Before the Marvel Cinematic Universe was even a thing — heck, before X-Men and Spider-Man kicked off the current age of superhero blockbusters — Quentin Tarantino had his heart set on making a Luke Cage film. Though it never happened, the director revealed on a podcast that he had grand plans for one of his favorite comic book heroes and even had a specific actor in mind for the titular role.

The prolific writer/director appeared on Amy Schumer’s podcast (via The Guardian) and explained that he wanted to make a Luke Cage movie between his directorial debut Reservoir Dogs and Pulp Fiction. He also explained how that choice caused him to abandon the project after his friends constantly badgered him to choose a different lead.

“Growing up I was a big comic-book collector, and my two favourite [comic books] were Luke Cage: Hero for Hire, later Luke Cage: Power Man, and Shang-Chi: Master of Kung Fu.

“What dissuaded me … was my comic-geek friends talked me out of it,” Tarantino went on. “Because I had an idea that Larry Fishburne would’ve been the perfect guy to play Luke Cage. But all my friends were like, ‘It’s got to be Wesley Snipes.’ And I go, ‘Look, I like Wesley Snipes, but Larry Fishburne is practically Marlon Brando. I think Fish is the man.’ And they’re like, ‘Yeah, but he’d have to get in shape in a big way. Snipes is that way already!’ And I go, ‘F*ck that! That’s not that important! F*ck you, you ruined the whole damn thing!’”

In defense of Tarantino’s friends, Wesley Snipes would later land the role of Marvel’s Blade, which arguably set the stage for the onslaught of superhero films to come, so their judgment wasn’t too far off. Lawrence Fishburne did “get in shape in a big way,” however, and thoroughly proved his action star chops as Morpheus in The Matrix, so the Pulp Fiction director was definitely onto something.

Not to mention, he would’ve delivered a Luke Cage movie that featured the same knack for the Blaxpoitation genre that he showcased in both Jackie Brown and Django Unchained. But if you’re hoping Tarantino might still have a Marvel movie in him, don’t hold your breath. He’s still adamant that his next film will be his last, and it’s probably not going to be for the MCU.

(Via The Guardian)

After scuttling the premieres of Black Widow, Mulan, and several smaller titles due to the near-shuttering of the global box office, Disney recently unveiled its new release schedule, which for the most part, looks like a return to business as usual, only five to six months later than planned.

One title, however, was noticeably missing from Disney’s new slate: The New Mutants. While films like Artemis Fowl and Onward made quick jumps to Disney+ after having their theatrical runs aborted, the long-delayed mutant horror movie had no such luck. But despite X-Men fans pleading on social media for New Mutants to drop on Disney+ (or Hulu if the content isn’t suitable for the family-friendly streaming service) there appears to be a significant snag in making that happen. That snag? HBO.

Even after the Disney merger, HBO still holds the premium TV rights to all 20th Century Fox films as it has for the past 30 years. That deal would presumably include New Mutants and also explain why X-Men: Dark Phoenix recently debuted on HBO instead of one of the Disney-controlled streaming services. HBO fully expects Disney to make a play for the Fox library, however, when the current deal expires in 2022.

“You don’t have to be a genius to assume [Disney chairman/CEO] Bob [Iger] will take those Fox movies back into the Disney company.” former HBO CEO Richard Plepler told The Hollywood Reporter in 2018. “But there are other ways to skin the movie cat, and we will.”

As for releasing New Mutants on VOD, Den of Geek reports that situation is another can of worms involving a Gordian knot of contractual obligations that require the film to be released theatrically or face a round of renegotiations with the cast and director. There’s a reason fans think the movie is cursed.

After watching its release date get routinely delayed while still at Fox, New Mutants seemingly disappeared into the ether following the Disney merger and fans gave up hope on the film ever seeing the light of day. But in a surprise announcement in 2019, director Josh Boone revealed that Disney was letting him finish the film, and it came so close to making it into theaters. Boone and star Maisie Williams even did a promotional tour, and then just a few weeks shy of its April 3 release date, coronavirus collapsed the entire film industry. And now, to pour salt in the wound, the bruised and beaten mutant movie is trapped in a complicated streaming limbo that probably won’t be resolved anytime soon. Although, you have to admit, it’s very on brand.

(Via THR)

Previously on the Best and Worst of WrestleMania: WrestleMania ran until one in the morning, proving that WrestleMania was too big for just one night. This year, for the first time, WrestleMania is Too Big For Just One Night®!

If you haven’t watched part one of this year’s WrestleMania yet, go do that now. Remember that With Spandex is on Twitter, so follow it. Follow us on Twitter and like us on Facebook. You can also follow me on Twitter. BUY THE SHIRT.

One more thing: Hit those share buttons! Spread the word about the column on Facebook, Twitter and whatever else you use. Be sure to leave us a comment in our comment section below as well. Feel free to peruse the WrestleMania 36 tag page if we missed anything.

Here’s the Best and Worst of WWE WrestleMania 36 (1 of 2) for April 4, 2018.

First Things First, Rest In Peace AJ Styles

For real, you the only Flat Earther that I ever knew.

“You … you made me BRAYKE MY FANGER!!!!!”

So, how do you put the Boneyard Match into words? I feel like Jodie Foster trying to talk to her dead father on an alien beach.

I think it’d be doing the match a disservice to pretend like it was innovative or original. Vampiro was doing melodramatic graveyard matches 20 years ago with the same burials and shovel shots and camera effects. It’s got a little of Matt Hardy’s Broken Universe in the presentation, a lot of Lucha Underground, and the only difference between it and something like House of Horrors is that people liked it. I’d also be doing the match a disservice to say it wasn’t delightfully corny, dumb as bricks in all the right ways, and maybe the exact thing wrestling fans needed to turn off their brains and stop thinking about the terrifying world in which we live for a few minutes.

I’ve been trying to figure out the differences between this and House of Horrors, and the most reasonable thing I can surmise is that they realized it was like a scene from the 1995 Mortal Kombat movie, didn’t take it seriously, and ratcheted up the ridiculousness. While House of Horrors had, say, an unmanned tractor rolling backwards while everyone in WWE creative went oh my god wow this is so scary you guys you should be really scared for randy orton right now, the Boneyard Match was like, Undertaker is gonna drive away on a motorcycle so let’s play Metallica and have fire shoot up in the background and make lasers form an Undertaker symbol on the front of a deadly barn. It gets what it’s supposed to be, and that’s why it works.

That’s just part of it, you know? There’s so much more going on. For one, it’s refreshing to see The Undertaker filmed like this so he can still look like The Undertaker, and not like a bumbling old man willing to put his life and the lives of others on the line in a dangerously shitty match for another Saudi bag. Undertaker was always more of a gothic comic book character than a professional wrestling one, and putting him in hilarious cinematics that play on 30 years of popular history without exposing his growing weaknesses and asking him carry a live, marquee, real-life wrestling match deep into his 50s when you shouldn’t even be asking or expecting his legendary ass to carry his own groceries. Taker looks alive again, so to speak, and could do so much more for WWE going forward as the aging action hero in pre-tapes who puts up his dukes and quips macho one-liners before battling an army of cemetery druids.

Then there’s what actually happens in the match, which sounds a little funnier every time you type it out. There’s the Cinemax music, which I think is at its best when The O.C.’s summoning druids from beyond the grave or whatever while a lonely electric guitar wails in the background. There’s the Undertaker avoiding being buried by teleporting out of his grave and showing up behind AJ with back-lighting like he just stepped out of a Hellraiser sequel. There’s the hillbilly bum-fights dialogue between the two, Undertaker breathing like a pug, dramatic middle fingers, and poor AJ Styles out here literally dying in bootcut Wranglers. It’s a masterpiece of Vince McMahon’s “we make movies” vision, for better or worse, and the beautiful, truly absurd centerpiece to history’s strangest WrestleMania.

It also makes me really excited to see what the Firefly Funhouse match is going to look like. “Matches” like this shouldn’t ever replace professional wrestling, because wrestling is a weirdly archaic and wonderful expression of art using theater in the round to tell stories of base humanity and exaggerated experience to the millions of people on its wavelength, but bad action movie cutscenes are pretty great too. Part of me hopes that the Styles character actually died here and will never be seen again, and that Monday’s Raw opens with his Zoom funeral.

Now let’s do Undertaker vs. Sting like this before they’re both a hundred, what do you say?

Worst: When Rob Gronkowski And Mojo Rawley Are Your Entire Crowd

The rest of the show was decidedly not held in the Boneyard, but it had its highs and lows.

Like the empty arena shows I’ve written up for Raw, Smackdown, NXT, and AEW Dynamite, I need to start the non-Bonies portion of the program with a disclaimer. I’ll put it in bold so you’ll see it if you’re skimming for some reason. The world is fucked right now and it’s wildly unfair to compare a show WWE would do out of pandemic and quarantine with one they’re doing inside of it. There are still criticisms to make and improvements to suggest, but nothing I’m writing here is intended to condescend on the men and women who are continuing to try to work, entertain us, and put their bodies on the line when they absolutely do not have to be. I don’t think WWE should still be doing shows when everything else is shut down for a myriad of reasons, but I’m also happy they are, because I like wrestling and I don’t ever want it to stop. It’s “hypocritical,” I guess, but we contain multitudes, or whatever.

I’ve got to say, though, if you predicted that WrestleMania would run in the back of the Performance Center with no fans but Mojo Rawley and Rob Gronkowski in attendance, congratulations on bringing back a Sports-Entertainment Almanac from 30 years in the future. I hope you also bet someone that the Street Profits would defend the Raw Tag Team Championship against Austin Theory from EVOLVE and NXT Breakout Tournament semifinals loser Angel Garza. I was honestly worried that given the circumstances they’d pull some dumb shit with Gronk and have him leave WrestleMania as the Universal Champion or something, but they keep his Zubaz flavor of enthusiasm to a minimum and only really have him interact with the talent in a bad 24/7 Championship bit.

Truth, my dude, you’re in quarantine. You had to drive to Riddick Moss’ neighborhood and find him jogging down his street to win the championship. If you’re worried about losing it, stay in your damn home. Why are you not only going to the locked down, no fans, essential personnel only WrestleMania and then going up onto the little Juliette balcony to ask your two most threatening predators — a sports celebrity and his best friend, a former 24/7 Champion — to help keep you safe? It’s like lowering yourself into the ocean in an open cage to avoid being eaten by sharks.

Gronk’s definitely winning that championship tomorrow and kayfabe freeing himself from his association with Mojo, yeah? And then Truth’s probably jogging up in an Eagles helmet and school-boying him to win it back. I know times are tough, but I still think they should’ve written the 24/7 Championship out of existence at WrestleMania with a two-day R-Truth vs. Drake Maverick anywhere and everywhere Iron Man Match.

Best: Bruderschaft Des Kreuzes Remains Dominant On The Pre-Show

There wasn’t much to the four minutes of Cesaro vs. Drew Gulak we got on the kickoff show, but it WAS the formal WWE debut of one of Cesaro’s greatest moves, the UFO, aka “Unidentified Flying Opponent”:

Here he is hitting it on Green Ant in CHIKARA back in the day and again on Charlie Haas in Ring of Honor. It doesn’t make a lot of physical sense, but it rules. I’m worried about Cesaro getting over another move like this, though, because he got the Giant Swing over only to have to stop doing it because it was too over. Cesaro’s forever in that position of wanting to show people the cool things he can do, and knowing as soon as he does, they’ll swoop in like, “no, European uppercuts only.”

Worst: Poor Kairi Sane

I don’t think anything on the show made me as sad as Pirate Princess Kairi Sane opening the pirate-themed edition of WrestleMania that was supposed to happen in a stadium full of fans with a pirate ship, but now has no fans and no pirate ship. The Kabuki Warriors’ entrance gear looked amazing, though, and in a better timeline this was the coolest and best night of Kairi Sane’s life.

Anyway, the show opens with the Women’s Tag Team Championship match between the Bukies and Bliss Cross Applesauce, which most of us assumed was WWE’s way of getting the titles back on Alexa Bliss so they’d have a reason to pay attention and remember the titles exist. I don’t know why they completely lost interest with the belts on Boss-n-Hug, the IIconics, or the goddamn Kabuki Warriors, but they did. They like Bliss, though, so why not? Plus, it technically gives Nikki Cross a “WrestleMania moment,” even if it’s at the extremely weird and concerning WrestleMania.

The match itself wasn’t bad, but they were in that death slot of opening the show while the fans at home adjusted to the reality of it. My Twitter timeline didn’t really start lightening up or getting positive until the ladder match five matches in. It also went a little long at 15 minutes, and there were a ton of visible edits made throughout that for me, at least, threw off the rhythm and took me out of it. Ah well. Maybe WWE will give Tampa a “make-up” WrestleMania in 2022 or something and we’ll get that perfectly synergistic pirate moment after all. I had that clip of the guy from the end of The Goonies seeing One-Eyed Willie’s ship and saying “holy Mary mother’a God!” ready to go and everything.

King Corbin Versus Elias Happened

It sure did. The best compliment I can give it is that it didn’t completely make me want to smash myself in the face with a scepter and fall off a balcony. Corbin gets caught cheating and then loses to Elias cheating to presumably keep the feud going, because come on, you have to save the big blow-off to the King Corbin versus Elias rivalry for when fans are there.

On the bright side, this is the best crowd reaction a King Corbin match has ever gotten.

Best/Worst: Shayna No-Time

It’s the next day and I’m still not totally sure what to make of Becky Lynch versus Shayna Baszler. I didn’t hate what they were doing in the ring, but it’s just kind of there and over before it can even get going. It’s 8 1/2 minutes long, which makes it not only half the length of Alexa Bliss and Nikki Cross versus the Kabuki Warriors, but shorter than Corbin vs. Elias. And this is supposed to be one of your big marquee matches! The only Women’s Championship match for a main roster championship without Tamina and Lacey Evans involved.

You’ve got to think that Baszler losing to the Kairi Special here runs her “dominance” gimmick’s momentum into a brick wall and leaves her kind of dead in the water on Raw. The build with Lynch here wasn’t very good and was marred by comical vampirism from the beginning, and the matches and promos Shayna’s had on Raw have been pretty cringe. It’s a crummy reality, especially for a Shayna Baszler fanboy and apologist like me. She’s legit one of my favorite wrestlers, and since showing up on Raw she’s felt more like Jessamyn Duke than Shayna Baszler. The longer you think about it, even that dominant performance at the Elimination Chamber feels less like earned pro wrestling “domination” and more like somebody acting out the idea of domination for the sake of a story. Sorta like how they have Tamina be a joke and vanish for years but show up two weeks before WrestleMania with everyone acting all scared of her.

Becky’s run continues, bless its heart, and unless Ronda Rousey’s actually coming back sometime this year, I think she’s out of viable challengers. What are they going to do, run her against a returning Nia Jax again? Call up Raquel Gonzalez? Bring back WWE Legend Alicia Fox? Shayna losing and being humbled enough to fall in line as Rousey’s second in command as the Four Horsewomen of MMA wage war on professional wrestling and Lynch having to “get the band back together” and make the NXT Horsewomen get along again would be a hell of a way to spend the year, but right now putting that all together feels like trying to unlock a cryptex in The Da Vinci Code. At least Becky still kind of got to have a cool WrestleMania entrance!

Worst: WrestleMania Presents Friday Night Smackdown

When I watch Sami Zayn versus Daniel Bryan in an Intercontinental Championship match at WrestleMania, I want Sami Zayn versus Daniel Bryan in an Intercontinental Championship match at WrestleMania. Almost any version of that would be great. Almost.

Unfortunately what we got was the most Friday Night Smackdown match on the card, with Zayn (who has spent years being a helpless loser, only won the Intercontinental Championship in a 3-on-1 handicap match, hasn’t defended it, and has supervised a solid month of non-stop losses to Daniel Bryan) “getting his comeuppance” for a few entertaining minutes and then launching straight into a TV-ass distraction finish. At WRESTLEMANIA. Drew Gulak gets beaten up by Cesaro and Shinsuke Nakamura, which causes Bryan to dive into them for the save, which removes his focus long enough for Sami to hit a fucking big boot counter to a Jumping Nothing and win the match. They said it was a “Helluva Kick,” but it was a Hulk Hogan big boot. He just stuck his leg up. Daniel Bryan dominated for 10 minutes and lost to a raised foot. Bruh. Flat, pointless, regressive, and a massive waste of two of the best performers in your company. Five of them, technically.

Thankfully it’s around this time that the mostly trash first hour and a half of WrestleMania gets saved by three guys with a bunch of ladders and a death wish.

Best: John Morrison, Jimmy Uso, And Kofi Kingston Give WrestleMania A Blood Sacrifice

It is sincerely a massive understatement to say that John Morrison, Jimmy Uso, and Kofi Kingston deserve the biggest WrestleMania bonuses this year. They walked into an almost unwinnable scenario — a triple threat tag team ladder match turned into a 1-on-1-on-1 triple threat due to unexpected illness during a pandemic, so now they’d have to plot and organize an entertaining ladder match without three additional guys to set up the spots and no fan reactions to justify them putting their careers on the line by jumping into and falling off shit — and dammit, they made it work.

This was the first time all night that WrestleMania felt like WrestleMania. I hate that that coincides with dudes risking injury for the phantom of a crowd response, not to mention Big E being unceremoniously wiped from the WrestleMania card, but they held nothing back and did everything they could to make up the difference. Morrison’s parkour nonsense was the MVP here with the rope walks and the twisting sentons off the ring post, but Jimmy and Kofi were right there with him. Uce’s “Eat that Kofi! Face flat like a pancake boyyyyy” might’ve been the banter of the night.

The finish was a little corny, but they get points for creativity and effort. In case you missed it, all three guys get to the top of ladders at the same time and pull down not just the Smackdown Tag Team Championship belts, but the gold hook thing that held them up. They should’ve strapped the belts to that ceiling fan, but that’s beside the point. Kofi and Uce decide to team up to remove Morrison from the equation, but when he falls, he unconsciously takes the belts with him. He also took a nasty blind fall backwards onto a ladder bridge, because JoMo went full bonkers fearless sometime around the end of Lucha Underground season one. It’s cuter than it is believable or effective as a finish, I think, but like I said, at least they tried something different. Huge +1 to these three.

Mostly Best: Kevin Owens Has Become The Thing He Hates The Most

Shane McMahon.

Quick, try to pick out the match Paul Heyman agented.

This one tricked us into thinking it was about to be a total disasters. Owens and Rollins fight to the outside and Rollins uses the ring bell to get himself disqualified. I think everyone simultaneously was like OH MY GOD NO YOU DIDN’T, and then Owens gets on the mic and talks Rollins back to the ring to restart it as no disqualification, anything goes. It’s fun to be worked when the result is something that improves the show! So the match restarts and builds to the big finish: Kevin Owens climbing up on top of the comically oversized WrestleMania signage that threatened to swallow us all dropping ass from it, putting Rollins through a table. It’s one of those visuals you’re going to see in highlight reels forever.

I think the start and stop worked, but also that it took a little away from the match, as they were doing enough good work and telling a good enough story that it wasn’t necessary. I guess the only way to get Owens out there and up onto the sign would be to bump the ref or have the referee just pretend to forget how to count or something, but on a show with Boneyard Matches and Firefly Funhouse Matches and impromptu triple threat ladder matches between singles guys for tag titles, they probably could’ve just said “this match is no count-outs and no disqualifications” during the introductions. I don’t think it worked for the story to have Rollins try to take a disqualification loss anyway, not only to Kevin Owens, but on WrestleMania, which he clearly thinks is super important. I dunno.

And Finally

LOL

Braun Strowman is now your Universal Champion after two minutes of heart-stopping action against Bill Goldberg in a match with no buid or story that was announced yesterday in passing during a mid-show video package.

Strowman finally “wins the big one” at the public and creative low-point of his character’s existance, defeating a 53-year old part-timer who squashed The Fiend to sell more tickets to a WrestleMania that ended up with an attendance of zero. That managed to not only negate the point of the title change, but sacrifice six months of storytelling involving top stars like Seth Rollins and Daniel Bryan to do so. The Fiend no-sold and obliterated Rollins and Bryan only to get squashed by Goldberg, who was then squashed by Braun Strowman, who we most recently saw losing a 3-on-1 handicap match. To Sami Zayn, who just beat Daniel Bryan. It’s like an ouroboros of losing. It’d be frustrating if it wasn’t so funny.

Also, one of your advertised WrestleMania main events was four shoulder tackles and four body slams. Honestly, if I never see Goldberg again, it’ll be too soon. Regardless of how you feel about him as a character and performer, he only shows up in WWE these days to take opportunities from and make things shittier for the people who actually work there.

Best: Top 10 Comments Of The Night

Dagotron

5 guys yelling at each other in a confined space while two guys wearing zubaz watch from a balcony? That’s Florida.

AddMayne and JerichoThat sharing similar ideas

There needs to be an after credits scene of Evil Uno and Stu digging up AJ while Brodie Lee looks on

There needs to be an epilogue where Dario Cueto shows up and digs him out with the help of some mysterious people for nefarious purposes

The Real Birdman

They should’ve gone full Nitro, had Shayna get a monster truck, then battled Becky in her semi truck on the rooftop

SexCauldron

Take it easy on Corbin everyone. Waitstaff has been hit hardest in this Pandemic.

Taylor Swish

(Samoa Joe watching at home): Wendy is miiiiiinnnne!!!!!

The New Barry Horowitz

“We paid millions for an expensive pirate-themed promo, and I’ll be damned if we are not gonna use it!”

QueenofStrongStyle

This is the kind of over the top craziness we came to wrestling for, and it only took an apocalypse for us to have it again.

SHough610

Corbin vs. Elias: a match that would have been wrestled in silence even if there WAS a crowd

Big Baby Yeezus

Vanguard 1 wanders into the fight like

Mr. Grift

And thus concludes Grandsons of Anarchy

COVID-19 to the video package for next year’s WrestleMania:

That’s it for night one of the Best and Worst of WrestleMania 36. I heard it’s too big for just one night, like Alex Wright, so we’re going to do it again on Sunday night. Make sure you’re here for our night two open thread, and hey, if you’d like to help us stay employed during a pandemic full of empty arena wrestling shows, drop a comment down below and share the column. Seriously, no time we ask for this is ever going to more important than right now.

See you on Sunday for what’s left:

1. WWE Championship Match: Brock Lesnar (c) vs. Drew McIntyre
2. NXT Women’s Championship Match: Rhea Ripley (c) vs. Charlotte Flair
3. Raw Tag Team Championship Match: Street Profits (c) vs. Austin Theory and Angel Garza
4. Aleister Black vs. Bobby Lashley
5. Last Man Standing Match: Edge vs. Randy Orton
6. Firefly Funhouse Match: Bray Wyatt vs. John Cena
7. Dolph Ziggler vs. Otis
8. Kickoff Show Match: Natalya vs. Liv Morgan

Can Firefly Funhouse top the Boneyard? Fingers crossed.

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During the current worldwide pandemic, movie studios are no longer providing box-office figures because theaters have been shut down around the nation and the world. Because we are less interested in the actual figures themselves and more interested in what people are watching over the weekends, each week we will dive into Most Streamed and Bestseller Lists on Fandango, iTunes, Netflix, and Hulu to pinpoint the weekend’s most watched films.

We are now in our third week of inspecting the most watched movies at home, and it’s interesting how much more movement there is in the VOD market than in the traditional box office. That may be more of a function of our current situation, however, where theatrical movies released earlier this year are heading to VOD in a much faster clip to take advantage of the increased movie consumption at home. They’re probably also trying to recoup some of their losses, as well.

In our first two weeks, we’ve been eyeballing the iTunes and Google Play lists to come up with the most watched VOD movies, but Fandango’s most watched VOD movie seems to be a very good compromise between the two lists. In either respect, most of the lists suggests that the two most popular VOD movies this weekend were the home debuts of the two biggest films released in theaters in 2020, Bad Boys for Life and Sonic the Hedgehog. The two movies add to their $204 million and $146 million theatrical box office. Meanwhile, Pixar’s Onward comes in third now that it is being offered for $5 rental instead of $20 purchase (note families: It’s free on Disney+, which cost $6 a month, and if you are spending $5 to watch Onward, you probably live in a family that could use Disney+ to help get through the next couple of months. This is not a plug. It is a lifeline).

Invisible Man is still going strong even at the $20 rental price point, but it’s still doing extraordinarily well, even as other movies have debuted and fallen below it, like Knives Out and Jumanji. e don’t have exact figures on Invisible Man on VOD, but it’s safe to say that it has been a resounding success. Excluding Trolls World Tour (which is on presale), Invisible Man is number four, while Harrison Ford’s Call of the Wild — which was also ousted from theaters early — debuts at a middling #10, ahead of the original Bad Boys and two other movies still only available for purchase, Ben Affleck’s The Way Back and Robert Downey, Jr.’s Doctor Dolittle, which isn’t even doing well on the VOD market with families starved for movies.

Julia Louis-Dreyfus and Will Ferrell’s Downhill, which bombed in theaters, is likewise not making much noise on the VOD market, where it debuted at number 24. Meanwhile, I am only seeing it on the iTunes list (#11), but the critically acclaimed indie flick Never Rarely Sometimes Always seems to be doing well. I haven’t seen it yet, but a lot of critics are calling it the best movie of 2020, so far (Mike Ryan also spoke to the director about the film).

Elsewhere, there is not a lot of churn on Hulu’s Most Popular Movies list, so I may abandon it next week, as Pete Davidson’s Big Time Adolescence — a Hulu original — remains in the top spot for the third week. The rest is a mix of familiar, mostly older comfort titles, although it’s always interesting to see what kinds of movies bubble to the surface, like for instance The Escort, a 2016 movie about a sex-addicted journalist who throws himself into the world of high-class escorts. It sounds like a lot of teenagers were browsing Hulu after their parents went to sleep this weekend.

Finally, over on Netflix, there is a lot of movement as titles come on and off and the algorithm does its magic. Last week’s top film, The Platform, dropped to number seven this week, making way for a new number one, the Netflix original Coffee & Kareem with Ed Helms and Taraji P. Henson. It does not look good; in fact, both critics (14 percent on Rotten Tomatoes) and audiences (48 percent RT Audience score) agree that it is lousy. I’m not sure if it because of Helms’ in Coffee & Kareem, but his The Hangover is also now the 5th most watched movie on the streaming service this weekend, too.

Number two, however, is a headscratcher. The Roommate is a 2011 film starring Leighton Meester, Minka Kelly, and Cam Gigandet about an obsessive, stalking college roommate. Two of those actors barely have a career these days, so I have no idea why the movie is suddenly popular, except that there are probably thousands and thousands of people in America right now who have been trapped indoors with their roommates for a very long time. The film miraculously made $37 million upon its release in America, despite a Rotten Tomatoes score of 4 percent. Are we that hard up for entertainment already?

Sources: Netflix, Hulu, Fandango

To begin the new year, My Chemical Romance announced their first North American tour in over nine years. The announcement came after the group held a reunion concert in Los Angeles to close out 2019, their first concert together in seven years at the time. Unfortunately, as it has done to the rest of the music industry, the coronavirus pandemic forced My Chemical Romance to delay their tour according to Rolling Stone.

Still, My Chemical Romance’s Gerard Way is doing is best to keep fans sated by debuting new music while everyone is stuck at hime. On Saturday, Way uploaded four new songs to his SoundCloud page.

“I’m calling all of this stuff Distraction Or Despair, since that seems to be the two things I keep shifting between. Probably a lot of other people too,” Way said in the Instagram post. “But I think only some of the tracks are tied to an ‘album’ of that name. I’m just winging it, keeping it casual.”

The four songs range widely in terms of their completeness, from the 14-second experiment of “Success!” to the more finished piece of work in “Phoning It In,” a song he said he planned to originally release as a single, and “may still do that at some point when I finish them.” Each song features a detailed explanation of its inspiration behind it on its SoundCloud page. Way said “Crate Amp 2” was him “messing around with this Crate amp I got off of Reverb for cheap,” and the Stooges-inspired “Welcome to the Hotel” is something he had in mind for his comic series Umbrella Academy Volume Three: Hotel Oblivion.

Encouraging fans to donate to the COVID-19 Response Fund, Way said, “With all this uncertainty I just wanted to start uploading some unreleased stuff. Just so people can check it out and have something to listen to. Just felt like sharing.”

My Chemical Romance is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music.

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Officials hope that the NFL season is not interrupted by coronavirus, but now we know the pandemic has impacted at least one notable football legend. NOLA.com reported Sunday morning that record-setting Saints kicker Tom Dempsey died from coronavirus complications over the weekend.

COVID-19, the novel coronavirus currently gripping much of the globe in a pandemic and is particularly deadly in nursing facilities. And as ESPN confirmed the report, we know it is responsible for the death of the 73-year-old placekicker who once held the NFL record for longest field goal for 28 years.

Former New Orleans Saints kicker Tom Dempsey, who famously made a 63-yard field goal in 1970 despite being born without toes on his right kicking foot, has died due to complications of the coronavirus, his family told NOLA.com. He was 73.

Dempsey had been battling Alzheimer’s disease and dementia. He was a resident at the Lambeth House senior living center in New Orleans, which has been hit hard by the virus. More than 50 residents have been affected, according to NOLA.com.

The Saints released a statement they shared on Twitter Sunday morning.

Dempsey’s most impressive record was set in 1970 when he made four field goals in a 19-17 win over the Detroit Lions, including an NFL record 63-yard field goal. That record stood for nearly three decades until it was tied in 1998 by Denver Broncos kicker Jason Elam. In 2014, Matt Prater broke the record with a 64-yard field goal. The custom cleat he used to kick with still sits in the Pro Football Hall of Fame.

The people simply can’t get enough Tiger King, and now one notable figure from the Netflix show says more is on the way. Jeff Lowe, a big cat enthusiast featured on the show, says at least one more episode of the wild docuseries is in the works and may be here sooner than you’d think.

The New York Post reported Saturday night that Lowe claims a new episode of Tiger King is coming, and Netflix is filming for a release that may come in a matter of days. Appearing, strangely, in a video tweeted by Los Angeles Dodgers player Justin Turner, Lowe says he will be in a new episode.

“Hey Kourtney and Justin, this is Jeff and Lauren from the ‘Tiger King’ show on Netflix. Thanks for watching our show,” Lowe said in the video.

“Netflix is adding one more episode. It will be on next week. We’re filming here tomorrow.”

Lowe ends the video with some coronavirus advice — telling Turner to “stay safe, and put your mask on.”

Lowe apparently got connected with Turner after the show was mentioned on his wife Kourtney’s podcast, Holding Kourt. The original run of the docuseries was seven episodes, all of which came out in mid-March. And though it was years of filming in various locations to get the full story, quite frankly it very much ended in medias res, so to speak, as (spoilers) its star remains in jail while others who appear to be involved in some shady dealings remain free. Lowe, one of those very shadowy figures who takes over the zoo once run by Joe Exotic, actually saying more Tiger King is coming probably means something is in the works, and he certainly seems willing to appear on camera again.

Variety reported that Netflix did not comment on the potential for another episode, so it’s initially unclear if this very tight production schedule could actually work and there will be a new episode by week’s end. Netflix did recently release a reunion episode of a similar hit, Love is Blind, so it’s not completely outside the box to go back to the well on what works. There’s also plenty of reasons to be skeptical, though, given the fact that the coronavirus pandemic has essentially shut down production on TV and movies around the world, especially in the United States. Given what we learn about Lowe in the series it’s more than reasonable to remain skeptical of it all until new Tiger King actually pops up on Netflix, but we’ll keep you posted.

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