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American family in Japan gets the sweetest note from their new non-English-speaking neighbor

The way we come across long-lasting friendships is often unexpected. But when you’re part of a military family. You learn to grab hold of the good people you meet and carry those friendships across states and oceans. You mark your friendships based off of what base you were stationed at when you met them and know those friendships can withstand just about anything because they’ve been tried.

So for an American family stationed in Japan, there was no doubt at least one lifelong friendship would be made. It just may have been surprising that the friend wasn’t affiliated with the military. Instead, the friend was an older Japanese man who didn’t speak English and lived next door to the young family in Yokosuka, Japan.

But this isn’t the first time this unique story went viral. In 2013, Reddit user Theresa52 posted a picture of a note that she received from her neighbor-turned-friend. People loved the letter and sweet story attached. Theresa explained that after moving to their new neighborhood in Japan, she and her husband passed out beer and chocolate to their neighbors. A few hours later, they met, Hiroshi Yamashita, their new neighbor and one of the recipients of their gift.


When Yamashita knocked on the family’s door, he presented them with gifts of his own—toilet paper, stuffed animals and a note. In the thread Theresa noted, “Things that are consumable and household necessities are popular gifts. We have heard lots of stories about people getting laundry soap,” after someone asked if toilet paper was a common housewarming gift in Japan. The stuffed animals were for their infant daughter at the time.

Reddit; viral note; American family; Japanese neighbor; kindness

But the note is what keeps going viral. It starts out, “I can’t speak English. Thank you for the present. My name is Hiroshi Yamashita. I’m 52 years old. [I’m divorced] and I live alone.” Since Yamashita didn’t speak English, the note had some spots that were difficult to understand but the intent was clearly pure.

Theresa wrote in the comments of the post that it appeared that he was asking if her husband was in the Navy. While the sentences are out of order a bit, if you reorganize them a little, it seems Yamashita is attempting to say, “I have stuffed animals and toilet paper. You can use it if you’d like.”

The man concludes the letter with “Thank you for your friend operation.” It seemed that he was thanking the family for their hospitality, but Reddit users surmised that he was referring to Operation Friendship in 2011 when the United States aided Japan after an earthquake. Either way, it was still friendship operation because what says friendship like taking time out of your day to write in a language you don’t speak just to make sure your neighbors feel welcomed?

“It was adorable! We had brought him a six pack and some chocolate and tried to introduce ourselves to him. A couple hours later he brought over this letter with a pack of toilet paper and some stuffed animals for our daughter,” Theresa wrote in the comments while joking that their initial introduction probably amused Yamashita.

Further explaining within comment threads, Theresa said that they used pointing and Google Translate when they initially met Yamashita, and in turn, he used a translator app to write the note.

Reddit; viral note; American family; Japanese neighbor; kindness

Theresa shared an update in the comments about six years after the story originally went viral saying, “We all exchanged gifts and food regularly for the four years I lived there. We would go to neighborhood festivals and have dinners together as well. I miss them all and think about them often.”

You never know when being kind will turn into a life long friendship. We certainly hope Yamashita and Theresa are doing just as well today and are continuing to spread their kindness around.

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BeReal app’s meteoric rise signals a sea change in what people want from social media

My friend and I were hiking along a beautiful coastal trail when her phone chimed. “Oh, time for my BeReal!” she exclaimed. She pulled her phone from her fanny pack, snapped a photo of our ocean view, then beckoned me for a quick selfie with her. A few seconds later, she put her phone away.

I had no idea what had just happened.

As she explained what BeReal was, my first reaction was, “Great. Another social media app. Just what the world needs.” She described it as being a more genuine version of Instagram, but I didn’t get the appeal.

Then I saw my teen and young adult kids using it. Then I downloaded it myself. Then I got it.


The beauty of BeReal is in its limitations. You can only post one time per day. There are no filters. No businesses to follow. No ads or sponsored content. Not even any DMs to slide into. You connect with your friends, and their daily BeReals are all you see in your feed.

A BeReal is simply a two-way photo—a snapshot of whatever the person is doing, wherever they are, and an inset selfie of them while they’re doing it. Everyone is prompted to post a BeReal at the same time with a two-minute window, though you can actually post any time after the chime rings. You can’t view anyone else’s posts until you share yours.

BeReal prompt

You can add a short caption once it’s posted, and your friends can react to your BeReal post with a “RealMoji” (an emoji you make with your own face) or a comment.

That’s it. That’s the whole app experience. Refreshingly simple.

BeReal

And people have been flocking to it. The app was launched in 2020 and it kicked off 2022 with 920,000 monthly active users. By August, that number had skyrocketed to 73.5 million, according to Business of Apps. As TechCrunch reports, some of that growth was due to intentional, paid promotions among college students, but I’ve witnessed huge organic growth in my own social circles in the past six months. BeReal has quickly become my teen and young adult kids’ and their friends’ favorite social media app.

That tracks, since according to Statista, 90% of BeReal users are younger than 35. So what is it about the app that has Millennials and Gen Z so hooked? According to the young people I’ve spoken to, they like that the photos aren’t staged, there’s no pressure to post or comment and it’s “not addictive.” There’s no algorithm trying to suck you into whatever it thinks will keep you scrolling, and because people can only post once a day, it’s naturally limited in the amount of time you want to spend on it.

It’s also just fun to see what people are really up to in their everyday lives, even the mundane stuff. It feels far removed from the filtered, perfectly posed and curated photos people share on other apps, and you don’t have to wade through people’s political diatribes or sponsored content to use it. Kids can connect with their friends near and far, sharing silly daily life stuff without fretting over “likes” or trolls or other social media drama.

In other words, the kids who grew up with social media are tired of feeling overwhelmed by the over-edited, over-advertised, over-argumentative nature of it. BeReal feels genuine, which is exactly what its creators, French entrepreneurs Alexis Barreyat and Kévin Perreau, intended.

The big question is whether or not the app will be sustainable as it is in the long run. Barreyat and Perreau have managed to avoid media interviews, so it’s hard to know what their plans are for the future. There has been some buzz about adding some paid features rather than relying on advertising, so we’ll see. But in the meantime, it’s a lovely respite from the fray and a brilliant way to keep young people connected online without the pitfalls of traditional social media.

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Man climbs a 1,999-foot tower to change a light bulb. It looks just as wild as you’d think.

You know those big giant antennas that look like they reach just below the wing of an airplane at cruising height? Well, someone has to climb them every so often to inspect them or change the flashing bulb. You’d think it would be easier to have a helicopter or something drop them off, but there’s probably a really compelling reason someone has to physically climb the antenna. If nothing else, it’s a good workout.

For Nick Wagner, climbing these huge antennas is just another Tuesday at the office. Wagner works for a company called National Tower Controls, LLC, and apparently, they do maintenance on these towers annually. I’m not sure if there’s some sort of process to decide who gets to be the one to climb the beast or if everyone that works there is expected to climb. But Wagner took everyone on his climb to change out the light bulb and inspect KDLT-TV’s antenna in 2015, and while the view is beautiful, I imagine it could also give you heart palpitations.


“Must not be afraid of heights” is likely in the job description multiple times, bolded, italicized and highlighted. It’s not like if you get a little wobbly you can just step down. You’d need an airborne rescue team or a parachute, which makes you wonder if that’s part of their climbing equipment. In the video, the climb itself took nearly 15 minutes and it’s not clear where in the climb Wagner started filming, but the view is so spectacular that you can practically see the curvature of the Earth.

What makes this whole process even more interesting is that if someone were to ask what he did all day, his answer could be, “I changed a light bulb.” Wagner can have those light bulbs and I’ll stick to the ones that require no more height than a kitchen chair.

Watch the incredible video below:

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‘The Walking Dead’ Daryl Dixon Spinoff Sounds Like It Will Have A Markedly Different Tone And Even A ‘Slightly Religious’ Vibe

You gotta feel for Fear The Walking Dead. The show finally hit its stride a few seasons ago, and a final season will premiere on Mother’s Day this year, but the franchise’s fans have largely moved on to thinking about the other spinoffs on the way. First up will be The Walking Dead‘s Negan and Maggie spinoff, Dead City, with an even more disgusting Walker take than fans have seen before now, and we’ve stomached the Meat Grinder scene. Then before Rick Grimes returns for his spinoff with Michonne, we’ll see Daryl In Paris.

Since we don’t really know the title of the spinoff yet, and Norman Reedus won’t get his wish of “Boom Boom,” god only knows what the title truly shall be. Perhaps I shall obnoxiously wish for “Can we get the man a crossbow and a Vespa?” From there, we know that French zombies aren’t as glam as they should be, and since I’m here to discuss any little tidbit available on this show, let’s circle back and revisit a gem dug up by Comic Book.

As Reedus has previously declared, he pointed towards how Daryl actually “smiled a little bit” in The Walking Dead series finale, and “and that tone kind of makes it into the spin-off a little bit.” Reedus also added, “The tone is much different, the [cinematography is] much different. The lighting’s different. We’re in castles, and the storyline has a religious vibe to it. Part of the story is me around a bunch of people speaking French. I’m trying to figure out like, ‘Is this gonna be a fight?’”

This actually sounds like high comedy in a way, although I’m not suggesting that this spinoff will be categorized as comedy. But it could be lighter, and if Daryl keeps smiling, so be it. Also, no way in heck does Daryl Dixon know how to speak any French at all, and that’s fine. It’s not as though he’s Emily Cooper heading over to France to take the marketing world by storm and intentionally doing so while not speaking the language.

As for how he gets to France, that detail remains a tantalizing mystery. AMC has revealed that he simply washes ashore and has no idea how he got there. As though he went exploring after the events of The Walking Dead and, like Bugs Bunny, took a wrong turn at Albuquerque or something.

However, the Dixon spinoff series does sound like a refreshing turn on the franchise. I have fingers crossed that he’ll venture into the catacombs because that would be wicked cool, and Reedus has explicitly promised, “We’re destroying the Louvre and stuff.” Reedus will be surrounded by French actors, including Clémence Poésy (The Essex Serpent, In Bruges) and Adam Nagaitis (Chernobyl, The Terror). So far, it doesn’t look like we’ll see Melissa McBride’s Carol, but Reedus has cautioned people not to draw conclusions on that note. Hopefully, we’ll receive a premiere date soon.

(Via ComicBook)

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Wednesday Narrate Casual Tragedy On Their Heady New Single ‘Bath County’

Wednesday‘s music is full of casual mayhem, especially in their latest album, 2021’s Twin Plagues. In “Cliff,” ashes are kept in a Dallas Cowboys urn; “Gary’s” begins with a screen door being ripped off its frame. Cigarettes and disillusion abound. Their forthcoming album Rat Saw God is sure to exist in a similarly chaotic world.

Following “Bull Believer” and “Chosen To Deserve” is “Bath County.” “I can walk on water / I can raise the dead,” Karly Hartzman begins the track singing. Quickly, it transforms into a whirlwind of twangy, heady indie rock emphasizing the seismic feeling of Hartzman’s hook: “Every daughter of God / Has a little bad luck sometimes.”

“This is a song I wrote on a porch in Bath County, Virginia when me and [lead guitarist] Jake [Lenderman] were visiting Jake’s moms hometown,” Hartzman explained in a statement. “It includes some imagery I saw on that trip as well as a description of a guy we saw overdosed in a parking lot early one morning on our way to Dollywood.”

About the video, Hartman added, “The video I made myself is an homage to PJ Harvey’s video for ‘Man-Size.’ I’ve never seen someone emit as much confidence as she does in that video. I wanted to pretend for a minute I possessed that attitude but it was harder than it looks! Endless respect for Peej.”

Listen to “Bath County” above.

Rat Saw God is out 4/7 via Dead Oceans. Pre-order it here.

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Nas Unpacked The Meaning Of ‘King’s Disease’ And Identified Some Unlikely Dream Collaborators On ‘Colbert’

Nas is working on King’s Disease IV, according to 50 Cent, but the New York rapper is still relishing in King’s Disease III. The album arrived in November, and Nas is set to bring the trilogy to Madison Square Garden for one night only on Friday, February 24.

Ahead of the epic performance, which will somehow be his first time playing MSG, Nas returned to The Late Show With Stephen Colbert for the first time since 2018 on Wednesday night, February 22.

“It’s sort of surreal. It’s like a dream. I never thought I would be there. I thought about it when I got into music, and I thought, like, ‘I gotta play that place when I make it,’” Nas told Colbert. “And all the years escaped me because I got busy doing so many other things, and then I started releasing music again, so I said, ‘Now’s the right time.’”

Nas first dropped King’s Disease in August 2020, and King’s Disease II quickly followed in August 2021. The former won Best Rap Album at the 2021 GrammysNas’ first career Grammy — while the latter was nominated in the same category at last year’s Grammys.

With Colbert, Nas unpacked what King’s Disease actually means.

“Over-indulgence,” he said. “[The king] gets what he wants, and too much of that is not good.”

Colbert wondered if Nas has “ever had the King’s Disease,” to which Nas said, “I guess some elements of it. Here and there, you know. It’s a wake-up call. You wake up before it’s too late. I read about a lot of artists that came up in our time or before our time, and some of them were wild people. And I learned a lot from them, and it kind of gave me some of the guidelines in this business.”

“How do you cure the King’s Disease?” Colbert asked.

Nas continued, “You kill the ego, and you make it about the music. Make it about the art. And live your life.”

Nas followed his own advice by squashing his beef with 21 Savage, which was possibly a publicity stunt to promote their collaborative single “One Mic, One Gun” last fall.

Nas’ conversation with Colbert also touched on the 50th anniversary of hip-hop and which artists Nas would like to collaborate with, including Billy Joel and Bruce Springsteen. Watch it above.

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Please Don’t Ask Pedro Pascal To Do ‘The Mandalorian’ Voice For Your Kids

The world will soon be blessed with not one, but two TV series where Pedro Pascal plays a gruff but lovable father figure to a youngster. On The Last of Us, he’s taking Ellie across the country; on The Mandalorian, he’s going on adventures throughout the galaxy with Baby Yoda. I can’t imagine too many parents watching the HBO show where a fungal beast rips a dude’s head in half with their kids, but The Mandalorian is friendly enough for the whole family to enjoy. Just don’t ask Pascal to do The Voice if you see him in person.

“People come up to me and ask me to do the voice [from The Mandalorian] for their kids,” the actor said during an interview on The Graham Norton Show. “But I think it sounds inappropriate because it is a breathy, low register ‘bedroom’ voice.” Pascal added, “It is so creepy and doesn’t work in real life.”

As established, Pascal is Daddy (where’s that bumper sticker?), so pretty much anything he says could be considered inappropriate. “This is the way.” The way to what? The bedroom? Just leave innocent Baby Yoda with a sitter, OK?

The Mandalorian season three premieres on Disney+ on March 1.

(Via Variety)

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Indie Mixtape 20: Miss Grit Strives For Autonomy Their Debut LP ‘Follow The Cyborg’

AI is having a bit of a moment right now. Between the AI art app Lensa and Chat GPT, the future of robots and artificial intelligence is a hot topic — and it’s something musician Margaret Sohn (aka Miss Grit) confronts on their full-length debut album Follow The Cyborg.

Along with featuring subtle nods to popular robot films such as Ghost In A Shell, Her, and Ex Machina, Follow The Cyborg tackles topics like humanity and control with a witty, synth-pop angle. Songs like “Like You” and the title track are bubbling electro-pop bangers that unpack the similarities between robots and how we are perceived online.

Ahead of their new album, which was entirely self-produced in their NYC studio, Miss Grits talks dumplings, Björk, and Harry Potter in our latest Q&A.

What are four words you would use to describe your music?

Calculated, reserved, droplet, butterfly.

It’s 2050 and the world hasn’t ended and people are still listening to your music. How would you like it to be remembered?

Fondly.

What’s your favorite city in the world to perform?

NYC.

Who’s the person who has most inspired your work, and why?

Mother Björk because her work is limitless.

Where did you eat the best meal of your life?

Shanghai Dumpling King in San Francisco (I framed their menu and hung it in my apt I love it so much).

What album do you know every word to?

Strange Mercy by St. Vincent.

What was the best concert you’ve ever attended?

Wilco.

What is the best outfit for performing and why?

I like a good wide-leg trouser.

Who’s your favorite person to follow on Twitter and/or Instagram?

Patti Harrison @party_harderson.

What’s your most frequently played song in the van on tour?

“The Last Time” by Taylor Swift.

What’s the last thing you Googled?

#bachelorinparadise Twitter

What album makes for the perfect gift?

Songs In The Key Of Life by Stevie Wonder.

Where’s the weirdest place you’ve ever crashed while on tour?

Nothing crazy, just some bunk bed situations that were fun.

What’s the story behind your first or favorite tattoo?

I don’t have any 🙁

What artists keep you from flipping the channel on the radio?

Billie Eilish.

What’s the nicest thing anyone has ever done for you?

Given birth to me.

What’s one piece of advice you’d go back in time to give to your 18-year-old self?

You’re doing great.

What’s the last show you went to?

Just Mustard.

What movie can you not resist watching when it’s on TV?

Harry Potter.

What’s one of your hidden talents?

I am telepathic.

Follow The Cyborg is out 2/24 via Mute. Get it here.

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Cardi B Gave A Rare Surprise Performance At GloRilla’s New York Tour Stop

For all of her extremely online moments and McDonald’s Meal-worthy cultural cachet, Cardi B’s public appearances have been relatively scarce lately. She’s been cloistered away with her family, working on her second album, and trying to keep up with her community service requirements, so it’s understandable she hasn’t had much time to perform.

But, it looks like she’ll make an exception for friends and proteges like GloRilla, whose Anyways, Life’s Great Tour stopped in Cardi’s hometown, New York, last night for a show at Irving Plaza. While Glo was accompanied — as always — by her crew of “ratchet ass friends” including Aleza, Gloss Up, K Carbon, and Slimeroni, the highlight of the evening for Big Apple fans was when Glo played her Billboard-charting anthem “Tomorrow 2” as the song’s guest, Cardi, appeared from backstage to vow to “always get my lick, boo.”

Glo also brought out another hometown favorite, her successor as this year’s apparent rap it-girl, Lola Brooke. You know she performed “Don’t Play With It,” her breakout viral hit. Lola is getting a lot of love lately, so don’t be surprised if she’s in Glo’s position this time next year.

GloRilla’s tour has three remaining dates: tonight in Boston, tomorrow in Philadelphia, and Saturday night in Washington, DC.

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Brook Lopez’s Remarkable Mid-Career Development Has Been Vital To The Bucks

The Milwaukee Bucks are a team built on getting the absolute most out of a player’s development.

Giannis Antetokounmpo is the face of it all, going from a lanky kid who was drafted on the potential of his frame and raw skill set to an unstoppable force and two-time MVP who has exceeded any of the Bucks’ wildest dreams. Khris Middleton was part of a Brandon Jennings sign-and-trade in 2013, coming off a fairly unremarkable rookie year in Detroit in which he averaged 6.1 points per game off of the bench. He’s morphed into an All-Star and the ideal complement to Giannis.

Because the rise of those two into stars is often a focal point, the development story that is Brook Lopez can get overlooked, both in the impact it’s had on making the Bucks a perennial contender and in how dramatic and unlikely it has been. Lopez is in his 15th season in the NBA, and his career is a tale of two almost completely different players.

For the first eight years he spent on the Nets, Lopez was one of the game’s best interior scorers, averaging 18.3 points per game on his way to becoming the franchise’s all-time leading scorer, a title he still holds. Of his 6,826 field goal attempts over those eight seasons, just 31 were from three-point range. He made three of them. A whopping 68.7 percent of his attempts came from inside 10 feet. Lopez was almost an Al Jefferson-type scorer for the first half of his career, with terrific post footwork, a strong faceup game, and some surprisingly solid handles, all of which are on display in this 35-point outing from 2015.

By this point, you can see Lopez had started to move out a bit more toward the perimeter in pick-and-pops, but wasn’t going to the three-point line just yet and still spent a good bit of time in the deep post. In 2016-17, his ninth and final season with the team, Lopez saw the game changing in real time and made the pivot to fully extending his range, taking 387 threes (out of 1,172 overall field goal attempts) and making 34.6 percent of them.

From there, he was traded to the Lakers, where he let it fly from deep on similar efficiency. But head coach Luke Walton didn’t see the full value in Lopez’s ability to stretch the floor for the young squad, steadily chipping away at Lopez’s role until he was rarely a part of the closing lineup towards the end of the season. Lopez admitted this wore on him tremendously, and he soured on the Lakers going into free agency that summer, where he struggled to find a robust market on the heels of how things went in L.A.

Lopez inked a 1-year, $3.4 million deal with the Bucks, where his suddenly changing skill set meshed quite well. He immediately became a vital piece in Milwaukee, becoming a perfect frontcourt pairing with Giannis on both ends of the floor.

Offensively, his ability to step out to the three-point line and be a threat allows Antetokounmpo to attack a vacant paint or make defenders pay by flicking a pass to a wide open Lopez for three when opposing centers linger too long in help. He’s a tremendous screener, freeing up Antetokounmpo, Middleton, and Jrue Holiday to get downhill while he pops or rolls. Without a center that can stretch the floor beyond the three-point line — Lopez, who has earned the nickname Splash Mountain, frequently spots up from a few feet beyond the arc — the Bucks offense would be even more crowded and murky than it already can be in the halfcourt.

Equally impressive is Lopez’s defensive transformation, which is in part due to finding the perfect system to operate in under Mike Budenholzer. Lopez isn’t the strongest nor is he the quickest, which made him something of a liability with the Nets. While understanding defensive catch-all metrics aren’t the perfect measure of defensive quality, Lopez’s never posted a positive defensive box plus/minus with the Nets, but has done so in ever full season in Milwaukee (sans last year’s 13-game regular season sample), per Basketball-Reference. His three highest seasons of defensive win shares have all come with the Bucks, including this season’s 3.0 and counting, as he has become the anchor to one of the league’s best defensive units.

Somewhat ironically, his relationship with Antetokounmpo on the defensive end is almost the inverse of how they operate on offense. While Antetokounmpo has earned a DPOY for his efforts as a roaming terror, a big reason he can spend his time as one of the league’s elite help defenders is Lopez perfecting the art of being a drop defender. Lopez has become one of the league’s most feared presences at the rim, in large part because he is always in the correct position. He sinks back deep into his drop, happy to let opposing guards and bigs get off a midrange jumper or three-pointer over a late contest if it means he takes away the paint, which Budenholzer deems so precious. Milwaukee’s style for years came under fire for allowing teams to take so many threes by design because they asked Lopez to lord over the paint above all else, but since adding better on-ball pressure in the form of Holiday, the system has given opponents headaches and requires tremendous shot-making performances to beat them.

Lopez acts as the fulcrum the rest of the Bucks pivot around, and his steady presence allows Antetokounmpo and Holiday to be more aggressive both at the point of attack and in sending help at the opponents; best scorers, because even if you beat them, Lopez is never far from the restricted area. His long strides and long arms allow him to close down space quickly, meaning those late contests on pull-up jumpers and floaters have more impact than most would, and he also is as good as there is at staying down on shot fakes, trusting that his length will get him blocks not his leaping ability. As a result, he’s rarely in foul trouble (2.4 fouls per game in Milwaukee) while still making a significant impact.

Take his highlights from a recent win over the Clippers, where he flashes his value on both ends of the floor. On defense, he patiently waits for someone to drive into him as the Bucks guards and wings are aggressive in going over screens, knowing he’s always on the back line, ready to absorb contact from a driver and calmly turn shots away at the rim. On offense, he simply navigates his way into space, whether popping to the three-point line, on the short roll to the free throw line, or going all the way to the rim. On occasion, if a mismatch presents itself on the switch, he’ll give himself a post-up as a treat, a reminder that ability on the block is still there, just not always needed or called upon.

Without Lopez’s unique skill set, which changed dramatically in the middle of an already solid career, it’s unlikely Milwaukee reaches the heights they have over the past five seasons, particularly at a bargain of a price. What’s more incredible is that the player he’s become in order to be part of a championship foundation is almost unrecognizable to the one that was an All-Star in 2013. It is one of the great second chapters of a career that we’ve seen in this generation, and while those in Milwaukee certainly recognize that, it shouldn’t be lost on a national level how remarkable his career development has been.