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‘Cocaine Bear’ And ‘Justified’ Have Something Very Important In Common (And Not Just Margo Martindale)

Cocaine Bear is a movie about a bear that eats a lot of cocaine. Other things happen, too, after the bear eats the cocaine, some of them involving severed limbs and ambulances and children getting high on narcotics. It packs a lot of business into a 90-minute runtime, which is commendable in a number of ways. More movies should get wild animals all gassed up on party drugs and wrap up the action in under two hours. This is something I’ve been saying for many years.

My favorite scene in the movie happens right at the beginning. A man — played by Matthew Rhys, reuniting him with his The Americans co-stars Keri Russell and Margo Martindale, which is hilarious — is heaving some duffel bags of cocaine out of an airplane as “Jane” by Jefferson Starship plays. He’s having fun. Maybe too much fun. As he is getting ready to jump out himself, he donks his head on the doorway and falls and dies. This is how and why the bear gets to the cocaine. Because the guy who was supposed to collect it on the ground was dead in a mangled heap on the grass. It’s a nice little piece of business. I have had “Jane” stuck in my head for a full day now.

It is also, kind of, a real thing that happened. A man really did die while skydiving with many duffel bags of cocaine. A bear really did eat a lot of it. The real bear died, though, very quickly (because of all the cocaine), and did not murder anyone in a forest. (As far as we know.) Producer Christopher Miller touched on all of this in a recent interview.

The story that inspired this is wild in its own right, and the kind of true-life, scandalous caper that most Hollywood filmmakers would think, “That’s the movie.” How did you resist that and instead go in a direction like this, which is certainly more unexpected and audacious.

Miller: As we were developing it, it was very clear that the thing you are most interested in, in this telling, was the bear. And when you’re away from the bear for too long, you would get antsy. It was sort of like “get to the dinosaurs,” like in Jurassic Park. We’re like, “Alright, give me some dinosaurs.” But it’s true that Andrew Thornton III [the real-life smuggler] is a crazy character and his story is nuts. There’s a lot you could do with him. But at the end of the day, you gotta get to the dinosaurs.

He is correct on a few fronts here, which I will address in order:

  • It is good, if your movie is called Cocaine Bear, to get right to the cocaine-eating bear, especially if you want to keep your movie under two hours, which you should always try to do, for me
  • Andrew Thornton III was indeed a crazy character

Let’s learn a little bit more about the real-life Andrew Thornton III, via the New York Times.

Mr. Thornton was a known drug smuggler and a former police officer. He was found dead the morning of Sept. 11, 1985, in the backyard of a house in Knoxville, Tenn., wearing a parachute and Gucci loafers. He also had several weapons and a bag containing about 35 kilograms of cocaine, The Knoxville News Sentinel reported.

Do me a favor here, just for a second. We’ll get back to the business at hand soon, I promise. But first: Imagine you wake up tomorrow morning and stumble to the kitchen to make some coffee, little crusties all in your eyes, and you look out the window into your backyard and see… wait a second… is that… is that a heavily-armed man in Gucci loafers surrounded by the flowing fabric of a parachute and also many duffel bags full of a white powder that sure might be cocaine? That’s a lot. You could dine out on that story for the rest of your life. Lord knows I would. I’m dining out on it now and it didn’t even happen to me.

Some other interesting facts about Andrew Thornton III:

  • He was the child of wealthy thoroughbred owners
  • In addition to being a police officer and drug smuggler, he was also a lawyer and a former military paratrooper
  • He actually died because the load he was carrying was too heavy, not because he bopped his head while rocking out to 1980s bangers in an airplane

Let’s ignore that last one, actually. I like the fictionalized version better. But here’s a little more on the other two, from the 1985 write-up of the whole thing in the Los Angeles Times.

“He was an expert skydiver and the type of guy who wouldn’t even let anyone touch his pack. He was a fanatic” about his equipment, said a friend in Lexington.

He joined the Lexington police in 1968 and stayed for nine years. In 1981, the Lexington Herald quoted sources as saying Thornton had set up the department’s intelligence squad.

This all might be ringing a number of bells for some of you, especially if you like watching quality television shows about loose cannon U.S. Marshals from Kentucky who play by their own rules but still get results, as you should. The fourth season of Justified — maybe its best — did a similar thing. The season opened with a dead parachuter in a neighborhood and a lot of cocaine on the ground around him. The plot spun around from there, with smugglers using hidden identities and sweet prostitutes and a collection of organized crime figures who would very much like to locate all of those people. No bears, though. Which was a bummer, in hindsight. I would have liked to see Walton Goggins try to rationalize with a speed-riddled black bear. I still would, if that’s an option. On television or in real life. I can be flexible.

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FX

And here’s the reason the two things seem similar in a lot of ways: They were, in fact, both inspired by the actions of Andrew Thornton III. They both came from the same birthplace, all written up in a book called The Bluegrass Conspiracy. They both started with a maniac in an airplane full of cocaine and a parachute that didn’t open, which, to be fair, is a great place to start any story. Please consider this if you are writing and/or producing Paddington 3, or want me to write and/or produce it.

They went off in different directions after that, sure. One focused on secret pasts and featured Timothy Olyphant in a cowboy hat and the other asked that age-old question “what if a bear ate some cocaine and killed everything it saw for a while?” That’s how art works sometimes. Ideas can come from a lot of places. Like, to choose an example at random, from a real story about a former paratrooper turned cop turned drug smuggler whose parachute didn’t open and fell to his death in someone’s yard while a bear ate most of the cocaine he was smuggling. Inspiration is funny like that.

Anyway, if you’re keeping score at home, this brings the list of notable similarities between Justified and Cocaine Bear to two; the first and most notable is… uh, all of this; and the second, they both featured Margo Martindale in a prominent role. Tough to ask for much more out of any piece of entertainment.

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SZA Was So Nervous To Present At The Grammys That She Questioned Whether She’ll Ever Perform There

SZA is currently on her headlining SOS Tour in support of her massively successful December album by the same name, which is celebrating its record-breaking 10th week atop the Billboard 200 chart.

Before the SOS Tour kicked off last week, SZA was on stage at the 2023 Grammys on February 5 to present Bad Bunny with Best Música Urbana Album for Un Verano Sin Ti.

“I was really freaking out about announcing,” SZA told Alternative Press as one of the publication’s spring 2023 cover stars. “I wasn’t even performing or anything, and [backstage] I was like, ‘Wow, I could never perform because I’m gonna lose it just walking out with a piece of f*cking paper.’ I was shaking like, ‘I’m gonna pass out, no deadass.’ And then, it subsided as I got on there and accepted what it was.”

Elsewhere in the cover story, SZA teased the deluxe edition of SOS and a future appearance on James Corden’s Carpool Karaoke. She admitted to previously turning down an opportunity to be on Carpool Karaoke because she felt “scared of being on camera, looking bad, sounding bad and being perceived,” so maybe she’ll also change her mind about a future Grammys performance.

Either way, based on her recent comments to The Los Angeles Times about Beyoncé controversially losing Album Of The Year, SZA isn’t sweating the Grammys.

“Beyoncé — she’s so much bigger than a[n] f*cking Grammy,” SZA said. “She’s Beyoncé! She’s done it for women, she’s done it for Black people, she’s done it for artists. She’s done so much for the world by just being herself.”

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Jennifer Coolidge Isn’t So Sure About A Popular ‘The White Lotus’ Theory For Season 3

Going on vacation with Jennifer Coolidge sounds fun. Not her character from The White Lotus, mind you (that does not sound like fun), but the actress herself.

“Quite a few years back, I did come to Hawaii and when you come and you’re on vacation alone, you can kind of like create anything you want,” the Emmy and Golden Globe and every-award-in-the-world winner said on The Kelly Clarkson Show last year. “I ended up meeting these two guys that were best friends and I liked them both, and so I told them that I had an identical twin and I dated both guys… for two weeks.” Coolidge isn’t sure if she has “the guts” to pretend to be her own twin again — in real life, or on the show.

While backstage at the 2023 Screen Actors Guild Awards over the weekend, actor Jon Gries, who plays no-good Greg on The White Lotus, suggested that Coolidge could play Tanya’s sister in season three, considering… Coolidge quickly shot the suggestion down, however. “I don’t think Mike’s going to allow that,” she said, referring to creator Mike White. There goes that theory!

But what about Pamela Anderson as Tanya’s sister?

Coolidge seemed more open to the idea that Pamela Anderson joins as Tanya’s sister. “Oh wow,” she said. “I just recently saw Pam’s documentary and I called 100 people to watch it. And I swear to God, we all had the same reaction. It’s amazing. You finally get the real story and she’s got this huge comeback.”

As long as someone, be it Tanya’s twin or Pam Anderson, ends Greg…

… I’m fine with ut.

(Via ET Online)

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Charles Barkley Talking About How ‘We’re Paying Bums Today’ In The NBA Had Stephen A. Smith Cackling

Sunday was the best day of the 2022-23 NBA regular season thus far. All four national TV games delivered, as Suns-Bucks, Lakers-Mavs, Timberwolves-Warriors, and Clippers-Nuggets all produced thrillers that went all the way down to the wire in the fourth quarter and/or overtime. We also got to see a buzzer-beater, courtesy of Trae Young to lift Atlanta over Brooklyn, and Damian Lillard put 71 points on the Rockets to match Donovan Mitchell for this season’s highest scoring output.

It was a tremendous day of hoops, and as such Stephen A. Smith and the First Take crew decided to dial in Charles Barkley to break down what we all saw as well as the overall state of the league as we enter the stretch run. As always happens, Barkley was asked about Kevin Durant and the Suns (full video above), with Chuck playing the hits and talking about how KD has to win without Steph Curry and insisting he’d never join a superteam while conveniently forgetting about his tenure in Houston.

However, he did push back when Stephen A. tried to make the issue with KD about money, as Smith tried to say Durant’s inability to lead a team to a title should hurt him at the negotiating table. That set Chuck up for a comeback that had Smith in stitches, as he explained that you can’t come at stars about money because “we’re paying bums today.”

It’s a very funny riff from Charles that has Stephen A. cackling — although, it should be said that we should generally respect folks who do genuine hard work like being janitors — but the point stands that you can’t be mad about what someone like KD gets paid with some of the contracts that get thrown around. Barkley tries to make clear that he’s not mad (although he seems a little bit jealous), but he does want players to be a bit more appreciative of their financial standing, which led to another load management diatribe about guys needing to play if they’re going to make $30-$50 million a year.

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Chris Rock’s Live Netflix Special Will Feature A Star-Studded Pre-Show And Post-Show For All Of Your Comedic Needs

Netflix has been experimenting lately by adding live content to the mix. First, the streamer hosted the SAG awards this week, which went out live on YouTube. Next up, it will host its first-ever live global streaming event for Chris Rock’s latest comedy special. Chris Rock: Selective Outrage will air live on March 4th, along with two other pre and post-show specials (they must really want this to work out). Who knows what they will dream up next? Squid Game live?! Hopefully not.

The first pre-show will be aptly titled The Show Before The Show and feature clips from the comedian’s famous friends, like Jerry Seinfeld and Amy Schumer, who is hopefully not traumatized anymore. The pre-show will be hosted by The Daily Show’s Ronny Cheing and is set to include Arsenio Hall, Deon Cole, and Leslie Jones.

Then Rock’s special will begin streaming live from Baltimore, Maryland at 10 pm ET. at What could Rock possibly talk about? There are a few things he could touch on, though we all know how dangerous it can be to give someone all that free live air time, so who knows what will happen.

After Rock’s set, David Spade and Dana Carvey will host The Show After The Show, featuring even more guests, including JB Smooth and noted pop culture scholar Kareem Abdul-Jabbar.

Finally, if none of that seems like a way to spend your Saturday night, you can always stream that movie where Jennifer Coolidge is a psychic medium, which is also on Netflix. It’s nice to have options!

(Via The Hollywood Reporter)

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SZA Turned Down James Corden’s ‘Carpool Karaoke’ Because She Was ‘Scared’

Thanks to the gargantuan success of SZA’s new album SOS, the New Jersey singer has been everywhere lately, including the No. 1 spot on the Billboard 200 for 10 weeks. Despite not believing that fans would enjoy the album as much as they clearly are, SZA has embraced the attention this time around — which could mean we’ll see her in new places she avoided before.

One of those new places we might be seeing SZA is on James Corden’s popular series, Carpool Karaoke. In a new interview with Alternative Press magazine, SZA explained why she turned the show down the first time around, as well as why she might take a different route if she’s asked again. She says she rejected the prior offer to appear on the show because she was “scared of being on camera, looking bad, sounding bad and being perceived.”

However, she’s since come to terms with all of the above, saying, “I really have to remind myself this is my moment in the sun, and I have to take every opportunity because this sh*t may never happen again.”

She isn’t wrong; Corden’s late-night show, The Late Late Show, will end after nearly 30 years when the host leaves this year. Meanwhile, the fifth season of Carpool Karaoke has returned to Apple+ with guests Chelsea Clinton, Duran Duran, Method Man, and Russell and Ciara Wilson.

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This Is The Most Interesting Moment Of Luka Doncic’s Career

Throughout his historic first few years in the NBA, Luka Doncic has won with all manner of coaches and teammates, culminating in a surprise appearance in the Western Conference Finals last year. Over the last two-dozen games of this season, he will need to get up to speed quickly with his most talented teammate ever, Kyrie Irving.

While six weeks is hardly a comfortable adjustment period for Doncic and Irving, the trade continued a chaotic start to Doncic’s career. This spring in Dallas should provide some answers about what Doncic can be as a basketball player, as the Mavs have finally landed a legitimate co-star for Doncic after years of trial and error with various trades.

In theory, Irving is a perfect costar for Doncic. Everywhere Doncic has won, whether it be Spain, Slovenia, or Texas, he has done so with high-level secondary ball-handlers. Irving may be the very best one in the NBA, and has a history of thriving alongside legendary wing creators. Provided Irving can (finally) stay focused and that Dallas pays him what he wants this summer — two very big ifs — a committed version of Irving will be an incredible perimeter number two in the mold of past winning partners for Doncic like Goran Dragic and Jalen Brunson.

Still, the Mavs roster was unbalanced before the trade, and feels incomplete now. The team is small, and is likely to be even smaller come playoff time when switchable big man Maxi Kleber is back and closing games again. Wing defense, a huge strength last season, took a hit with Dorian Finney-Smith going to Brooklyn for Irving. This offseasn’s dice rolls on JaVale McGee and Christian Wood haven’t worked — head coach Jason Kidd plays both centers sparingly — and Dwight Powell simply isn’t big enough to handle the West’s best centers. The breakout of third-year star Josh Green should help round out lineups and benefit the two star guards, but even his recent stellar play won’t be enough to make the Mavs fully comfortable chasing a title with the current roster.

Incomplete, uncomfortable, and under pressure, the Mavs aren’t going to be among the favorites in the West. Whether that is a problem or not depends on how you see Doncic and how you see basketball players development curves. Doncic was excellent right away, coming off a Eurobasket and Euroleague title by the time he got drafted by Dallas in 2018, and has steadily built his game in the comfort of a team that has fully given him the keys.

Is Doncic ready to win a championship in 2023? Does he have to be? His absurd IQ, impossible shot-making, and control over the pace of the game would indicate the answer is yes. He has been an MVP candidate since his second season at age 20. But like all young stars, there are still limitations to his game he must find ways to strengthen and polish. He puts up little resistance defensively in all but the most important possessions. In 12 of his 31 career playoff games, Doncic has five or more turnovers. And whether to save his energy or because he tires quickly, Kidd rarely upped his minutes into the 40s in last year’s playoffs, a range most stars frequent in the postseason.

Beyond that, Doncic currently plays a style that does not have a winning precedent in the NBA for even Hall of Fame-caliber players. From Michael Jordan to Kobe Bryant to Kevin Durant, no recent great has reached the 40.4% usage rate Doncic has posted the past two postseasons. Even James Harden maxed out at 37.1%. Against Utah in last season’s first round, Doncic missed the first three games, and Brunson had at least a 34% usage rate in each one. In Game 4 with Doncic back, Brunson’s usage dipped below 30%, and it fell even further in the following two rounds. In a conference finals loss to the Warriors, Doncic struggled against the eventual champs, shooting 41.5% from the field as the Mavs’ offensive sputtered as its star did.

That was his third taste of the playoffs, and also the third time you could reasonably claim he ran into a superior team. Each year, he has come back better — and with a larger workload.

Doncic exists today in something of a limbo. Because he was elite from an early age and got tagged as an unguardable future MVP before he even hit his prime, Doncic surged past the normal young star trajectory. But with Irving in tow and Doncic on his second contract, there’s more than just banners on the line in Dallas. This postseason should explain a lot about where Doncic is in his career and how to build the best team around him.

If Irving can slot in, an offense built around those two and shooters should take the Mavs plenty far. From there, it’s about finding wing and interior defense. If the partnership with Irving fails or Doncic takes a step back in some way, it won’t quite be back to the drawing board, but it will once again leave Dallas with uncertainty heading into the offseason — the one constant if there has been one during Doncic’s career.

We don’t know whether the Mavs’ impatience has been driven by Doncic, Cuban, or the front office (or a combination of all three), but they have clearly operated with urgency. A move to give up Dorian Finney-Smith (on a great contract) and a 2029 first-round pick for Irving shows how hard the Mavs want to push to build a winner next to their stud. It also raised the risk in the move tremendously, particularly given how hard it is to know what Irving will want to do this summer when he hits free agency.

Making this partnership work and showing Irving, as much as anybody else, that there’s at least a potential pathway to a title (assuming this is what he wants, which is not a guarantee) if the rest of the roster gets built out, is vital to avoid a major step back should Irving leave with the Mavs having spent key players and assets to get him.

That type of urgency also complicates the matter of Doncic’s own development. It’s easy to look at Dallas’ trade and their conference finals berth last year and place expectations on them to do even more this postseason. But the West is deep and there will be potential pitfalls in all three rounds, and Doncic is just 24 and still an incomplete player despite his greatness.

Young stars learning through playoff failure is a story fundamental to the NBA. The gold standards are Michael Jordan and LeBron James, who lost again and again before they tweaked how they played, how they approached defenses, and finally broke through. For Doncic, one clear evaluation will be whether his huge workload can sustain and win in the playoffs — or if he can find ways to have a similar impact playing a bit more in tandem with Irving. On a Mavs team bereft of defensive depth, it will likely fall on him to guard better opposing players more consistently, further complicating the issue of stamina to carry so much of the offensive load.

We easily forget that even the greatest players must at times change and adapt. Doncic has had the fortune of not having to much of his young NBA career, but the close to this season could be the first time we see it. How he and the Mavs handle this stretch could have significant ramifications for their long-term build.

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‘Breaking Bad’s Bryan Cranston Believes That It’s Long Past Time To Call The MAGA Slogan ‘Racist’

Bryan Cranston didn’t mince words when given an opportunity to call out Donald Trump for his infamous “Make America Great Again” slogan. During an interview with CNN’s Chris Wallace, the Breaking Bad star pointed out the obvious “racist” implications of the catchphrase now known as “MAGA”

“Most people, a lot of people go, ‘How could that be racist — Make America Great Again?’” Cranston said. “Just ask yourself, from an African American experience, when was it ever great in America for the African American? When was it great? So if you’re making it great again, it’s not including them.”

Not content with highlighting just Trump’s racism, the Walter White actor also reiterated his belief that critical race theory should be taught in schools after previously defending the educational theory on Bill Maher’s podcast.

Via The Hill:

“You present it and say, well, 400 years of slavery, yeah, but we’re moving on. And it’s like, no, let’s really discuss it,” Cranston told Wallace. “How did that happen? How did we get to a point where we treated other human beings as slaves?” Cranston asked, according to a transcript of the program.

As far as the “Make America Great Again” motto, Cranston said critical race theory could “teach us in the woke world to open up and accept the possibilities that our privilege has created blind spots for us.”

Cranston pointed to Germany as an example of a country that grappled with its actions during both World Wars and acknowledged, “This is how it went wrong.”

“I think [Germany has] done a very commendable job in doing so,” Cranston said. “But the United States really hasn’t.”

(Via The Hill)

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Kid Cudi Laid Out His Musical Plans For The Rest Of 2023 And He’s Going To Be Busy

Lately, Kid Cudi’s music future has felt a little up in the air. Towards the end of last year, he hinted he was considering the end of making music as Kid Cudi, but he later noted he has another album in him. Later, he said he recorded 11 tracks in the span of just a week. Now, the pendulum continues to swing towards productivity, as Cudi is now laying out plans for a new album cycle to start later this year.

Today (February 27), Cudi tweeted, “Album this Fall. First singles this summer. The new chapter has begun… Ur not prepared man. We’ve reached a new level.” In response to a fan asking for a tour, he added, “World tour next year. Count on it [winking emoji].”

Earlier this month, Cudi tweeted simply, “June,” perhaps an indication of specifically the new singles are going to start rolling out.

Towards the end of 2022, he also noted some of what he was looking forward to doing in 2023, answering a fan who asked what he was looking forward to, “Man, so much. My clothing line, directing my first movie that im starring in from a script I wrote, couple movies coming out, a lil tv, Im seriously the most hyped about it all.”

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Miley Cyrus’ Countdown Clock Struck Zero And We Got Her ‘Endless Summer Vacation’ Tracklist And Features

Miley Cyrus has cornered the market on countdown clocks. Her first one led to the release of “Flowers,” her No. 1 single leading the way for Endless Summer Vacation, her first LP since 2020’s Plastic Hearts.

Cyrus reset the countdown clock on her website last week, and when it hit zero this morning (February 27), we got the full Endless Summer Vacation tracklist ahead of its release next week. The tracklist teaser video — on theme with Cyrus’ initial album teaser trailer from last month — reveals guest appearances from Brandi Carlile (on “Thousand Miles”) and Sia (on “Muddy Feet”).

Carlile performed “The Story” and “The Climb” with Cyrus on the first-ever Miley’s New Year’s Eve Party on December 31, 2021, while Sia appeared on the latest edition of the NBC special.

The Endless Summer Vacation rollout has brought endless success so far. “Flowers” debuted at No. 1 on the Billboard Hot 100 after shattering a Spotify streaming record, and it’s enjoying its fifth week in the top spot on the new chart dated February 25 — extending its reign as the longest-running No. 1 single of Cyrus’ career.

When Endless Summer Vacation was announced on January 5, a press release described Cyrus’ forthcoming eighth studio album as “her love letter to LA,” which she recorded in Los Angeles. The record was produced alongside Kid Harpoon, Greg Kurstin, Mike Will Made-It, and Tyler Johnson.

Find the Endless Summer Vacation tracklist below.

1. “Flowers”
2. “Jaded”
3. “Rose Colored Lenses”
4. “Thousand Miles” Feat. Brandi Carlile
5. “You”
6. “Handstand”
7. “River”
8. “Violet Chemistry”
9. “Muddy Feet” Feat. Sia
10. “Wildcard”
11. “Island”
12. “Wonder Woman”

Endless Summer Vacation is out 3/10 via Columbia. Pre-order it here.