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Not Everyone Was Amused By The ‘Saw X’ Parody Of Nicole Kidman’s AMC Ad

Jigsaw finally met his match in AMC’s lawyers.

Last month, Lionsgate released a Saw X-themed party of Nicole Kidman’s famous “heartbreak feels good in a place like this” ad for AMC theaters, with Billy the puppet filling in for the Eyes Wide Shut actress (“Somehow, self-amputation feels good in a place like this”). I’d say you can watch it here, but you can’t: the video was removed from YouTube. What happened?

“It’s like Voldemort. It’s the Thing That Shall Not Be Named,” Saw X co-producer Oren Koules told Entertainment Weekly with a laugh. Co-producer Mark Burg added, “It was 100 percent the genius of the marketing team at Lionsgate. It’s a shame that AMC did not share our joy in it.”

Billy took out his frustrations by getting hammered.

Saw X (which is getting solid reviews) opened to #2 at the box office this weekend. It made $18 million to Paw Patrol: The Mighty Movie‘s $22 million, making it the Oppenheimer to Paw Patrol‘s Barbie in Barbenheimer 2: Saw Patrol. (If any of that made sense to you, it’s time to close the computer, go outdoors, and take a relaxing bike ride. Maybe a certain puppet will join you.)

(Via Entertainment Weekly)

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Sam Bankman-Fried Wanted To Pay Trump $5 Billion Not To Run For President Again, But Then FTX Collapsed

According to fascinating little detail from the new Michael Lewis biography on Sam Bankman-Fried, the disgraced FTX founder reportedly tried to broker a deal to stop Donald Trump from running for president again by paying him a hefty sum of $5 billion deal.

Obviously, this alleged offer was being kicked around before the infamous collapse of the cryptocurrency exchange that led to Bankman-Fried being indicted for fraud. However, while promoting the new book on 60 Minutes, Lewis revealed that it’s not entirely clear on whether or not Trump was aware the deal, or more importantly, open to the offer.

You can see the bombshell moment below:

Via New York Post:

Lewis said during a “60 Minutes” interview on Sunday that the “number that was kicking around when I was talking to Sam about this was $5 billion,” adding, “Sam wasn’t sure that number came directly from Trump.”

Likewise, it wasn’t immediately clear if whether 45th president was even willing to negotiate with Bankman-Fried, who is slated to go on trial Tuesday in Manhattan federal court on epic fraud charges.

According to Lewis, Bankman-Fried did have some doubts about whether or not paying a politician not to run for office is legal. That did not stop him from still having those conversations right up until the point when FTX “blew up.”

Trump’s team did not respond to the Post‘s request for comment, but given the mounting legal problems facing the former president, we doubt he’s in a rush to admit he was open to a $5 billion bribe.

You can watch the full 60 Minutes interview with Lewis below:

(Via New York Post)

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Doja Cat Lands Her First Multi-Week No. 1 Hit As ‘Paint The Town Red’ Returns To The Top Of The ‘Billboard’ Hot 100

Every Monday, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated October 7, are out now, so let’s run down who had this week’s biggest hits.

10. Dua Lipa — “Dance The Night”

Lipa may have moved on to new movie project (the Argylle trailer just dropped last week), but her Barbie hit still has legs as it rounds out this week’s top 10.

9. Rema and Selena Gomez — “Calm Down”

Rema and Selena find themselves back in the top 10 this week after spending last week at No. 11. The song is also killing it on the US Afrobeats chart, where it’s No. 1 for a record-extending 57th week.

8. Gunna — “F*kumean”

In addition to “F*kumean” sticking around in the top 10, Gunna also recently put on a heck of a show at Brooklyn’s Barclays Center, as Uproxx’s Wongo Okon notes.

7. Olivia Rodrigo — “Vampire”

After returning to No. 1 recently, “Vampire” is sitting comfortably at No. 7, the same position as last week.

6. Morgan Wallen — “Last Night”

“Last Night” just won’t go away: It was No. 8 last week, but now the 16-week No. 1 hit rises slightly to No. 6.

5. Zach Bryan — “I Remember Everything” Feat. Kacey Musgraves

After debuting at No. 1 four weeks ago, Bryan and Musgraves hold steady at No. 5, while the song is No. 1 on the Hot Rock & Alternative Songs and Hot Rock Songs charts for a fifth week.

4. Taylor Swift — “Cruel Summer”

After reaching as high as No. 3 and living at No. 6 last week, Swift’s “Cruel Summer” returns to the top 5 at No. 4, which is pretty good for a song that originally came out in 2019.

3. Luke Combs — “Fast Car”

Combs’ Tracy Chapman cover continues to be a consistent top-10 presence on the Hot 100 as it spends its second week at No. 1 on the Hot Country Songs chart.

2. SZA — “Snooze”

“Snooze” was No. 3 last week, and while it didn’t claim the top spot, it did reach a new high at No. 2 this week.

1. Doja Cat — “Paint The Town Red”

“Paint The Town Red” previously spent a single week back at No. 1, but after a spell away, the song is back on top, making it Doja’s first song to spend multiple weeks at No. 1.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Tom Hanks Is Begging His Fans Not To Fall For An AI Ad Starring A Fake Tom Hanks

These days, nothing is really as it seems, and that’s all thanks to AI. Fake trailers, movie concepts, and even full AI songs can make it harder to distinguish what’s real and what’s just a randomly generated Drake verse. Luckily, a lot of people can tell the difference, but it doesn’t make it any easier for these celebrities who are out of touch with the internet (by “out of touch” I mean “older”).

Even Tom Hanks is fed up with AI, particularly one company that is using his likeness to sell some sort of dental treatment. The unnamed company has been using a fake image of Hanks to seemingly sell a plan, which is a red flag because it’s not like he’s known for having good teeth, right? Either way, Hanks wanted to be sure that out-of-touch (or older) people didn’t fall for it, so the actor took to Instagram to warn his followers.

“BEWARE!! There’s a video out there promoting some dental plan with an AI version of me. I have nothing to do with it,” Hanks wrote over the photo with a clearly de-aged Hanks.

Hanks has been openly critical of AI technology, particularly in movies. Earlier this year, Hanks said on The Adam Buxton podcast: “Anybody can now recreate themselves at any age they are, by way of AI or deepfake technology. I could be hit by a bus tomorrow and that’s it. But my performances can go on and on and on and on, and outside of the understanding that has been done with AI or deepfake. There’ll be nothing to tell you that it’s not me and me alone.”

Luckily, Hank wasn’t hit by a bus, but if he was, he could probably get some good dental reconstruction work done by the unnamed company. For now, it seems like he will just have to keep warning his followers not to believe everything they see with his face on it. Much like the plot of Cloud Atlas.

(Via CBS News)

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LCD Soundsystem Will Bring Their Talents To New York City For A 12-Date Residency

LCD Soundsystem will be taking over New York City once again, as the band announced a 12-date residency that will span three venues in three different boroughs. While they’ve done similar annual shows in the past, they’ve only been held at Brooklyn Steel.

This time, Terminal 5 and Knockdown Center have been added to the mix. The dates will run from November 16 at Brooklyn Steel, giving four shows at each spot, and ending on December 10 in Queens.

Three of the shows are just for American Express cardholders, who will get early access to tickets on Tuesday, October 10. However, there still are a lot of times to catch the band — even without a card. Fans can sign up currently for presale access here, which will start on Wednesday, October 11 at 10 a.m. ET. A general sale will then be held on Thursday, October 12 at the same time.

Continue scrolling for a complete list of tour dates.

11/16 — Brooklyn, NY @ Brooklyn Steel
11/17 — Brooklyn, NY @ Brooklyn Steel
11/18 — Brooklyn, NY @ Brooklyn Steel
11/19 — Brooklyn, NY @ Brooklyn Steel*
11/28 — New York, NY @ Terminal 5
11/29 — New York, NY @ Terminal 5
11/30 — New York, NY @ Terminal 5*
12/01 — New York, NY @ Terminal 5
12/07 — Queens, NY @ Knockdown Center*
12/08 — Queens, NY @ Knockdown Center
12/09 — Queens, NY @ Knockdown Center
12/10 — Queens, NY @ Knockdown Center

* Amex® Card Member Only shows

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Britney Spears’ Estranged Husband, Sam Asghari, Did Not Tolerate Don Jr.’s Swipe At Her Knife Dancing

Much has been made of Britney Spears’ decision to dance with knives, which of course led to plenty of scrutiny and also prompted an LAPD welfare check. Britney has hinted that she was swept up in the spirit of Halloween and/or paying tribute to Shakira with said dancing, and it seems like almost everyone has weighed in on the controversy, so it was apparently time for Don Jr. to wade in, too.

Over the weekend, the ex-presidential son had some spare time, despite everything, and decided to share a meme that attributed the knife dancing to being of “America Under Biden.” Don Jr. also labeled a throwback photo of Britney as “America Under Trump” (and captioned the whole thing as “yup”) because I guess he thinks his dad was president in the late 1990s? No one knows, but his use of the meme was overall not a good look.

Britney’s estranged husband, Sam Asghari, decided that he wasn’t going to let this joke/meme slide. Via Page Six, Sam took to his Instagram stories and tagged Don Jr. while writing, “It’s not okay to be a bully.”

Sam and Britney announced their divorce in late August. It’s been said that he’s getting nothing in the prenup other than gifts previously bestowed by the singer. He didn’t seem forthcoming on the subject of his ex when TMZ recently caught up with him, but clearly, Sam felt that Don Jr. needs to chill out and leave Britney alone.

(Via Page Six)

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Will Beyoncé’s ‘Renaissance’ Film Have New Music Videos?

Beyoncé’s Renaissance World Tour isn’t over yet. This week, the international superstar announced the impending release of a concert film based on footage of her tour coming to AMC Theaters on December 1. However, in addition to allowing fans to relive the experience of the tour (or experience it for the first time, for those who missed out on tickets to see it live), Renaissance: A Film By Beyoncé will also finally fulfill one of fans’ greatest wishes since the Renaissance LP made the “world stop.”

Will Beyoncé’s ‘Renaissance’ Film Have New Music Videos?

The answer is a resounding “yaaaas, b*tch!” According to Variety, the film will incorporate highlights from the tour as well as the highly-anticipated videos that Beyoncé has been teasing fans with for over a year. It’ll also feature behind-the-scenes footage of the recording of the album and the conception stage of the tour.

When Renaissance dropped in July of 2022, fans were eager for more of the iconic music videos that have helped make Beyoncé a fixture of pop culture. However, not even three months went by before they grew restless with the relative radio silence. Rather than give an update, though, Beyoncé decided to instead troll her loyal followers through the official Parkwood Twitter account, posting a meme that suggested they might end up getting Suga Mama old by the time she “released the visuals,” as they kept demanding.

When the tour started, she continued to tease them with a video during the presentation, as the concert narrator admonished, “You’ve asked for the visuals. You’ve called for the queen. But a queen moves at her own pace.” Now, it seems we know exactly what she was waiting for: An opportunity to once again shake up the world (and probably get a do-over on the Lion King: The Gift movie Black Is King, whose probable theater release was derailed by COVID-19). Good things come to those who wait.

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All The Best New R&B Music From This Week

Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm-and-blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they really love in its true form, we’ll be offering a digest of the best new R&B songs that fans of the genre should hear every Friday.

Since the last update of this weekly R&B column, we’ve received plenty of music and news from the genre’s artists.

Usher was announced as the performing act for the 2024 Super Bowl Halftime Show and announced his album Coming Home. Raphael Saadiq announced that a Tony! Toni! Toné! album is in the works while Chloe Bailey revealed her celebrity crush. Elsewhere, Kali Uchis launched the second leg of her Red Moon In Venus Tour, Burna Boy announced his I Told Them… Tour, and Afro Nation Nigeria announced Burna Boy, J Hus, and Black Sherif as headliners for its 2023 festival.

Here are some more releases on the new music front that you should check out:

Jorja Smith — Falling Or Flying

It’s been five years since we received a full-length Jorja Smith album, but the British has ended the drought with her sophomore release Falling Or Flying. With 16 songs in her arsenal and features from J Hus and Lila Iké, Smith said the music on the album marks the “first time I’m putting stuff out there that I can connect with right now.”

6lack — “Mean It” & “Homicide” Feat. Jessie Reyez

With his Since I Have A Lover Tour set to kick off next week, 6lack returns with a treat for fans before he hits the road. He reconnects with Jessie Reyez for their third collaboration, “Homicide,” and offers another solo record with “Mean It.” As he’s known to do throughout his discography, 6lack showcases his duality through his latest double-single.

Ne-Yo — “Link Up”

While the summer weather is a thing of the past for most people, Ne-Yo is still relishing in it thanks to his new single “Link Up.” It’s the finish official release since Ne-Yo released his eighth album Self Explanatory and the song strikes as a smooth and seductive record meant for that special someone in your life.

Cleo Sol — Gold

As if one album wasn’t more than an acceptable treat for her fans this year, Cleo Sol returns with her second project in three weeks. Gold arrives with ten join her previous release this month, Heaven, which dropped off nine songs for her first record since 2021’s Mother.

Kenyon Dixon — The R&B You Love

Kenyon Dixon is making The R&B You Love with his new album. Its 17 songs present sultry records and uptempo & groovy selections that showcase Dixon’s versatility. The R&B You Love also details the story of winning the heart of a new love interest which is precisely what The R&B You Love is supposed to help you do.

Ryan Trey — “30 Floors Up”

St. Louis singer Ryan Trey is moments away from dropping a new project, which he said is titled Streets Say You Miss Me. As the wait continues for that, he returns with “30 Floors,” a record he uses to detail his desire for a lavish life and it includes a sexual encounter with his partner and a penthouse-like view.

Marzz — “Switching Sides” Feat. Dee Gatti

Louisville’s own Marzz checks in with her second single of the year “Switching Sides” alongside Dee Gatti. It’s a sweet collaboration between the two that Marzz says “is the acknowledgment of a person not really being who I thought they were.” She adds, “Especially when discovered through cycled habits. The song makes you understand it’s ok to be direct in your feelings.”

Samaria — “Wish You Hell”

For her latest release of the year, singer Samaria steps out of her comfort with her new record “Wish You Hell.” Samaria says of the song, “I’ve never said goodbye without a chip on my shoulder or without the comfort of knowing I would someday be doing better than the person in my rearview.”

Felix Ames — “Don’t Be Alarmed”

Def Jam singer Felix Ames is back with his fifth release of the year with “Don’t Be Alarmed.” The new release is another example of his old school spirit thriving in new times, something that was previously detailed through his double-sided releases “Bend, Don’t Break/Shoestring” and “Taxi Driver/7711” this past summer.

Allyn — Lover Girl

Nearly a year after she delivered her After Hours, Pt. 2 EP, Bay Area singer Allyn has returned with another project. Lover Gurl arrives with five songs that put her softer side on display as sultry and romantic records help to showcase her inner lover girl.

Dahi & Elmiene — “Shame”

Ahead of his Marking My Time EP’s release next month, British singer Elmiene teams up with DJ Dahi for their new song “Shame.” Dahi calls it the first of many collaborations between the two and on this one, Elmiene shows off his vocals over textured and nostalgic production supplied by Dahi himself.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Who Is Opening 6lack’s ‘Since I Have A Lover Tour?’

Atlanta singer 6lack has kicked off the Since I Have A Lover Tour for his album of the same name, setting out in Portland last night and preparing to hit 29 more cities, concluding in his hometown on November 24. Then, he’ll pick back up for the European leg of the tour in February, running through the beginning of March. He’s bringing with him a group of intriguing openers including Mereba, Quin, Jordan Ward, Spinall, and Sadboi. You can learn more about them all below.

Who Is Opening 6lack’s ‘Since I Have A Lover Tour?’

Mereba

Singer-songwriter Mereba has a close connection to 6lack through their shared membership in the Atlanta-based collective Spillage Village. While Mereba is not technically an Atlanta native, she attended Spelman College, earning a degree in English in 2011. She has one solo album, The Jungle Is The Only Way Out, which was released in 2019 through Interscope, and she appears numerous times on Spillage Village’s 2020 LP Spilligion, both singing and rapping. She’ll only appear on the first 10 dates, handing opening duties off to Jordan Ward beginning with the St. Louis stop.

Quin

Los Angeles native Quin is an alt-R&B singer who garnered attention for her 2019 EP Lucid. She’s also collaborated with the likes of Buddy, Syd, and Khalid, as well as multiple collaborations with 6lack, her partner. Quin will appear on all of 6lack’s California dates, rejoining the tour in Minneapolis to close out October and all the remaining dates.

Jordan Ward

Soulful rapper Jordan Ward, who toured with JID and fellow St. Louis native Smino earlier this year, just dropped his debut album Forward in March. It’s an apt title, as the album features forward-thinking dance-soul production that pairs with a melodic delivery and optimistic lyrics. He actually started his career as a dancer for acts like Becky G and Justin Beiber, so expect his set to be lively and dance floor-friendly. He appears on the most dates, running from his hometown debut all the way to the end of the North American leg.

Spinall + Sadboi

Spinall is a veteran Nigerian DJ who helped popularize Afropop in the United States before its big breakout in recent years, working with 6lack in 2021. He’s also got six albums under his belt, the most recent of which, Top Boy, was released in February of this year. He’s billed for all the European dates. He’ll be spinning alongside Sadboi, who, contrary to her name, doesn’t offer appear to be sad or a boy. Sadboi’s brand of alt-R&B is influenced by EDM, dancehall, and even drill, so she brings something different to the international dates.

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Breaking Down The Bucks And Celtics Matchup After Their Summer Of Trades

After a couple very quiet months in the world of NBA transactions, the last week brought a flurry of deals that saw the Milwaukee Bucks and Boston Celtics separate themselves from the rest of the Eastern Conference contenders (on paper, at least).

The sudden arms race began when the Bucks landed Damian Lillard in a three-team deal with the Blazers and Suns, sending Jrue Holiday and Grayson Allen out in the deal. Holiday was then swiftly rerouted this weekend to Boston as the Celtics, who had made the biggest trade of the offseason prior to Lillard by acquiring Kristaps Porzingis for Marcus Smart and others, seemingly recognized they now needed 48 minutes of great guard defense to deal with a Dame-led Bucks team, swooping in to bring the former Buck to Boston for Robert Williams and Malcolm Brogdon (and a couple of picks).

Both teams have gone all-in on this year, and each team is now banking heavily on their starting lineups to carry an immense load by sending out depth to add top-end talent. There are genuine concerns about what happens if either team loses one of their top players, and each are now also banking on health from some stars who have had recent durability concerns.

For Boston, that’s Porzingis, who had a terrific year last year but has already dealt with plantar fasciitis this offseason and, with Williams gone, the Celtics frontcourt grows even thinner. In Milwaukee, it’s Khris Middleton who is vital on the wing, with little behind him now that Allen is gone. And Middleton missed considerable time last year working back from a knee injury that ended his postseason two years ago. Then again, very few teams are capable of winning a championship without a top player and if that is your only goal, as these two have made clear is the case, you might as well create the best possible high-end outcome.

That’s where I want to focus. There’s no way to predict health, and it’s far more fun to imagine what an Eastern Conference Finals showdown could look like between two healthy teams. What makes both teams so fascinating is they are constructed in very different ways, with varying strengths, weaknesses, and matchup advantages that, should we get the seven-game series we’d all love to see, will determine who comes out on top.

We’ll start with the Celtics defense, which has been one of the best in basketball the last two years. Boston now has two of the best perimeter defenders in basketball in Holiday and Derrick White, who they surely hope can mitigate the offensive headaches created by Lillard. Both have long arms and are disruptive on and off the ball, capable of applying ball pressure, navigating screens, and making it increasingly difficult for the Bucks to get into their sets. They also have Jaylen Brown and Jayson Tatum, who are both long, versatile defenders on the wing and they should have a lot of switchability 1 thru 4. Having multiple options to send at Lillard is important, and few teams will be able to keep pressure on Dame for an entire game better than the Celtics.

The question, for this matchup and overall, is in the frontcourt. Like with Lillard, the Celtics will want to show Giannis a lot of different looks, but unlike with Lillard, they don’t have as many good options. Al Horford is still a good defender but is getting older and certainly wouldn’t be the first player you’d select to handle Giannis. Porzingis has rim protection abilities but is not particularly good in space and likewise isn’t the ideal choice to matchup with Antetokounmpo, although he did spend the fourth most time guarding Giannis a year ago while with the Wizards — Giannis scored 19 points in the 14 minutes he was defended by Porzingis, per the admittedly wonky NBA matchup data. A year ago, the four Celtics that spent the most time defending Giannis were Grant Williams (8:24), Jaylen Brown (4:57), Marcus Smart (4:44), and Robert Williams III (3:27). Three of those are now gone, meaning Joe Mazzulla and company will come up with a completely different coverage strategy for facing Giannis, and it will be fascinating to see how they craft that.

For years, the idea against the Bucks was to form a wall and show Giannis as many bodies as possible to deter him from putting his head down and getting to the rim, where he’s almost unstoppable without fouling. With Lillard, that calculus changes considerably as he is the most dynamic perimeter threat Giannis has ever played with by a large margin and is a threat well beyond the three-point line. That requires a very different approach, both when Giannis is on the ball or playing as the screener. What’s interesting is whether the Celtics’ roster seems better equipped to try and limit Lillard and test their partnership by seeing how often Lillard can and will get the ball to Giannis going downhill against a Boston frontcourt that is missing an elite rim protector like Robert Williams was.

One would assume they’ll show a variety of looks to keep them off balance, with some switching when Holiday is on the ball (similar to how they used Smart), showing size with Porzingis, and then asking Brown to shoulder a larger burden as well.

I think how well Lillard and Giannis can get on the same page in Year 1 in their various actions will be the determining factor in how they fare against this Boston defense. There shouldn’t be a singular defensive strategy that can limit them, but the potential pitfalls come in whether they can read and react to varied looks and make the right decision time and again. They clearly have the ability to do that, but building that trust and unspoken bond in pick-and-rolls and dribble handoffs often takes time, even for two elite veteran stars — particularly when they’ve never had someone on their team capable of what each of them can do. That’s part of the excitement for the duo, but it’s also going to take a bit for them to fully understand what it is they can do for each other.

If that process goes smoothly, the Bucks offense is terrifying. Giannis will either have more space than he’s ever seen or Lillard will face less perimeter pressure than he’s ever dealt with, and there isn’t really a good choice on either side of that equation. Khris Middleton will now be firmly the third option and should get better looks and see less attention than he’s gotten in years. Brook Lopez’s ability to set screens and either pop out to the perimeter or roll and seal smaller defenders will make him a quick favorite of Dame’s, and Pat Connaughton will space and cut as the fifth option. It all makes a crazy amount of sense on paper, and we’ll just have to find out exactly how much of a buzzsaw that unit can be on the floor — because given the bench situation, they’re probably going to need to be.

Boston’s offense is dynamic in a similar way now as well, albeit with a bit more frontcourt bias, with Tatum still the engine but Brown now no longer needing to be the secondary ball-handler with Holiday in town. The biggest weakness in Brown’s game has been his handle, but that should be mitigated with Holiday able to start possessions and create for others. Holiday’s big issue in the postseason has been shooting efficiency while shouldering a heavy burden, but in Boston he should be the fourth scoring option, rather than the second or third as he was in Milwaukee (depending on Middleton’s health) and that should accentuate his passing chops while deemphasizing his need to get buckets. Porzingis gives them a frontcourt scoring dynamic they’ve never really had during the Tatum-Brown era, and the pairing of Porzingis and Horford could provide a crazy amount of space for Tatum and Brown to attack the paint because they now are playing alongside two of the league’s best three-point shooting bigs from a year ago.

The challenge for the Bucks on defense is how they can keep Lopez as a rim deterrent while dealing with the spacing abilities of Boston’s frontcourt. For years, Milwaukee has been willing to give up threes in order to shut off access to the rim, but that has made them particularly susceptible to hot shooting series from opponents. For all of the skills of Tatum and Brown, a matchup between the Bucks and Celtics could very well hinge on the three-point shooting of Porzingis and Horford. Both are coming off of career years in that department, and if they can both be 38 percent-plus threats from deep,

I’m not sure what you do to slow down this Boston offense and they can punish Lopez’s deep drop. However, both also posted sub-35 percent shooting seasons two years ago, and if that’s the case then they’ll have a harder time breaking Milwaukee out of their defensive shell.

If they can prove to be threats that need to be accounted for at all times, that also increases the pressure on Lillard as a defender. The idea in Milwaukee is that having Giannis and Brook patrolling the rim mitigate his deficiencies as a defender, with Lopez’s proficiency in drop lessening the impact of Dame’s struggles in screen navigation and the weakside rim protection of Giannis helping to limit the damage of teams drawing Lillard into isolation. However, if Boston’s bigs can draw those two further away from the rim, both as straight floor-spacers and in pick-and-pop, Lillard’s defense will become a bigger story. Boston doesn’t present a great option to hide Lillard anymore, and he’ll likely just have to guard Holiday and White at the point of attack in a series — when Boston goes small with White and Holiday, it’s a lock Lillard will be on White. If that’s the case, Milwaukee is going to have to be great in rotation and communication, which places a lot of stress on the unit as a whole.

The bench units for both teams are major questions, and I’d expect both teams to be looking at possible upgrades as the deadline and buyout market arrive in February. That said, they also don’t have a lot of ammunition to make trades, and buyout players are rarely real impact players so it’s likely they look fairly similar once the playoffs arrive. In Milwaukee, I’d expect a playoff rotation of about eight players (similar to how Denver navigated the playoffs a year ago), with Cameron Payne, Bobby Portis, and Jae Crowder as the frontrunners to make up that rotation — Malik Beasley and MarJon Beauchamp could also crack the rotation in early rounds, but I’d think it gets trimmed pretty tight for the ECF. Crowder and Portis in the frontcourt are solid and provide some small-ball versatility and floor-spacing. While I’m not a huge fan of being reliant on Payne (this was often a concern of mine for Phoenix), if he’s always out there with one of Middleton or Giannis it certainly should help ground him.

Boston has even less experience beyond their top six, with Payton Pritchard, Luke Kornet, and Oshae Brissett (and maybe Sam Hauser?) as the likely options at guard, center, and wing beyond their star-studded six-man rotation. Wing depth is the biggest question for the Celtics behind their star duo, and getting solid contributions from Brissett in spot minutes would be a huge boost for them.

These are two teams that have done what fans always ask their teams to do, which is go all-in on a title window. Both have built unbelievable starting lineups with questionable depth, but when it comes time to sort out real contenders every year, very rarely do we include a team missing a key piece. Both teams have some elite defensive talent that will be put to the test by two offenses that, on paper, can present unanswerable questions. That will put coaching into focus, with two relatively unproven head coaches in Joe Mazzulla entering his second year and Adrian Griffin going into his first. They will have to make the right choices on where to focus their efforts and what to give up on defense, as well as pressing the right buttons on rotations with fairly thin bench units.

All of it makes for fascinating conversation now, but hopefully even more fascinating basketball to watch when they get on the court. Come May, we’ll see if we get the series we all want with both teams healthy, in what could be an all-timer in the East.