It’s an understatement to say that Borderlands has been a long time coming (since the initial 2015 announcement of Eli Roth as director) as a big-screen movie adaptation. However, gamers just experienced a year where multiple adaptations — The Last Of Us, Five Nights At Freddy’s, Super Mario Bros. — lived up to or exceeded expectations, so perhaps the timing could not be better.
Well, what of this trailer? Looks like sheer chaos, obviously, as it should. Shark Fanboy Roth co-authored the screenplay with Joe Crombie, and the Cabin Fever director previously told IGN that the movie (and any followups) would adhere to its own canon separate from the canon of the games. The star-studded cast is led by Roth veteran Cate Blanchett (The House With A Clock In Its Walls), who portrays the outlaw Lilith, returning to Pandora, but she’s not happy about it, with a motley crew of fellow vault hunters.
The film also stars Jamie Lee Curtis (as Dr. Patricia Tennis), Kevin Hart (as Roland), Ariana Greenblatt (as Tiny Tina), Gina Gershon (as Mad Moxxi), and video-game adaptation king Jack Black (as Claptrap, although Norman Reedus could come for that “king” title eventually, officially in movie form), who cannot quit these game-to-big-screen transformations.
This is also as good a place as any to mention that The Last Of Us and Chernobyl showrunner Craig Mazin was reportedly once attached to the script but has since denied being involved, and he also totally did not [waves] save Game of Thrones from putting out a “complete piece of sh*t” pilot.
Last week, Shaquille O’Neal became the first player to have his jersey retired by the Orlando Magic, as the organization that he began his career with in 1992 put his No. 32 in the rafters at the Kia Center.
The ceremony was on a Tuesday night, when TNT had a doubleheader with Kings-Suns following the Thunder-Magic game. As such, Shaq’s retirement ceremony was shown in full on NBA TV rather than TNT, and that apparently had the big man a bit irked. At All-Star Saturday Night in Indianapolis, prior to going on air with an interview with Victor Wembanyama, Charles Barkley spent five minutes riling Shaq up about it in footage that leaked onto the internet and showed that the Inside crew is the exact same off air as on — just with more cursing.
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Chuck just won’t let Shaq move on, with O’Neal insisting he wasn’t really that mad but then getting progressively madder as Barkley kept prodding. Ernie and Kenny briefly try to take Shaq’s side before realizing Charles is right that there wasn’t a way to show it on TNT with a doubleheader, with Barkley delighting in the opportunity to keep winding Shaq up. He talks about how they’ll go on the road and make sure to cut into any live coverage for his jersey retirements in Boston, Cleveland, and Phoenix, making himself laugh each time. My favorite part is probably Ernie laughing at one of Chuck’s bits about Cleveland and then saying to Shaq “I’m not laughing at him, someone over there did something.”
It really is exactly like the show, just with cussing, and a reminder of why they work so well on TV because there isn’t anything done for show. They just naturally roast each other and can’t help but wind someone up when they find something that makes them mad, like all good friends should.
Tyler The Creator has had multiple opportunities over the years to collaborate with his hero Pharrell Williams, and his latest involves Williams’ role as the head designer of Louis Vuitton. Just as Tyler’s production style is clearly influenced by Williams’ work with The Neptunes in the early 2000s, his Louis Vuitton capsule collection takes inspiration from classic styles and remixes them with Tyler’s signature sporty fits and pops of pastel colors, a la his own high-end line, Golf Le Fleur. The collection hits stores on March 21, with Tyler showing off many of the items on Twitter:
How Much Is Tyler The Creator’s Louis Vuitton Capsule?
The least expensive item is a silk pocket square for 210 euros ($227.11) and the most expensive is a special edition Courrier Lozine 110 trunk for 68,000 euros ($73,540.30), according to Women’s Wear Daily. While the report doesn’t list all of the prices, you can assume most will fall somewhere in this range, with items going from a monogram short suit, a cable knit sweater, and several golf-inspired pieces including a technical anorak, a windbreaker, and a zip cardigan all patterned with Vuitton’s signature checkerboard. There are also collectibles like a chessboard and a golf kit.
“Everything that Tyler does is thoughtful and authentic,” Pharrell told WWD. “We’ve done something completely new with this project that merges our two worlds and the outcome is uniquely LV. Check out some of the looks below:
Solange is known to push the musical envelope with each of her albums. But her next project may take even her most open-minded fans by surprise.
In an interview with Harper’s Bazaar, Solange shared an update regarding her future endeavors. During the conversation, she revealed she has started experimenting with some new instrumentation.
“I’ve started writing music for the tuba, and I am trying to talk myself into releasing it,” she said, “but I can only imagine the eye rolls from people being like, ‘This b*tch hasn’t made an album.’”
To be exact, Solange hasn’t put out an album since 2019’s When I Get Home. But as she is making new music, she explained her connection with the tuba and why she feels it falls in line with her artistry.
“It sounds like what the gut feels like to me,” she said. “There’s a way that it takes up space that you can’t deny, and it also just feels very Black to me.”
While it’s been over five years since Solange released an album, she’s been hard at work. Back in 2022, she debuted an original score for the New York City ballet for a performance called Play Time. Last year, she debuted In Service To Whom — a four-act performance in the mediums of sound, video projection, scenography, and archival Collection — at the Art Gallery Of New South Wales.
Let’s just start with Austin Butler. A few months ago a promotional image was released of his look as Feyd-Rautha Harkonnen in Denis Villeneuve’s Dune: Part Two, an appearance that looks nothing like Sting in David Lynch’s Dune from 1984. Sting is only mentioned because if you go to the Wikipedia page for Feyd-Rautha Harkonnen right now, you still see Sting’s smiling face. Say what you will about Lynch’s Dune (like honestly, go ahead, I won’t be able to hear you so I don’t care), but Sting* is what most people remember about that movie. But back to Butler, it’s a striking image, especially after getting so used to him looking (and sounding) like Elvis Presley. Even in this movie based on the second half of Frank Herbert’s book Dune, it takes awhile for Butler’s Feyd to show up. But once he does, good gosh he’s electric. Just a demonic beast – who likes to stab people for vengeance, sport and boredom – also completely re-frames Dave Bautista’s Glossu, the older brother of Feyd, as a sad character and, now, at least somewhat sympathetic. (A lot of credit goes to Bautista here, too, who knows how to wear a face that reads, “I’ve done some bad things but, look what I have to put up with here.”)
*I rewatched Lynch’s Dune somewhat recently** on the Arrow-released 4K set. I quite enjoyed it for what it is. (Also, my friend Max wrote a great and extremely thorough book about it.) The last time I saw it was when it was on HBO in, I’d assume, 1985. Back then I only watched it because of Sting. At the time I assumed Sting was the main character. He is not. Like in this adaptation, Feyd takes a long time to show up.
(**I just looked up what I apparently consider “somewhat recently.” According to Letterboxd I last watched David Lynch’s Dune in September of 2021, almost two and a half years ago. I truly have no concept of time anymore.)
Look, a lot of people loved 2021’s Dune. I remember being mixed: impressed with the gall of even trying to make an adaptation of a book that so many people have declared unfilmable, but also realizing I just sat through two and a half hours of character introduction and exposition. To be clear, beautiful-looking character introductions and exposition, but character introductions and exposition nonetheless. On Villeneuve’s press tour for his first Dune, here was the first half of a movie, with no ending, that despite it all was getting almost universal acclaim and would wind up with a Best Picture nomination, and instead of taking a victory lap, even he was like, Just wait for the next one. He was right. You’re going to see people throw around the word “masterpiece” about Dune: Part Two and I’m not going to sit here and tell you they are wrong. It very well might be. (I would say, ask me in a year.) But Dune: Part Two is certainly up there with some of the best science fiction movies I’ve ever seen. And yeah, turns out Dune is certainly a filmable movie.
Dune: Part Two, unsurprisingly, picks up where Dune left off – Paul (Timothée Chalamet) and his mother, Lady Jessica (Rebecca Ferguson), walking off with the Freman on the desert planet of Arrakis, a planet of great interest to many warring factions as the only producer of Spice, which is both a mind opening drug and fuel. (Imagine if a canister of Pennzoil could also produce the effects of LSD.) Leading the Freman is Stilgar, who is convinced Paul is a messiah who will lead the Freman to victory in vanquishing the Harkonnen, eventually commanded by Feyd, from Arrakis. A fellow Freman, Chani (Zendaya), thinks Paul becoming a messiah is bunk (Paul tends to agree) as the two fight alongside each other and a romance develops.
The effects in this movie are gorgeous. Sometimes I get down on CGI (like a lot of people do) but there’s lazy CGI just like there used to be lazy practical effects. I found a lot of what I was looking at to be stunning. Most significantly, Paul being sent on on the challenge of riding a sandworm. In theory, this should look cool. In 1984’s Dune, it did not look “cool.” There’s a fine line here. Turns out, this is a gorgeous, triumphant-looking scene. (Spoiler, the main character does not get eaten by a sandworm halfway through the movie while he tries to use it as a car.) The first movie looked great, but just like the character development and exposition from the first film that all pays off in this film, the effects do the same thing. We’ve been introduced to all these creatures and machines and aspects, now they all get to pay off. (Another terrific effect, maybe less about CGI here, is the time we spend on the House of House Harkonnen’s home world, Giedi Prime, which is all presented in a very sharp, stunning black and white.)
Getting too much more into the weeds of the plot of Dune seems like a fool’s errand. The people who know it, well they already know it. And the people who don’t, it doesn’t tend to lend itself into an easy summary of events. And, of course, the book containing so many parallels with our world’s dependency on fossil fuels, and who strives and suffers, as a result has been well documented. Also of note, which is kind of out there now, but Dune: Part Two doesn’t wrap itself up at the end. Villeneuve has tentative plans to make Dune: Messiah, though no script is finished and nothing has been green-lit. And Villeneuve wants to take a few years away from Dune anyway, so it will be awhile. Dune: Messiah takes place 12 years after the events of these movies, so he has some time.
Though, it will be interesting to see how Dune: Part Two performs. The first movie did well, with the disclaimer “all things considered.” Meaning people were still skittish about movie theaters and, maybe more importantly, Dune hit HBO Max on the same day it was released in theaters. There will be no “all things considered“ this time. So, for the foreseeable future, people are just going to have to be satisfied with having, finally, both parts of the definitive film adaptation of Dune. A movie, again, many people will call a masterpiece. And, again, they might just be right.
Amazon Prime Video‘s recent foray into streaming ads has already sparked a class-action lawsuit, and now, it may have its first fatality. According to a new report, Amazon is pulling the plug on Freevee, the streamer’s free ad-based tier that’s now redundant thanks to Prime Video running ads as of January 29.
The Freevee service has been home to Bosch: Legacy, Jury Duty, and American Rust, all of which will be ported over to Prime Video and used as “front porch” titles to entice new subscribers.
The duplicate nature of Freevee and Prime Video has led to confusion among both viewers and ad buyers, according to two people familiar with the matter. Heading into NewFronts, Amazon would like to focus its efforts on selling one ad-supported service rather than two.
Likewise, the marketing budget dedicated to promoting Freevee has come under scrutiny amid a larger effort from Amazon to reduce expenses. The company conducted layoffs in January across Prime Video and streaming service Twitch.
From the look of things, Freevee’s fate was sealed when the decision was made to put streaming ads on Prime Video. However, we can’t help but notice that prolific author Stephen King voiced his discontent with the service. That can’t be a coincidence.
FreeVee is such an awful idea. Tried to watch TEXAS CHAINSAW MASSACRE on that platform, but the commercials kind of ruin the mood.
When Pharrell was made the head designer of legacy fashion house Louis Vuitton after Virgil Abloh passed away, it was only a matter of time until Tyler The Creator got in on the action. Tyler has long been an adherent of Pharrell’s musical and fashion philosophies, and Pharrell’s been more than happy to step into the role of mentor for the younger artist, so it’s fitting that he’d also invite Tyler to take a hand in guiding the direction of Pharrell’s Vuitton.
Naturally, Tyler’s capsule collection for Louis Vuitton is stamped by his signature affinity for preppy, old-money styles like trench coats, polo sweaters, and dapper short suits all presented with retro flair with modern flourishes and pops of pastel. Tyler shared a lookbook on Twitter with photos in both the studio and in the wild, highlighting the versatility of the clothes and styling. He also thanked Pharrell, calling him a “guardian angel.”
The collection — which also includes a custom chess board designed by Tyler — is due to hit stores on March 21, just in time for the spring/summer season. In an interview with WWD, Pharrell praised his collaborator, saying, “Everything that Tyler does is thoughtful and authentic. We’ve done something completely new with this project that merges our two worlds and the outcome is uniquely LV.
While Zendaya had all of the fashion fans drooling over her robot outfit at the Dune Part Two premiere, she’s already teasing her next project, which is pretty much the opposite of giant sandworms and spices. The actress stars in Challengers, an upcoming sports drama from director Luca Guadagnino.
In the film, Zendaya stars as Tashi, an all-star tennis pro-turned-coach, who pushes her husband Art to play a “challenger” event which puts him head to head with his former best friend and Tashi’s ex, Patrick. There are lots of tennis balls, some top-tier tennis outfits, and a threesome. It’s just a classic, Wii-sports-inspired love triangle. Tennis is, famously, the sport with the most amount of Love.
Here is the official synopsis:
Tennis player turned coach Tashi (Zendaya) has taken her husband, Art (Mike Faist), and transformed him into a world-famous grand slam champion. To jolt him out of his recent losing streak, she makes him play a “Challenger” event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi’s former boyfriend (Josh O’Connor).
The film required the cast to train for three months with professional tennis players to make sure they were making all the correct grunting sounds while hitting the balls. It’s not an easy thing to do, but it’s better than riding a hypothetical worm!
Challengers hits theaters on April 26th. Check out the trailer above.
Osheaga is set to return to Parc Jean-Drapeau this summer in Montreal, Canada. Taking place over the course of three days (August 2 to 4), the festival will bring the biggest names in music, across all genres, to Parc Jean-Drapeau for its 17th edition.
On Friday (August 2), fans can look forward to performances by “Stick Season” hitmaker Noah Kahan, as well as Teddy Swims, who is currently enjoying a breakthrough with his single, “Lose Control.” Also on the slot for Friday are Lil Tjay, Dominic Fike, Mariah The Scientist, Romy, Teezo Touchdown, Two Door Cinema Club, and more.
Saturday’s (August 3) lineup features Green Day, Reneé Rapp, T-Pain, Labrinth, Chappell Roan, Brittany Howard, and more.
Closing out the festival on Sunday (August 4) is SZA, who is headlining that day, along with Hozier, Justice, Jungle, Alvvays, Hamza, and Still Woozy. Tyla, Kevin Abstract, Raye, and Ayra Starr are also scheduled to perform that day.
Tickets for Osheaga are available for purchase now, and single-day tickets will be available for purchase beginning Friday (February 23). Fans can purchase tickets outright, or set up payment plans through Klarna. Find more information on the festival website.
You can see the full Osheaga 2024 lineup below.
Osheaga 2024 Lineup Poster
Osheaga
Some of the artists mentioned here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
The press tour for The Vince Staples Show has been an absolute treasure trove of hilarious quotes and sharp insights from the show’s creator and star, Vince Staples. For instance, he’s revealed why the show only has five episodes (one was cut due to rain on the scheduled filming day), the fact that he failed a ton of auditions and even took acting classes to hone his comedic timing (watch the interview above), and why there weren’t any actual “jokes” in the show, despite it being uproariously funny.
However, one thing he didn’t share was whether the show would get a second season.
There’s a good reason for that, of course: Vince doesn’t know. As with most Netflix shows, its renewal is dependent on a complex set of criteria held by the streamer, which could include anything from the number of viewers or hours watched to “vibes” (when in doubt, assume the latter. CEOs don’t be knowing what they doing, it’s just that nobody ever tells them “no”). Still, Vince knows the show has a better chance if it does well early, prompting fans on Twitter to “hit that double thumbs” because “peer pressure works.”
You can stream The Vince Staples Show in full on Netflix now and read Uproxx’s interview with Staples about it here.
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