Category: Viral

There was a world where MGK enthusiast Bob Dylan could have presented, and even performed, at the 2025 Oscars yesterday (March 2). That world wasn’t meant to be, but it wasn’t due to a lack of trying: Per The Hollywood Reporter, Dylan was asked to both present and perform, but he was apparently unable or interested.

As NME notes, Dylan had a presence at the ceremony via some jokes about him.

Mick Jagger made an unannounced appearance to introduce the Best Original Song category, and he quipped, “The producers wanted Bob Dylan to do it, but Bob didn’t want to. ‘The best songs this year are obviously in A Complete Unknown. You should find somebody younger.’ OK, I’m younger than Bob! So here I am.”

Host Conan O’Brien also joked during his opening monologue, “Dylan wanted to be here tonight, but not that badly.”

The Dylan biopic A Complete Unknown was up for a whopping eight awards last night: Best Picture, Best Director, Best Actor for Timothée Chalamet, Best Sound, Best Supporting Actress for Monica Barbaro, Best Adapted Screenplay, Best Costume Design, and Best Supporting Actor for Edward Norton. Despite how much Chalamet wanted it, though, the movie went home with no wins.

Find the full list of this year’s Academy Award winners here.

In the end, this year’s Oscars ceremony was (almost) all about Anora.

That’s an exaggeration, of course, but our own Josh Kurp called it early (last September) while labelling Sean Baker’s movie as a Best Picture frontrunner, which is (in the words of indie distributor NEON) “a f*ckboi fairytale” that has now taken The Academy by storm. This tragicomedy, revolving around an exotic dancer who briefly marries a Russian oligarch’s son, cleaned up with the Best Picture award and Best Actress honor for Mikey Madison.

This followed Baker’s three other wins for Best Director, Best Editing, and Best Screenplay. During his multiple times at the mic, Baker roasted himself while also thanking his dog (for editing tips) and sex workers for their stories, which he used to help craft his rollicking, screwball, and at-times heartbreaking movie. The film came together on a mere $6 million budget and emerged as the Palme d’Or-winner at last year’s Cannes Film Festival.

Below, you can watch Mikey Madison’s speech, in which she declared her intent to “continue to support and be an ally” to the sex worker community. She added, “All of the incredible people, the women that I’ve had the privilege of meeting from that community has been one of the highlights of this incredible experience.”

And the Best Picture award speech for Anora is here as well.

Conan O’Brien began his Oscars hosting gig by crawling out of a replica of Demi Moore’s torso in The Substance, and he kept the jokes coming steadily throughout the broadcast. And because he apparently could not resist, the evening had to include a “Say Drake”-style joke to reference Kendrick Lamar’s diss track performance of “Not Like Us” at Super Bowl LIX.

Kendrick’s Big Game performance was ultimately larger than Drake, but of course, O’Brien went for the primetime punchline: “Well, we’re halfway through the show, which means it’s time for Kendrick Lamar to come out and call Drake a pedophile.” He then added, “Don’t worry, I’m lawyered up” You can watch the bane of Drake’s existence continue at this video link.

In the aforementioned song, Lamar’s lyrics made reference to Drake’s Certified Lover Boy album title, which brought a live audience response that was even louder in stadium (including the “a minor” lyric) than it appeared on TV. For his part, Drake has issued multiple responses to Kendrick’s lyrics (which appear to accuse Drake of sexual misconduct) both within his own lyrics and in defamation-lawsuit form against his label, Universal Music Group.

In response to Drake’s lawsuit, UMG has characterized Drake’s defamation claims as “illogical” and the lawsuit as “frivolous litigation.”

As for O’Brien’s continuance of the “Not Like Us” jab, Drake hasn’t issued a public response… yet.

With the news that the 007 franchise has passed hands from longtime stewards, the Broccoli family, to Amazon/MGM, everyone’s favorite spy has a new home and enters into a new era. At the 97th Academy Awards, the Oscars paid musical homage to the past 60+ years of the womanizing superspy with the license to kill, recruiting K-pop star Lisa, pop-rap diva Doja Cat, and rising British soul icon in the making Raye to become the latest Bond girls. They performed renditions of some of the franchise’s most iconic theme songs, from eras featuring the franchise’s most iconic Bonds.

The medley opened with a dance sequence performed by Margaret Qualley (whose film The Substance is nominated for Best Picture), prompting speculation that she may be participating in the franchise soon. Then, Lisa delivered a daring rendition of the titular theme song from 1973’s Live And Let Die, which was originally performed by Paul McCartney.

Next, Doja Cat took on Shirley Bassey’s instantly recognizable “Diamonds Are Forever,” from Sean Connery’s 1971 Bond bow of the same name. Finally, Raye stole the show, singing “Skyfall” so well, Adele must have felt proud (or ready for a diva battle, considering how things have done lately). You can watch the full tribute above. And hey, for the fun of it, check out the three singers’ new collab, “Born Again,” as well.

“God if you saw that footage 0 I saved this film in the edit. Trust me! That director should never work again,” said Sean Baker while accepting his Best Editing award for Anora at the Oscars.

Previously while accepting Best Screenplay, he declared the following: “I want to thank the sex work community. They have shared their stories. They have shared their life experiences with me over the years. My deepest respect. I share this with you.” You can watch that video below.

The 2025 Academy Awards are underway, and got one gravity-defying launch (sorry), courtesy of Wicked stars Ariana Grande and Cynthia Erivo. Performing a medley of Oz-inspired songs, their rousing performance prompted a standing ovation from the audience, thanks to some eye-misting nostalgia and the fierce battle-cry that has taken on a life of its own.

Grande took the stage first, performing the signature song from the 1939 adaptation of The Wizard Of Oz, “Somewhere Over The Rainbow.” Then, Erivo performed “Home,” from the 1978 version of The Wiz, nodding to its status as a staple of Black American pop culture. Finally, naturally, came the duet from the most recent adaptation of L. Frank Baum’s 1900 classic, Wicked, “Defying Gravity.”

The soaring note at the end confirmed that Erivo’s mic was very much ON, thank you very much, and brought the crowd to their feet with both anticipation (we all knew it was coming) and appreciation (it knocked us all out anyway).

Wicked is nominated for 10 awards, including Best Picture, Best Actress for Erivo, and Best Supporting Actress for Grande. As of this writing, it’s already won one, Best Costume Design. You can follow along with the winners here, and watch Grande and Erivo’s performance above.†

The Sandman kept it real for the 97th Academy Awards ceremony. Sure, he attended amid an ocean of designer dresses and suits specifically crafted for A-lister nominees and those who love them. However, Sandler (who made the time to appear despite his packed schedule that may or may not include a Fart Vacation sequel) remains the guy who will wear this on any given red carpet. If Adam Sandler ever changes, that’ll be up to him, and Oscars host Conan O’Brien was happy to draw attention to Sandler’s incredible choice of attire (no designer noted yet) at the Dolby Theater.

You can see the interaction go down below with Sandler defending his love of hoodies before removing himself from the theater and blaming O’Brien for ruining a good thing. Before he left, however, he decided to repeat a Golden Globes moment (spurred on by that host, Nikki Glaser), in which he delivered an enthused declaration of Timothée Chalamet’s name.

While heading out of the Dolby Theater, Sandler had one final gem to offer to the Best Actor nominee, who is being recognized tonight for his role as Bob Dylan in A Complete Unknown. We won’t know until later tonight whether Tim wins, but he’ll always be a winner for receiving this: “CHALAMET!!!”

You can watch The Oscars on ABC and stream them on Hulu.

Ingrid Andress is officially a comeback kid. On Friday, February 28, the “Wishful Drinking” singer returned from her extended hiatus with a chip on her shoulder.

Instead of releasing a new introspective song, Andress decided to face the reason for her absence head-on. During the Colorado Avalanche and Minnesota Wild game, Ingrid Andress hit the ice to delivering her redeeming rendition of “The Star-Spangled Banner” (viewable here), and that she did.

Although Andress’ recent performance did not include all the vocal bells and whistles, in comparison to her 2024 Home Run Derby version it is a drastic improvement.

Overwhelming Andress’ initial national anthem cover was considered to be one of the worst renditions (not to comedian Roseanne Barr and fellow singer Fergie).

Shortly after the backlash, Andress released a statement apologizing for her performance. She then revealed that her feel short of expectation due to being under the influence of alcohol. But the silver lining was that as a result of the embarrassing moment Andress decided to seek professional treatment.

“I’m not gonna bullsh*t y’all, I was drunk last night,” she wrote on Instagram. “I’m checking myself into a facility today to get the help I need. That was not me last night. I apologize to MLB, all the fans, and this country I love so much for that rendition. I’ll let y’all know how rehab is. I hear it’s super fun.”

In the comment section of Ingrid Andress’ latest performance fans have been extremely gracious showering her with words of encouragement and welcoming wishes.

The 97th Annual Academy Awards are in full swing with several high-profile nominees vying for glory. Those include Wicked (which will lend Ariana Grande and Cynthia Erivo for the opening ceremonies despite its lack of a song nod), The Substance (will it finally be Demi Moore’s year?), and Anora (as a deserved frontrunner in multiple categories including Mikey Madison going up against Moore for Best Actress). The Best Actor competition will be intense as well with Timothée Chalamet ready to be considered one of the greats.

We’ll be updating this complete winners list as more awards are announced, so make sure to keep checking back. Winners will be marked in bold.

Best Picture
Anora
The Brutalist
A Complete Unknown
Conclave
Dune: Part Two
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance
Wicked

Best Director
Anora
The Brutalist
A Complete Unknown
Emilia Perez
The Substance

Best Actor
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ray Fiennes, Conclave
Sebastian Stan, The Apprentice

Best Actress
Cynthia Erivo, Wicked
Karla Sofia Gascon, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Best Supporting Actor
Yura Borisov, Anora
Kieran Culkin, A Real Pain
Edward Norton, A Complete Unknown
Guy Pearce, The Brutalist
Jeremy Strong, The Apprentice

Best Supporting Actress
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldana, Emilia Pérez

Best Costume Design
A Complete Unknown
Conclave
Gladiator II
Nosferatu
Wicked

Best Makeup and Hairstyling
A Different Man
Emilia Pérez
Nosferatu
The Substance
Wicked

Best Animated Short Film
Beautiful Men
In the Shadow of the Cypress
Magic Candies
Wander to Wonder
Yuck!

Best Live-Action Short Film
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Would Not Remain Silent

Best Adapted Screenplay
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Best Original Screenplay
Anora
The Brutalist
A Real Pain
September 5
The Substance

Best Original Song
“El Mal,” Emilia Pérez
“The Journey,” The Six Triple Eight
“Like A Bird,” Sing Sing
“Mi Camino,” Emilia Pérez
“Never Too Late,” Elton John Never Too Late

Best Original Score
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Best Documentary
Black Box Diaries
No Other Land
Porcelean War
Sugar Cane

Best Documentary Short Subject
Death By Numbers
I Am Ready, Warden

Best International Film
I’m Still Here
The Girl with The Needle
Emilia Pérez
The Seed of a Sacred Fig
Flow

Best Animated Feature
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit
The Wild Robot

Best Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Best Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Best Sound
A Complete Unknown
Dune: Part Two
Emilia Pérez
Wicked
The Wild Robot

Best Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom Planet Apes
Wicked

Best Cinematography
The Brutalist
Dune: Part Two
Emilia Pérez
Maria
Nosferatu

The ongoing Los Angeles wildfires continue to rage, but the show must go on. In this case, that show happens to be the 97th annual Academy Awards, which will take place on Sunday, March 2 and will be hosted by Conan O’Brien. And if this ceremony is like the Globes, there could be a distinct lack of chaos unless Vin Diesel and The Rock smack each other with their eyes again.

This year’s crop of nominees draw strong representation from The Brutalist, Emilia Pérez, Wicked, Conclave, A Complete Unknown, and Anora. Also, do not count out Sebastian Stan for an acting win after his Globe victory and twin nods (for The Apprentice and A Different Man). Dude has been swerving outside the Marvel box for over a decade, and it might be his time. Additionally, the awards telecast will bypass Best Original Song performances with no word on whether that will affect the customary 3+ hour ceremony runtime.

If you’ve been hoping for the miracle of Tate McRae’s Saturday Night Live return, yesterday (March 1) your prayers were answered.

Following the Uproxx cover star’s initial set of “Sports Car,” McRae hit SNL‘s stage one final time. During her second performance, McRae delivered an intimately reverent performance of So Close To What track “Dear God.”

In stark contrast to her performance of “Sports Car,” McRae stepped away the high-energy sets fans have come to expect from her. Instead, she stripped down to the emotional rawness that the record called from.

With just her drummer and guitarist alongside her, McRae brought viewers down the gut-wrenching altar of romantic remorse.

“Dear God, Take his kiss right out of my brain / Take the pleasure out of my pain / Take the way he used to say, ‘I love you’ / Dear God, Get his imprint out of my bed / Take ‘amazing’ out of our sex / Take away the way I still might want to,” she painstaking sang.

Later this month, McRae will hit the road for the Miss Possessive Tour, so her onstage theatrics will surely return. For the time being, supporters are coming to appreciate her more simplistic sets.

Watch Tate McRae’s full performance of “Dear God” on Saturday Night Live above.

So Close To What is out now via RCA Records. Find more information here.