Shakira was supposed to launch her Las Mujeres Ya No Lloran World Tour in November, but she faced a bit of a problem, albeit a pretty great problem to have: Demand for tickets was so high that last week, she announced she made the decision to postpone the tour in order to move shows into larger venues.
Now, those dates are here. The new shows were announced today (October 21), and they go down in May and Junen 2025. Now, she’s playing places like Boston’s Fenway Park, New Jersey’s MetLife Stadium, and Inglewood’s SoFi Stadium.
For tickets, fans can register for an artist pre-sale until October 22 at 11:50 p.m. ET. Then, the general on-sale starts October 25 at noon local time. Find more information on Shakira’s website.
Check out the new tour dates below.
Shakira’s 2025 Tour Dates: Las Mujeres Ya No Lloran World Tour
05/13/2025 — Charlotte, NC @ Bank of America Stadium
05/15/2025 — East Rutherford, NJ @ MetLife Stadium
05/20/2025 — Montreal, QC @ Bell Centre
05/22/2025 — Detroit, MI @ Little Caesars Arena
05/26/2025 — Toronto, ON @ Scotiabank Arena
05/29/2025 — Boston, MA @ Fenway Park
05/31/2025 — Washington, DC @ Nationals Park
06/04/2025 — Orlando, FL @ Camping World Stadium
06/06/2025 — Miami, FL @ Hard Rock Stadium
06/11/2025 — Arlington, TX @ Globe Life Field
06/13/2025 — San Antonio, TX @ Alamodome
06/15/2025 — Houston, TX @ Toyota Center
06/20/2025 — Inglewood, CA @ SoFi Stadium
06/22/2025 — Phoenix, AZ @ Footprint Center
06/26/2025 — San Diego, CA @ Snapdragon Stadium
06/28/2025 — Las Vegas, NV @ Allegiant Stadium
06/30/2025 — San Francisco, CA @ Oracle Park
Snoop Dogg isn’t exactly lacking for money. He made a reported $9 million for being “the main star of the Paris Olympics.” But the rapper could have been $100 million richer if he joined OnlyFans.
Last year, Snoop confirmed on the Wake & Bake With Double S Express show that OnlyFans reached out to him to join their roster of adult-content creators. “They got at me when one of them little girls made like $20 million on there,” he said. “They were like, ‘OnlyFans wants you to come on there, Snoop! You could do about $100 million. All you gotta do is pull that thang out.’ I’m like, ‘I got a Black wife, n****. Ain’t no way in the world she gonna allow me to go on there and pull that thang out for no amount of money!’”
Does Snoop have any regrets about his decision? This question was posed to him by a viewer on a recent episode of Watch What Happens Live With Andy Cohen. “The only part that regrets it is my friend down there,” he said while looking at his, well, you can probably guess. “He said that hundred million, he would have been able to spend untaxed. But I told him, ‘It’s not your decision. I’m not thinking with the little head this time. I want to think with the big head, and you’re not getting any of this.’”
You can watch the Watch What Happens Live clip here.
Last week, Morgan Wallen announced Sand In My Boots, his new three-day music festival in partnership with Hangout Music Festival and Coachella producers AEG Presents. The 2025 edition is set to take place in Gulf Shores, Alabama (at the location that also hosts Hangout) from May 16 to 18, 2025. Now, we have the lineup, as it was announced today (October 21).
Aside from Wallen himself, the lineup features fellow crossover favorites Post Malone and Diplo. Beyond that, there’s country with Brooks & Dunn, HARDY, Riley Green, Chase Rice, ERNEST, Ian Munsick, Nate Smith, Ella Langley, Paul Cauthen, Kameron Marlowe, Josh Ross, Morgan Wade, Hailey Whitters, Lauren Watkins, John Morgan, and Laci Kaye Booth. Hip-hop has a strong presence thanks to T-Pain, Wiz Khalifa, 2 Chainz, Three 6 Mafia, Moneybagg Yo, and BigXthaPlug. Indie and rock music are also represented via The War On Drugs, 3 Doors Down, Future Islands, Real Estate, and Wild Nothing.
Registration for access to passes is open now. Tickets will then go on sale on October 25 at 10 a.m. CT. Find more information on the festival website.
In a video announcing the festival, Wallen said, “Morgan Wallen here to share some exciting news me and my team have been working on for a while for y’all. We’re heading south to the beaches of Gulf Shores, Alabama and I’m bringing some good friends with me. Mark your calendars for May 16 to 18, 2025 for the Sand In My Boots Fest.”
Check out the full lineup below.
Sand In My Boots 2025 Lineup
2 Chainz
3 Doors Down
49 Winchester
Bailey Zimmerman
BigXthaPlug
Brooks & Dunn
Chase Rice
Diplo
Ella Langley
ERNEST
Future Islands
Hailey Whitters
HARDY
Ian Munsick
John Morgan
Josh Ross
Kameron Marlowe
Laci Kaye Booth
Lauren Watkins
Moneybagg Yo
Morgan Wade
Morgan Wallen
Nate Smith
Ole 60
Paul Cauthen
Post Malone
Real Estate
Riley Green
The War on Drugs
Three 6 Mafia
T-Pain
Treaty Oak Revival
Wild Nothing
Wiz Khalifa
In Coralie Fargeat’s body horror masterpiece The Substance, Margaret Qualley plays Sue, the “more perfect” version of Demi Moore’s Elisabeth Sparkle. She’s ambitious and loves to party and dance — in other words, Sue is a walking Charli XCX song, so it’s no wonder that Qualley listened to a lot of the “Sympathy Is a Knife” singer to get into character.
“It’s kind of wild timing the way that the universe works because we all just had the ‘Brat Summer,’ right? With Charli XCX. And I was listening to Charli as my ‘Sue’ inspo. Because she has like a lot of good kind of like ‘pump it up’ girl songs,” Qualley told Brut (it was an unintentional nod to the “Pump It Up” scene from the film). “I got that kind of Sue energy from Charli’s old music.”
The actress didn’t specify which songs of Charli’s she listened to, but considering her billboard pose, it was probably “Good Ones.” As for what Moore was listening to? “Mine was more silence,” she said.
If Qualley doesn’t get nominated for an Oscar, she should retweet Charli’s iconic “people don’t wanna see hot evil girls thrive” tweet.
Back in September, Lady Gaga confirmed that the first single from her upcoming seventh album would be released at some point in October. Well, we’re running out of October, but sure enough, the song is coming soon.
Her label Universal has a pre-save page for a Gaga song called “Disease,” and it notes the track is set to go live this Friday, October 25.
As Billboard notes, fans noticed that Gaga’s recently shared Spotify playlist has a hidden message. The 11-song playlist starts with four songs — “Government Hooker,” “Always Remember Us This Way,” “G.U.Y.,” and “Americano” — the first letters of which spell “GAGA.” The first letters of the following seven songs spell out “disease.”
Also of note is gagadisease.com, which shows the words “I could play the doctor.” Then, going to icouldplaythedoctor.com displays the words “I can cure your disease.” continuing to follow the chain like that, the revealed lyrics are: “I could play the doctor / I can cure your disease / If you were a sinner / I could make you believe / Lay you down like 1, 2, 3 / Eyes roll back in ecstasy / I can smell your sickness / I can cure ya / Cure your disease.”
The Minnesota Lynx came agonizingly close to winning their fifth WNBA title, as they fell in overtime to the Liberty on Sunday night in a winner-takes-all Game 5 in New York. The Lynx were up early, taking a 19-10 lead after the first quarter, but found themselves down three as the fourth quarter began, but clawed their way back in front to lead by two with five seconds to play.
At that point, the most controversial moment of the series took place, as Breanna Stewart caught the inbound pass and drew a foul on Alanna Smith that appeared to be very marginal contact with the body and clean contact up top on the hand and ball. Upon review, the call stood with the officials stating Smith was “not in legal guarding position” and Stewart hit two free throws to tie the game. The Lynx did get a clean shot at the win, but a Kayla McBride three didn’t fall and in overtime they went 0-for-6 from the field, scoring just two points to lose 67-62.
After the game, much of the discussion on the Lynx side was about the officiating, as one would expect in game with a massive free throw discrepancy (25 for New York, 8 for Minnesota) and a controversial foul call in the closing seconds. Lynx head coach Cheryl Reeve did not hold back in her postgame presser, calling for the WNBA to bring in a third party for reviews (like the NBA has with the replay center) because the officials on the floor don’t want to admit mistakes, and insisting that call should’ve been overturned and that the WNBA would agree it was marginal contact if they had sent it in to the league office.
Cheryl Reeve is livid with the officiating at the podium, and urges for there to be a third-party that looks at challenges:
“If we would have turned that clip in, they would have told us that it was marginal contact, no foul. Guaranteed. Guaranteed. pic.twitter.com/z4SWgUuOcj
Reeve wasn’t done there, as she pointed out that the Liberty got away with more physicality all series and highlighted Napheesa Collier not shooting a single free throw in Game 5. She knew her comments would make headlines, and that seemed to be the reason, saying “this sh*t was stolen from us” and the officiating was the story of the three losses they had to the Liberty.
She also took aim at New York (and Las Vegas), saying the Lynx proved you can compete without “circumventing the cap or flying illegally.” It was as fiery a postgame presser as you’ll see from a coach, but Reeve clearly had plenty of frustrations to get off her chest and isn’t too worried about any fines coming her way from blasting the officiating. Liberty coach Sandy Brondello, unsurprisingly, had a different take, saying she thought the refs were “pretty fair.”
Despite being one of the league’s original teams and making it to the WNBA Finals five times, the New York Liberty never won a championship. That changed on Sunday night, when the Liberty capped off their sixth Finals appearance with the first ring in franchise history thanks to a thrilling, 67-62 overtime victory in Game 5 over the Minnesota Lynx.
Everyone in the Barclays Center who wasn’t affiliated with the Lynx began celebrating the moment the clock hit zero in the extra period. Meanwhile, presumably somewhere else in the U.S., the folks at Nike prepared to roll out the ad that they made to celebrate the win. It hit the airwaves right as ESPN went to commercial, and it’s one of the simplest (but best) ads to celebrate a champion that you will ever see.
This marked the second year in a row that the Liberty made it to the WNBA Finals. Last season, the team fell to the Las Vegas Aces in four games, but were able to get revenge on their road to a championship this year. The team started off their run by beating the Atlanta Dream in two games before beating the Aces in four games in the semifinals.
The first four games of the 2024 WNBA Finals were nothing short of spectacular, with both teams winning games with big comebacksby way of late game heroics. Fittingly, Game 5 in New York continued the trend of closely fought battles, as the winner-take-all battle needed overtime to decide a new champion, with the Liberty coming back one last time for a 67-62 win in OT.
As so often happens in the final game of a series, Game 5 was a rock fight. Minnesota pulled ahead early, as Kayla McBride got hot from three, and took a 19-10 lead in the first quarter as New York’s stars were ice cold to start the game. The Liberty would settle in for the middle quarters, led by Jonquel Jones and Nyara Sabally, taking the lead for the first time in the third quarter as they locked down themselves with a 20-10 quarter to take a three-point lead to the fourth.
In that fourth quarter, the tension ratcheted up even further and the headlining stars from both teams made their presence known. Sabrina Ionescu started the game 0-for-15, but made her first shot when the Liberty absolutely had to have it, burying a deep three to give New York the lead — then found Breanna Stewart, who struggled shooting herself, for a layup to go up 4.
From there, things got really wild in the final minute of the game. Breanna Stewart got fouled and missed two free throws with a chance to tie the game, but New York got the rebound and kicked it out to Ionescu, who couldn’t find the range. The rebound got tied up between Jones and Courtney Williams, with the Lynx purposefully getting a violation to set their defense and the Liberty again fed Ionescu for a three, which again went begging. The Liberty then opted against fouling and got a miss from Collier on a drive with Stewart defending (and Collier wanting a foul), and called their reset timeout to advance the ball with 5 seconds to play.
On the inbound, they found Stewart who appeared to maybe travel (but perhaps just bobbled the ball) and then drew a foul on Alanna Smith that was dubious enough to get challenged by Minnesota. The call stood on review because refs deemed Smith wasn’t in legal guarding position for contact down low, even though the contact up top appeared to be hand on ball/hand. Despite the protests of the Lynx, fans, and even LeBron James, Stewart was able to hit her free throws this time around to tie things up once again.
McBride got a clean look from three to win the game at the top of the key, but wasn’t able to hit, sending the game to overtime. On the opening possession of overtime, Leonie Fiebich hit the second three of the game for the Liberty, and that ultimately proved to be the decisive bucket.
Leonie Fiebich drains the corner triple to open up OT
Minnesota could only muster two points in the entire overtime period (both on free throws), as New York’s defense locked down and the Lynx had trouble connecting on passes to even create decent shot attempt, much less hit them as they went without a field goal (0-for-6) in the 5-minute OT. The Liberty, meanwhile, made just two buckets but it was enough to get the win, as Fiebich’s three and a Sabally steal-and-score were the difference — with Stewart, a bit ironically, icing the game at the line.
Collier (22 points and 7 rebounds) and McBride (21 points and five assists) were terrific for the Lynx, but the rest of the team struggled to provide much support, scoring 19-combined across the rest of the roster. As a team they shot 37.1 percent from the field, and they just seemed to run out of gas for overtime.
On the other side, Jones (17 points and six rebounds) kept the ship steady while Stewart and Ionescu couldn’t buy a bucket, and earned Finals MVP honors for her consistent performance in the series, averaging just over 17 points and 7 rebounds per game in the five games. Alongside Jones, Fiebich (13 points) and Sabally (13 points) provided huge lifts in place of their other stars, as the Liberty were able to flex their depth en route to the win. Ionescu finished with just five points on an impossible 1-for-19 shooting night, but did dish out eight assists and seemed content towards the end to just kind of run the show and facilitate. Stewart finished with 13 points and 15 boards, and while she was just 4-of-15 from the field and had the notable free throw misses, she got to redeem herself at the line twice to force OT and then ice the win.
There will, of course, be plenty of discussion of the officiating of Game 5, as the Lynx shot just eight free throws to the Liberty’s 25, with the foul on Stewart that allowed New York to force OT leading the discussion. That might fuel plenty of chatter in Minnesota and nationally, but in New York they’ll simply celebrate the culmination of their year-long mission to get back to the Finals and summit that mountaintop.
Game 5 of the WNBA Finals needed more than 40 minutes to determine a champion. The New York Liberty played host to the Minnesota Lynx on Sunday night at the Barclays Center, and after a Napheesa Collier layup with just over a minute remaining, Minnesota found itself in the driver’s seat to take a championship on their flight back home.
Breanna Stewart missed a pair of free throws on the ensuing Liberty possession, and after the two teams traded misses, New York had the ball with six seconds left. The team went to Stewart, who drew a controversial foul on Alanna Smith while she was in the act of shooting to head back to the line.
Cheryl Reeve challenged the call, which seemed awfully harsh against Smith, but the referees upheld their decision and sent Stewart to the line. A player of her caliber wasn’t going to let a chance at redemption go, so she knocked them both down to tie things up. LeBron James saw all of this and couldn’t help but hop onto Twitter and express his disapproval with the officials’ decision.
“I’m sorry but that wasn’t a foul!” James tweeted. “Let the damn players dictate the outcome of a close battled tested game.”
The Lynx were able to get a pretty good look after this, as Kayla McBride got a look from the top of the key. Unfortunately for Minnesota, her shot did not go in, and the game went to overtime.
This weekend is an important one for a number of young players around the NBA, as the deadline for players entering the last year of their rookie contract to sign an extension is Monday at 6 p.m. ET. While the max contract guys got locked up earlier this summer — Scottie Barnes, Franz Wagner, and Cade Cunningham — the rest of the Class of 2021 is still negotiating up through the deadline.
The Golden State Warriors have two players eligible for extensions, with Jonathan Kuminga and Moses Moody both lottery picks in 2021. Kuminga has played more than Moody in recent years and figures to have a larger role on this year’s team, but that also complicates matters as he sees himself as a max extension caliber player while the Warriors would prefer to see more from him in an expanded role before giving him that kind of contract commitment. Moody, meanwhile, has had his role vary through his first three years, never finding a firm foothold in Steve Kerr’s rotation and still having questions about exactly how much he’ll play this coming year even with the departure of Klay Thompson.
Even with that uncertainty, Moody and the Warriors were able to come to an extension agreement on Sunday night, as the former Arkansas star signed a 3-year, $39 million extension to stay in Golden State, per Shams Charania. There are no options on the deal, so it’s a fully guaranteed $39 million for Moody, who gets some financial security and won’t have to worry about getting squeezed next year in restricted free agency.
Last year, Moody averaged 8.1 points and 3.0 rebounds per game on 46/36/79 shooting splits. If he establishes himself as a regular contributor to the rotation this year, his contract could be a good value for the Warriors going forward.
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