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Kevin Durant Called Out Shaq For Saying He Didn’t Know Who Rui Hachimura Was

The Los Angeles Lakers pulled off a trade earlier this week. L.A. sent Kendrick Nunn and a trio of second-round picks to the Washington Wizards in exchange for Rui Hachimura, the former top-10 pick who should be able to bring a little bit of scoring to a team that could use it as they look to make a push for the play-in tournament.

The Lakers making a trade will always draw eyes, but this trade attracted a bit of attention due to some comments made by Shaquille O’Neal. On Tuesday, Shaq was part of TNT’s NBA crew and said that he did not know who Hachimura was before the deal got made.

Shaq said this more explicitly on “The Big Podcast,” and that if the Lakers wanted to impress him, then the guy they needed to go from the Wizards get was Bradley Beal (something he also said on TNT). Now, seeing as how the Inside the NBA guys get some criticism when they do an annual segment where Charles Barkley is asked about where lesser-heralded players are now playing after they changed teams in the offseason, this did not go over especially well. The Hall of Fame big man got called out for this, and on Saturday, Kevin Durant joined in on things.

Durant is no stranger to going back-and-forth with the Inside crew, as he and Barkley in particular have butted heads in the past.

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A Theory About Jaren Jackson Jr’s Defensive Numbers At Home May Not Be As Juicy As It Seems

Jaren Jackson Jr. very well might be the best defensive player in basketball this season. Jackson, a stalwart for the Memphis Grizzlies and the frontrunner to be named the league’s Defensive Player of the Year, is averaging a ridiculous 4.2 blocks and 1.4 steals per 36 minutes, and is a major reason why the team has aspirations of winning the first NBA championship in franchise history this year.

On Saturday, basketball fans got caught up in a theory about Jackson’s numbers that got posted to r/NBA. The long and the short of its argument: Jackson’s numbers are ridiculously inflated during Grizzlies home games, to the point that it’s worth wondering if something fishy is going on. Titled “Memphis Grizzlies scorekeeper posting fraudulent numbers,” this is the argument made by the post’s author:

I decided to take a closer look at his games and IMMEDIATELY 1 thing became crystal clear. At home in Memphis he has 66 blocks in 16 home games, averaging 4.13 blocks per game, versus just 35 in 16 road games, averaging 2.19 in nearly identical minutes- an 89% increase in Memphis. In home games he has been credited with 22 steals in 16 home games, versus only 10 steals in 16 road games. This means he is averaging nearly 1.4 steals per game at home, but just 0.63 steals on the road per game- an astounding 120% increase in Memphis. In home games he has been credited with 88 blocks + steals, versus 45 on the road. This equates to an average of an outlandish 5.5 blocks+steals at home in limited minutes versus a reasonable and realistic, and still outstanding, 2.81 steals+blocks per game on the road. This equates to a 1.96X home stat increase only in these 2 categories. A 96% increase in performance specifically at home is truly an aberration which should be reviewed. This demonstrates the sort of incredulous statistics which calls for serious analysis.

The post — which comes in at a robust 1,594 words — believes one of three things is happening: Jackson is trying way harder at home, the team’s official scorekeeper is embellishing the numbers because they want Jackson to look better, or most concerning, something nefarious is happening because of fantasy basketball or gambling. There are also a collection of examples that, they allege, proves this theory.

It is undeniably true that Jackson’s block and steal numbers are better at home than they are on the road — he’s accrued 66 blocks and 22 steals in 417 minutes at FedExForum compared to 37 blocks and 12 steals in 456 minutes everywhere else. Having said that, this theory does struggle in the face of scrutiny, in part due to the fact that the NBA reviews blocks and stats and makes official rulings on whether they should count.

Of course, people make mistakes, even if this would be a pretty big mistake to make and would require several layers of folks being in on the whole thing, all in an effort to promote one player in the 51st-largest media market in the United States. Still, multiple people decided to fact check the clips that got flagged by the post’s author, and believe that there’s no major conspiracy going on here.

And as noted by Michael Sykes of For The Win, it’s not like players getting their stats slightly inflated at home is a new phenomenon, either, as there was a paper written on the exact topic for the MIT Sloan Sports Analytics Conference a few years ago. Perhaps the NBA ends up looking into all of this and eventually determines that the Grizzlies are engaging in a plot to juice Jackson’s numbers, but the simplest answer is usually the correct one, and the simplest answer here is that Jackson is just really, really good at playing defense.

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Moneybagg Yo, GloRilla, And More React To Tyre Nichols’ Death

It’s been nearly two weeks since news broke about Tyre Nichols’ death. The 29-year-old died after succumbing to his injuries after being severely beaten by five Memphis police officers at a traffic stop. Nichols’ death, similar to George Floyd, Breonna Taylor and countless others has enraged the nation, causing many discussions about state violence and the institutional racism embedded in police organizations. Several celebrities, artists, and athletes including, Memphis rappers Moneybagg Yo and GloRilla, have spoken about Nichols’ unjust death. More are sure to follow.

Moneybagg took to social media to offer a message to Nichols’ family and the city of Memphis. “Praying for the family of Tyre Nichols,” the rapper wrote on Instagram. “Also praying for our city. #JusticeForTyre.”

GloRilla, another Memphis native, reposted Moneybagg’s post on her Instagram story before making a post of her own. The “F.N.F” rapper posted a message that read “Justice For Tyre Nichols” with a caption containing a broken heart emoji with several prayer hands.

Ari Lennox shared a post on her Instagram story that read, “Justice for Tyre. Praying for his family and friends and the Memphis community.”

NBA stars like LeBron James and Chris Paul also chimed in with some thoughts about the unfortunate situation. “WE ARE OUR OWN WORSE ENEMY!!!” James tweeted regarding the five officers who attacked Nichols, all of which were Black.

Paul offered a heartfelt message to Nichols’ family and the Memphis community, writing, “Change is needed at all levels, and we all need to do our part.”

“We can’t lose our humanity as a society,” he continued. “To the Nichols family and Memphis community, my heart is with you tonight.”

Since Nichols’ death, the five officers involved have been fired from the Memphis Police Department and are facing impending charges. Footage of the horrific incident was recently released, where Nichols can be seen fleeing from the police before they eventually caught up with him.

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Trump’s Third Presidential Campaign Is So Small That His First Stop Is A High School Auditorium

Donald Trump is running for president, again. It’s his third rodeo, but you might not know that given how long it’s taken him to start seriously campaigning. Ditto the size of his rallies. In his previous two campaigns, the failed blogger and dubious golf champ has commanded large audiences worthy of classic rocker tours. Not so much these days. Indeed, his first stop? A high school auditorium.

As per The New York Times, the 45th president officially kicks off a campaign he announced over two months ago in Salem, New Hampshire. There, he’ll address an annual state party meeting at a local high school. He’ll then head down to South Carolina, where instead of ranting to thousands about his personal problems, he’ll simply hold court at the state Capitol.

As previously reported, the Trump team was shocked to discover how difficult it was to get any big GOP leaders to join him at his South Carolina rally. Trump had a lousy end to his 2022; his business was found guilty of fraud, his tax returns were made finally made public, he was caught dining with anti-Semites, then there was that backlash over his lame NFTs. It appears many in the party he once dramatically changed see him as King Midas in reverse.

Then again, Trump is no stranger to improbable, unearned comebacks.

(Via NYT)

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Lil Tjay Arrested For The Second Time This Month

It seems like Lil Tjay can’t catch a break: The New York City rapper has been arrested for the second time this month. Just two weeks ago, the “Resume” rapper was detained for gun possession while on his way to film a music video with Ice Spice. The video was presumably for their recent collaboration on the “Munch” rapper’s EP Like..?, on a track titled “Gangsta Boo,” which dropped on January 6.

Reports show that Tjay was with several other people inside a vehicle in a “no-idling zone” before the police searched the car. It’s alleged that the authorities then located a firearm, and despite the rapper not being the driver, he was still arrested.

Tjay’s attorney, Dawn Florio, gave a statement in a recent interview with XXL regarding the rapper’s current situation. According to his attorney, the rapper was not arrested on another gun charge but for missing court.

“Lil Tjay was not rearrested for another gun charge,” she told XXL. “He was excused from appearing in court last Friday by the arraignment Judge. Another Judge revoked his bond and put him back in jail for missing court on Friday even though he was told by the first Judge that he did not have [to] appear.”

Florio also revealed that Tjay’s family has posted bail for the rapper and that he is free.

“It is so unfortunate that he had to be jailed for something that was not his fault,” she said.

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In Yet Another Wacky Twist, Shady George Santos Allegedly Received Donations From People Who Don’t Even Exist

Just when you think there can’t be any more wild, weird allegations about George Santos, yet another one crops up. A new report from Mother Jones reveals that the freshman GOP representative — already busted for lying about being Jewish and even his mother’s death, among plenty of other weird whoppers — received donations from nonexistent people:

In September 2020, George Santos’ congressional campaign reported that Victoria and Jonathan Regor had each contributed $2,800—the maximum amount—to his first bid for a House seat. Their listed address was 45 New Mexico Street in Jackson Township, New Jersey.

A search of various databases reveals no one in the United States named Victoria or Jonathan Regor. Moreover, there is nobody by any name living at 45 New Mexico Street in Jackson. That address doesn’t exist. There is a New Mexico Street in Jackson, but the numbers end in the 20s, according to Google Maps and a resident of the street.

If that wasn’t enough, Mother Jones reports there were more supposed donors they couldn’t identify. One was named Stephen Berger:

Santos’ 2020 campaign finance reports also list a donor named Stephen Berger as a $2,500 donor and said he was a retiree who lived on Brandt Road in Brawley, California. But a spokesperson for William Brandt, a prominent rancher and Republican donor, tells Mother Jones that Brandt has lived at that address for at least 20 years and “neither he or his wife (the only other occupant [at the Brandt Road home]) have made any donations to George Santos. He does not know Stephen Berger nor has Stephen Berger ever lived at…Brandt Road.”

Is it illegal to make contributions under a false name? It sure is! Indeed, the report claims that of the $338,000 Santos raised, more than $30,000 comes from donors whose identities cannot be revealed.

But hey, at least Santos provides cheap donuts to the many reporters trying to get to the bottom of his many lies.

(Via Mother Jones)

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Brandon Cronenberg’s ‘Infinity Pool’ Is Ultimately A Little Shallow But Earns Some Style Points For The Drug Orgies

Rich-playboy-kills-poor-person-with-car has been the set up for many a class drama, from Bonfire of the Vanities to two great movies from 2021, Ramin Bahrani’s White Tiger and John Michael McDonagh’s The Forgiven. David Cronenberg’s son, Brandon (Possessor) is back with Infinity Pool, which takes the same essential premise and asks “what if more psychedelic-sexual and with a hint of sci-fi?”

The basic idea of this premise is skewering the colonial hubris of rich people, or even just those from the developed world, who think they can just go to poorer countries or areas and treat it like their own consequence-free zone, doing drugs and sex and rock ‘n’ roll like they never would at home and assuming they can just buy their way out of it if anything goes wrong, because poor folks who might get hurt along the way don’t count as much.

There’s maybe some irony to the idea of a legacy case like Brandon Cronenberg (are “Nepo Babies” the aristocrats of the art world?) taking this premise and mostly just… adding more drugs and sex and rock ‘n’ roll. I’m not convinced that Infinity Pool is doing much to further the themes already covered in similar works, but it certainly has panache, and Mia Goth once again acting her ass off, and one could do a lot worse than that.

Alexander Skarsgard plays James Foster, a novelist struggling with his long-delayed second book who has come to the fictional island of La Tolqa in the hopes of finding some inspiration. He’s brought with him his barely-a-character wife, Em (Cleopatra Coleman) who happens to be paying for the trip, on account of her father is a rich publisher. La Tolqa is a rugged island paradise (filmed on the Adriatic coast of Croatia) where foreigners come to have corny, contrived adventures, but so backward and dangerous that the tourists are forbidden from venturing outside the barbed-wire gates of their resort.

James and Em dutifully follow the rules, painting their faces and buying traditional (and conveniently creepy) masks, until James discovers he has a fan — Gabi, played by Mia Goth. Gabi flatters James’ vanity and oozes sexuality, more than enough to lure James and Em outside the wire for a night of louche carousing and swingery intimations alongside her Swiss husband, Alban — one of those names you can hear 10 times and still not be sure you heard right (Jalil Lespert). Alvin? Arvin? Albert? Armond? Maybe we just call you Frenchy until you can stop swallowing Rs and differentiate Bs from Vs.

Despite the “me and my wife liked your vibe” vibe of the whole evening, things mostly stay within the bounds of misdemeanor crimes until James has an oopsy behind the wheel. He falls afoul of the La Tolqa authorities and soon discovers that they have a flair for fine brutalist architecture and a very peculiar justice system, combining Old Testament, or maybe even pre-Christian morality with futuristic biotech. Yes, I’m being a little vague here to avoid spoilers. Think Vacation Friends meets Dual, if that means anything to you (both movies worth seeing, incidentally).

It’s an intriguing concept, and there’s maybe something to the idea of this “backward” country utilizing futuristic tech not to raise the standard of living or help the locals, but instead to merely further inequality, deepen corruption, and make the colonialism thing even more frictionless. Taking shots at techno-utopianism is hot right now, but still welcome.

There are some interesting ideas in Infinity Pool, I’m just not sure they’re complementary ones. Cronenberg (who wrote and directed) seems like he has a setting and a premise and a couple ideas, but can’t quite make them fit together and so he mostly just stages some psychedelic orgies (along with the occasional jump scare). That’s mostly a criticism, but again, you could do worse than psychedelic orgies. I couldn’t make an advanced screening so I had to settle for seeing the R-rated theatrical cut, which was notably absent Alexander Skarsgard hanging dong. A shame, a glimpse of the Skarsdong would’ve really tied the room together (Infinity Pool does still have some boobs and a little semen, in case you were wondering).

Probably the most notable thing Infinity Pool does is solidify Mia Goth’s position as the undisputed scream queen of arthouse horror. Goth could never be accused of not “going for it,” and just like in Pearl, she consistently steals scenes in freaky and unexpected ways, sans visible eyebrows. It’s not quite enough to make Infinity Pool anything approaching great, but it’s enough to make it watchable.

‘Infinity Pool’ is out in theaters everywhere January 27. Vince Mancini is on Twitter. You can read more of his reviews here.

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Adele Confirms She Will Be At The Grammys: ‘I Would Never Miss It’

Adele wants to set the record straight that she will be at the 2023 Grammys. Rumors began swirling that the singer would not be making an appearance at the annual award show, despite being nominated for several categories. This would be Adele’s first time back as a Grammy contender since 2017, following the release of her album 25. The “Rolling In The Deep” singer was nominated for Album of the Year, as well as Record of the Year and Song of the Year for “Hello.”

This year her nominations include Record of the Year (“Easy on Me”), Album of the Year (30), Song of the Year (“Easy on Me”), Best Pop Solo Performance (“Easy on Me”), Best Pop Vocal Album (30), Best Music Video (“Easy on Me”), and Best Music Film (Adele One Night Only).

A clip has surfaced online of the singer during a show, talking to fans about the rumors that the show would not be attending this year’s award show.

“Who said that I’m not going to the Grammys,” she said to the crowd as they roared. “Whoever started that rumor is ridiculous because I am going to the Grammys.

The singer added, “That’s disrespectful to other artists and the Grammys.”

This would be the first time in six years that Adele and Beyoncé — who’s also nominated for several categories for her Reinassance album — have faced off at the upcoming ceremony. Adele’s historic sweep caused quite the controversy after her album Lemonade lost to Adele’s 25 for Album of The Year.

During her acceptance speech, Adele called Bey “the artist of [her] life” and noted that the award should have gone to Lemonade.

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‘GMA’ Anchors Amy Robach And T.J. Holmes Are Leaving The Show Over The Kerfuffle About Their Off-Air Relationship

In late November, the placid calm of GMA3: What You Need to Know was shattered: Two of its hosts were caught having what appeared to be an affair. Amy Robach and T.J. Holmes, both of whom joined the show in 2020, later confirmed their relationship, which led to them being pulled from the air while management figured out what to do with the news. Now a decision has been made,

“After several productive conversations with Amy Robach and T.J. Holmes about different options, we all agreed it’s best for everyone that they move on from ABC News,” an ABC spokesperson told Entertainment Weekly. “We recognize their talent and commitment over the years and are thankful for their contributions.”

Over the last near two months, Robach and Holmes have stayed steadfast in their relationship, with sources telling PEOPLE earlier this month that their bond was “stronger than ever.” Still, sources said they thought “the situation sucks.”

Robach and Holmes’ relationship was first made public two months back when tabloids published photos of them holding hands in the backseat of a car. Shortly thereafter both deactivated their social media accounts, though Robach later reactivated her Instagram account. They continued to host the show, but on December 5 they were relieved of their duties.

(Via EW)

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Shake Milton Is Embracing Whatever The Sixers Throw At Him

PORTLAND — The Philadelphia 76ers were reeling late in the third quarter of a recent road win over the Portland Trail Blazers. After the Sixers mounted a 26-point lead minutes earlier, Portland had rattled off 14 straight points and trimmed its deficit to 12 with more than a quarter remaining.

As the entire starting group rested, including stars Joel Embiid and James Harden, Philadelphia needed someone to hush the swelling clamor of Blazers fans and relent their tide. Shake Milton promptly assumed responsibility. The lanky guard wiggled into a stepback jumper and then slalomed his way around multiple defenders for a lefty layup to snap the Sixers’ 4.5-minute scoreless drought.

Milton’s dependability is a hallmark of his fifth season in the league, which might be his finest yet. All year, despite entering 2022-23 outside the rotation, he’s adapted his role to meet the evolving wishes of the team. Through the first three games, he was glued to the bench. Ten different players were ahead of him in the rotation. He didn’t even log double-digit minutes until Nov. 2. His first double-digit scoring performance came Nov. 12.

When Harden suffered an injury in early November, the Sixers’ rotation required more ball-handling. Milton stepped up. Two weeks later, when Tyrese Maxey fractured his left foot, the Sixers’ needed a new starting point guard. Milton filled in and averaged 21.3 points, six assists, and 5.3 rebounds on 65.7 percent true shooting (.547/.455/.964 split) during eight starts. When Harden returned, he scaled down to reserve minutes and took another backseat after Maxey’s revival as well.

He’s a metronome on a team whose foundational players have shuffled in and out of the lineup because of various injuries. Milton brings steadiness, an approach he partially attributes to playing against older opponents on AAU circuits throughout his formative years.

“His temperament doesn’t go up or down for whatever role he’s playing, and I think that probably helps him in the long run,” says Sixers head coach Doc Rivers in the sort of nonchalant tone that reflects his guard’s even-keeled persona.

Through 43 games, Milton is averaging 10.2 points (59.2 percent true shooting), 3.3, assists, and three rebounds a night. He’s shooting 38.3 percent beyond the arc and a career-high 55 percent on two-pointers. The primary reason he’s experienced an uptick in interior profits is a redesigned shot profile.

According to Cleaning The Glass, a career-high 41 percent (90th percentile among combo guards) of his shots are occurring at the rim and he’s converting 66 percent of them (64th percentile). His previous best was 32 percent during his breakout 2019-20 campaign. His 20.3 percent transition frequency (1.241 points per possession, 72nd percentile) is also a career-high, per Synergy.

He loves to float down the floor for outlet passes and seems emboldened by Harden’s open-court playmaking wizardry. But Harden’s talents alone are not fueling this. There’s a team-wide emphasis to attack before the defense is organized. Milton is one of Philadelphia’s foremost practitioners in this regard.

“I’m just trying to put a lot of pressure on the defense,” Milton says. “Any time you’re aggressive, it doesn’t necessarily mean you’ll get the shot. But it means you’re drawing two and doing something for the team.”

There’s a deceptive, methodical nature to Milton’s downhill forays. He’s not a burner like Maxey, who is capable of going from one end of the floor to the other in the blink of an eye. Instead, he is patient and composed, surveying his surroundings as he operates and locating the preferred angles. By the time he confronts defenders, his 6’5 frame and 7-foot wingspan are primed to overwhelm them and help him wrap in finishes with either hand.

When Milton entered the league, he was an accomplished long-range gunner, drilling 42.7 percent of his 445 career triples during his collegiate days at SMU. During his first two seasons, more than 49 percent of his field goals came beyond the arc. The jumper set up driving opportunities. Now, the inverse relationship exists. Milton is a slasher. That’s the bedrock of his scoring arsenal. A career-low 28 percent of his shots are threes this season.

As this shift transpired the past few years, he’d sometimes struggle to balance decision-making off the catch and relinquish advantages created by others. This year, Milton seems to have achieved the ideal balance and is more comfortable than ever launching against timely closeouts when necessary.

He’s netting 39.7 percent of his catch-and-shoot threes, his best mark since 2019-20. His 38.8 percent clip from deep is also only exceeded by the 43 percent mark of 2019-20. In trimming down most of his pull-up three volume (4.8 percent rate, lowest since his rookie year, when he attempted 87 total shots), he’s bolstered his effectiveness considerably. When he’s tasked with complementary scoring in the half-court — usually alongside Embiid and/or Harden — he’s equipped to seamlessly merge shooting and attacking.

“I feel like I’m pretty good against closeouts and have a tendency to make the right reads,” Milton says. “Getting closed out, getting by my initial defender, draw two and kick to somebody else. It gets pretty simple at that point.”

Boogying on the break and puncturing closeouts can’t explain the entirety of Milton’s success this year, though. He’s started nine times, including a smattering of games where at least two of Embiid, Harden, and Maxey were sidelined. In those nine instances, he’s averaging 20.9 points (65.2 percent true shooting), 6.1 assists and 5.1 rebounds. According to PBPStats, over 60 percent of his shots are classified as self-created and he’s generating an effective field goal percentage of 50.7 on them — league average is 49.4 percent this year.

His knack for creation inside the paint as an ancillary option illuminates the multiplicity of this lethal Sixers unit, which is 11-3 with the second-ranked offense since Maxey rejoined the lineup 14 games ago. He’ll burrow through, around, or over defenders to rock out below the free-throw line. When creation responsibilities fall on his shoulders, most commonly while spearheading all-bench squads next to Maxey, Philadelphia’s fourth rotation guard can produce sequences like these.

As Milton conducted a postgame interview following the Sixers’ 105-95 win over Portland last week, Maxey interjected to imitate the Owasso, Oklahoma native.

“Yeah, I get buckets, yeah I go left, stepback, yeah, we know,” the 22-year-old recited playfully a few feet away.

Minutes earlier, Maxey’s tone wasn’t quite as fun-loving. Instead, he decided to take a moment to praise his teammate.

When Maxey was a rookie fighting for scraps of playing time, Milton offered words of encouragement, drawing upon his own first-year trials. Now a pillar of Philadelphia’s present and future, Maxey understands the challenges a lack of minutes presents. He commends Milton’s patience and mental toughness navigating choppy waters the past few seasons.

“It’s hard not to play, it’s extremely hard not to play,” Maxey says. “He’s been in different roles, starting, not playing, coming off the bench, playing, having to score in big moments and just gotta really appreciate a guy like that. He’s doing his thing right now.”