and star Aziz Ansari loads the sitcom with smart observations and wry humor, and when it comes to dating as a thirty-something, Ansari just gets it. Sweet, sentimental, but never sappy, the mold-breaking Master of None may be the most thoughtful and well-considered dating sitcom on television.

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the best netflix shows - glow
Netflix

GLOW

3 seasons, 30 episodes | IMDb: 8/10

Packed full of hairspray, ’80s nostalgia, leotards, and neon eyeshadow, 2017’s GLOW surprised us all with a comedy about a group of unconventional women wrestling with stereotypes in and out of the ring. Led by Alison Brie and Marc Maron, the show is both a subversive commentary on issues of gender equality and sexism, and a raucous imagining of what goes on behind the scenes of an adult women’s wrestling league. In other words, it’s a damn good time. Brie carries the series, playing a struggling actress forced to take a “role” in this televised nonsense, but she’s by no means a heroine. In fact, it’s her battle to find her character and herself (while making amends for her bad behavior along the way) that’s so entertaining. Well, that and some good ol’ fashioned body slamming. Season two focuses the spotlight on the supporting cast as the women ready for their television debuts and contend with sexual harassment and misogyny in the workplace.

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good shows on netflix ranked
CW

Riverdale

3 seasons, 57 episodes | IMDb: 7.4/10

Riverdale is a dark teen comedy based on characters from the Archie comics. It mixes in elements of a conventional teen drama — romance, small-town life, and the high-school ecosystem — with a compelling, adult murder mystery. The series takes place in a small-town with a 1950s vibe (despite being firmly set in the present) where a high-school teenager is found dead under mysterious circumstances that implicate much of the community as suspects. Riverdale is powered not just by the mystery, but by characters who are instantly likable (Betty, Veronica, and Jughead are all standouts) and easy to invest in. The mystery is so incredibly intriguing that it’s almost impossible not to get wrapped up in it as the storyline guides us through numerous red herrings. It’s a madly addictive series, occasionally campy, and just self-aware enough not to take itself too seriously.

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best netflix series - black mirror
Netflix

Black Mirror

5 seasons, 22 episodes + interactive film | IMDb: 8.8/10

It cannot be stressed enough how amazing Britain’s Black Mirror is. It’s severely biting social commentary about the current and future technological age in the form of twisted, dark Twilight Zone episodes. It’s an incredible (and incredibly short) four seasons of television, and episode for episode, perhaps the best series on this list. Watch one episode, and you’ll be hooked.

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netflix series ranked - dear white people
Netflix

Dear White People

3 seasons, 30 episodes | IMDb: 6.3/10

Netflix’s original series Dear White People builds on the foundations laid by Spike Lee’s drama of the same name. The show kicks off during the aftermath of an event that happened in the film – a blackface party held by a white fraternity on a fictional college campus. Sam, a radio personality and student at the school, covers the fallout for her listeners and serves as a pseudo-narrator to all the goings-on at school. There are brief moments of humor and plenty of satire, but watching these kids deal with racist learning institutions and police brutality and ignorance from the privileged peers feels uncomfortable real and relevant. It’s a must-watch, not only because the acting is superb, and the storylines are rich, but because you’ll probably learn something you didn’t know but should.

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rectify as one of the best netflix shows, ranked
Sundance

Rectify

4 seasons, 30 episodes | IMDb: 8.4/10

Rectify is maybe the best series on television that no one watched. Aden Young, in a soulful performance, plays Daniel Holden, a man locked up and put on death row nearly 20 years ago for raping and murdering his girlfriend. However, DNA evidence has come to light that casts doubt on his guilt, so the court system has no choice but to release him. Is he actually guilty? Or is he innocent and misunderstood? That’s the question at the heart of the series, and the question the people in his small town, including his family, have to ask themselves. Is this man we’re letting back into our family a murderer and a rapist, or is he the kind, thoughtful man he appears to be? Rectify is a beautiful show about appreciating life that manages to perfectly straddle the line between bleak and hopeful, and quietly features some of the best performances on television.

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godless - one of the best netflix series right now
Netflix

Godless

1 season, 7 episodes | IMDb: 8.4/10

Exec produced by Steven Soderbergh and written, directed, and created by Scott Frank, who wrote Logan and Out of Sight, Godless, is equal parts a feminist Western and s a show about fathers and sons. The series is set in the 1880s in the small mining town of La Belle, where nearly all of the town’s men have died in a mining accident. Enter Roy Goode (Jack O’Connell), a charming gunslinger on the run from the mentor he double-crossed, Frank Griffin (Jeff Daniels), who — along with his crew out desperadoes — had already murdered everyone in another small town for harboring Goode. The series ultimately pits a town of mostly women against a brutal, merciless outlaw gang. Scoot McNairy, Thomas Brodie-Sangster and Sam Waterston play lawmen, but the standouts in Godless are Downton Abby‘s nearly unrecognizable shotgun wielding pioneer woman Michelle Dockery and Merritt Wever, a bisexual woman all out of f–ks to give. It’s a tremendously good series buoyed by beautiful cinematography, poetic language, a few great shoot-outs, and fine performances from the entire cast. It’s one of the best Netflix series of 2017.

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daredevil
NETFLIX

Daredevil

3 seasons, 39 episodes | IMDb: 8.7/10

Daredevil is unquestionably the best superhero series of all time. It has the addictive qualities of the Marvel Cinematic Universe, but it’s darker and more intense than any of those films. It’s harsh, with brutal eye-popping fight sequences. It has an excellent cast (led by Charlie Cox as the title character) with tons of chemistry, and nails the tone of the source material.

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the west wing
NBC

The West Wing

7 seasons, 156 episodes | IMDb: 8.8/10

Television’s all-time best political drama The West Wing is Aaron Sorkin at his absolute best, working with one of the finest ensemble casts in television history. The show wavers after the fourth season (when Sorkin left), but it picks back up in its final season (with Jimmy Smits and Alan Alda). Here’s a celebration of the greatest fictional President of all time to get you warmed up for it.

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Netflix

Big Mouth

3 seasons, 31 episodes | IMDb: 8/10

The animated, coming-of-age comedy from Nick Kroll is full of familiar voices and even more familiar life problems. Centered on a group of pre-pubescent friends, Kroll voices a younger version of himself, a kid named Andrew who’s going through some embarrassing life changes like inconvenient erections and strange wet dreams and bat-mitzvah meltdowns. All these traumatizing and hilarious happenings are usually caused by Maurice, Andrew’s own Hormone Monster (also voiced by Kroll) who takes pleasure (literally) in abusing the poor kid. As painfully accurate as the show is, if you’re lucky enough to be removed from that angst-ridden era of life, you’ll probably appreciate the humor in all of it.

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jessica jones - netflix best series
Netflix

Marvel’s Jessica Jones

3 seasons, 39 episodes | IMDb: 8/10

As an episodic series, Jessica Jones occasionally falters in its first season. Jones is a private detective with certain special powers, but the series doesn’t put her P.I. talents to much use, instead focusing on one storyline surrounding the big bad, Kilgrave (David Tennant) for the entire 13 episodes. Tennant’s character, however, is the best reason to watch the series — he’s captivating yet repugnant, alluring yet vile — and the themes of rape and domestic abuse resonate loudly. Unfortunately, when Kilgrave is not onscreen, the series drifts, and that’s especially apparent in Season 2. Krysten Ritter’s title character is too often dour and sarcastic, robbing the series of some much-needed levity. Still, it’s a captivating, thematically-rich series that covers ground no other superhero series would dare to explore, and while that doesn’t make it the most entertaining Marvel series, it is the bravest and most unique among the Netflix originals.

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Netflix

American Vandal

2 seasons, 16 episodes | IMDb: 8.2/10

In theory, American Vandal sounds silly and sophomoric, and it is, but it’s also a genuinely brilliant, incredibly clever, smartly written satire of true-crime documentaries. It plays just like any other true crime docuseries — interviews, investigations, multiple suspects, and numerous conspiracy theories — only the crime here is not a murder. In its first season, it’s a high-school student who has been accused by the school board of spray painting dicks on 27 cars, a crime that threatens his ability to graduate. It’s a brilliant whodunnit that just happens to also be the best parody of 2017, and it even took home a Peabody Award. The show’s follow-up season trades dick picks for explosive diarhhea which is just as fun, if not ten times as gross.

gilmore girls
Netflix

Gilmore Girls

7 seasons, 153 episodes | IMDb: 8.2/10

Maybe the wittiest, pop-culture rich drama ever, Gilmore Girls has nevertheless managed to hold up incredibly well over the years. It’s a great show to watch with a new generation of television viewers, it’s a great show to watch while bingeing on food, and it’s a great show to re-watch many times. The relationship between single mother Lorelai and her daughter, Rory, never gets old.

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BBC

Broadchurch

3 seasons, 24 episodes | IMDb: 8.4/10

A young boy is found dead in a seemingly idyllic small town, and the detectives charged with solving the case turn up twist after twist in tracking down the murderer. Despite its familiar premise (see also: Twin Peaks, The Killing), Broadchurch relies on its ensemble cast — specifically the impeccable David Tennant and Olivia Colman — to keep viewers caring after each red herring is tossed back into the ocean. The first series centers on the hunt for the killer while the second is on both the suspect’s trial and a reopened case from the past, but they both don’t let up in intrigue. A word of warning, though: This isn’t one of those TV dramas you should binge even if you want to. It gets heavy and emotionally exhausting, and unrestrained streaming kinda negates the effect of the show’s mysteries.

NBC

The Good Place

3 seasons, 37 episodes | IMDb: 8.2/10

Set in the afterlife, The Good Place sees a lazy, entitled selfish, Arizona woman Eleanor Shellstrop (Kristen Bell) enter into “Heaven” only to discover that — due to a mixup — she was incorrectly assigned. With the help of her new friends and, Shellstrop endeavors to be a better person and earn her place in Heaven. In the early goings, the high-concept premise feels like it’s going to run out of runway, but Mike Schur (Parks and Recreation) continually finds new directions to take the show and the characters, as the show humorously and sweetly tackles an array of moral dilemmas before arriving at a surprising twist ending. It’s a charming, clever and delightful series with a freshly-imagined approached that only improves as the season progresses and new wrinkles are explored, while Ted Danson is his usual remarkable self. It’s a fantastic comedy, one of the best TV shows on network television in recent years.

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Showtime

Shameless

9 seasons, 110 episodes | IMDb: 8.7/10

The long-running Showtime series understands better than any other drama on television what it’s like to be poor in America. Set in Chicago, Shameless follows the lives of the Gallagher family as they struggle beneath the poverty line to make ends meet. The family is afflicted with alcoholism, drug addiction, mental illness, poor decision-making skills, and the kind of terrible luck that so often follows poor families, but they’ve also got each other, their resilience, and a determination to break the cycle, but in Shameless, impoverishment is the boogeyman that always comes back, hilariously and heartbreakingly.

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peaky blinders - netflix shows
BBC

Peaky Blinders

5 seasons, 30 episodes | IMDb: 8.8/10

Another British import, Peaky Blinders is roughly the Netflix UK equivalent of HBO’s Boardwalk Empire, taking place in the same time period and covering similar terrain. Peaky has one thing that Boardwalk does not, however, and that’s the piercing, intense Cillian Murphy. The show also features Tom Hardy as a phenomenal recurring character debuting in season two (along with Noah Taylor).

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Netflix

The Crown

3 seasons, 30 episodes | IMDb: 8.7/10

At once intimate and sweeping, The Crown presents an inside view of the ascension of Queen Elizabeth II, played by Claire Foy, and the first few years of her reign. John Lithgow is featured as the indomitable Winston Churchill, struggling with the ignominy of age at the end of his career. Churchill’s support and mentorship of Elizabeth, despite his limitations, creates an important emotional center around which various historical events turn. Elizabeth’s relationship with her husband, Prince Phillip (Matt Smith) is also wonderfully explored; his role as consort is one that he by turns delights in and rebels against. The production spared no expense in painstakingly recreating the physical environments and rigid protocols that constrained and defined the royal family. The challenges posed by modernity and the post-colonial period are filtered through the Palace’s political structure, in which despite her role, Elizabeth’s personal needs and wishes are continually subsumed to protocol and appearance. This series will appeal to anyone who enjoys costume drama, but it is also a fascinating exploration of the post-WWII period and the development of a monarch who managed to maintain and even expand the popularity and stability of the British Monarchy against significant odds.

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Netflix

Bloodline

3 seasons, 33 episodes | IMDb: 8.1/10

Bloodline is engrossing, so much so that somewhere along the way, you may find yourself wondering if you skipped an episode. You’ll start in on episode 7, fall into a trance, and wake up somewhere around episode 10, wondering what happened to the last four hours of your life. Ben Mendelsohn will hook you immediately, but after four or five episodes into season one — once the pieces begin to fall into place — the story will sweep you along toward the dark and sickly satisfying end, capping the season off with four of the best episodes in the short but stellar history of Netflix’s original programming. Unfortunately, the following seasons — while still a fine TV — don’t live up to the first.

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good netflix shows - jane the virgin
The CW

Jane the Virgin

5 seasons, 100 episodes | IMDb: 7.8/10

Based on a Spanish telenovela, Jane the Virgin plays more like a brilliant but genial satire of conventional telenovelas. Gina Rodriguez plays the virgin here, who is impregnated through an accidental artificial insemination. Matters are complicated, however, because she has to break the news of her pregnancy to her deeply religious family, as well as her fiancé, with whom she has never had sex. Jane also develops feelings for another man who just so happens to be the baby’s father. It sounds like a premise that could not sustain itself beyond 5 episodes, but the writing is so good and the characters so delightful that Jane never gets bogged down by its premise. It’s a genuinely delightful, heartwarming show, and Gina Rodriguez lights up the screen every second she is on it.

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Fox

New Girl

7 seasons, 146 episodes | IMDb: 7.7/10

Fox’s comedy about a quirky girl who moves in with three male roommates quickly evolved from a pretty straightforward premise to become one of the best shows on TV. Zooey Deschanel plays Jess, a teacher who’s forced to room with three other guys, Nick (Jake Johnson), Schmidt (Max Greenfield), and Winston (Lamorne Morris) after she discovers her boyfriend’s been cheating on her. For the next seven seasons, the gang grows to become close friends — getting married, having babies, experiencing sympathy PMS, and getting stuck in Mexico, among other disasters. Still, it’s the chemistry between the four mains that makes every outlandish episode work.

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Netflix

House of Cards

6 seasons, 78 episodes | IMDb: 8.8/10

House Of Cards, Netflix’s first major foray into original programming, is worth every cent of its $100 million production budget, featuring searing performances, a droll sense of humor, slick writing, engrossing plot-lines, and Kevin Spacey chewing the face off the scenery. The first season is phenomenal, but the show rapidly goes downhill through its six seasons with some sparks of life in scattered seasons, with the final season focused on Robin Wright’s Claire Underwood being cluttered at best.

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netflix tv shows - dexter
Showtime

Dexter

8 seasons, 96 episodes | IMDb: 8.7/10

Michael C. Hall is absolutely terrific as a blood spatter analyst for the Miami police department who moonlights as a serial killer and tries to keep his two lives separate. There’s a great opening season, a fantastic fourth season, and in between the two, a couple of decent ones. Do yourself a favor, however, and don’t bother with Dexter‘s final four seasons. It’s a testament to how good the first and fourth seasons were that it still gains a place upon this list, despite a deeply disappointing final season.

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best tv shows on netflix right now - crazy ex girlfriend
The CW

Crazy Ex-Girlfriend

4 seasons, 62 episodes | IMDb: 7.7/10

A musical series about a woman who leaves her prestigious job in Manhattan to follow an ex-boyfriend to a small town in California, Crazy Ex-Girlfriend is like no other show on a show on television. The premise is not unlike that of Felicity, but the tone is unique: Quirky and hilarious on the surface, but dark and subversive underneath. As co-creator (along with Aline Brosh McKenna) and star, Golden Globe winner Rachel Bloom provides catchy songs with irreverent lyrics that offer dark meditations on depression, insecurity, and the challenges of balancing careers and love lives. Crazy Ex-Girlfriend is funny, feminist and infectious.

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sense8 - good shows on netflix
netflix

Sense8

2 seasons, 24 episodes | IMDb: 8.4/10

Once the Wachowskis’ underappreciated sci-fi series establishes its characters, there’s at least one profoundly moving moment in every episode. Sense8 is rich with brilliant ideas, and, though they’re not always executed with perfect logic, the chemistry between the characters is undeniable. It’s impossible not to root for them, to feel and experience their ups and downs, their confusion and heartbreak, and, most of all, their love. The Wachowskis first foray into television is at once romantic, life-affirming, and thought-provoking.

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good netflix series right now - grace and frankie
Netflix

Grace And Frankie

6 seasons, 78 episodes | IMDb: 8.3/10

It’s rare that older women get a chance to shine on a half-hour comedy series, but if your stars happen to be Lily Tomlin and Jane Fonda, you’d be insane not to have all the action center on them. Grace and Frankie follows the pair as they discover that their husbands have been carrying on an affair with each other. The news throws life into chaos, forcing Grace and Frankie to room together and pick up the pieces. Along the way, there are family squabbles, online dating drama, and a battle over the ladies’ organic lube company but at the heart of the show are these two women who bond after a devastating ordeal and support one another during a time of change and growth. Did we mention organic lube? There’s that, too.

travelers - best series on netflix right now
Netflix

Travelers

3 seasons, 34 episodes | IMDb: 8.2/10

Travelers is a sci-fi series co-produced by Netflix and a Canadian television network Showcase starring Eric McCormick (Will & Grace). It’s a light sci-fi drama about people from hundreds of years in the future whose consciences are sent back to the present day to take the place of others who are already about to die. They’re sent back, a la Terminator, to prevent a bleak future from taking place. In the present day, this group of people is tasked with missions to prevent the future dystopia from happening, but they also have to acclimate into the lives of their host bodies. It is a quintessential Netflix show: Easy-to-binge, madly addictive, fun as hell, and immediately engrossing. While it certainly borrows heavily from other sci-fi shows and movies, it does an excellent job of shaking it up and bringing fresh life to the genre.

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good netflix series right now - one day at a time
Netflix

One Day at a Time

3 seasons, 39 episodes | IMDb: 8.2/10

A remake of a 1970s sitcom produced by 94-year-old iconic television producer Norman Lear, One Day at a Time manages to not only match its predecessor but miraculously improve upon it. This new version centers on a Cuban America family headed by a single mom (Justina Machado) raising three kids with the help of her mom (Rita Moreno). It’s broad jokes and laugh track feels somewhat out of place on the streaming service, but the jokes still land and more importantly, the characters connect in an honest way as they attempt to live on a modest nurse’s salary and maintain their Cuban heritage while adapting to modern progressivism (much like Fresh Off the Boat). It’s more poignant sitcom than it is funny, but it’s a warm, loving look at difficulties of single parenting that resonates as much today as it did in the ’70s.

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good netflix shows - izombie
The CW

iZombie

5 seasons, 83 episodes | IMDb: 8/10

Creator Rob Thomas takes the same formula he applied to Veronica Mars and relocates it to iZombie, a police procedural with a twist. Liv More (Rose McIver) is a zombie who works in a Seattle morgue, where she eats the brains of murder victims. Doing so gives her access to the victims’ memories, which allows her to assist police in the investigations of their murders. Meanwhile, as the zombie virus spreads across Seattle, Liv Moore is also searching for a cure while also dealing with a love life complicated by the fact that she is undead. It’s a lightweight procedural that, like Veronica Mars, is bookended each season with a serialized arc. The series mostly succeeds, however, on the charms of its cast — Rahul Kohli is a particular standout, while David Anders plays the series’ Spike — and the clever, quick-witted writing (despite the presence of a zombie, the weekly cases tend to be fairly conventional).

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CBC

Schitt’s Creek

5 seasons, 66 episodes | IMDb: 8/10

Eugene Levy and Catherine O’Hara star in this Canadian sitcom about a wealthy family forced to scale down their extravagant lifestyle with hilarious results. Levy plays Johnny Rose, a rich video-store magnate who loses his fortune when his business manager fails to pay his taxes. O’Hara plays his wife, Moira, a former soap opera star who, along with her husband and their two pampered children, must move to a town called Schitt’s Creek. Johnny bought the town as a joke when the family had more money than they could spend, but now, the town and its residents serve as a comedic wake-up call for a guy who has problems rooting himself in reality. Levy is brilliant in this thing and it’s a damn shame the show is so overlooked by American audiences. Let’s change that.

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BBC

Happy Valley

2 seasons, 12 episodes | IMDb: 8.5/10

A gruff police sergeant (Sarah Lancashire) in North England tries to unravel an increasingly complicated and violent string of crime, stemming from a kidnapping of a young woman. As the pieces fall into place, she struggles to find justice for her own daughter who died years before and to care for the son she left behind. While the series follows plots done plenty of times before — kidnapping gone wrong, a killer targeting prostitutes — Lancashire’s commanding performance is more than captivating. A relatively unknown face for the casual American viewer, her portrayal of the very flawed yet non-compromising officer has earned Lancashire multiple BAFTA nominations and a win.

SYFY

Happy!

2 seasons, 18 episodes | IMDb: 8.3/10

On paper, Happy! feels more like an Adult Swim-inspired fever dream than a Syfy series. Disgraced detective-turned-hitman Nick Sax (Christopher Meloni) meets his new best friend and partner, a lovable blue unicorn that only Sax can see named Happy (voiced by Patton Oswalt), who tasks him with rescuing a young girl who’s been abducted by a maniac Santa Claus. It’s a ridiculously violent and dark, with Sax getting hurt more than Harry and Marv in both Home Alone movies combined, with enough comedy and twists to keep you bingeing episode after episode. It’s a fun, over-the-top show, and it relishes in its unique elements.

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Recent Changes Through June 2020:
Added: Hannibal
Removed: Mad Men

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My Chemical Romance And Run The Jewels Will Headline Riot Fest In 2021

Riot Fest, one of the many, many music festivals that was postponed (or outright cancelled) this year due to the COVID-19 coronavirus outbreak, has announced its new dates, along with a first-wave lineup of acts that includes rock band My Chemical Romance and rap duo Run The Jewels. Originally billed for September 11, 12, and 13, 2020, the 2021 Riot Fest will now take place next September from the weekend of 17-19. As usual, it’ll be at Douglas Park in Chicago, IL. The updated poster includes the new lineup as well as a tongue-in-cheek reference to the updated schedule.

Other acts leading the way in the new dates include classic alt-rockers Smashing Pumpkins and Pixies, Chicago area rap icons Lupe Fiasco and Vic Mensa, and Coheed and Cambria, Taking Back Sunday, Sublime with Rome, The All-American Rejects, New Found Glory, Simple Plan, Circle Jerks, K. Flay, Best Coast, Toots And The Maytals, Meg Myers, Pup, Fishbone, Big Freedia, and more. Check out the full flyer below.

According to the press release announcing the new dates, the festival will host a special Thursday preview night on September 16, 2021 with exclusive performances and refunds/transfers will be available for 30 days for those unable to attend. Ticket holders for the postponed 2020 dates will automatically get admission to Thursday’s preview performances.

For more information on ticket refunds and transfers, check out Riot Fest’s site.

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What’s On Tonight: ‘Marina Franklin: Single Black Female’ Dives Into These Confusing Times

If nothing below suits your sensibilities, check out our guide to What You Should Watch On Streaming Right Now.

Marina Franklin: Single Black Female (CW, 9:00 p.m.) — This stand-up special stars Marina Franklin returning to her Chicago roots to dig deep into what it means to be “woke” in these challenging times. It’s a celebratory but honest look at the tumultuous state of America today.

Stargirl (CW, 8:00 p.m.) — Courtney’s still recruiting for the new Justice Society of America, while Pat’s unraveling which small town Nebraska people are actually working or the Injustice Society.

Dirty John (USA 10:00 p.m.) — The Betty Broderick Story is an irresistibly trashy series that’s even dirtier that last year’s effort. This week, Betty realizes that she’s been lied to by (Dirty) Dan for a massive chunk of their 20 year marriage.

In case you haven’t caught these fresh offerings from this past weekend:

The King Of Staten Island (VOD) — Judd Apatow’s upcoming comedy starring Pete Davidson (in a role that takes inspiration from his pre-SNL life) comes straight to your living from from Universal Pictures. Both Davidson and Bill Burr are fantastic in this movie that also stars Marisa Tomei and Steve Buscemi.

Da 5 Bloods (Netflix film) — The New Joint from Spike Lee can be found nowhere else but the streaming giant. The movie looks to put an unusual twist on the standard war epic movie in a few ways. We’ve got a split timeline that flashes between the past with Chadwick Boseman’s character, a fallen squad leader, and the present, which sees four of his charges go back to Vietnam, where buried treasure taunts them, along with a quest for their leader’s remains.

Knives Out (Streaming on Amazon Prime) — Not only is Rian Johnson’s stellar, star-studded whodunnit streaming exclusively on Amazon Prime this month, but it’s also free to Prime users. This gem’s got Smug Chris Evans and many more delightfully eccentric players, and it builds to a masterful crescendo, so do pencil it into your schedule.

Artemis Fowl (Disney+ film) — Five years after Disney announced plans to adapt the Artemis Fowl book series, the 12-year-old genius comes to life, even if the film might be a muddled mess. Fowl descends from a family of criminal masterminds, and he must battle a fairy race that may have engineered the kidnapping of his father. Kenneth Branagh directs and Judy Dench narrates.

The Late Show With Stephen Colbert — Hasan Minhaj, Jason Isbell & The 400 Unit

The Tonight Show With Jimmy Fallon — Gwyneth Paltrow, Zachary Quinto, Alec Benjamin

Jimmy Kimmel Live — Mark Ruffalo

The Late Late Show With James Corden — Kevin Bacon, Rita Wilson

Late Night With Seth Meyers — Black Pumas

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RMR Taps Young Thug For An Emotive Remix Of His Piano-Led Ballad ‘Rascal’

Balaclava-rearing singer RMR dropped his debut EP Drug Dealing Is A Lost Art just last week but the musician didn’t waste much time before offering fans a remix. The emerging artist tapped Young Thug to add a fresh new verse on his breakout track, “Rascal.”

The original track was released in February and boasts RMR’s own take on country group Rascal Flatts’ “Bless The Broken Road,” with the piano-led single arriving as an unexpected smash hit. For the updated version, Young Thug reflects on current protests that have erupted across the world in the wake of George Floyd’s murder at the hand of Minneapolis police. Thugger offers his own commentary on the recent events through his poignantly-penned verse. “Member since nuisances, they label us with they two cents / Recruiters to shooters, they harassin’ us, all pursuin’ / Ride for what’s right, the news reporters, they lootin’, man / Illusion, propaganda, they even try to break us down and point guns with our hands up,” Young Thug details.

Listen to “Rascal” with Young Thug above.

Drug Dealing Is A Lost Art is out now via Warner Records. Get it here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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James Gunn Admits The Title To His ‘Suicide Squad’ Movie Was Supposed To Be A Joke

When the surprising news dropped that James Gunn would be directing a maybe-sequel/maybe-reboot of David Ayer’s Suicide Squad, it really didn’t help the confusion when the follow-up was simply titled The Suicide Squad. Would this new movie add to the first film or rewrite parts of it? You certainly couldn’t tell by the name.

However, during one of his frequent online Q&As, Gunn revealed on Instagram that calling the movie “The Suicide Squad” was originally a joke that he didn’t think anyone would take seriously, and clearly, they did. He also told fans who keep asking him if the title will change that they probably shouldn’t get their hopes up.

“I brought it up kiddingly once and Warners and the producers liked it,” Gunn wrote. There’s not much chance of it changing, but you never know.”

While Gunn might have experienced some bad luck in the title department, production on The Suicide Squad dodged a significant bullet going into the global pandemic. Unlike its fellow DCEU movie The Batman, which is currently shut down and had its release date moved, Gunn wrapped shooting on The Suicide Squad just before quarantine started going in effect, and his post-production team has been working diligently from home, preventing any delays.

“Right now there’s no reason for #TheSuicideSquad release date to move,” Gunn tweeted back in April. “We are on or ahead of schedule.”

Boasting a massive cast that includes original Suicide Squad stars like Margot Robbie, Jai Courtenay, and Joel Kinnaman alongside newcomers Idris Elba, Pete Davidson, and Taika Waititi, The Suicide Squad hits theaters on August 6, 2021.

(Via Digital Spy)

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The Best And Worst Of WWE Raw 6/15/20: The Passion Of The Christian

Previously on the Best and Worst of Raw: Christian showed up to try to talk Edge out of fighting Randy Orton at Backlash. Turns out that was pretty good advice for both of them, in retrospect.

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And now, the Best and Worst of WWE Raw for June 15, 2020.

Best: Make Brother Love, Not Raw Is War

WWE

One of last week’s biggest WWE stories was the announcement that Paul Heyman was out as the Executive Director of Monday Night Raw, and that Raw and Smackdown’s creative teams were consolidating under Smackdown’s Bruce Prichard. It’s not like Raw’s been blowing us away with high quality episodes, but it felt like a scary proposition given that recent episodes of Smackdown have featured a wrestler getting run over by a drunk driver, characters getting slimed like they’re on Nickelodeon, and both a massive jar of piss and “Dookie the Diaper Boy.”

There are a few concerning aspects to the way this week’s Raw was put together — we’ll get to those in a bit — but I wanted to open this week by saying how much I liked a lot of the changes, and think they’ll help the show tremendously if they remain consistent and constructive. In case you didn’t see the episode, there’s so much going on this week. Not all of it’s important and some of it doesn’t work, sure, that happens. But the show appeared to be making a concerted effort to avoid being boring, and on a show where my most tired weekly talking point has become WHY WON’T THEY STOP DOING THE SAME THING OVER AND OVER, “not boring” is a massive gain.

I’m sure I missed some of the structural changes to how the show runs, but one of the most obvious is introducing multiple stories near the top of the show and having them progress as they weave together throughout the show. That used to come standard with Monday night wrestling shows, but for the longest time WWE stories have existed independent of one another to a weird degree. If you’re feuding with a guy and his friends, you only ever really run into or interact with that guy and his friends. What was ostensibly “worldbuilding” was replaced by cycled, episodic stories that allowed the characters to change on a whim and be whatever the writer (or Vince McMahon himself, specifically) needed them to be. That makes the writing process easier, but it also somewhat sacrifices character consistency, continuity, and the rules of the universe because WWE Superstars aren’t “real,” not even in the context of the show itself. So that makes divisions stop mattering, which makes championships stop mattering, which makes big events stop mattering, which snowballs and snowballs until nothing matters and you might as well be watching a screensaver for three hours every Monday night.

Some of that’s still here, but even the less successful acting, matches, and segments gain a little more gravity and actually fit into the narrative of the show because they all exist in the same place, are happening at the same time, and might interact.

For example, most normal Raws would’ve had the Street Profits and Viking Raiders existing in one segment, Christian and Randy Orton existing in another, Ric and Charlotte Flair exiting in another, the McIntyre and Truth vs. Lashley and MVP stuff in another, and so on. On this Raw, just with those examples, the Street Profits and Viking Raiders segment brings back Big Show, so Big Show’s around to give Christian advice on whether or not he should face Randy Orton. Ric Flair’s there to talk to his daughter, but he also talks to Christian and uses his intimate knowledge of Orton to beg him not to go out there. That pays off in the main event. Big Show was there to help the Viking Profits fight off Akira Tozawa’s ninja motorcycle gang, who ALSO interact with R-Truth in a bit about the 24/7 Championship. Truth’s teaming with Drew McIntyre in a “winner take all” tag team match against Lashley and MVP, who are mad at Lana about what happened at Backlash. MVP also interacts with Apollo Crews and Shelton Benjamin in a different match. There’s also a pulse to the women’s division, which has the IIconics vs. Liv Morgan and Natalya match set up both a challenge for the Raw Women’s Championship that gets followed up on in a later segment AND some Natalya and Liv tension that connects Natalya to Lana. Which then connects the women’s division to the men’s division through both Lana and Ric Flair.

See how that all goes together and makes Raw feel like a living, breathing thing? It’s like these people go to work every week and talk to each other on a regular basis. The wrestling promotion itself is, and should be, a character on your show. The Simpsons doesn’t work without Springfield, so why should WWE Superstars compete in a business that doesn’t appear to be anything in-universe but a logo representing a broad entertainment concept and a Lazy Susan of increasingly evil bosses who want everyone they employ to fail?

So, let’s check out this week’s A-story, and go through this beat by beat.

Best: Christian Vs. Evolution

(h/t to @StevesTweets3 for getting to that joke first)

The show opens with 2020’s best real-life face turn, Randall Keith Orton, bragging about his victory over Edge in The Greatest Wrestling Match Ever™. If you haven’t read the Best and Worst of Backlash, please check that out. I’m not sure I have the emotional currency to explain my thoughts on that match again. All you really need to know is that Orton is gloriously awash with deluded cruelty and believe he legitimately proved he was the “better wrestler,” fair and square, by kicking Edge in the dick, concussing him, and legitimately putting him in the hospital. He even says HOSPITAL, and not Local Medical Facility, so we’re cutting promos with the FORBIDDEN WORDS.

Orton’s interrupted by Edge’s fellow vampire brother tag team partner Christian, who you’ll remember showed up last week to try to motivate Edge with a tough-love pep-talk that did not prevent him from getting got. This week it’s Christian’s chance to get got, as Orton [gasp] flips “one more match” on him, effectively turning his words from their championship feud from ten years ago into bait. He wants to face Christian tonight in an “unsanctioned match,” and Christian’s pride blinds him completely from the very, very obvious trap this generation’s Lex Luger has meticulously set to continue Eternal Sunshining Edge out of existence.

Orton knows him too well. He knows all he has to do is play on Christian’s well-documented inferiority complex with Edge to get him in the ring. As we’ll learn later, Orton doesn’t really realize he’s going to, you know, cause possible permanent damage and debilitating injury to a guy he more or less likes at this point, or at least mildly respects, until it’s too late. He’s let his Intermittent Explosive Disorder control his prefrontal cortex again, and his version of “fight or flight” is, “plot more and more aggressive beatings until I calm down.”

Throughout the show, various people who know both Christian and Orton — notably the Big Show, who we’ll talk about in a moment, and Ric Flair — find Christian backstage and try to talk him out of getting back into the ring. Incredibly, Big Show is the one who’s on the level here. A man’s gotta do what a man’s gotta do, though, so at the end of the night he shows up in his street clothes to fight. God bless him for not being retired for six years and randomly having his gear on him for some inexplicable reason. That happens more often than you’d think. Is Raw paying attention to details now?

Before the match can start, Ric Flair shows up again and is like, “hey man, woo, don’t do this.” Christian once again informs him that he’s got to do this and makes the biggest mistake of his life by positioning Ric Flair, history’s greatest dick-puncher, just behind him. Flair, remembering that he’s the dirtiest player in the motherfucking game for the first time in like 15 years, delivers an immediate Tiger Uppercut to the ol’ Ryu and Ken down there. Orton, who made it VERY CLEAR that Evolution is a mystery, delivers a Critical Hit with the punt. It’s GREAT. Christian, you are a DAMNED FOOL.

Firstly, HALLELUJAH for Ric Flair feeling like the character we’ve known our whole lives again and not just like a crying old man who looks more and more like the First Doctor every time we see him. I, for one, would watch the shit out of Doctor Woo. Give him a female Companion and have his catchphrase be, “WOMAN OH WOMAN WON’TCHA MARRY ME NOW!”

Secondly, everything after the punt is WONDERFUL. Orton suddenly seizing his destiny and becoming the best wrestler and character in the company and turning face in real life is 2020’s most unexpected but welcomed news. If you didn’t see it, jump to the :55 mark in the above video and watch until the end. As mentioned, he doesn’t seem to know what he’s doing until it’s over. He kicks a man who isn’t medically cleared in the brains and knocks him out, possibly crippling him, and it never even registers until foot meets skull. Emotions reach Randy’s heart like pain reaches Elmyra’s brain on Tiny Toons. It takes a minute. The lateral press alone is an acting workshop, and the post-pin monologue is even better. Brother is IMMEDIATELY ravaged with guilt, and his only method of coping is to loudly rationalize it until he decides that yes, yes, this is CHRISTIAN’S fault. He never wanted to hurt Christian. He likes Christian! He likes Edge, too! He just wishes these guys would stop showing up from oblivion to threaten his reputation and livelihood. They remind him of the Randy he used to be. And as we all know, 2020 is about Randy Orton trying to be a better person and deal with all his past mistakes. They just won’t leave him alone. If they won’t leave him alone and give him the benefit of the doubt, he’s going to vanish them so he never has to think about them again.

Absolutely killer character work from Orton here, to a degree that’s actually kind of disappointing. Orton’s had a legendary career already, for better or worse, but imagine how good he would be right now if he’d spent the past 15 years working with this kind of depth and motivation? The world’s turned upside down.

Best: True Friends

WWE

While the Orton monologue is the best part of the show, I think my favorite part is the payoff to the announced Drew McIntyre and R-Truth* vs. MVP and Bobby Lashley tag team match. Wanting revenge on McIntyre for what happened at Backlash, MVP proposes turning it into a “winner take all” match for both the WWE and 24/7 Champion, leveraging an opportunity out of the fact that the WWE Champion’s agreed to team with a guy who regularly loses championship matches to celebrities, sports stars, TV personalities, and actual cucks. Truth, being Truth, loudly agrees before talking it over with his partner, who has WAY more to lose.

Later in the episode, Truth is confronted by Akira Tozawa and his ninja motorcycle gang, who now have a NINJA REFEREE with them in case they want to take a break from espionage and assassinations on the open road and win the hardcore title. McIntyre exists near the ninjas, however, so they scram. It’s here that Truth realizes he’s set his team up for failure by putting both of their championships on the line, so he goes to management and gets the stipulation reduced to only ONE title being up for grabs … and it’s Drew’s. This works both because Truth is already the Paddington Bear of WWE, and because everyone knows the 24/7 Championship can’t be won during “wrestling matches.” That’s the safe roll-ups on the studio floor title!

McIntyre is understandably worried now that the easily pinned R-Truth can be, you know, easily pinned again and cost him the WWE Championship, but Truth wants Mac to believe in him. All he needs is someone to believe in him.

Truth looks like he might take the loss throughout most of the match, but near the end is miraculously able to dodge a Lashley spear and drop-toehold him into the ringside steps. With Lashley briefly incapacitated, McIntyre uses the mismatch with MVP to hit a Claymore Kick and win the match … only, what good would McIntyre pinning MVP do anyone? So McIntyre, in an unfortunately rare moment of a top WWE babyface deciding to do something nice for someone else, tags in Truth to make the cover and win the match. Because he BELIEVES IN HIM. They do the old Midnight Express Rocket Launcher, and the 24/7 Champion retains the WWE Championship. However you want to say it.

I can’t tell you how much I love the top guy in WWE decided to be nice to someone without provocation or a weird point to make. I am DYING for pro wrestling to have more heroes you want to cheer because of what they do, and not just because of who they are and whether or not you like their wrestling. I want to be able to rationalize and understand the decisions of the babyfaces as often as I’m able to do it with heels. WWE’s spent too long insisting that anyone with an emotional range or the ability to form meaningful personal relationships needs to be booed, because they think they’re BETTER THAN YOU. You are probably too stupid to feel or think things, they think. They don’t have to, though. The world needs some actual heroes in fiction right now. Shades of grey is more realistic, but got us to some real shitty places creatively. I don’t need Drew to be a goody two-shoes all the time, but even the ultimate rebel Stone Cold Steve Austin occasionally saved Stephanie McMahon from Satanic weddings because it was the right thing to do. McIntyre putting over Truth and giving him a sense of self-worth is better than McIntyre murdering Erick Rowan’s pet spider 10 out of 10 times.

Worst: Just to mention it, it’s pretty funny that Bruce Prichard — the man who recently booked two consecutive triple threat singles matches for the Smackdown Tag Team Championship, a 3-on-1 handicap match for the Intercontinental Championship, and a 2-on-1 handicap match for the WWE Championship at Backlash — takes over Raw on Friday, and by Monday we’re already putting a singles title on the line in a tag match. Tag matches for tag titles and singles matches for singles titles, my dude. How mad do you think Bruce is that he can’t book every single match under Lucha House Rules?

*I suspended my “team name” bit here because I asked Twitter for better suggestions than my ideas, “R-Drewth” and “Scot’s Up.” “MacRon” and “Drew Kill” were also on the table. Some of the better suggestions included No Truth Scotsman, Clay-Kwik, and my personal favorite, Ron Kiltings. My readers will always be funnier than me.

Mostly Best: Thot Experiment

It was a bad night for Lashley and MVP in general, for the most part, continuing their frustrations from Backlash. Here’s the segment where Lashley realizes getting shoe-horned into a Lana and Rusev cuckolding angle didn’t work for Dolph Ziggler and makes even less sense now that Rusev’s gone, so he prioritizes his professional career over confrontational on-screen make-outs and says he wants a divorce. I like that MVP rightfully blames Lana for getting involved after being “explicitly told not to bring her behind to the ring” and possibly costing them the WWE Championship, but is misguided enough to shade Drew McIntyre for capitalizing on their ongoing fuck-ups and therefore “hiding behind another man’s wife.”

Highlights you don’t see in the WWE YouTube version of the segment include MVP becoming a trending topic by calling Lana a thot on international television, and him standing on the stage giving her a sarcastic kiss goodbye due to his pride at single-handedly Littlefingering his way into Lashley’s life and forcing the dissolution of the man’s marriage. MVP (the character, to be clear) is a terrible person who is going to keep manipulating his way to the top in the quarantine era whether the path opens its way up for him or not.

Ending last year’s worst angle and competing in a Winner Take Some tag team match aren’t all The Porter’s up to; he’s looking to expand his clientele, helpfully offering his services to both Apollo Crews and Shelton Benjamin. Taking a step back from the narrative for a second, last night was an interesting night for WWE Superstars of color. WWE’s black stars were ALL OVER Raw, from MVP and Lashley’s story and tag match against R-Truth to Apollo Crews vs. Shelton Benjamin; appearances from the Street Profits, Sasha Banks, and number of on-screen extras; and even Akira Tozawa’s 7-foot-3 ninja. We also got matches from Asuka, Nia Jax, Angel Garza, an appearance from Rey Mysterio, a run-in from Dominick, and more. Just wanted to give WWE a quick +1 for showcasing their diverse, talented roster with a wide array of goals, skill sets, abilities, and personalities. That’s a good look for the show right now.

The Crews vs. Benjamin match was interesting, too. Benjamin (who really needs to be on these shows more often) has Crews beat with a roll-up and his feet on the ropes, but he gets caught by the referee. That pisses him off and distracts him long enough for Crews to shoot a roll-up of his own, and grab the ropes himself for a cheap leverage pin. The announce team, as always, calls it as, “turnabout being fair play,” but there’s clearly more going on than that. I don’t know if Crews is going to go lawful evil on his own, join the WWE version of the Beat Down Clan, or turn into a Bo Dallas type who insists he’s a hero while being a complete jerk-ass coward, but it’s one of the first times we’ve ever actually seen Apollo Crews be or choose something beyond just seeming like he’s happy to be here. Characters are welcome at USA Network, don’t forget!

Worst, But Still Interesting: Natalya

Like I said, even the stuff I didn’t like was at least interesting. Characters were doing things and mingling and interacting instead of just being removed from cold storage when it’s time for their segments.

We followed the MVP and Lashley arc out through the end of the episode, so we should do the same for Lana. She makes an appearance after Natalya and Liv Morgan (tag team name “Pussy Riott”) lose a quick match to the IIconics and argue about it backstage. Quick side note, Natalya is in top form here, agreeing to let Liv start the match only to blind tag herself in before the match even BEGINS and get immediately forearmed in the face.

WWE

Also when she’s backstage scolding Liv and Liv walks away, but Nattie keeps doing the promo anyway, to nobody. Seriously, Natalya is like an alien who put on a human skin suit to blend in and tries to act like a normal person, but something’s just off. Lana wanders in, catches the end of Nattie’s TedHartTalk, and offers her commiseration. Are you ready for the Natalya and Lana alliance you’ve been waiting for?

(This is totally going to end with Nattie getting divorced and Lana marrying Tyson Kidd, isn’t it? If Edge, Christian, and Daniel Bryan can all come out of retirement to varying degrees after career-threatening injuries, can we get Tyson goddamn Kidd back one of these days?)

Best: Conic Boom

After the IIconics (who have really gotten their shit together lately in the ring in what I assume is an effort to stay on TV as active characters) defeat Pussy Riott, they once again challenge Bayley and Sasha Banks for the Women’s Tag Team Championship. Shout-out to whoever decided the Women’s Tag titles should get a huge, recurring, weekly spotlight on Raw, especially since the Raw Tag Team Championship is a prop in the background of comedy sketches for stupid people and babies.

Later in the episode, Banks and Bayley Dos Straps (rocking a birthday cake pin in her hair to condescendingly celebrate her own birthday and go Full Karen in the process) show up to gloat about winning the triple threat match for one of two said straps at Backlash. The IIconics show up to reiterate their challenge and are at first rebuffed, but remember that Bayley and Sasha are a powder keg that’s always a moment from complete explosion and physically taunt them into accepting. That match will happen on next week’s Raw, which is good because (1) it’s another title match on Raw, and (2) this makes sure Bayley and Sasha get to go back to NXT at least once and defend the belts like they promised. That was over a year ago, and Wednesday’s the first one we’ve ever actually had scheduled.

Worst, But Whatever: 3 Ninjas High Noon At The Performance Center

Can’t forget to talk about WrestleMania 36 main-eventer THE BIG SHOW, who makes an appearance to back up “The Viking Profits” after they wrestle a find themselves in a six-man tag against Akira Tozawa’s motorcycle goons and threatened by a 7-foot-3 ninja.

Firstly, I’m happy that if Akira Tozawa’s going to suddenly be the leader of a ninja posse they’re at least homaging the Ernest Miller vs. Jung Dragons rivalry from WCW and having them randomly appear backstage to (lovingly?) sneak attack their enemies. Secondly, I was really hoping the motorcycle ninjas would unmask as Garrett Bischoff, Wes Brisco, and, I don’t know, Tito Ortiz? Thirdly, at least the random tag team-up and inexplicable ninja fights took place in a ring this time, instead of ending with Raw’s top two tag teams literally being tossed into the garbage.

So yeah, Rocky, Colt, and Tum Tum lose the match with gusto and end up on opposing sides with the returning Big Show, who is now a face again despite being a heel the last time he was on TV, because of course he is. It makes sense, though, as Hulk Hogan is a friend to ninjas and Show was born from beneath a haunted mountain to destroy Hulkamania. Wrestling’s weird, it’s fine. Later in the night, Show wisely recommends that the Viking Raiders and Street Profits stop being dorky Disney Channel comedians for five seconds and settle their rivalry in, you know, a goddamn WRESTLING MATCH on next week’s Raw. Wow, what a crazy idea! 80% chance he recommended that because he’s going to turn heel on them and become a ninja.

Best: Dominick’s Famous Guerrero Temper

Two things:

  • I love that Rey Mysterio’s eye patch is getting slightly more translucent as his eye heals. Looks like he’s still got some of Lucha Underground’s dangerously symbolic magic in his system.
  • Seth Rollins is really digging into this Monday Night Messiah character, and he’s doing a great job. Unlike a lot of other characters on the show, especially the heels, Rollins seems like he’s legitimately lost his mind and has completely forgotten how to interact with other human beings. That actually makes sense for his character, too, given that we’ve only ever seen him as part of a mercenary trio, as the golden child of WWE’s corporate overlords, or desperately begging us to love him enough to remain a solo act. We didn’t, because he’s routinely insufferable, so he relapsed and is back on his “deluded follower who honestly believes he’s a leader” bullshit. Fantastic.
WWE

Thats what you get for messing with IMPERIUM

Rollins sends his Hired Goons after Mysterio’s son, but doesn’t remember that Dominick’s got a FIERY GUERRERO TEMPER from his REAL dad and is willing to risk a 3-on-1 beatdown to get the jump on his enemy. Dom decks Rollins and quickly Lio Rushses his way out of danger when Austin Theory and Buddy Murphy bumble out to help. It’s going to be super funny when Rey doesn’t recognize ANY of this as a set-up and has to slump down in the corner holding his ribs while his son poses with a bunch of religious fitness zealots from work.

Worst: The Least Successful Parts Of The Night, Besides The Ninjas

At Backlash, Asuka defended the Raw Women’s Championship against Nia Jax (despite spending most of the month in the middle of a Charlotte Flair program) and a match that should’ve ended with Asuka knocking her the hell out ended in an underwhelming double count-out. Even the fake fans in attendance didn’t want to cheer that. So they have a rematch on Raw, and that match ends with more nonsense. Jax loses, sure, but only after she shoves the referee, gets rolled up, and has the vindictive ref hit her with a fast count. Yes, Best and Worst of WCW Monday Nitro readers, Nia Jax just became Perry Saturn in her own Scott Dickinson angle. We’re definitely just flipping through the Rolodex of old ideas most people forgot instead of coming up with new ones, huh?

Pretty funny that even the ref doesn’t want to see Nia in the title picture, though. You’re being a bad role model to the former Tag Team Champion at home, John Cone.

Finally there’s the match that opened the show between Kevin Owens and Angel Garza. The good news about this week’s Raw is that even the most unsuccessful stuff for me was either perversely interesting (the ninjas) or at least watchable, whether I liked what happened or not. Jax vs. Asuka was kind of the pits but the finish was dumb enough for me to laugh about, and Owens vs. Garza is the definition of fine before it falls victim to the tried and true distraction finish. Again, distraction finishes would mean a lot more if you didn’t do them so often. At the risk of rambling about it for the thousandth time, even the most tired wrestling tropes can work if you don’t do the same ones over and over all the time. I feel like I see distraction finishes more than I see normal ones.

Best: Top 10 Comments Of The Week

The Real Birdman

And here I thought the one to end Christian’s career would be Roman

Not A Crook

next week’s Raw will begin with a 10-kazoo salute

EvilDucky

Saxton: You don’t hit someone on their birthday!
Samoa Joe: That’s the best time to hit someone

Samoa Joe is a national treasure and we do not deserve him

Editor’s note: Joe is the best.

Harry Longabaugh

It just occurred to me that despite his training montage, Lashley couldn’t flip McIntyre.

Taylor Swish

Next week as revenge, Tozawa will be seen slicing holes in the Viking Profits’ gloves and masks used for social distancing.

He will choppy their PPE.

AJ Dusman

“That’s Lana’s second divorce in 8 months.”
Great…another Ric Flair record is being chased by a WWE employee.

Big Baby Yeezus

Becky’s gender reveal is gonna be hijacked by Asuka misting her with either Blue or Pink mist

AshBlue

You know, I’m not saying there’s anything weird about Dominick, but there’s something wrong when you could try to guess a kid’s age and still be off by a decade.

JayBone2

Come on WWE. Ninjas don’t run away. They drop smoke bombs to disguise their exit. Plus the Street Profits would have got the smoke. Everyone would have won.

Mr. Bliss

That really needed to end with Big Show telling Ivar that he’s cute and Erik…not so much.

WWE

when they ask you to wear clothes that arent about murder

That does it for another episode of The Best and Worst of Quarantine Raw. Thanks as always for reading and supporting us. You can help us out tremendously right now by sharing the column on social media, as well as dropping down into our comments section to let us know what you thought of the show. We’re going to make sense of this era of WWE one way or another, assuming they don’t lie and fail their way out of business in the next few months.

Make sure you’re here next week for the long-awaited Actual Match for the Raw Tag Team Championship wherein the Viking Profits EXPLODE, a Women’s Tag Team Championship match featuring the IIconics versus the artists formerly known as the Boss ‘n’ Hug Connection, and hopefully Jerry Lawler returning for another episode of Divorce Court. “Hopefully.” See you then!

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The Best Bargain Tequilas For Summer, According To Bartenders

When many people think of tequila they don’t think “value.” That’s not to say that there aren’t bargain bottles aplenty, it’s just that the stigmas surrounding this Mexican spirit make consumption of the cheaper expressions a very troublesome idea for some people. Rough mornings after a night with this agave-based liquor have left folks looking for higher shelf bottles when they reach for tequila.

Forget that noise. Just like whiskey, there are plenty of quality expressions available that don’t cost a ton. To help you pick your next bargain bottle, we asked some of our favorite tequila-loving bartenders to tell us the best high-value tequila expressions to sip and mix with this summer.

Maestro Dobel Tequila

Hay Culham, beverage manager at Bonsai at Hilton Pensacola Beach in Pensacola, Florida

Maestro Dobel has been my go-to tequila for a couple of years now. Maestro has a great flavor profile and doesn’t make you hate yourself in the morning. You honestly can’t go wrong with a bottle of this juice. It’s perfect as a sipper or mixer.

Aguila Reposado Tequila

Natasha Bahrami, owner of The Gin Room in St. Louis

Aguila Tequila is our bargain brand for the summer. It’s 100 percent blue agave and produced in Jalisco. It’s truly a great tequila. Perfect as a cocktail, shot, or something to sip on. It’s our bartender handshake and the reposado is one of our favorite juices, period.

Really a steal at the price point as well.

Elvelo Blanco Tequila

Brandon Cummins, director of education for Altamar Brands

Elvelo Tequila for sure. 100% Agave, coming entirely from the Tequila Valley. And for me personally, it’s higher proof, which is super beneficial – so more flavor per ounce, meaning Tequila cocktails actually shine with the character of Tequila. It’s traditionally made, no additives, and it comes in a one-liter bottle – so there’s just more of it.

Don Julio Blanco Tequila

Piero Procida, bartender at The London West Hollywood in Los Angeles

Anything from the Don Julio Line. Blanco, Reposado, Anejo, 1942. It’s all superb. It’s not going to be the cheapest tequila but in terms of value for money, Don Julio provides exceptional flavor for its price point and that’s what makes it a bargain. It’s a favorite at our hotel and is the most requested tequila. It is the only tequila that seems to immediately fill the air with an incredibly pleasant aroma once I open it to make a drink, it’s an aroma that is so distinct of Don Julio tequilas.

El Tesoro Blanco

Emily Mistell, beverage director at Hey Love in Portland, Oregon

Everyone has got to have a high-quality blanco tequila in their home bar for summer – and my go-to is El Tesoro Blanco. It’s perfect for sipping on the rocks or neat, delicious as a simple highball, perfect in a margarita. The family behind El Tesoro truly cares about the land and the people and I can taste that in every sip.

You might not immediately think of this as a cheap bottle, but the high-quality juice inside makes this quite a bargain.

Olmeca Altos Plata Tequila

Ryan Negley, whiskey fellow at Boulder Spirits in Boulder, Colorado

I’m a huge fan of Olmeca Altos Plata. It’s rich in flavor and mixes incredibly well. When you can find a bargain tequila that you feel comfortable sipping or mixing with, you hold onto that bottle.

Espolon Blanco Tequila

Hayden Miller, head bartender at Bodega Taqueria y Tequila in Miami

Espolon Blanco is a perfect summer sipper (or shooter) while not breaking the bank. It’s smooth on its own but has enough body to throw into a margarita. There’s a reason it’s one of the most popular brands.

El Tesoro Reposado Tequila

Megan Radke, bartender at Canon in Seattle

If I could choose one bottle for you this summer, it would be El Tesoro Reposado. For me, it’s important to not just choose a brand that tastes amazing but to also make sure their business is based on good ethics, which they have proven over time through caring about the environment and the people consuming their products. That’s a bargain at any price.

Writer’s picks:

Lunazul Blanco Tequila

Sometimes, we don’t expect much flavor from bargain-priced tequilas (or if there is a flavor, it’s a bit harsh), but Lunazul is different. Its blanco tequila is full of flavors, including fresh citrus, rich vegetal sweetness, subtle pepper, and just a hint of vanilla.

Cazadores Blanco Tequila

This 100 percent Blue Weber agave-based tequila is crisp, clean, and full of tropical fruit and citrus flavors. It’s reasonably priced, sippable, and mixes well into your favorite tequila-based cocktails.

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Gunna Received Extravagant Gifts From Young Thug And Roddy Ricch For His 27th Birthday

This past weekend, buzzing Atlanta rapper Gunna enjoyed his 27th birthday and judging by social media posted by his friends and collaborators, he really enjoyed it. According to Complex, Gunna received a cache of extravagant gifts from his mentor Young Thug and West Coast collaborator Roddy Ricch, including a luxury SUV and a new diamond piece from hip-hop’s (current) favorite jeweler, Eliantte.

From Young Thug, Gunna accepted a Rolls Royce Cullinan and a sky blue Louis Vuitton bag, while Roddy Ricch gave his “Start With Me” collaborator a diamond tennis bracelet. Videos and photos from Gunna’s similarly lavish birthday celebration in Beverly Hills show off both all his gifts, as well as the usual giant stacks of money and designer clothing that define the essence of his “drip.”

Gunna’s having a stellar 27th trip around the sun so far, as his sophomore album Wunna clocked in at No. 1 on the Billboard albums chart upon its release, driven by its self-titled single and “Skybox.” He even got his own action figure, which he showed off on Instagram while promising a deluxe version of his album was on the way.

Check out Gunna’s opulent birthday presents above.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Seattle man served with $1.1 million medical bill after 62-day COVID-19 hospitalization

Michael Flor, 70, miraculously survived a two-month hospitalization for COVID-19, but when he received the bill for his hospital stay, it nearly gave him a heart attack.

“I opened it and said ‘holy shit!’ ” Flor told The Seattle Times. “I had to look at it a number of times… to see if I was seeing it right,” Flor told Time.

Flor spent 62 days in an intensive care unit which included an induced coma. At one point his situation was so dire a nurse put a phone to his ear so his family could tell him goodbye.

“He was as sick as you can get, with basically every organ system shutting down,” Dr. Anne Lipke, a pulmonary and critical-care specialist at Swedish Medical Center in Issaquah, Washington, said according to Time.


Flor’s 181-page bill had nearly 3,000 itemized charges. His room averaged about $9,700 a day and his ventilator about $2,835 per day. Drug costs account for about a quarter of the entire bill.

via PixaBay

The total cost for Flor’s illness will be even greater than his current charges. The current bill doesn’t include his time in a skilled nursing facility, dialysis, and the individual doctors who treated him.

According to America’s Health Insurance Plans the average cost to treat someone with COVID-19 is around $30,000.

The good news for Flor is that he won’t have to foot much of the bill, if any. He’s insured by Medicare and Medicare Advantage through Kaiser Permanente. The insurance company says it will waive most out-of-pocket costs for COVID-19 patients in 2020.

The federal government also has put plans in place to help pay for the medical costs associated with the crisis. The Families First Coronavirus Response Act (FFCRA), Coronavirus Aid, Relief, and Economic Security (CARES) Act require that “private health issuers and employer group health plans cover COVID-19 testing and services furnished during the pandemic, with no out-of-pocket expense.”

Congress also pledged more than $100 billion to help insurance companies and healthcare providers defray the costs of the pandemic.

via UrbanBohemian / Flickr

Flor’s incredibly massive bill is another example of the high costs of healthcare in the United States. Even though the money won’t necessarily come out of his pocket, the cost will be paid for by U.S. taxpayers and insurance companies — which are eventually shared by everyone.

Americans pay almost four times as much for pharmaceutical drugs and double the administrative costs of citizens in comparable developed countries. Health care providers in the U.S. also charge significant;y more for their services.

If the country enacted laws that would help cut down the cost of healthcare, it would drastically decrease the price we pay for private insurance and as well as social health programs such as Medicare and Medicaid.

Flor is happy to be alive, but the tremendous costs incurred by his hospitalization have put a damper on the joy he should feel after his recovery.

“I feel guilty about surviving… Why did I deserve all this? Looking at the incredible cost of it all definitely adds to that survivor’s guilt,” he said.

“It was a million bucks to save my life, and of course I’d say that’s money well-spent,” he told The Times. “But I also know I might be the only one saying that.”

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The Supreme Court’s LGBTQ Decision Will Have Huge Impacts For Those In States With No Prior Protections


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