As the COVID-19 pandemic continues to grow exponentially in the United States, a few areas are currently being hit extremely hard. New York City and New Orleans, in particular, are facing outbreaks that are threatening the capacity of hospitals and have already left many healthcare workers and facilities without enough supplies to fight against the ever-growing wave of patients coming in.

As the death toll rises from coronavirus cases, the expectation from health experts is that we are still weeks away from hitting the hopeful peak before social distancing efforts can start reaping benefits in terms of flattening the curve. As such, there is a desperate need for more supplies, most notably ventilators and protection equipment for workers like masks and gowns. Some manufacturers are beginning to pivot normal production to making these items, but that is a process that takes time to make the amount needed.

For a place like New York, a massive amount of these supplies is needed in a fairly short time, and one of its native sons wants to help them get those supplies. Stephon Marbury, a native of Coney Island, is hoping to use his connections in China to help the city he grew up in as it faces this terrifying outbreak. Marbury told the New York Post that he has worked with a mask supplier in China who is willing to sell New York 10 million N95 masks at cost — $2.75 per mask — a significant discount from the $7.50 per mask most retailers ask.

“At the end of the day, I am from Brooklyn,” Marbury said during a call from his Beijing home. “This is something that is close and dear to my heart as far as being able to help New York.”

“I have family there in Coney Island, a lot of family … who are affected by this, so I know how important it is for people to have masks during this time.”

It’s a great gesture from Marbury, who has seen the effects of the virus’ spread in his new home in China and understands what it can do to his childhood home of New York. Right now, per The Post, the issue in getting a deal worked out to allow the city and state to purchase the masks at this deal is in communication between Brooklyn borough president Eric Adams, who is in contact with Marbury, and mayor Bill de Blasio and governor Andrew Cuomo. There has apparently been difficulty getting the higher levels of New York government on board and talking, although there has been some recent movement and the mayor’s office insists it wants to speak with Marbury on the matter.

Hopefully they can figure out whatever issues of bureaucracy exist and Marbury’s efforts working with his connections in China can help make a deal happen so that New York can get millions of needed masks in a timely manner.

As March comes to a close, you wouldn’t be wrong in assuming that nearly every single TV and film production has been shut down because of the ongoing coronavirus pandemic. There are new delays announced practically every day. Some shows had a very slight chance of slipping through the current nightmare unscathed, however, which was reportedly the case for the hit HBO series Succession and Barry.

The premium cable network was hoping to protect both shows’ third seasons, which were only in pre-production, but the cards were stacked against them. According to Deadline, HBO has been forced to suspend pre-production and push back the start date for both projects due to the escalating spread of COVID-19.

“We are looking forward to resuming preproduction when it is safe and healthy for everyone working on our shows to do so,” HBO said in a statement “Where possible, our writers are continuing to write remotely.”

Earlier in the month, the network stopped production on new seasons of Euphoria and The Righteous Gemstones, so this latest move puts a large chunk of the channel’s biggest hitters on ice. But it’s merely following suit with other networks, all of which will face scheduling issues of their own. AMC recently had to scuttle the air date for the season finale of The Walking Dead, and a previous report from Deadline contains a laundry list of series who were forced to abandon their season finales after a barrage of shutdowns caught them with episodes still left to film.

The long list of the series that stopped short of filming the last episode (s) of the season includes NBC’s Superstore, whose finale was supposed to be farewell episode of star America Ferrera. It also includes CBS’ NCIS franchise, Bull, FBI, SEAL Team, S.W.A.T., Young Sheldon, Bob Hearts Abishola and The Neighborhood, NBC’s Chicago franchise, Law & Order: SVU and New Amsterdam, the CW’s The Flash, Supergirl, Batwoman, Riverdale, Dynasty and Nancy Drew, ABC’s The Goldbergs, Schooled and American Housewife and Fox’s Last Man Standing.

That’s a whole lot of TV that can’t even finish its current seasons, and we’re already starting to see the effects on the 2021 schedule, which isn’t looking good. Hope everyone likes reruns.

(via Deadline)

With every day that passes in our quarantined lives, an increasing amount of artists has resorted to their creative abilities to stay active and keep their fans entertained. Tory Lanez has set the internet ablaze this week with his Quarantine Radio series on his Instagram Live, inviting fans and celebrities alike to join as his Instagram Live has been a hotspot for entertainment this week. Timbaland and Swizz Beatz put up their best-produced tracks in an epic producer battle, one that was followed by a beat battle between Hit-Boy and Boi-1da.

Bringing a bit of entertainment to her fans, Tierra Whack took to Twitter to deliver a new quarantine-style remix of Alanis Morissette’s “Ironic.” Changing the song’s title to “Stuck,” Tierra voices her frustration with being barred from the outside world, saying the song is “dedicated to everyone on lockdown.”

Changing Morissette’s lyrics as well, Tierra sings, “Sick of being stuck in the house/ I wanna go out now” and “Now is the time I’ve been losing my mind/ I wanna see what’s going on outside.” Through the duration of the two-minute video, Tierra also expresses her to need to get her hails and her nails done as another reason why she hates being trapped inside so much.

The remix of Alanis Morissette’s “Ironic” comes just a few weeks after addressed colorism in the music industry in a profile with Teen Vogue.

Press play on the video above to hear her remix of Alanis Morissette’s “Ironic.”

Hours after James Dolan announced that the team would compensate its employees for hours lost due to the coronavirus shutdown, the owner of the New York Knicks was revealed to have tested positive for the virus.

The Knicks put out a statement indicating that Dolan is currently in isolation, and in a bit of relatively good news, he is not showing symptoms. Dolan also apparently continues to oversee Madison Square Garden operations.

New York has become the epicenter of the coronavirus epidemic in the United States in recent days, and this positive test shows just how all aspects of life in New York have been impacted by the epidemic. Though he’s the first owner to have officially contracted COVID-19, he’s merely the latest person in the NBA to have contracted the virus. Rudy Gobert’s positive test sent shockwaves through the sports world and effectively started the shutdown of everyday life in the United States as millions try to practice social distancing measures to keep the spread of the disease to a minimum.

It’s unclear how Dolan contracted coronavirus and if anyone else in the organization will be impacted, but it’s a sobering reminder of just how this has impacted every aspect of New York life.

As the novel coronavirus continues to surge across the globe, Marvel star Sebastian Stan has been doing his part by staying indoors after production was shut down on his upcoming Disney+ series The Falcon and The Winter Soldier. Like most folks trapped inside waiting for this whole thing to end, Stan can’t help but peruse social media to pass the time, and he recently stumbled upon the viral pics and videos of people continuing to fill up beaches in Florida.

It seems that didn’t sit very well with him, and he spoke out about the “idiots” still going to beaches and not staying home in a recent interview. While calling into the Muscle & Fitness podcast from his quarantined apartment, the Winter Soldier actor launched into a profanity-laced rant about what he was seeing, and clearly, he had some feelings.

“There was a meme going around which really kind of put me in my place which was like ‘Your grandparents went to war, and you’re being asked to sit on a couch.’ Like, get the f*ck with it,” Stan said. “I talked to a couple friends who are in the workforce like cops out there sleeping in their garages, working 20 hours a day; nurses coming home and not being able to hold their children because they’re afraid they’re going to contaminate their families, then going back to work. You hear that stuff and it blows my mind because it makes me feel like I have such privilege to be able to sit around here while these people are beating themselves.”

“But what makes me insane is seeing that the beaches in f*cking Miami are still flooded with these f*cking idiots. Dude, they’re dumb f*cks and it pisses me off and it really makes me insane because that’s actually the problem right there. We gotta remember our grandparents and parents have survived way worse and we can do out part here.”

Stan’s justifiable rant is targeting what some are calling “covidiots,” which are basically people who are ignoring any or all safety measures by doing things like hoarding food and toilet paper or continuing to pack beaches despite repeated warnings to avoid crowds, which is still going strong in some Florida counties.

However, one of the more prominent “covidiot,” spring breaker Brady Sluder, has since apologized for his now viral remarks where he drunkenly told CBS News. “If I get corona, I get corona. At the end of the day, I’m not going to let it stop me.” Granted, this occurred after several students from the University of Tampa tested positive for COVID-19 after returning from spring break, so your mileage on that apology may vary.

You can watch Sebastian Stan unload on beachgoers at the 5:20 mark:

(via Comic Book.com, Muscle & Fitness)

During the current worldwide pandemic, movie studios are no longer providing box-office figures, mostly because theaters have been shut down around the nation and the world. Because we are less interested in the actual figures themselves and more interested in what people are watching over the weekends, each week I will dive into the Bestseller, Most Popular, and Most Streamed Lists on Google Play, iTunes, Netflix, and Hulu to pinpoint the weekend’s most watched films.

Last weekend, in the traditional rental market, the release of Jumanji: Next Level and Knives Out dominated, but there’s been some movement. Jumanji has held its own in the top three, while Knives Out has fallen a spot to make room for 1917, the phenomenal Sam Mendes’ Best Picture nominee, although I can’t imagine it’s nearly as good on an iPhone or laptop. Those huge flat screen TVs you bought on Black Friday will come in handy now. Bombshell, Frozen II and Spies in Disguise, meanwhile, appear to be the other three most popular titles among traditional rentals.

Beyond the traditional rentals, things get a little weird, because several movies forced out of theaters by the pandemic have taken a different tact. Some of the titles are being offered for digital purchase at around $20, while several others are being offered as $20 rentals, which I suppose means that viewers will have to shell out another $20 in a few weeks if they want to buy it. Pixar’s Onward, which will be on Disney + next week, leads digital sales, followed by Vin Diesel’s Bloodshot, Star Wars: The Rise of Skywalker, Birds of Prey, and Matthew McConaughey’s The Gentlemen. Ben Affleck’s The Way Back, which only had two weeks in theaters before most shut down, is also being offered for digital purchase at $20-$25, but it’s not ranking particularly well. That’s a shame; it’s a solid movie.

Meanwhile, among the “home premieres,” which is what Google Play is calling movies being kicked from theaters and being offered for $20 rentals, Invisible Man continues to lead all others by what appears to be a wide margin, and it is absolutely worth the price of a home rental. The next three are different depending on the service: On Google Play, it’s The Hunt that lags behind Invisible Man, followed by Emma and I Still Believe, which are way down on the list. On iTunes, however, it’s The Hunt that’s lower on the list, while Emma and I Still Believe are faring better. I don’t know what that says about their respective audiences. I would love to know the actual figures on those. All I know at this point is that Invisible Man, which was made for only $8 million and earned $124 million worldwide in its limited theatrical run, is adding a lot gravy in its digital release.

Hulu still says that it’s most popular movie is Big Time Adolescent, the coming-of-age film starring Pete Davidson. That may be true; it’s the one I watched this weekend, and honestly, it’s not only pretty good, but Davidson is terrific in a role where he basically plays Pete Davidson if Pete Davidson never landed on SNL. I should note, however, that the art-house hit Portrait of a Lady on Fire was just added, and it’s well worth the watch.

Finally, on Netflix, last week’s most popular streamed film was Mark Wahlberg’s Spenser Confidential, but it has fallen to number three this weekend. The top film now? A Spanish film called The Platform. It’s a well-reviewed dystopian film, recently added to the streaming service. I just watched it last night, and it is fantastic, if you like grim, violent and disturbing indictments of capitalism.

The second most popular film on Netflix this weekend is Mel Gibson’s 2016 film Blood Father, also recently released to the service. In spite of starring the controversial Mel Gibson, it received very good notices (88 percent on RT) upon its release, although a far less favorable audience score of 63 percent. The film did not gain much attention in theaters back in 2016, earning less than $200,000 in 77 theaters, so apparently Netflix is where the American remake of a French film is meant to shine.