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New Whiskey Brands You Need To Know For 2025, Ranked

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It’s a new year, so it’s time to take stock of the whiskey landscape by reviewing and ranking the best new whiskey brands of 2025!

We gave you the best bourbons of 2024 and the best ryes of 2024, but now we’re turning our focus forward and scouring the whiskey world for the best new brands for 2025. For this list, we compiled all of the brands who either released their first whiskey last year or ones who are essentially newcomers and released their first expression in the past two years, who deserve to be on your radar right now.

To spice things up, we also reviewed and ranked their most buzzworthy expression to give you a better sense of what you should be looking for. These are distilleries in far-flung places like Virginia and Kentucky, as well as rising non-distilling producers who are scouring the barrel market and bottling some truly special juice.

Sound good? Let’s jump right in and talk about the best new whiskey brands you need to know in 2025!

Also Read: The Top 5 UPROXX Whiskey Posts

20. True Story Bourbon

True Story

ABV: 45%
Average Price: $60

The Whiskey:

The latest project from the Henderson family, the same folks who founded Angel’s Envy, is True Story, which launched in 2024. True Story’s whiskey lineup features an Amburana and Sherry-finished rye, with this Moscatel-finished bourbon as their flagship.

Tasting Notes:

Nose: The nosing notes fling the door open with delightful honey, surprising macadamia nuts, and stewed stone fruits. It’s a balanced and generally light melange that is a treat to nose at length despite not being overly complex.

Palate: The palate opens with vanilla frosting, dates, and macadamia nuts’ faintly nutty, creamy flavor. This is easy-sipping bourbon for sure, with a nice roundness that highlights how balanced and well-integrated it is with those Moscatel secondary maturation casks.

Finish: The finish ends succinctly with a touch of white pepper joining red berries and dilute honey.

Bottom Line:

True Story doesn’t just have a highly unique bottle; the bourbon (and rye) housed in that opaque packaging is one of a kind as well. With a light, sweet flavor profile ideal for the bourbon-curious, but rich enough for the enthusiasts, the Henderson’s definitely have another hit on their hands.

19. Bear Fight American Single Malt Whiskey

Bear Fight Whiskey Co.

ABV:
Average Price:

The Whiskey:

Bear Fight Whiskey, founded in 2022, is a cheeky brand that has subverted industry norms since day one. With creative partner Gabriel Macht of Suits fame on board, the brand is looking to expand its national footprint (paw print?) and its inaugural expression: this award-winning ASM made from 100% malted barley should help them do just that.

Tasting Notes:

Nose: The nosing notes open with classic American single malt aromas of hay, green apples, and honey, with some faint smoke, nutmeg, and caraway anchoring those light, sweet notes with an earthy base that’s easy to enjoy.

Palate: On the palate, this whiskey truly blossoms with black currants, honey, and stewed green apple notes cascading over the tongue and sticking to the back of your teeth. Chewing the whiskey unlocks those baking spices that grant it extra depth, gently brushing your palate and the roof of your mouth with nutmeg, freshly cracked black pepper, and faint whisps of sage before transitioning into the finish.

Finish: This whiskey’s closing act reintroduces the smoky note that was first promised on the nose, with a touch of leather, fresh figs, dilute honey, and youthful oak in tow to balance things out. It’s a reasonably succinct finish that beckons repeat sips due to its crispness and distinct flavors.

Bottom Line:

Bear Fight Whiskey, adorned with an apropos tattered label, is far less rugged than its name would suggest. Instead, this whiskey’s subtle infusion of well-formed flavors makes for a mellow sipping experience that eschews the bite for a wonderfully approachable whiskey that should help the brand expand the American Single Malt category’s popularity.

18. SirDavis Sherry Finished Rye Whiskey

SirDavis

ABV: 44%
Average Price: $90

The Whiskey:

Beyoncé’s much-talked-about entry into the whisky world comes in the form of a bespoke blend of American whisky made with a grain recipe that’s 51% rye and 49% malted barley, meaning this is officially a rye whisky. Once the whisky, hand-selected by Dr. Bill Lumsden, reached maturity, it underwent a secondary aging process in Texas. It was dumped into Pedro Ximénez sherry casks for that aging process, imparting it with a ruby hue, a creamier texture on the tongue, and a more berry-forward flavor profile.

Tasting Notes:

Nose: Cherries and rye spice delight the nose at first, and with a twist of orange rind in the mix, it actually smells a lot like an Old Fashioned cocktail. Swirl SirDavis in your glass, and you’ll also begin to pick up notes of honeyed wheat toast, oregano, and black tea.

Palate: The flavor of fresh mint sprigs, vanilla pod, and nutmeg greet the tongue while notes of honey and ripe cherries begin to spring up once you get past that initial wave of baking spices. The notes of nutmeg and black pepper kick up again at the end of each sip, as does some sherry flavor, which leaves a whisper of Brazil nuts with a gentle kiss of dessert wine sweetness.

Finish: On the finish, as the whisky trickles off your palate, the taste of sherry is again prominent. Fresh hazelnuts, oak from the barrels it was aged in, and black pepper are also evident. The flavors dissipate fairly quickly, giving the whisky a smooth impression overall. For its final act, you’ll notice that your mouth begins drying out, encouraging repeat sips so you can return to the flavor found early on.

Bottom Line:

This whisky lends itself well to mixed drinks and features luscious, balanced flavors, making it an attractive, moderately proofed option for drinking neat. Its unconventional production method, from the grain recipe to its secondary maturation under the Texas sun, offers enough intrigue to entertain hardcore whisky enthusiasts, and the sweet, sherry-enhanced approachability helps corral newcomers.

17. DeHart Whiskey Toasted Bourbon (Barrel #3)

DeHart Whiskey Co.

ABV: 55.1%
Average Price: $70

The Whiskey:

DeHart Whiskey, founded by brothers Mike and Dan DeHart, is currently limited to Kentucky, but if the success of this first release is any indication, they’ll be branching out in 2025. This expression, launched in 2024, came in the form of five different cask-strength single barrels in a proof range between 108.8-111.2 and came from a popular mash bill of 75% corn, 21% rye, and 4% malted barley.

Tasting Notes:

Nose: The nose is loaded with gooey caramel notes while vanilla bean, oak, brown sugar, and a hint of mocha flutter around the periphery. The oak, in particular, forms the backbone of this whiskey, while the sweet notes, complemented by a bit of graham cracker and smoked honey, make up the bulk of the aroma profile.

Palate: Once on the palate, this whiskey opens up with crème brûlée, browned marshmallow, a touch of milk chocolate, and faint smokiness. For those familiar with the classic toasted bourbon flavor profile, this will be right in your wheelhouse as it plays all of the hits, complete with some black pepper spice and subtler nougat nuances.

Finish: The finish is medium-length and reintroduces some of the smoked honey found on the nose, along with a touch of tobacco leaf, sage, and menthol.

Bottom Line:

For this inaugural release, the DeHart family proves themselves more than up to the task of delivering a classic toasted bourbon, made all the more impressive by the fact that they bottled it at cask strength. This is indicative of their prowess in selecting single-barrels, opting to lean on their talent for picking over tinkering with the liquid. It’s hard to argue with the results, and with the news that they’ve got more barrels in stock (hopefully coming soon) there’s good reason to keep an eye on them for 2025.

16. Smokeye Hill 93 Proof Bourbon

Smokeye Hill

ABV: 46.5%
Average Price: $70

The Whiskey:

While Smokeye Hill was founded by Blake Johns in 2018, the brand waited five long years to release its inaugural expressions in 2024. This 93-proof bourbon was aged for at least five years in 30 and 53-gallon barrels with a variety of barrel chars before being bottled without chill filtration. Of note, they also have a barrel-proof variant that won several prestigious awards in 2024.

Tasting Notes:

Nose: Blue corn, peanut butter, tobacco leaf, and cigar ash make up the initial nosing notes. On the second pass are Rainier cherries and a little white chocolate, delivering the sweetness.

Palate: Tobacco leaf, oak, and almond extract hit the palate at first, while the blue corn and peanut brittle notes splash across the tongue soon after. There’s a touch of fresh almonds and white chocolate before the transition to the finish.

Finish: The finish has a mellow sizzle that caps things off nicely and concludes with vanilla frosting, shaved almonds, and barrel char.

Bottom Line:

Smokeye Hill’s 93-proof offering is more tightly wound and slightly better than the barrel-proof version that’s been garnering critical acclaim. Due to a harmonious assemblage of flavors and the commendable development of those flavors, it’s safe to say that this brand-new bourbon is a winner and the nascent company is poised for a big 2025.

15. EverNorth Spirits Single Barrel Rye

EverNorth Spirits Co.

ABV: 63%
Average Price: $65

The Whiskey:

EverNorth Spirits was founded by the gentleman behind the wildly popular Youtube channel “Bourbon Junkies,” Daniel Shook and Sean Paisley in 2023. Originally named Virtue Spirits, they’ve since rebranded and barreled forward, releasing stellar bourbons, American whiskeys, and perhaps most impressively, rye. This one is a 95/5 rye mash bill from Indiana that was aged in Maryland.

Tasting Notes:

Nose: The nose is full of honey, Andes mint chocolate, black pepper, and surprisingly mature oak, which rounds it all out. It’s an inviting nose that isn’t shy about announcing its 95/5 rye origins.

Palate: Once on the palate, that flavor of Andes mints takes you back to hotel stays in the 90s (does anyone leave mints on the hotel pillow anymore?), and it takes you on a flavor journey that includes fudge, barrel char, and a gentle touch of black pepper flecked graham cracker.

Finish: The finish is fairly succinct, but it closes out with black pepper, fresh mint, and rich fudge.

Bottom Line:

EverNorth Spirits is such a super fun brand because its founders have a breadth of experience with the whiskey on the market, and they honed in on some very particular flavor profiles that align with their palates. Taking this standout rye as an example, it’s clear that the duo knows what they’re doing, and with American whiskey and bourbon that rivals even this outstanding expression, I’m sure that they have even more great things in store for 2025.

14. Old Stubborn Straight Bourbon Batch 2

Old Stubborn

ABV: 61.9%
Average Price: $250

The Whiskey:

Old Stubborn is following up their polarizing inaugural wheated bourbon release with something a little different — a rye-recipe bourbon. A premium marriage of 10, 11, and 12-year-old pot still straight bourbon went into this second expression.

Tasting Notes:

Nose: Grain-forward with plenty of pot still funk, Old Stubborn Batch 2 is full of malted chocolate and earthy notes on the nose reminiscent of oak and mocha.

Palate: On the palate, there’s an unsweetened Apple Jacks note that immediately entices repeat sips before hints of honey begin to bloom at midpalate.

Finish: The finish features the honey in full swing while the earthy oak tones from the nose reemerge along with black pepper and herbal notes.

Bottom Line:

Old Stubborn’s first release in 2023 may have been polarizing, but Batch 2 from 2024 seems firmly focused on gaining mass appeal. Classic bourbon notes pair well with the grainy texture and medium-length finish on this pour to make for a rock-solid sipper.

13. Larrikin Bottled in Bond Bourbon

Larrikin Bourbon Company

ABV: 50%
Average Price: $80

The Whiskey:

Larrikin Bourbon Company began its life as the Lawrenceburg Bourbon Company in January 2023 before undergoing a rebrand in the summer of 2024. If you’re wondering, a larrikin is Aussie slang for someone who disregards convention. To wit, the brand’s unconventional Bottled in Bond Bourbon was aged for eight long years and comes from a mash bill of 75% corn, 21% rye, and 4% malted barley.

Tasting Notes:

Nose: The nose begins floral with dark chocolate and salted caramel notes wafting out of the glass in a tightly wound melange that seems indicative of mature, well-aged bourbon.

Palate: On the palate, that tightly wound base of aromas absolutely detonates with bright cherries, singed orange peel, caramel, and chocolate gently unfurling over the length of the tongue. On a second sip, you pick up vanilla custard as the creamy texture burrows each layer of flavor deeper into your tastebuds.

Finish: The finish takes a surprisingly long time to melt away as the rich vanilla and caramel notes fuse with bright cherries just before they turn slightly tropical, with coconut and peach ring flavors ascending.

Bottom Line:

The Larrikin brand’s sleek redesign and flat-out jaw-dropping density of flavors make up the solid one-two punch that results in this one being a knockout. Keep an eye out for the brand’s chic fleet of bottles as they expand distribution and set their sights on taking over in 2025.

12. Rolling Fork Bourbon De Luxe 8-Year

Rolling Fork

ABV: 59.5%
Average Price: $65

The Whiskey:

Bourbon de Luxe is a new line from the folks behind Rolling Fork, which has been branching out from their rum base into Armagnac and now American whiskey — a new edition to their portfolio as of 2024. This expression, a three-barrel blend that was distilled and aged in Bardstown for 8 years, is the brand’s first foray with a revived label and its inaugural bourbon expression.

Tasting Notes:

Nose: The nose on this bourbon is marked by citrus-leaning top notes of candied orange peel and dried apricots, with candied ginger adding to the nuance before oak undertones, milk chocolate, and fresh peanuts swirl into the mix.

Palate: The first sip of Bourbon de Luxe is lush with candy bar notes of milk chocolate, nougat, and caramel swirls while the oak is held at bay behind the flavor of fresh florals like jasmine and lavender. There’s also a light cherry note that persists throughout, reminiscent of Rainier cherries more so than cocktail or black varieties.

Finish: The medium-to-long finish introduces the flavor of toffee chews, hazelnut spread, and nutty mocha tones.

Bottom Line: Bourbon de Luxe is an expression that excited the American whiskey world, as revival brands tend to do, thanks to speculation about whether the contemporary release can or will live up to the original label’s former glory. While the flavor profile of 2024’s Bourbon de Luxe does vacillate from the former’s butterscotch-heavy flavor profile, it introduces one more attuned to the modern palate and succeeds in exceeding expectations.

11. Kinfolk Trust

Kinfolk Trust

ABV: 62.8%
Average Price: $118

The Whiskey:

Kinfolk Trust is a brand-new blend of American whiskeys from Taste Select Repeat’s Orlando “OJ” Lima, launched in late 2024. The unique blend takes barrels sourced from Dark Arts Whiskey House (potentially Danville-distilled bourbon) and Bainbridge Distillery. While there are only three batches of the cask strength version planned per year, the same is anticipated for the lower “Preferred Proof” version.

Tasting Notes:

Nose: The aroma notes unveil hints of beeswax at first, while butterscotch, oak, and orange blossom aromas follow close behind. It has a very creamy, approachable nose despite the proof, with a faintly vegetal note pulsing throughout as well.

Palate: Bubblegum reaches the palate first, then the faintly citric, sweet note of orange pith comes in. It’s big and flavorful at midpalate, with loads of butterscotch, slightly floral notes, orange marmalade, and restrained spice blossoming. The heat fans out over the edges of the tongue and then dart up the roof of the mouth, with black pepper leading the charge.

Finish: Kinfolk Trust’s Cask Strength offering has a lingering finish that hangs on the palate for a long time, with some nougat and black pepper leaving the most lasting impression.

Bottom Line:

As part of an intimate product reveal in Louisville, Lima indicated that he wasn’t intent on creating an empire with Kinfolk Trust, but that doesn’t change the fact that this is whiskey fit for a king. If this thoughtful, well-constructed inaugural blend is indicative of what we can expect from the future of the brand, then you’ll want to keep them firmly on your radar for 2025 and beyond.

10. Hazelbaker Indiana Straight Bourbon Whiskey Bottled in Bond Aged 7 Years

ABV: 50%
Average Price: $67

The Whiskey:

While PCS Distilling was founded in 2021 for their new brand, Hazelbaker, which was first released in late 2024, they kept things simple. The idea was such: take some of their best barrels, sourced from Indiana and matured in a bonded warehouse, and blend them together after seven years of aging.

Tasting Notes:

Nose: Is there a Milky Way in my glass? The aroma of chocolate, caramel, and nougat greets the nose at first, with some accenting notes of brown sugar and robust oak rounding things out.

Palate: Brown sugar and milk chocolate splash across the tip of the tongue for a highly sweet introduction to this bourbon. The milk chocolate persists at midpalate as the rich texture of this bourbon brings touches of mocha, sweet oak, and cherry leather.

Finish: The lengthy finish reiterates all of the aforementioned flavor notes, which continue to blossom, showcasing their impressive richness minutes after your final sip.

Bottom Line:

This bourbon remains consistent from the nose to the palate, delivering a milk chocolate candy bar in a glass. While PCS Distilling has developed a strong reputation for its finished iterations under the NULU brand, this by-the-books bottled-in-bond offering shows exactly why they’ve been so successful: they’ve figured out how to select some delicious, high-quality straight whiskey to serve as the backbone of everything they do.

9. Raconteur Rye Batch 2

Raconteur Rye

ABV: 61.36%
Average Price: $140

The Whiskey:

Raconteur Rye’s second batch, nicknamed “Brazen,” represents a subtle evolution of this ascendant brand. At a slightly higher proof with “dialed up” flavors, this 7-year-old rye was finished in Mizunara casks that previously held 17-year-old Kentucky Straight Bourbon Whiskey.

Tasting Notes:

Nose: Dates and Fig Newton aromas mesh at first with some cracked black pepper and pie crust combined with cream soda and strawberry saltwater taffy at the center of it all. This whiskey has a really fun nose that’s lively and inviting.

Palate: It’s a lot more viscous than I expected from the nose, with great oiliness and a surprising bit of chocolate milk to go with the flavor of dates and red grapes. Fresh mint, mellow black pepper, and oregano kick in at midpalate and undulate across the palate, climbing up the roof of the mouth.

Finish: The finish has a touch of leather, more grape, and some gentle oak for balance. It has a medium length aided by the viscous texture, which grants it a supple staying power while the black pepper spice slowly recedes.

Bottom Line:

The bevy of flavors in this bottle might initially give you pause, as it takes a second for all of those tightly wound layers to unfurl, but with some time spent in the glass, this rye only gets better and better. Your only trouble will be maintaining the will to let it sit and improve because even the first sip of Raconteur Rye is sure to draw you in quickly.

8. River Roots Barrel Co. 13-Year Bourbon Finished In Port Wine Barrels

River Roots Barrel Co.

ABV: 73.28%
Average Price: $275

The Whiskey:

Made from a mash bill of 75% corn, 21% rye, and 4% malted barley, this well-aged expression from River Roots Barrel Company was then finished for an impressive six long years in port wine barrels. The brand, founded in 2023 by Michael Symon and partners, is based in Cleveland, Ohio, and has quickly established a reputation for sourcing premium, double-digit age-stated bourbon with the added benefit of being housed in interesting secondary maturation casks.

Tasting Notes:

Nose: Fidge, hazelnut, and oak make up the core of this whiskey’s nosing notes, while further accents of nondescript red berries, peanut shells, and marzipan flesh things out a bit.

Palate: Once on the palate, those core aroma notes spring to life with a mellow richness that subsumes the palate and belies both the base whiskey’s age and the lengthy finishing process it underwent. The mouthfeel follows the path laid by the flavors, as its full-bodied texture gently coats the tongue and allows you to appreciate each decadent layer of flavors at your leisure.

Finish: The finish is medium-length and marked by an uptick in black pepper spice to go with the hazelnut spread, peanut shell, and jammy red berries found throughout the palate. There’s also an undulating backbone of oak and vanilla extract that makes this one a treat to the last sip.

Bottom Line:

This lush, decadent expression is an exemplar of what River Roots Barrel Co. has been releasing to date: high-quality, well-aged whiskey. They’ve also produced some incredible younger bourbons and malt whiskeys, but it’s these unique finished products that seem to be winning them the most praise and fueling the excitement around their potential moving forward.

7. Dark Arts Whiskey House

Dark Arts Whiskey House

ABV: 56.4%
Average Price: $90

The Whiskey:

Dark Arts Whiskey House is an amazing emerging non-distilling producer based right in Lexington, Kentucky, that’s putting out some mouth-watering whiskey sourced from Kentucky and Indiana. This particular single barrel was selected by the Volusia Bourbon Society in partnership with Liquid Ministry.

Tasting Notes:

Nose: The aroma of raspberries and ripe apples leap out of the glass, and they’re joined by the aroma of cocoa, oak, and rye spice, which makes for a balanced and intriguing nosing experience. The palate instantly becomes sufficiently whetted.

Palate: With the initial sip, this whiskey brings some heavy cocoa and oak tones on top of a wave of Cherry Cola, vanilla extract, and allspice. It will really stop you in your tracks. The proof point is perfectly balanced, allowing those waves of flavor to lay siege to every corner of your mouth without ever becoming too much to handle.

Finish: The lengthy finish is the final act of this magic trick, subsuming your senses in vanilla, black pepper, and cream soda before a kiss of bright red cherry sends you on your merry way.

Bottom Line:

Dark Arts Whiskey House is doing a little of everything, with stellar finished barrels and powerhouse Indiana ryes making up their portfolio, but these straight bourbon whiskeys are the best showcase of “Chief Alchemist” Macaulay Minton’s prowess as Master Blender and Taster.

6. River City Whiskey “Beaver Bridge Barrel”

River City Whiskey Co.

ABV: 57%
Average Price: $105

The Whiskey:

River City Whiskey, having released their first expression in fall 2024, is one of the newest brands on this list. This expression, from founders Da’Mon Brown and Ricky Rice, is a natural outgrowth of what began as a barrel pick group that the two started. Now, entering the arena of creating a brand, they’ve brought this inaugural expression “Beaver Bridge Barrel” to market using the single-barrel format they’ve perfected to present a cask-strength bourbon, aged for nine years, and made with a mash bill of 75% corn, 21% rye, and 4% malted barley.

Tasting Notes:

Nose: The aroma notes open with bruised pears, apple skin, singed orange peel, vanilla custard, black pepper, sage, and barrel char. The aromas are impressively well-developed and delicate but distinct, leading to extended appreciation before you venture in for the first sip.

Palate: The lighter, sweet notes come through on the palate, with peach rings, dried apricot, and scraped vanilla pod seizing your attention at first. The whiskey then turns a bit floral at midpalate before ceding ground to the flavors of restrained oak and honeyed black tea as it fans out over the tongue and begins transitioning to the finish.

Finish: The finish is robust but brief, expanding rapidly with full flavors before gently concluding with vanilla wafers, orange blossom, and white pepper lingering at the end of the party.

Bottom Line:

This is simply great whiskey that shines on the front end with distinct, well-developed flavors that blend together harmoniously before blossoming at mid-palate and succinctly shedding its petals on the finish. The price of admission is perfect, and as this bourbon flows with far more peaks than valleys from beginning to end, it shows that River City Whiskey is ready to open the floodgates of their hand-selected high-quality single-barrel bourbons with this inaugural release.

5. 2XO Gem of Kentucky

2XO

ABV: 54%
Average Price: $230

The Whiskey:

2XO is the brand founded by rockstar blender Dixon Dedman just three short years ago, but he waited until 2023 to launch the brand’s best work to date: The Gem Of Kentucky. Billed as “the only double-barreled single barrel Kentucky Straight Bourbon Whiskey on the market,” the brand released roughly 70 of those unique single barrels to market in the initial run with a second wave of releases following in 2024.

Tasting Notes:

Nose: This bottle begins expressly fruity with red berries and orange zest leading the way to polished leather, an abundance of vanilla, and some surprising sandalwood.

Palate: Once on the palate, this pour opens with more fruit as the flavor of cherries and clementines burrow deep into your tongue while mature oak and leather notes find the edges of the tongue and the cheek. There’s a gently pulsing influence of baking spice throughout, with black pepper, allspice, and sage becoming most expressive as this pour transitions to the finish.

Finish: The finish welcomes more allspice and sage, and it’s surprisingly lengthy, allowing the fruit-forward notes to reemerge as well as the satisfying taste of vanilla ice cream.

Bottom Line:

Dixon Dedman is no stranger to mingling delicious barrels of sourced whiskey, and the experience he’s accrued from blending previous projects has him in peak form here. 2XO’s more affordable options are well worth your attention as an entry point into the nascent brand. Still, once you try their premium offering, you’ll fully appreciate just how stellar this new category of double-barreled single barrels can be.

4. Dream Spirits Mizunara Cask Finished Barrel Strength Bourbon (Cask 1)

Frank Dobbins III

ABV: 60.8%
Average Price: $200

The Whiskey:

Dream Spirits, out of Leesburg, Virginia, is a non-distilling producer on a rapid ascent since their inaugural release in late 2022. Dreamed up by the proprietor of the world-famous 1 West Dupont Circle Wines & Liquors store, Prav Saraff, the brand is sourcing standout barrels of bourbon from Kentucky and Indiana and bottling it at their home base in Old Dominion. This special release, launched in mid-December, is an exclusive blend of 95% 6-year high rye MGP bourbon with 5% 16-year Tennessee bourbon. The blend then rested in stainless steel for 3 weeks before being dumped into Mizunara barrels for 21 months, an unprecedented period for finishing casks of that type.

Tasting Notes:

Nose: The nose on this whiskey opens with rosewater and Rainier cherries before sandalwood, black pepper, and cedar perk up in the glass. Tahitian vanilla, butterscotch, and nougat can also be found once you stick your nose deeper into the glass, while dried raspberry top notes begin to emerge after a short period of resting.

Palate: On the palate, this whiskey really follows through on the nosing notes. Dried raspberries and black pepper spice open the door for faintly floral notes, sandalwood, butterscotch, and vanilla bean flavors to stroll right through. The texture is spiky, in a good way, with flourishes of baking spice accenting the otherwise flavorful, full-bodied, fruit-forward experience.

Finish: The lengthy finish is where the Mizunara casks have the last word, as cinnamon, sandalwood, and black pepper spice tickle the palate while figs, dark chocolate, and vanilla extract sweeten the send-off.

Bottom Line:

Mizunara-finished bourbons are a rarity due to the expensiveness of the rare casks, but when utilized correctly, they can create marvelous results, as this bourbon goes to show. Dream Spirits isn’t yet known as a premier blending house, but having tasted several of their single barrels throughout the year and enjoying the hell out of this Mizunara-finished offering, it’s obvious they’ve got incredible liquid on their hands and a bright future ahead.

3. Premier Drams Bourbon “Bourb Your Enthusiasm”

Premier Drams

ABV: 56.8%
Average Price: $220

The Whiskey:

Premier Drams is a new brand that was launched early this summer by the same man behind Washington D.C.’s legendary whiskey bar, Jack Rose, Bill Thomas. 8 years ago, Thomas began procuring contract-distilled whiskey from an elusive producer in Bardstown, Kentucky, and aging it at the site of the historic Old Taylor Distillery, which today is the home of Castle & Key. Due to Castle & Key’s uniquely cool maturation facilities, many of the barrels that went into these Premier Drams single barrels saw a significant drop in ABV, with the majority hovering right around the 100-proof mark at cask strength.

Tasting Notes:

Nose: Strawberry saltwater taffy escapes the grasp of the glass to greet the nose at first before evolving into a cherry Luden’s note and partnering up with truffle honey, white pepper, and peanut brittle for a mellow and intriguing medley.

Palate: On the palate, it’s a delight to discover that the Luden’s cherry note has evolved into a full-blown Rainier cherry, carrying white pepper, allspice, nutmeg, and honey in tow. The flavors here are markedly rich, defying its moderate proof and delivering a depth and richness that will have you sucking your molars, frantically trying to prevent even a single drop from slipping through the cracks.

Finish: Vanilla pods, salted butter, fatty Brazil nuts, and white pepper prevail on the finish with a dollop of honey and Rainier cherries, adding a sweet closing kiss as it succinctly slides off your palate.

Bottom Line:

Premier Drams is quietly revolutionizing the modern bourbon landscape by delivering cask-strength bourbon at a moderate proof point and it’s honesly like peering into the future. In the fashion of any groundbreaking innovator, I’m not entirely sure the public was ready for it in 2024, but that’s what makes discovering excellent single-barrel offerings like this so awesome. I suspect that, in due time, these stellar new releases will be even more coveted than they already are.

2. Binder’s Stash Barrel Proof Single Barrel Bourbon

Binder

ABV: 65%
Average Price: $100

The Whiskey:

Binder’s Stash is a premium non-distilling producer bottling top-shelf single-barrel whiskey from Indiana and Kentucky. The brand’s fervent digital presence has been documented here before, with this particular single-barrel, “Make It Make Sense,” being one of the budding brand’s latest releases.

Tasting Notes:

Nose: Black cherry, grapefruit, and allspice aromas are the opening act. Next up, palo santo, chocolate wafer cookies, and maple candy that hangs in the air in the background.

Palate: This bourbon begins chocolatey as hell and heavy on the palate, making it taste like whiskey more than twice its age with cherries and rich oak with leather and vanilla pods. It’s drying at the edge of the tongue with a sort of grainy texture that’s intriguing and, again, gives it the impression of much older whiskey.

Finish: The finish has bubblegum and cinnamon, and it’s medium to long with some more vanilla coming in, giving it a sweet send-off that makes you want more immediately.

Bottom Line:

This is a remarkable and remarkably well-named whiskey because delivering this much flavor at 5 years old defies expectations. Credit to Binder’s Stash for pulling this barrel after only half a decade and resisting the urge to entice consumers with a higher age statement (though they’ve got more of those, too). This offering proves there’s no telling when a bourbon is ready, but it will tell you itself.

We’re really excited to see how this brand can continue to surprise in 2025.

1. Old Commonwealth Distillery Cask Strength Bourbon

Old Commonwealth

ABV: 65.915%
Average Price: $200

The Whiskey:

The very first expression from Old Commonwealth Distillery is this Old Commonwealth 10-Year Kentucky Straight Bourbon Cask Strength Bourbon, which launched to much fanfare only a few weeks ago. History lesson: Old Commonwealth is an iconic brand created in the 1970s by Julian Van Winkle II, the son of “Pappy” Van Winkle, and in those days, it utilized liquid from the legendary Stitzel-Weller Distillery. Fast-forward to 1997-2002, Julian Van Winkle III was selling a version of Old Commonwealth that was proofed to 107 and utilized a wheated mash bill just like his father did decades before. This contemporary recreation has been five years in the making, and though it uses a mash bill sans any wheat, its founders felt that this whiskey was exceptional enough to carry the banner and continue the legacy.

Tasting Notes:

Nose: When you first pour Old Commonwealth into your glass, it opens with the aroma of blueberries and rosewater before deferring to some sweet tobacco, earthy oak, and a fat scoop of vanilla ice cream. It picks up some cherry cordial and leather as it sits in the glass. This is well-layered, lovely stuff.

Palate: Cherry and caramel notes come barreling down the middle of the palate with some faint coconut flakes and well-defined oak undergirding the entire affair. A second sip welcomes clove, hazelnut, and honeyed green tea as the dense liquid begins coating your palate, making you salivate for more.

Finish: The finish is lengthy with white pepper, sweet tobacco, dark chocolate chunks, and sticky toffee all making an impression.

Bottom Line:

This is delicious stuff that belies the 5-year journey Old Commonwealth underwent from ideation to creation. After landing a spot in the top 25 on our top 100 bourbons of 2024 list, you had to know that this one would rank highly here. With 2024 marking Old Commonwealth’s introduction to the bourbon world, we’re pumped to see how pulling from their flagship label’s rich history will propel Old Commonwealth Distillery in the future.

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‘Abbott Elementary’ Creator Quinta Brunson Has A Non-Philly Answer For The Greatest Rapper Of All Time

To the delight of Mr. Peanutbutter and fans of good sitcoms everywhere, the debauched It’s Always Sunny In Philadelphia gang appeared in Wednesday’s episode of the comparatively wholesome Abbott Elementary. It’s part one of a two-part crossover event with the second episode airing during the upcoming season of It’s Always Sunny (which should premiere later this year).

The idea for the crossover was conceived by It’s Always Sunny creator and star Rob McElhenney and Abbott creator and star Quinta Brunson, who was asked to name the greatest rapper of all time for Complex‘s “GOAT talk” series.

“Jay-Z,” she told McElhenney with no hesitation. “His lyrics have inspired me so much, how I write, how I make business moves, how I make things that are Black but for public consumption.”

As for McElhenney, he went with Tupac, although Eazy-E is up there, too. “When I was 11 years old or something when Straight Outta Compton came out and suburban white boys in Philly finding that and playing it, your mind is just f*cking blown,” he explained. “Blew my socks off. I love it. I love it.”

You can watch Brunson and McElhenney’s “GOAT” video above. Meanwhile, Abbott Elementary and It’s Always Sunny In Philadelphia are both streaming on Hulu.

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Mac Miller’s Posthumous Album ‘Balloonerism’ Gets A Chill New Preview With ‘5 Dollar Pony Rides’

It’s been over 7 years now since Mac Miller’s premature death, and while he was only 26 years old, he left behind an incredible hip-hop legacy. That legacy has continued since his passing via posthumous releases, with the 2020 album Circles and the upcoming Balloonerism. The latter is set to drop on January 17 (just before his January 19 birthday), and now the loose and chill track “5 Dollar Pony Rides” has been released today (January 9).

A statement previously shared by Miller’s family says of the album:

“Many of Malcolm’s fans are aware of Balloonerism, a full-length album that Malcolm created around the time of the release of Faces in 2014. It is a project that was of great importance to Malcolm — to the extent that he commissioned artwork for it and discussions concerning when it should be released were had regularly, though ultimately GO:OD AM and subsequent albums ended up taking precedence.

We believe the project showcases both the breadth of his musical talents and fearlessness as an artist. Given that unofficial versions of the album have circulated online for years and that releasing Balloonerism was something that Malcolm frequently expressed being important to him, we felt it most appropriate to present an official version of the project to the world. With that in mind, we’re happy to announce that Balloonerism will be released on January 17th, 2025.”

Listen to “5 Dollar Pony Rides” above.

Balloonerism is out 11/17 via Warner Records. Find more information here.

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‘Monarch: Legacy Of Monsters’ Season 2: Everything To Know So Far About The Return Of Godzilla (And Kong) To Apple TV+

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Apple TV+/Legendary

Godzilla has been having “a moment” since his 1950s debut, but the nuclear lizard’s ubiquity has (deservedly) gone into overdrive in recent years with Toho’s Oscar-winning Godzilla Minus One, which is streaming on Netflix and has a sequel coming. The “absolute slobberknocker” of last year’s Godzilla x Kong: The New Empire also kept Legendary’s Monsterverse coming in hot, but the small-screen has been bringing the fire, too. Legendary and Apple TV+’s Monarch: Legacy Of Monsters, which began its run by promising Kurt Russell teaming up with Godzilla.

What transpired on Apple TV+ was (to put things mildly) a streaming success, and in April 2024, Legendary and Apple TV+ announced a second-season renewal in addition to “multiple spin-off series.” Let’s piece together what clues have been dropped so far and speculate about whether that “death” was really the end for Russell’s involvement in the series.

Plot

Apple TV+

It’s fair to say that the events of Monarch: Legacy Of Monsters‘ first season were intentionally muddy at times, including the motives of Lee Shaw (portrayed by both Kurt Russell and his IRL son, Wyatt) in this generation-spanning series. That became clearer by season’s end, but a major lingering question in the jump between seasons is whether Lee Shaw survived another portal entry. This ambiguity was probably planned since there was no guarantee on whether Kurt Russell would return for a second season, but also, Shaw has been brought back before, so anything is possible. Also, we saw no body, so death cannot definitively be called either way. Those signs point to his return in the second season, or Shaw could surface in a future movie.

When quizzed on a possible return by The Direct, Kurt Russell reflected to the Monarch org’s history and suggested that the baton could be passed:

“I think that what’s interesting about this show is that when you go back in time, you flashback to how these people got together and where this whole thing started. It’s the human aspect of it that you are focused on. And I think all his life; he’s, you know, there were certain things that he was waiting for, and setting up that sort of mysterious way that you finally begin to understand towards the end. To me, you would carry on with that and understand mysteries work in different ways, with different people, different scenarios. So they’d… have to lean into those scenarios.”

So, no news is good news from Kurt Russell? We will see. What is much more concrete, however, is Legendary’s confirmation that the second season will spend plenty of time on Skull Island, as confirmed by a recent still from Legendary with this message: “Greetings from Skull Island. Monarch: Legacy of Monsters Season 2 is in production.”

Legendary/Apple TV+

In other words, we should be seeing much more of this guy:

Legendary/Apple TV+

Let’s hope that Godzilla isn’t entirely out of this show’s equation. There’s been no discussion on that subject from official parties, and series creator Chris Black told Screenrant (in a group conversation that confirmed the return of cast members Kiersey Clemons, Anna Sawai, Joe Tippet) that he’s essentially bound to secrecy:

“I think our friends from Apple are here, so I’m not sure what I’m allowed to say. But it’s going to be big. It’s going to be great. We’re really excited and just so thrilled to have the opportunity to come back and keep telling this story. I think if you watched the season finale, and you get to the end of the season finale, I think you know what the teaser is.”

In that same discussion, Anna Sawai did express hope that Cate Randa will be “taking a little bit more action” now that she’s learned about her family legacy. Fingers crossed, and there will be no protest from the Shōgun audience on that front.

Cast

Although Apple TV+ hasn’t been straightforward on returning cast members, we can expect to see plenty of returning faces. That could include Kurt Russell and Wyatt Russell or simply the latter or neither of them at all, but stay tuned there.

Anna Sawai figured prominently into the finale as Cate Randa, so those who want more of her after Shōgun know where to find her, and other first-season cast members included Mari Yamamoto, Anders Holm, John Goodman, Kiersey Clemons, Ren Watabe, Joe Tippett, and Elisa Lasowski.

Variety reported that Prey‘s Amber Midthunder signed on for a recurring second season role as Isabel, “an intelligent and powerful businesswoman.”

Release Date

With Legendary and Apple TV+ providing a “first look” in November 2024, we can guess that a late 2025 release is possible, but don’t be too surprised if this pushes into early 2026.

Trailer

Since Apple TV+ hasn’t released any footage yet, G-Fans can revisit this moment when Lee Shaw realizes that what doesn’t kill Godzilla only makes the nuclear lizard stronger.

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What To Watch: Our Picks For The TV Shows And Movies We Think You Should Stream This Week

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netflix/merle cooper

Each week our staff of film and television experts surveys the entertainment landscape to select the ten best new/newish shows available for you to stream at home. We put a lot of thought into our selections, and our debates on what to include and what not to include can sometimes get a little heated and feelings may get hurt, but so be it, this is an important service for you, our readers. With that said, here are our selections for this week.

15. Creature Commandos (Max)

Max/HBO

If you enjoy the Harley Quinn show and/or James Gunn’s The Suicide Squad, you’ll love Creature Commandos. The animated series tracks a secret team of incarcerated monsters — including Frankenstein, The Bride of Frankenstein, and G.I. Robot — who are recruited for missions deemed too dangerous for humans. “When all else fails… they’re your last, worst option,” the Max description reads. Every episode was written by Gunn, while the cast includes Indira Varma, Sean Gunn, Alan Tudyk, Zoë Chao, David Harbour, Maria Bakalova, Frank Grillo, and Viola Davis. It’s a fun introduction to the new DCU.

Watch it on Max

14. Black Doves (Netflix)

Netflix

In Black Doves, the always wonderful Keira Knightley plays Helen, an undercover professional spy who has been passing on her politician husband’s secrets to the shadowy organisation she works for: the titular Black Doves. But when her secret lover Jason is assassinated, an old friend (Paddington’s Ben Whishaw!) is tasked with keeping her safe. Together, they set off on a mission to investigate who killed Jason, which, as often happens with these kinds of shows, leads them into a vast conspiracy. Pepe Silvia will be watching.

Watch it on Netflix

13. Carry-On (Netflix)

netflix

Carry-On makes a (mostly) single-setting thriller star out of the unsung heroes of the holiday season: TSA agents. Ethan (played by Taron Egerton) is tasked with outsmarting a mysterious traveler (Jason Bateman at his most menacing) who blackmails him into letting a dangerous package slip onto a Christmas Eve flight. Carry-On is directed by Jaume Collet-Serra (Orphan, The Shallows, and Black Adam, but don’t hold that last one against him) with a script from Ratchet & Clank (!) writer TJ Fixman.

Watch it on Netflix

12. Conclave (Peacock)

focus features

Discover what all the fuss over the vaping cardinal is about. Directed by Edward Berger (All Quiet on the Western Front), Conclave is about the messy drama behind selecting a new pope. Per the official synopsis: “Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake, secrets which could shake the foundations of the Church.” Such drama queens.

Watch it on Peacock

11. Dexter: Original Sin (Paramount Plus)

paramount plus

The Dark Passenger-verse expands with Dexter: Original Sin, a prequel to the original series and Dexter: New Blood. This one is set in 1991 and follows Dexter Morgan (played by Patrick Gibson) as he transitions from student to serial killer with guidance from his father Harry (Christian Slater). Michael C. Hall will reprise his role, sort of, as the voice of young Dexter’s inner monologue. Will there be a treadmill? Find out!

Watch it on Paramount Plus

10. Laid (Peacock)

peacock

Stephanie Hsu, who really should have won the Oscar over her Everything Everywhere All at Once co-star, is joined by Zosia Mamet in the new series Laid. The “f*cked up rom-com” is about a woman who finds out that her former lovers are dying in unusual ways, and must go back through her “sex timeline” to figure out what the heck is going on.

Watch it on Peacock

9. Juror #2 (Max)

Warner Bros. Pictures

Juror #2 received such a tiny theatrical release, we wrote an entire post about how to see it. It’s Clint Eastwood’s possibly final film for chrissakes! Thankfully, the film is now on Max, so more people can watch the throwback legal thriller starring Nicholas Hoult as a jury member going through a moral dilemma. It’s the most 1994 movie of 2024 (complimentary).

Watch it on Max

8. Squid Game (Netflix)

netflix

Netflix’s most-watched show ever is back. Squid Game season 2 sees the return of Gi-hun (played by Lee Jung-jae), a.k.a. Player 456, who has only one goal: to end the horrifying competition for good. This time, Gi-hun finds himself “locked in a tense battle” with the Front Man (Lee Byung-hun), as well as trying to survive against the other competitors. Squid Game is the rare water-cooler show in the “death of the monoculture” era. Keep up if you want to know what your co-workers are talking about.

Watch it on Netflix

7. Lockerbie: A Search for Truth (Peacock)

peacock

Colin Firth with white hair? Yes please. Lockerbie: A Search for Truth is inspired by the true story of Pan Am Flight 103, which exploded over Lockerbie, Scotland, in 1988, killing 259 passengers and crew and 11 more on the ground. It’s up to Dr. Jim Swire (Firth), whose daughter died in the incident, to find out exactly what happened.

Watch it on Peacock

6. Wallace & Gromit: Vengeance Most Fowl (Netflix)

netflix

War is, generally speaking, bad… but I would not oppose a second Revolutionary War on the U.K. for getting Wallace & Gromit: Vengeance Most Fowl before the U.S. did. Just saying. Feathers McGraw returns in the new claymation masterpiece from Aardman. This time, the evil penguin aims to enact revenge on our cheese-loving heroes for getting him locked up in prison by reprogramming Wallace’s robotic garden gnome.

Watch it on Netflix

5. Mayfair Witches (AMC Plus)

amc

Along with Interview with the Vampire, Mayfair Witches is part of Anne Rice’s Immortal Universe on AMC (which has seen a surge in popularity since the shows were added to Netflix). Season 2 of Mayfair continues the journey of Rowan Mayfair (played by Alexandra Daddario) after giving birth to the demon Lasher (Jack Huston). As per AMC: “She is determined to understand what he has become – human or monster? – and to use him to fulfill her purpose as a healer, but when tragedy strikes, she must put aside her own desires and fight to protect her family.” To paraphrase Elton John, the witch is back.

Watch it on AMC Plus

4. Asura (Netflix)

netflix

Written and directed by Hirokazu Kore-eda (Shoplifters), Asura is a family drama set in 1979 about about four sisters — Tsunako (Rie Miyazawa), Makiko (Machiko Ono), Takiko (Yu Aoi), and Sakiko (Suzu Hirose) — who discover that their dad is having an affair. It’s being called 2025’s “first great new TV show.”

Watch it on Netflix

3. Black Box Diaries (Paramount Plus)

Tsutomu Harigaya

Black Box Diaries is one of 15 films to make the shortlist for Best Documentary Feature at the 2025 Oscars. It follows Japanese journalist Shiori Itō, who accused a prominent media executive of rape in 2017. She also published a memoir about the case, Black Box, which is “credited with sparking the #MeToo movement in Japan,” according to a synopsis. The documentary is told through video diaries (shot on Itō’s iPhone), audio recordings, and courtroom footage. Black Box Diaries is a tough but essential watch.

Watch it on Paramount Plus

2. The Pitt (Max)

max

Noah Wyle? As a doctor? It’s crazy enough to work. This time, the ER star works in a hospital in Pittsburgh, and the show is “a realistic examination of the challenges facing healthcare workers in today’s America as seen through the lens of the frontline heroes.” The entire 15-episode first season takes place over the course of one 15-hour emergency room shift, not unlike 24.

Watch it on Max

1. American Primeval (Netflix)

netflix

For a while there, Taylor Kitsch was everywhere. He went from playing hunk with a heart of gold Tim Riggins on Friday Night Lights to starring in two big-budget films, John Carter and Battleship, as well as a prominent role in Oliver Stone’s Savages, all released in 2012. But when all three films underperformed and/or were met with scorn from critics (justice for John Carter!), Kitsch stopped being The Next Best Thing. But now he’s back with his biggest part in years: American Primeval, a gritty, gloomy limited series set in the American frontier during the 1800s. The cast also includes the great Betty Gilpin, Kim Coates, and character actor favorite Shea Whigham.

Watch it on Netflix

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Darius Garland Says He Heard A New LiAngelo Ball Song Is Coming Out Friday

garland-top
ESPN

LiAngelo Ball (aka Gelo) has one of the most popular songs out right now, which is definitely not something anyone expected to be the case to start 2025. His song “Tweakers” became a viral sensation, with folks creating a ton of videos having some fun with its retro sound, dressing and dancing like it’s 2003 again to the incredibly catchy hook.

It has not only become a favorite of social media but of NBA and NFL teams too, and can be heard in arenas and locker rooms all over. The Cavs have adopted it as one of their celebratory songs after a win. While the arena played it after they beat the Hornets to poke some fun at LaMelo Ball, the Cavs locker room has embraced the song earnestly. After their big win on Wednesday night against the Thunder, Darius Garland confirmed to ESPN’s Michael Eaves that he would be putting Gelo on in the locker room when he got in there, and also teased that there’s a new track coming on Friday from the middle Ball brother.

“I got the aux. You know we gonna bump Gelo,” Garland said. “Shout out to my boy Gelo, he got a banger — he got another one comin’ out Friday, I heard. So we gonna be in tune for that one.”

We’ll see if Garland’s sources are correct, but it’d make sense for Gelo to try and capitalize on his moment with another song. He already got a spot at Rolling Loud California to go along with his viral fame and spot on seemingly every locker room playlist, and now he’ll try to back it up with another banger for this weekend.

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Pup Return With A Raging New Song ‘Paranoid’ And Launch A Substack With Unreleased Tracks

Pup have been relatively quiet since releasing 2022’s The Unraveling Of PupTheBand, but they’re back with a new song — and hopefully a new album. “Paranoid” isn’t a cover of the Black Sabbath classic (although there is a Sabbath reference in the video), but rather, it’s a punk rager that the band does so well.

“My favorite part of this song is the breakdown 1:45 in,” singer Stefan Babcock said of the track. “It’s the heaviest moment in the song, Zack and Steve are going so hard, I’m yelling about all this sad stuff that’s going on with me, and Nestor is just playing the melody from ‘The Lion Sleeps Tonight’ on the bass. It cracks me up every time I hear it. So f*cking funny. It’s a very Pup moment.”

Music video director Jeremy Schaulin-Rioux added, “What started out as a way to keep the bruising and heartbreaking lyrics to ‘Paranoid’ front and center turned in to a little love letter for rock band merchandise and the unsung heroes who run the merch table. Special thanks to co-director Clem Hoeney and all the real Pup fans who came out and went so hard for a hundred takes!”

You can listen to “Paranoid” above. Also be sure to check out Pup’s Substack where they will “post unreleased songs, discuss writing process, play-through tracks, comics, old photos, live recordings, tour stories, and more.”

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A Beginner’s Guide To Jason Molina

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Getty Image/Merle Cooper

Last month, the acclaimed singer-songwriters Julien Baker and Torres performed a show together at Manhattan’s Mercury Lounge, presumably ahead of a still-unannounced collaborative album. They played mostly originals, though they also introduced a few covers, including a modern indie-rock standard: Songs: Ohia’s “Farewell Transmission.”

Baker and Torres are far from alone in performing this song and honoring the man who wrote it — the late, great Jason Molina. Kevin Morby and Waxahatchee have also covered “Farewell Transmission” on record, as have Glen Hansard and My Morning Jacket, and countless more have played it live. But beyond just that one song, Molina’s career has had a fruitful renaissance more than a decade after his death.

As the leader of Songs: Ohia and Magnolia Electric Co., he was respected but hardly a commercial juggernaut. (His sizable catalog has sold about 200,000 copies worldwide.) Since his passing in 2013 from organ failure brought on alcoholism, however, Molina has taken on the stature of sainted “bygone bard” for a new generation that never knew his music when he was alive, similar to what Townes Van Zandt signified for Gen-X singer-songwriters. Particularly in the indie-Americana space, everyone from Big Thief to Wednesday to Wild Pink to the promising Vermont rocker Greg Freeman seems in some way influenced by him, a debt that more often than not has been directly acknowledged. “Learning about Jason Molina was a big deal,” MJ Lenderman told me in 2022 when he reflected on his beginnings as a songwriter in high school, which occurred in the shadow of Molina’s death.

For an artist like Lenderman, whose songs are frequently compared to Neil Young, it’s probably more accurate to suggest that he (and many others) are influenced by Neil via the filter of Jason Molina, a passionate acolyte who instructed his band to study After The Gold Rush before recording one of Songs: Ohia’s greatest albums, 2001’s Didn’t It Rain. The Zoomers that have followed Molina’s lead don’t emulate the sunny Laurel Canyon folkiness of Gold Rush; rather, like Molina, they take Neil’s guitar sound and apply a layer of depressed Middle American grime.

Molina’s vocals are similarly region-specific. An untrained yelper, he made up for his technical limitations by conveying pure feeling the way a glacier presents ice. When Jason Molina sings, you immediately discern the peak of his emotions. But there’s also a vast body of hurt and longing that exists below the surface, only hinted at but always palpable. Like so many Midwestern men, Molina was a master at holding back and letting you know he was holding back, until the weight finally crushed him.

In life, Molina was a complicated, somewhat unknowable character. He was, on one hand, a small-town kid from Ohio who his peers likely viewed as pretentious, the kind of guy who wore a cowboy hat around town at the height of the grunge era. On the other hand, he prided himself for having a work ethic that can be credibly classified as “blue collar.” He woke early in the morning, and applied himself to songwriting like it was a job, which helps to explain his extraordinary creative output.

In the nineties and aughts, Jason Molina was a man out of time. His brushes with mainstream attention seem to have been purely accidental and ran contrary to his anti-trendy nature. In retrospect, he seems even less modern — he died around the time the social media era really took hold, and indie rock became a lot less indie and almost wholly disconnected from rock. Of course, these are the very things that help to explain his contemporary appeal.

MOLINA 101

Jason Molina’s life was cut short, but his catalog is vast beyond his years. Across his various bands, collaborations and solo projects, he put out well over two dozen releases over the course of a 15-year recording career, a testament to his “punch in, punch out” daily songwriting work ethic. But in the public consciousness his output tends to be reduced to just one track, “Farewell Transmission,” from his most popular album, 2003’s The Magnolia Electric Co.

That’s the song that modern-day Molina acolytes are most likely to cover in concert, and it’s not hard to figure out why: “Farewell Transmission” derives from the classic-rock playbook of rousing concert anthems. It’s the “Free Bird” of the DIY basement-show world, an all-time fist-pumper with tragic undertones, a natural encore favorite. But as good of a song that it is, the original recording is an even better performance. In the studio, Molina functioned like Bob Dylan or Neil Young, favoring live takes and no-fuss spontaneity and shunning overdubs and mistake-free perfection. For much of his career, he preferred to rotate musicians in and out of his orbit, resulting in combinations of players that might back him just once and never again. Such was the case with “Farewell Transmission,” which is played with such freewheeling intensity that one might assume it was recorded in the cockpit of a crashing airplane.

The miracle of The Magnolia Electric Co. is that the rest of the record doesn’t feel like a letdown after opening with that deathless classic. At the time, the album represented the most straight-forward “rock” music that Molina had yet made. Though it also felt slightly behind the times, given the strides that Jeff Tweedy — among Molina’s more successful Midwestern peers — had recently made with Wilco beyond the sort of chunky alt-country The Magnolia Electric Co. traffics in. No matter: Even when Molina cranked the amps, he still made the music sound intimate and lonely. On the second track, he offers up his defining lyric: “I’ve been riding with the ghost / I’ve been doing whatever he told me.” Molina actually claimed to see ghosts in real life, and he had a life-long fascination with American history, folklore and nature. But “I’ve Been Riding With The Ghost” also has obvious resonance in light of Molina’s ultimate fate, which was already set in motion around the time that The Magnolia Electric Co. was released.

Born on December 30, 1973 in Oberlin, Ohio, Molina was raised in a trailer park situated in a de-industrialized former steel town a half-hour outside of Cleveland. His father, a middle-school teacher, turned him onto music, and Molina started playing guitar at age 10. His relationship with his mother was more fraught due to her debilitating drinking problem. Molina himself was a teetotaler as a young man, though that started to change in the early aughts when he moved with his wife to Indianapolis. Feeling isolated, he started drinking heavily, usually in private to hide the extent of his intake, a stock “problematic Midwestern drinker” move.

The Magnolia Electric Co. is commonly regarded as Molina’s artistic breakthrough, but it’s the album that precedes it, 2001’s Didn’t It Rain, that represents his first “mature” work. A bridge between his spare early albums from the nineties and the “band” records he made in the aughts, Didn’t It Rain also put Molina in a broader context than his usual Middle American indie-rock milieu. The album title nods to gospel and blues traditions — not exactly common reference points at the time — and Molina follows through with a record engulfed in timeless, spacious darkness, no matter the timely references to Steve Albini or even himself in “Cross The Road, Molina.” What also sets the album apart, then and now, is Molina’s interest in writing about downbeat, small-town life, which he elevates with poetic language that somehow reads as romantic in spite of the desperate trappings. Like in “Blue Factory Flame,” when he sings:

“When I die, put my bones in an empty street
to remind me of how it used to be
Don’t write my name on a stone
bring a Coleman lantern and a radio
Cleveland game and two fishing poles
and watch with me from the shore.”

The Magnolia Electric Co. might have done even better commercially if it had been presented in a less confusing manner. It is credited as a Songs: Ohia record, even though it is named after his post-Songs: Ohia band. And the lineup on the record isn’t the band that would play those songs with Molina in concert. Perhaps this professional perversity can be regarded as an unfortunate byproduct of his Dylanesque compulsion to follow his gut in lieu of a safer, steadier approach. Or it might just reflect Molina’s ambivalence about mainstream notoriety in general. In retrospect, it’s tempting to theorize that Molina was trying to will himself (successfully, it turns out) to cult hero status.

Another perverse move was making the first Magnolia Electric Co. release a live record. Trials & Errors was captured at a gig in Brussels relatively early on in the tour, before the group had truly gelled. In time, this lineup — anchored by ace guitarist Jason Groth and the innovative steel guitar player Mike Brenner — would evolve into a fierce unit capable of both Crazy Horse-style rampages and delicate country-soul reveries. On Trials & Errors, they mostly just rampage, and sometimes the fluffed notes are plainly audible. But, again, Molina is willing to sacrifice polish for passion, and this ranks with his most visceral music.

Much of Trials & Errors is repeated on the 2005 studio effort What Comes After The Blues, including one of his finest and most definitive songs, “The Dark Don’t Hide It.” (Molina also gives space to bandmate Jennie Bedford’s fine ballad “The Night Shift Lullaby,” a sign of his generous and instinctively collaborative nature.) But one song that only exists in live form is among my personal favorites, “Such Pretty Eyes For A Snake.” Molina describes what is presumably a soul-crushing encounter with a groupie (“I guess if I do come upstairs with you / It wouldn’t be the first time / That I made a mistake in my life”). But what he’s really describing is another hellhound on his trail. Near the end, there’s an extraordinary moment when he suddenly snaps, “You got still something to say about it?” I can never tell if this is part of the song or if Molina is talking to the band or someone in the front row. Sometimes I imagine he is once again addressing a specter only he can see.

By the time Molina readied to make the final Magnolia Electric Co. record, 2009’s Josephine, his alcoholism had advanced considerably. He was also shaken by the recent death of one-time bandmate Evan Farrell, and he would dedicate the record to his memory. In the studio, Molina’s compatriots tried to curb his drinking by taking larger-than-usual pulls from the communal bottle of Wild Turkey, a method that yielded predictably mixed results. Regardless: Josephine contains some of the most beautiful music of his career, even though the relatively mellower sound has caused some partisans to overlook it. Vocally, Molina never sounded more soulful than he does here, and his band plays with corresponding sensitivity and grace. It’s hard to top the reckless energy of “Farewell Transmission” for pure kick-ass power, but to me the single greatest recording of Molina’s career is “Shenandoah,” a gorgeous tear-in-your-beer ballad of heartbreak and regret that Molina sings with sweetly pained restraint. If you can hear him softly hit that high note at the end without getting a lump in your throat, you’re made of sterner stuff than I.

MOLINA ADVANCED STUDIES

If you have gotten this far into your Molina listening, there is no excuse not to read Erin Osmon’s excellent 2017 biography Jason Molina: Riding With The Ghost. Osmon writes with the care of a journalist, the eye of a critic, and the love of a fan, depicting Molina as a contradictory figure — a sad-sack visionary on stage and a hyperactive joker in the tour van, a secretive loner who craved communal artistic experiences from a wide circle of friends and fellow travelers, a man who prided himself on being an “authentic” everyman while also constantly self-mythologizing (or flat out lied lying about) himself. The resulting portrait humanizes a man too often reduced to the sad circumstances of his death.

As a teenager, Molina was drawn to typical small-town hesher fare like Metallica and Motorhead. But as a student at Oberlin College in the mid-nineties, he remade himself as a guitar- and ukulele-playing eccentric nicknamed “Sparky” who claimed that Crazy Horse drummer Ralph Molina was his uncle. (He wasn’t.) He wrote scores of songs and recorded them on cassettes labeled with the prefix “Songs:” along with some allusion that described what they sounded like, such as Songs: George Jones or Songs: Goth. When some friends went to Cleveland to see Will Oldham’s Palace Brothers, Molina asked them to slip the singer-songwriter his Songs: Ohia tape, named after a phonetic-accent pronunciation of his home state. Oldham subsequently suggested that Molina use the name for his project, and it stuck.

For the first three Songs: Ohia albums — 1997’s Songs: Ohia (a.k.a. “The Black Album”), 1998’s Impala, and 1999’s Axxes & Ace — Molina was plagued by constant comparisons to Oldham, proof that even future icons still start off as fodder for cynical record reviewers. The charges were not completely unwarranted: These albums do sound indebted to Oldham, from their spare and raw production to the untrained plainness of Molina’s voice to the occasional flashes of goofy humor. (“Captain Badass,” a touching love song from Axxess & Ace dedicated to his future wife, is hardly a typical Jason Molina song title.)

The best album from this period is 2000’s The Lioness, in which Molina is joined by members of the Scottish slowcore band The Arab Strap. Given the personnel, it’s not surprising that The Lioness sounds unlike any other Molina album. While the early records have more than their share of mid-tempo dirges, the glacial pace of The Lioness is undergirded by flinty post-punk energy, like Joy Division re-imagined as a Rust Belt bar band. (Another Songs: Ohia album from 2000, Ghost Tropic, has a similar feel but conveys it less effectively.) On “The Black Crow,” Molina memorably sings from the perspective of a dying bird, a thoroughly Molina-esque scenario. “And I look down and see the whole world / and it’s fading.”

When Molina wasn’t putting out proper albums, he was releasing EPs, live records, singles and tour-only collections like 2000’s well-regarded Protection Spells. (Frankly, it’s more than I have space to cover here.) Molina saved his most ambitious project for 2007’s Sojourner, a box set composed of three full-length albums, one EP, and a DVD documentary. It resembles one of the sprawling, multi-disc archival releases that Neil Young periodically puts out to clear his vaults of unreleased work. Only Molina did it in real time, not 40 years after the fact. (Perhaps he could already sense that his time was limited.) The packaging was extravagant, particularly for an indie release — the albums were housed in a wooden box along with a star map and a medallion, an allusion to Molina’s own pack-rat habits and fetishization of objects exotic and mundane.

Given the heft of the enterprise, one might expect Sojourner to be padded or plodding. But Molina’s quality-control is impressively on point, and the digressing approaches of producers Steve Albini and David Lowery makes for a sonically dynamic experience. But still: This was a lot of music to present at once. To the chagrin of Molina and his band, their label Secretly Canadian preceded the box set with a 28-minute album, Fading Trails, that cherry-picked nine songs from the Sojourner sessions. But no matter Molina’s dissatisfaction, the bright and approachable country rock of Fading Trails might be an even more accessible entry point for newbies than The Magnolia Electric Co.

PH.D-LEVEL MOLINA

A common complaint leveled against Molina in his lifetime was that his songs cycled through the same set of chords and thematic motifs, making them hard for the casual listener to discern from one another. That’s not an entirely unfair critique, though it doesn’t necessarily apply to 2004’s Pyramid Electric Co. One of four Molina albums issued under his own name, it’s a bleak record even by Molina’s standards, with little in the way of melodies or exhilarating guitar solos. Some of the tracks sound like informal, glacially paced solo jams in which Molina searches for ideas while banging out clanging chords and minor-key guitar lines. Certainly not an easy listen, but anyone looking for a “dark night of the soul” vibe could hardly get any darker than this.

On his records, Molina always insisted that his backing musicians take ownership of their parts and contribute their own unique flavors to the overall stew. That spirit carried over to projects officially billed as collaborations, like Amalgamated Sons Of Rest, whose lone self-titled EP from 2002 amounts to a sort-of indie-rock Traveling Wilburys also featuring Oldham and Scottish folk singer Alasdair Roberts. A more fruitful partnership was forged with the Texas singer-songwriter Will Johnson, whose hybrid of indie rock and hard-luck alt-country influences naturally fit with Molina on 2009’s Molina And Johnson.

A planned support tour for Molina And Johnson was canceled so that he could enter rehab. Sadly, the treatment didn’t take, and Molina’s drinking and health problems worsened. The once prolific artist stopped writing and releasing music. In 2012, he put out a statement on Magnolia Electric Co.’s website, expressing optimism about his treatment and saying that he was working on new music. Five months later, he released a 22-minute EP, Autumn Bird Songs, composed of song sketches he laid down shortly before canceling the Molina And Johnson tour.

Five months after that, Jason Molina was found dead in his Indianapolis apartment. A modest recording space was set up in the corner. A half-empty bottle of discount vodka was in the freezer. He was 39 years old.

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‘Big Mouth’ Season 8: Everything We Know About The Final Season Of Netflix’s Raunchy (And Record-Breaking) Animated Series

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Can you guess Netflix‘s longest-running scripted series?

Nope, it’s not Orange Is The New Black or BoJack Horseman or Stranger Things; that series only feels like it premiered 30 years. The answer: Big Mouth, which is approaching its eighth season. It’s also the animated show’s final season, as there are only so many masturbation jokes left for creators Nick Kroll, Andrew Goldberg, Mark Levin, and Jennifer Flackett to tell.

Here’s everything we know about Big Mouth season 8.

Plot

The final season is far enough away (but not too far, as you’ll see below!) that Netflix hasn’t shared any specific plot details. But co-creator and star Nick Kroll discussed Big Mouth wrapping up in an interview with Cartoon Brew.

“They go to high school,” he said. “It’s crazy. I really think we nailed the landing. We did a live table read of the final episode and everyone was there from the cast. The evolution of the show kids starting at the end of sixth grade and now getting them through high school… I loved making the show.”

Kroll also appreciates that they were allowed to make a realistic (well, semi-realistic) show about the horrors and joys of growing up.

“I think about where when we started, BoJack had come out and we were in the next little round of animation at a time when Netflix itself was just beginning to do original programming. And we had unbelievable freedom to create exactly the show we wanted to make,” he said at the Next on Netflix Animation Preview last year. “Netflix took a real flyer on how crazy it was to be like, ‘We’re going to make a show about kids masturbating. Does that sound good?’ And they were like, ‘That sounds great. Do whatever you want.’ And they really gave us the freedom to do that.”

Also: spinoff series Human Resources, which concluded after two seasons in 2023, will tie into the final season of Big Mouth.

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Cast

The Big Mouth voice cast includes Nick Kroll (Nick, Maury the Hormone Monster, Coach Steve, Rick the Hormone Monster, Lola), John Mulaney (Andrew), Jessi Klein (Jessi), Ayo Edebiri (Missy), Jason Mantzoukas (Jay), Fred Armisen (Nick’s father Elliot), Maya Rudolph (Connie the Hormone Monstress, Nick’s mother Diane), Jordan Peele (the Ghost of Duke Ellington), Andrew Rannells (Matthew), Paula Pell and Richard Kind (Andrew’s mother and father, Barbara and Marty), Joe Wengert (Caleb), Jak Knight (DeVon), Jon Daly as Judd, and June Diane Raphael (Devin).

Season 7 also featured Megan Thee Stallion, Don Cheadle, Padma Lakshmi, Billy Porter, Lupita Nyong’o, Niharika NM, Zazie Beetz, Stephanie Beatriz, and Maitreyi Ramakrishnan, but no guest stars have been revealed yet for season 8. Maybe Scott Aukerman and Paul F. Tompkins will finally get the call.

Release Date

There’s no exact date as of this moment, but Big Mouth season 8 will premiere sometime in 2025. Based on previous seasons, it will likely be in the fall.

Trailer

Name another show where Oscar winner Jordan Peele voices a pitbull named Featuring Ludacris. You simply can’t!

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Jennie Is ‘Excited’ To See What Blackpink Looks Like Following The Hiatus And Members’ Individual Growth

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Blackpink shared Born Pink in 2022 and toured in 2023, but since then, the group’s members have been primarily focused on their solo careers. That includes Jennie, but now, she’s excited to see what the group will be like following this period of individual development.

In a new Billboard interview, Jennie said:

I’ve missed the girls. I’ve missed doing tours with them. I miss our silly moments. I’m excited to see what everyone brings. You know, everyone took their own journey [during] this time, and I’m excited to share that with the girls. I want to say it’s going to be the most powerful [versions] of ourselves that anyone has seen.”

Jennie also spoke about how primarily recording her solo album in Los Angeles was “very intentionally done,” saying, “I just really wanted to throw myself out there to experience it. [In Seoul], I was so comforted in an easy environment that I created a long time ago, and I didn’t enjoy it. I was like, ‘No, if this is your career and if this is your life, explore and learn.’ I kept telling myself that.”

Speaking of recording in Los Angeles: As wildfires rage in Southern California, is was just revealed that Malibu’s Harbor Studios, where Nicki Minaj recorded Pink Friday 2 and where Doja Cat worked on Scarlet, burned down.