Mexico is a frequent travel destination in the summer, but a fall visit is worth considering, especially with the news of the Corona Capital 2025 lineup. This year’s festival is going down from November 14 to 16 at Mexico City’s Autódromo Hermanos Rodríguez and headlining are Foo Fighters, Chappell Roan, and Linkin Park.
Elsewhere on the lineup are Queens Of The Stone Age, Franz Ferdinand, Garbage, Lucy Dacus, Jelly Roll, Nilüfer Yanya, Waxahatchee, Vampire Weekend, Alabama Shakes, Grizzly Bear, Lola Young, Marina, Mogwai, Samia, Deftones, Weezer, Cut Copy, Men I Trust, PinkPantheress, and TV On The Radio. Notably, this will be Deftones’ first show in Mexico in nearly a decade.
A pre-sale for Banamex cardholders begins on June 6, then a general on-sale starts on June 7. More information is available on the festival website.
Memo Parra, director of international events at festival promoter OCESA, told Billboard, “Corona Capital is not just a festival — it’s a bridge between cultures, emotions, and generations. Since 2010, it has evolved into one of the most important festivals in the world, attracting thousands of fans from every corner of the globe to Mexico. […] What truly sets Corona Capital apart is its musical curation: a carefully crafted selection that has made music the backbone of the festival.”
After “retiring” from music in 2020, a reinvigorated Teyana Taylor has announced her return album alongside its first single. Escape Room is due in August via Def Jam Recordings and will be accompanied by a short film, while the music video for its first single, “Long Time,” arrived today.
The video features a cameo performance from actor Lakeith Stanfield, who portrays Taylor’s romantic partner in a “recap” of what’s happened “previously” in the buildup to the album, while the video itself finds Taylor running away from a Saw-like trap room, and dancing in a risqué ensemble. Musically, “Long Time” takes cues from house music — think of an extension of the sound of Taylor’s 2016 collaboration with Kanye West, “Fade.” Check out the trailer for Escape Room below.
In March, Ethel Cain announced a new album, Willoughby Tucker, I’ll Always Love You. At the time, the album was given a vague release window of August, but now it’s more clear: The project is set for release on August 8.
Today (June 4), Cain also shared a new song, “Nettles,” an eight-minute epic. Cain says of the track:
“This song and the last track on the record were both written the same week, the very first week I moved into the house in Alabama where I finished Preacher’s Daughter. In similar fashion to Preacher’s Daughter (specifically ‘A House in Nebraska’ and ‘Strangers’), I wrote what essentially became the beginning and end of the story without realizing it. What were originally just little vignettes of emotion I was feeling at the time ultimately became the tentpoles for a larger narrative. ‘Nettles’ became a dream of losing the one you love, asking them to reassure you that it won’t come true and to dream, instead, of all the time you’ll have together as you grow old side by side. Every once in a blue moon, it feels good to slough off the macabre and to simply let love be.”
Listen to “Nettles” above.
Willoughby Tucker, I’ll Always Love You is out 8/6 via Daughters Of Cain Records. Find more information here.
It probably took a little longer than anyone would have expected, but Lil Wayne announced the release of the long-awaited sixth installment of his beloved album series, Tha Carter, earlier this year. It comes out on June 6, a little over ten years after Young Thug released his ode to Tha Carter, Barter 6, which came out two years before Tha Carter V. It was a whole thing.
Anyway, naturally, Wayne has since announced a tour supporting Tha Carter VI, presented by Rolling Loud. Kicking off June 6 with a show at New York’s iconic Madison Square Garden, it’ll downsize to amphitheaters for much of its run, although shows in the Chicago area, Detroit, Kansas City, Los Angeles, Sacramento, and Seattle will bump back up to arenas. Wayne will be supported on the tour by Tyga, with special openers NoCap (on select dates) and Belly Gang Kushington.
Tickets go on-sale this Friday, June 6th, at 10AM local time, while tickets for the MSG show are already on sale. You can find more info here. See below for tour dates.
Lil Wayne Tha Carter VI Tour Dates
06/06 — New York, NY @ Madison Square Garden
07/30 — Bristow, VA @ Jiffy Lube Live *@
08/01 — Virginia Beach, VA @ Veterans United Home Loans Amphitheater at Virginia Beach *@#
08/02 — Atlantic City, NJ @ Boardwalk Hall *@
08/03 — Holmdel, NJ @ PNC Bank Arts Center *@
08/05 — Hartford, CT @ Xfinity Theatre *@
08/06 — Mansfield, MA @ Xfinity Center *@
08/08 — Syracuse, NY @ Empower Federal Credit Union Amphitheater at Lakeview *@
08/09 — Darien Center, NY @ Darien Lake Amphitheater *@
08/11 — Toronto, Ontario @ Budweiser Stage *@
08/14 — Cuyahoga Falls, OH @ Blossom Music Center *@
08/16 — Cincinnati, OH @ Riverbend Music Center *@
08/17 — Noblesville, IN @ Ruoff Music Center *@
08/20 — Minneapolis, MN @ Target Center *@
08/22 — Milwaukee, WI @ American Family Insurance Amphitheater *@
08/23 — Detroit, MI @ Little Caesars Arena *@
08/24 — Tinley Park, IL @ Credit Union 1 Amphitheatre *@
08/26 — Kansas City, MO @ T-Mobile Center *@
08/29 — Phoenix, AZ @ Talking Stick Resort Amphitheatre *@
09/01 — Ridgefield, WA @ Cascades Amphitheater *@
09/03 — Seattle, WA @ Climate Pledge Arena *@
09/05 — Mountain View, CA @ Shoreline Amphitheatre *@
09/06 — Sacramento, CA @ Golden 1 Center *@
09/10 — Chula Vista, CA @ North Island Credit Union Amphitheatre *@
09/12 — Los Angeles, CA @ Crypto.com Arena *@
09/14 — Albuquerque, NM @ Isleta Amphitheater *@
09/16 — Del Valle, TX @ Germania Insurance Amphitheater *@
09/17 — Dallas, TX @ Dos Equis Pavilion *@
09/18 — The Woodlands, TX @ The Cynthia Woods Mitchell Pavilion *@#
09/22 — Oklahoma City, OK @ Paycom Center %
09/24 — Huntsville, AL @ The Orion Amphitheater *@
09/25 — Charlotte, NC @ PNC Music Pavilion *@
09/29 — Atlanta, GA @ State Farm Arena *@#
10/01 — Orlando, FL @ Kia Center *@#
10/02 — West Palm Beach, FL @ iThink Financial Amphitheatre *@#
* with Tyga
@ with Belly Gang Kushington
# with NoCap
% with Hot Boys
Aminé has announced the lineup for the 2025 Best Day Ever Festival, which features Smino, Thundercat, and Zack Fox. The Portland rapper’s homebrew festival returns to Edgefield Lawn September 13 and 14 for its second iteration with another set of his favorite acts. Aminé himself will be performing, of course, while the lineup is rounded out by Amaarae, chlothegod, MIKE, and SoundsByDontā. Tickets for the festival go on sale Friday, June 6th, at 10 AM PT. You can find more information here.
The first Best Day Ever Festival took place in 2024 with BADBADNOTGOOD, Karrahbooo, Kaytranada, MadisonLST, Ravyn Lenae, Toro y Moi, and 3WayHeff. Apparently it was enough of a success to warrant another go-round, so perhaps it’ll end up being Portland’s answer to Camp Flog Gnaw Carnival in a few years.
The festival will also mark the beginning of Aminé’s Tour De Dance supporting his new album, 13 Months Of Sunshine. You can see the dates for that below.
9/13 – Portland, OR @ The Best Day Ever Festival
9/14 – Portland, OR @ The Best Day Ever Festival
9/16 – Seattle, WA @ WAMU Theater #
9/18 – San Francisco, CA @ The Masonic #
9/19 – Oakland, CA @ Fox Theater #
9/20 – San Diego, CA @ Cal Coast Credit Union Open Air Theatre #
9/23 – Anaheim, CA @ House of Blues #
9/24 – Los Angeles, CA @ Shrine Expo Hall #
9/25 – Phoenix, AZ @ Arizona Financial Theatre #
9/27 – Denver, CO @ Fillmore Auditorium #
9/29 – Dallas, TX @ South Side Ballroom #
9/30 – Austin, TX @ ACL Live – Moody Theater #
10/2 – Nashville, TN @ Marathon Music Works #
10/3 – Atlanta, GA @ Coca-Cola Roxy &
10/5 – New York, NY @ Capital One City Parks Foundation SummerStage &
10/6 – Philadelphia, PA @ The Fillmore Philadelphia &
10/7 – Washington, DC @ Echostage &
10/8 – Boston, MA @ MGM Music Hall at Fenway &
10/10 – Toronto, ON @ HISTORY &
10/11 – Toronto, ON @ HISTORY &
10/12 – Montreal, QC @ MTELUS &
10/14 – Chicago, IL @ The Salt Shed &
10/16 – Detroit, MI @ The Fillmore Detroit &
10/18 – Milwaukee, WI @ The Rave/Eagles Club &
10/19 – Minneapolis, MN @ The Fillmore Minneapolis &
+With Lido
=With Sango
%With Tommy Gold
^With Niko B
When it comes to music, I am an environmentalist. I believe where you listen can be as important as what you are listening to. The right song requires the right weather, and vice versa, no matter the time of year. Though the summer, clearly, is the most conducive season of all for listening. Pop bops, low-rider hip-hop anthems, pontoon country bangers — they all slot easily into the potential “Song Of The Summer” lane. (Keep your agoraphobic folk-rock bummers for the winter.)
Personally, I have always been a sucker for a chunky, melodic summertime hard rock jam, going back to my early grade-school exposure to Van Halen’s “Panama” on MTV. The kind of headbanger that makes you feel happy rather than evil. (Or, to paraphrase Def Leppard, sticky sweet from your head to your feet.) Which is why I must salute Turnstile — the Baltimore punk band whose latest album Never Enough drops Friday — for understanding the assignment. Never Enough is one of the best rock records of 2025’s first half, and an expertly executed follow-up to their acclaimed 2021 breakthrough, Glow On. But it would probably sound a little less awesome if it came out on, say, February 21. Thankfully, Turnstile knows who they are and what service they provide. They make music for the start of summer, a time when cookouts and pool parties demand fat, overheated guitar riffs and full-throated choruses. And Never Enough should sound pretty much perfect in that context.
I fell in love with Turnstile back in 2018, upon the release of their second record, Time & Space. Their mix of punk, metal, and ’90s alternative rock reminded me of the “stoned in the backseat” albums of my youth, the feel-good music made by shirtless guys who play groove-heavy riffs while radiating an amiable “it’s all good” attitude. Time & Space felt like an album that I should be hearing on compact disc in a friend’s crappy Saturn S-Series, not on my computer. (Among Turnstile’s accomplishments is being one of the great modern “CD” bands.)
Time & Space presented Turnstile as an uncommonly ingratiating band. They did not seem at all dark or angry, no matter how hard their songs raged. But they weren’t really a party band, either. Turnstile was just a good hang. Their music was heavy but their mood was light. It sounded like how friendship feels. And that carried over to Glow On, which refined the big-eared eclecticism of Time & Space — which featured a cameo by Diplo and fearless excursions into R&B, funk, and psychedelia — into a seamless whole. They could now collaborate with Blood Orange and not have it feel like a gimmick. Even better, that record pushed Turnstile into the mainstream. This new status was reflected by their entry into the Foo Fighters/Black Keys “rock bands who get nominated for Grammys” stratum. As Pitchfork recently put it, they are now “the biggest, actually good band in mainstream rock.”
If Glow On was about leveling up, Never Enough is concerned with maintaining that “mainstream rock” distinction. As if that wasn’t a big enough challenge, Turnstile is working without two important contributors to Glow On— producer Mike Elizondo (who supplied that album’s radio-rock sheen) and founding guitarist Brady Ebert (who played those pummeling infectious riffs). Incredibly, Never Enough picks up the thread from its predecessor as well as could be expected. If anything, this record sounds even bigger and dreamier than Glow On. (It was recorded at the same Laurel Canyon studio where the Red Hot Chili Peppers made BloodSugarSexMagik, so it comes by the ’90s alt-rock vibes honestly.) Also: I did my music-critic duty and dragged my laptop to the back patio so I could confirm that, yes, Never Enough sounds incredible in the sunshine. I advise that you pick up some burgers and put the beer on ice, because your weekend soundtrack has arrived.
Notice how at the start of this column, I referred to Turnstile as melodic hard rock, not hardcore. Because that’s what they actually sound like. When I listen to “Sole” or “Dreaming,” I hear a band that is very good at making groove-metal. When I hear “I Care,” I know I’m in the hands of a band that understands power pop. And when I put on “Seein’ Stars,” I appreciate that other people also like “When The World Is Running Down, You Make The Best Of What’s Still Around” by The Police as much as I do. (I also assume that Turnstile’s lawyers have reached out to Sting’s people with a settlement.)
I realize that this band’s connection to the scene that berthed them is the most consistent talking point in everything that’s written about them. (“Hardcore” appears 13 times in that Pitchfork profile.) And I know that singer Brendan Yates views his band as “philosophically” hardcore or whatever. But this conversation is the least interesting thing about Turnstile. It sometimes feels like cope for music writers who otherwise would struggle to justify liking a band that sort of sounds like Incubus. (A hardcore Incubus is more respectable, I guess.) I am sure there is a 51-year-old man clad in a Social Distortion t-shirt who is posting right now on Facebook about Turnstile’s questionable proximity to “real” punk, but the rest of the world has moved on.
Their most obvious analogue is Deftones, who had an inverse relationship with their genre of origin, nu-metal. Whereas Turnstile’s hardcore bona fides are a calling card, Deftones had to move beyond their early categorization. But both bands are ultimately viewed as experimental outfits that “transcended” their style of music. On Never Enough, this “color outside the lines” quality is most evident at the heart of the record, with the songs “Sunshower” and “Look Out For Me” forming a mini-suite that starts out in a belligerent, punk-y place and winds toward an ambient, electronic tranquil. It’s a showstopper that demonstrates Turnstile’s casual confidence when it comes to doing whatever the hell they want.
This overt artiness, like White Pony era Deftones, separates them from the pack. But that wouldn’t matter if Turnstile didn’t also deliver the goods. The ambition of Never Enough, blessedly, never reads as self-seriousness. Lest things get too esoteric, they always make sure to slap some red meat on the grill. Like in the closing third of the record, when they get back to playing brilliantly smart “dumb” rock songs like “Birds” (an extremely excitable song about flying chordates) and “Slow Dive” (a successful attempt at rewriting “Sad But True”).
Given how miserable and colorless most of their peers are now — no other genre revels in performative dreariness like the lip-ring soul-patch merchants populating your local modern rock radio station — the sheer effervescence of Turnstile feels like a small miracle. And Never Enough shines like an 80-degree day after endless months of rain.
Never Enough is out 6/6 via Roadrunner. Find more information here.
“‘RIP KP’ is about the sexy side of girl violence – when love takes over your brain like a cordyceps and suddenly you’re getting f*cked all over your house, acting a fool. It’s the perfect way to open the record: dramatic, unhinged, and a little tongue-in-cheek. I wrote it during a full ego death — leaving LA, my label, my old life — and somehow landed back in NYC making the music I would’ve obsessed over at 15. It’s a slutty anthem for the lesbians. We need debauchery this summer.”
She also says of the album:
“Girl violence is very sneaky. It’s not physical, it’s deeply emotional, spiritual, and spooky. Women are both amazing and sinister — including myself — and it’s my curiosity to understand all the love, loss, and changes that come out of my love for women. Why are we so inclined to cause and receive chaos? If you’ve experienced even an iota of it, then you’ll have a story to tell. And these are mine.”
She also announced a tour, which will be preceded by a sold-out Brooklyn show tonight, where the album will be previewed in full. As for the other tour dates launching in October, tickets go on sale starting June 13 at 10 a.m. local time and more information can be found here.
Watch the “RIP KP” video above and find the Girl Violence cover art and tracklist below, along with the tour dates.
King Princess’ Girl Violence Album Cover Artwork
section1
King Princess’ Girl Violence Tracklist
1. “Girl Violence”
2. “Jaime”
3. “Origin”
4. “I Feel Pretty”
5. “Cry Cry Cry”
6. “Get Your Heart Broken”
7. “Girls”
8. “Covers”
9. “Say What You Will”
10. “RIP KP”
11. “Alone Again”
12. “Slow Down And Shut Up”
13. “Serena”
King Princess’ 2025 Tour Dates
06/04 — Brooklyn, NY @ Market Hotel
10/03 — Austin, TX @ Austin City Limits
10/10 — Austin, TX @ Austin City Limits
10/25 — Nashville, TN @ Marathon Music Works
10/26 — Atlanta, GA @ Buckhead Theatre
10/28 — Richmond, VA @ The National
10/29 — Brooklyn, NY @ Brooklyn Paramount
10/31 — Washington, DC @ 9:30 Club (late show)
11/01 — Philadelphia, PA @ Union Transfer
11/02 — Boston, MA @ House of Blues
11/04 — Toronto, ON @ HISTORY
11/05 — Royal Oak, MI @ Royal Oak Music Theatre
11/07 — Chicago, IL @ The Salt Shed
11/08 — Minneapolis, MN @ Uptown Theater
11/10 — St. Louis, MO @ The Pageant
11/11 — Kansas City, MO @ The Truman
11/13 — Denver, CO @ Ogden Theatre
11/14 — Salt Lake City, UT @ The Depot
11/16 — Seattle, WA @ Showbox SoDo
11/17 — Portland, OR @ Roseland Theater
11/19 — San Francisco, CA @ The Regency Ballroom
11/21 — Anaheim, CA @ House of Blues
11/22 — Los Angeles, CA @ The Wiltern
12/03 — Dublin, Ireland @ Vicar Street
12/05 — Glasgow, Scotland @ Queen Margaret Union
12/06 — Leeds, UK @ Beckett
12/07 — Manchester, UK @ New Century Hall
12/09 — London, UK @ Brixton Electric
12/13 — Brussels, BE @ La Madeleine
12/14 — Paris, FR @ Le Trianon
12/16 — Amsterdam, Netherlands @ Melkweg Max
12/17 — Berlin, Germany @ Astra Kulturhaus
Girl Violence is out 9/12 via section1. Find more information here.
Turnstile’s new album Never Enough is out in a couple of days, but they decided to give two more of the project’s songs an early preview ahead of then. The band did so live on The Tonight Show, where they performed “I Care” and “Dull” last night (June 3).
Before watching above, note that the performance comes with a warning about flashing lights. That comes in the latter half of the mini-set, all of which takes place in a basement-themed set.
The band’s upcoming album is described in a press release as “a restless and exhilarating evolution of the band’s genre-defying sound. A transformative journey, both fearless and alive, by one of the most forward-thinking and influential bands of their generation.”
Watch the performance above and find the group’s upcoming tour dates below.
Turnstile’s 2025 Tour Dates: Never Enough Tour
06/06 — Brooklyn, New York @ Under The K Bridge
06/07 — Barcelona, Spain @ Primavera Sound 2025
06/11 — Athens, Greece @ Teatro Petras*
06/13 — London, United Kingdom @ Outbreak Fest London 2025
06/14 — Porto, Portugal @ Primavera Sound Porto 2025
06/18 — Vienna, Austria @ Gasometer*
06/19 — Prague, Czech Republic @ Velky Sal Lucerna*
06/21 — Clisson, France @ Hellfest 2025
06/23 — Esch-sur-Alzette, Luxembourg @ Rockhal*
06/25 — Warsaw, Poland @ Letnia Scena Progresji*
06/27 — Brussels, Belgium @ Ancienne Belgique*
06/28 — Ysselsteyn, Netherlands @ Jera On Air 2025
06/29 — Somerset, United Kingdom @ Glastonbury Festival 2025
07/12 — Ottawa, Canada @ Ottawa Blues Festival 2025
10/03 — Sacramento, CA @ Aftershock 2025
10/17-18 — Miami, Florida @ III Points 2025
Never Enough is out 6/6 via Roadrunner. Find more information here.
Wednesday haven’t announced a new album yet, but they seem to be up to something. Last month, they released “Elderberry Wine,” their first new music since 2023, and now, the band has announced a run of 2025 tour dates.
The North American shows run in October and November. Friendship will support on the West Coast shows in October, while Daffo will take over opening duties in November.
Pre-sales start June 4 followed by the general on-sale on June 6 at 10 a.m. local time. More information about getting tickets can be found on the band’s website.
Check out the full list of tour dates below.
Wednesday’s 2025 Tour Dates
07/26-7/27 — Portland, OR @ Project Pabst
09/27 — Austin, TX @ LEVITATION Festival
10/09 — Santa Fe, NM @ Tumble Root *
10/10-12 — Las Vegas, NV @ Best Friends Forever Festival
10/11 — Phoenix, AZ @ Crescent Ballroom *
10/14 — Solana Beach, CA @ Belly Up Tavern *
10/17 — Los Angeles, CA @ The Fonda Theatre *
10/18 — Oakland, CA @ The Fox Theater *
10/20 — Salt Lake City, UT @ Soundwell *
10/22 — Ft. Collins, CO @ Aggie Theatre *
10/23 — Denver, CO @ Gothic Theatre *
11/10 — Philadelphia, PA @ Union Transfer ^
11/11 — Brooklyn, NY @ Brooklyn Steel ^
11/12 — Brooklyn, NY @ Brooklyn Steel ^
11/13 — Montreal, QC @ Club Soda ^
11/15 — Toronto, ON @ Concert Hall ^
11/16 — Detroit, MI @ Majestic Theatre ^
11/17 — Chicago, IL @ The Riviera Theater ^
11/19 — Cleveland, OH @ Globe Iron ^
11/20 — Pittsburgh, PA @ Roxian Theatre ^
11/21 — Washington, DC @ 9:30 Club ^
Recent Sparkling Sessions headliner Jessie Murph is on fire right now, and things are set to heat up even further as the summer rolls on: Today (June 3), Murph announced Sex Hysteria, a new album set for release on July 18.
A tracklist hasn’t been revealed yet, but a press release notes the upcoming single “Touch Me Like A Gangster,” set for release on June 6, will be included, as well as recent releases “Blue Strips” and “Gucci Mane.”
The release also notes the project sees Murph “opening up about themes of sexuality, generational trauma, and self-discovery with a vulnerability and honesty that marks a new chapter in her artistic evolution.” It also notes that on the album, she “reckons with the past, interrogates inherited trauma, and explores the emotional complexities of growing up in environments where feelings are buried deep.”
Check out the album trailer above and Murph’s upcoming tour dates below.
Jessie Murph’s Sex Hysteria Album Cover Artwork
Columbia Records
Jessie Murph’s 2025 Tour Dates: Worldwide Hysteria Tour
07/27 — Phoenix, AZ @ Arizona Federal Theatre
07/30 — Austin, TX @ ACL Live @ Moody Theatre
08/01 — Durant, OK @ Choctaw Grand Theater
08/02 — Dallas, TX @ South Side Ballroom
08/03 — Houston, TX @ 713 Music Hall
08/05 — St. Louis, MO @ The Factory
08/07 — Des Moines, IA @ Lauridsen Ampitheater at Waterworks Park
08/08 — Minneapolis, MN @ The Armory
08/09 — Oshkosh, WI @ Crossroads 41
08/10 — Indianapolis, IN @ Everwise Amphitehatre
08/12 — Detroit, MI @ The Fillmore
08/15 — Columbus, OH @ KEMBA Live! – Outdoor
08/16 — Chicago, IL @ Byline Bank Aragon Ballroom
08/18 — Cleveland, OH @ Jacobs Pavillion
08/19 — Pittsburgh, PA @ Stage AE (Outdoors)
08/21 — Buffalo, NY @ Outer Harbor Live at Terminal B
08/23 — Philadelphia, PA @ The Met
08/25 — New York, NY @ The Rooftop at Pier 17
08/27 — Washington DC @ Anthem
08/28 — Boston, MA @ Leader Bank Pavilion
08/30 — Toronto, ON @ Massey Hall
09/01 — Montreal, QC @ Mtelus
09/04 — Raleigh, NC @ Red Hat Amphitheatre
09/05 — Anderson, SC @ Wendell’s
09/06 — Birmingham, AL @ Coke Amphitheater
09/08 — Orlando, FL @ Hard Rock Live
09/09 — Fort Lauderdale, FL @ War Memorial Auditorium
09/10 — Tampa, FL @ Yuengling Center
09/12 — Atlanta, GA @ Coca Cola Roxy
09/13 — Nashville, TN @ Ascend Amphitheater
09/17 — Kansas City, MO @ Cable Dahmer Arena
09/19 — Denver, CO @ Fillmore Auditorium
09/20 — Salt Lake City, UT @ Union Event Center
09/22 — Vancouver, BC @ Queen Elizabeth Theatre
09/23 — Seattle, WA @ WAMU Theater @ Lumen Field
09/24 — Portland, OR @ Theatre of the Clouds
09/26 — San Fransisco, CA @ Fox Theater
09/27 — Los Angeles, CA @ The Shrine
10/08 — Amsterdam, NL @ Melkweg
10/10 — Brussels, BE @ AB
10/11 — Hamburg, DE @ Grosse Freiheit
10/13 — Berlin, DE @ Huxleys
10/14 — Copenhagen, DK @ Vega
10/16 — Cologne, DE @ Carlswerk Victoria
10/17 — Paris, FR @ Trabendo
10/19 — Birmingham, UK @ O2 Institute
10/21 — Glasgow, UK @ Barrowland Ballroom
10/22 — Manchester, UK @ Manchester Academy
10/24 — London, UK @ The Roundhouse
10/26 — Dublin, IE @ 3Olympia
11/12 — Perth, AU @ Metropolis Fremantle
11/15 — Sydney, AU @ Enmore Theatre
11/18 — Brisbane, AU @ Fortitude Music Hall
11/20 — Melbourne, AU @ Forum Melbourne
11/22 — Auckland, NZ @ Town Hall
Sex Hysteria is out 7/18 via Columbia Records. Find more information here.
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