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Which Superhero Had The Best Intro Into The MCU?

After the events of WandaVision, as more heroes are introduced to the MCU and a new Avengers team assembles, we got to thinking: Which superhero has had the best introduction in the Marvel Universe to date? Now obviously, that question is subjective. It depends on which team member you favor, what kind of action movie you’re looking for, and whether you prefer the films to stick to their comic counterparts or branch out and try something new. There’s nuance here to be sure. But we’re going to avoid all that by giving fans a simple ranking to fight over in the comments section instead.

We sorted our favorite superheroes in order of which Avenger had the best intro into the MCU. Disagree with these rankings or don’t, what’s done is done.

Marvel

17. Hulk

We hate to do this to Eric Bana… and Edward Norton… and Mark Ruffalo, but Marvel struggled in its early days to not only define who Bruce Banner was but also give fans a cohesive origin story for the MCU’s greenest Avenger. It wasn’t until the eventual superhero team-up that Ruffalo gave this monstrosity some personality, and it would take director Taika Waititi’s influence to mine the comedy from this Jekyll and Hyde creation. That’s too long of a build-up, even if the payoff is Captain America shouting, “Hulk, smash.”

Marvel

16. Black Widow

Again, it gives us no pleasure to relive how dirty Marvel did Black Widow in her early iterations. Though the Iron Man sequel was a fun romp, introducing this super-spy as a piece of eye-candy for an increasingly suicidal Tony Stark is a cinematic choice that just doesn’t age well. The Avengers gave Natasha Romanoff more agency and pushed beyond the superficial “strong female character” label that she repped in Iron Man 2. Plus, all of those sexual harassment jokes? Not a good look, even for a billionaire playboy philanthropist.

Marvel

15. The Falcon

We’ve no doubt that the upcoming Disney+ series is going to give Sam Wilson his due, but his first look in the MCU fell a bit flat. It’s not the character’s fault. After all, it’s hard to establish yourself as the new bestie of Captain America when that pesky, brainwashed super-soldier is wreaking havoc all over Washington D.C. We learned the tiniest bit about Wilson’s service record and how he’s adjusting to civilian life before Cap pulls him into a different war but here’s hoping The Falcon and The Winter Soldier tells us more about him than just his taste in music.

Marvel

14. Winter Soldier

Speaking of Avengers in desperate need of therapy, technically we met Bucky Barnes in the first Captain America outing, but the Winter Soldier feels like a totally different character — all that cryo sleep and mind-f*ckery will do that to a person. We met the Winter Soldier during a difficult period in his Hydra service as he was tasked with eliminating his former best friend only to have his memories jogged just enough to cause him to fail his mission, crash a floating helicarrier into the Potomac, and escape to Bucharest to munch on plums and take stock of his life.

Marvel

13. Valkyrie

Valkyrie was always going to be a kick-ass character — she’s an elite warrior trained to protect literal gods — but Tessa Thompson took the hero to a different level, leaning into her trauma and her unintentional comedic side. Again, we have Waititi to thank for revamping the Asgardian universe as a whole with his take on Ragnarok, but let’s give Thompson her credit. It takes guts and talent to confidently stroll down a spaceship ramp, drunkenly fall off into a pile of space trash, then dust yourself off and kill some scavengers so you can take your king hostage.

Marvel

12. The Maximoff Twins

So technically, Scarlet Witch’s true intro came during WandaVision’s terrific finale but that show also taught us that Wanda Maximoff had her powers all along — they were just amplified by the Mind Stone and Hydra’s experiments. And, if that’s true, then the first look we have at the Maximoff twins is their villainous origin story in Age of Ultron. We’re not mad at it. After all, the film tried to hold Tony Stark accountable for his pretty shady past, and both Wanda and Pietro had very intimate knowledge of his failures as a human being. Pietro was the wise-cracking, irreverent speedster we hoped he’d be, and Wanda really leaned into her emo-goth vibes as she single-handedly broke every member of the Avengers squad — save Clint Barton. Eventually, the two join the good guys and Pietro sacrifices himself to save a kid from Ultron’s destruction of his hometown. It’s one of the few superhero intros that break the tradition of “good-guy-made-better-with-powers” that the MCU had mostly been following up until this point.

Marvel Studios

11. Ant-Man

One of the best bits of casting Marvel ever produced — aside from Robert Downey Jr as a fast-talking egomaniac with a heart of electromagnetic palladium — was Paul Rudd as the affable insect-whisperer known as Ant-Man. It is an accepted fact that Rudd just does not age, so realistically, he can inhabit this role for another century at least, but more than that, the leading man has the charisma and likability to play someone like Scott Lang. Lang, a failed thief who’s given a second chance thanks to a job gone wrong, is an unlikely hero, a character who needs to be able to laugh at himself because really, is there anything more bizarre than shrinking your body to the size of an ant and then actually communicating with the creatures? No, no there is not. Luckily, Rudd understood the comedy inherent in the character’s origin story from the beginning and his intro into the MCU is one of the better comedic ventures the studio has produced.

Marvel

10. Captain America

There’s really nothing funny about Steve Rogers’ origin story, so while it’s well done and a worthy entry in the MCU, we just can’t in good conscience, rank it higher on this list. Captain America: The First Avenger is a little too self-serious at times, but then again, it packs a lot of comic lore and superhero exposition in its short run-time, introducing us to the skinny, sickly underdog who’s chosen to receive a super-soldier-serum injection and ends up becoming a patriotic symbol of hope for a world at war. Don’t get us wrong, Chris Evans absolutely nails this part, playing Rogers as a righteous do-gooder without ever making that desire to help feel disingenuous. We just wish this movie would’ve let Cap smile a bit more. And, you know, not killed off his best friend before putting him on ice for almost a century.

Marvel

9. Spider-Man

It’s really difficult to separate the first intro fans had of Tom Holland’s Spider-Man — in the closing seconds of that Civil War trailer — from the character’s first appearance on screen in a feature-length film. So, we’re not going to. Whether you geeked out over Robert Downey Jr. calling him “Underoos” in the trailer or got hyped when alt-J’s “Left Hand Free” started playing the moment a panoramic of Queens popped up, it makes no difference. Spider-Man’s introduction to the MCU marked one of the more light-hearted, wholesome moments of the series — and not just because Aunt May fed walnut date loaves to Tony Stark during their first meeting.

Marvel

8. Thor

Sure, Thor: Ragnarok is the best entry into the Asgardian hero’s journey thus far. And yes, we’ve erased that disastrous sequel from our minds because we all need to practice more self-care right now. But neither of these truths negate how good the original Thor film was. After all, it had a lot of heavy-lifting to do. Not only did fans demand an entertaining introduction into the completely foreign world of Asgard — a first look that would eventually set up Marvel’s expansion into more adventures set in space — but it needed to bridge the gap between the Norse mythology that inspired the character’s creation and his current superhero journey. What better way to do that than with a classic fish-out-of-water comedy romp in the desert with a shirtless Chris Hemsworth, a brainy Natalie Portman, and the delightful sarcastic commentary of Kat Dennings?

Disney+

7. Monica Rambeau

Now, when we first meet Monica Rambeau she’s a bold, take-no-sh*t pre-teen who has to remind her Auntie Carol why Earth is worth saving. She continues that tradition (of correcting angry white women too powerful to be all up in their feels) in WandaVision, which is how she gains her own abilities. We’re not completely sure just what those powers are as of now (though we know she can see electromagnetic energy waves and absorb bullets) but it’s not her superhero antics that rank Rambeau so high on this list. Yes, there are problematic plot points in Monica’s origin story — having a Black woman sacrifice herself multiple times to save a superpowered white woman who can’t grieve properly, and that white woman’s fake children is an odd choice — but there’s also something incredibly empowering and refreshingly new about how Marvel gave it’s latest Avenger agency over herself, her own grief, and her choices in WandaVision. Monica Rambeau taught us a lot more about moving on from loss than Wanda ever could.

Marvel

6. Iron Man

On the one hand, we meet Tony Stark as he’s wheeling and dealing in weapons of mass destruction for his own monetary gain. So, yeah not cool. On the other hand, watching Robert Downey Jr down a scotch in the back of a humvee while he chats up his track record with Maxim cover models to a trio of military escorts as AC/DC plays in the background is BIME — Big Iron Man Energy. Seriously, the film’s first five minutes completely captured the character, gave us a brief overview of his personality and flaws, and set up future action sequences in a way that just can’t be beaten. It’s one of the coolest intros on this list, but then again, with Tony Stark, would you expect anything less?

Marvel

5. Vision

When the two most intelligent Avengers code your brain and the team’s god-like member wields literal lightning to Frankenstein you to life, you really don’t have to do much to earn a spot on this list. But Paul Bettany made Vision’s “birth” infinitely more interesting by playing him as an all-knowing, all-powerful creature just trying to figure his sh*t out after seeing his reflection in the glass of Stark Tower for the first time, and we’ll always thank him for that.

Marvel Entertainment

4. Doctor Strange

Is Stephen Strange an egotistical asshole with a debilitating God-complex and troubling narcissistic tendencies? Yes, but his origin story in the MCU was also one of the more nuanced hero journeys that we’ve been given over the past decade. A brilliant surgeon who loses his ability to practice and goes in search of a healing miracle ends up becoming the Sorcerer Supreme and inheriting a terrible responsibility he may not be ready for. The only thing that could make this any better would be the addition of time-travel or teleportation or kick-ass capes or something…

Marvel

3. Guardians of the Galaxy

We know, Peter Quill is played by the Worst Chris. But dammit, how good was James Gunn’s first Marvel effort? The music. The flippant comedy. The refusal to take itself seriously as a superhero movie. The bizarre characters and complicated group dynamics and unexpected climactic dance battles. What’s not to love here?

Marvel

2. Captain Marvel

Chronologically speaking, Captain Marvel should’ve gotten her origin story after Captain America’s World War II tour, but fans had to wait much longer to see Brie Larson play the Air-Force-ace-turned-Kree-warrior in her own solo film. It was worth it though, not just for the Nine Inch Nails tees and Skrull comedy and cat appreciation but because this film introduced us to new alien worlds while giving us a wholly unique hero’s provenance. Having Carol Danvers confront the gaps in her memory to remember her humanity and the true source of her power put a spin on the expected superhero formula.

Marvel Entertainment

1. Black Panther

Sure, we knew who Chadwick Boseman was as soon as T’Challa made an appearance during the ratification of the Sokovian Accords. Sure, the solo Black Panther film remains one of the best MCU entries and, by far, the richest, most complex look at a comic book world the franchise has ever given us. But come on, that car chase scene? That Captain America highway standoff. That helmet removal reaction? It doesn’t get any better.

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‘The Daily Show’ Salutes ‘Bridgerton’ For Its Contribution To The History Of The Female Orgasm Onscreen

Back in 2010, the MPAA ignited a huge (and silly) furor while initially penalizing Blue Valentine for the scene where Ryan Gosling’s character delivers oral sex to the woman portrayed by Michelle Williams. It wasn’t a great look to effectively censor a female orgasm (and the scene didn’t even show nudity), and there have, of course, been non-penalized portrayals of the female orgasm. Everyone always thinks of Meg Ryan’s When Harry Met Sally performance, but The Daily Show‘s Desi Lydic dug deep on the topic and emerged with a few winners. And the most praised-filled salute goes to Netflix’s Bridgerton, which scored far more points than Katherine Heigl’s and Jennifer Aniston’s unfortunately-written scenes in The Ugly Truth and Bruce Almighty, respectively.

Phoebe Waller-Bridge gave herself a much better end of the deal in Fleabag, but yes, let’s talk about Bridgerton (with the relevant scenes starring Regé-Jean Page and Phoebe Dynevor), which made a point of focusing on female pleasure and scored big time with Netflix audiences as a result. Lydic described the show as “nineteenth century British society taking care of their little women” while adding of Dnyevor’s Daphne character, “She’s a Beth in the streets, but a Jo in the sheets.” She then concluded, “Thanks to Bridgerton, there haven’t been this many female orgasms since, well, everyone started watching Bridgerton.”

Lydic’s not wrong (as SNL recently observed). Nor was Last Week Tonight host John Oliver when he bluntly described the series as “lots of jizzing in blankets on that show.” It’s quite a show. My regards to the Duke.

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Taylor Swift’s First ‘From The Vault’ Track From ‘Fearless (Taylor’s Version)’ Features Maren Morris

When Taylor Swift announced Fearless (Taylor’s Version) last month, one notable bit of news about the tracklist was that it would feature new recordings of unreleased songs from the Fearless era. Fans will get to hear the first of those soon: This morning, Swift revealed that at midnight tonight, she will be releasing “You All Over Me (From The Vault).”

Furthermore, the track features backing vocals from Maren Morris, as well as production from Folklore and Evermore collaborator Aaron Dessner. Swift announced the track on social media this morning, writing on Instagram, “HI. I wanted to let you know that the first ‘From the Vault’ song I’m releasing from Fearless (Taylor’s Version) comes out tomorrow at midnight eastern. It’s called You All Over Me (From The Vault). One thing I’ve been loving about these From The Vault songs is that they’ve never been heard, so I can experiment, play, and even include some of my favorite artists. I’m really excited to have @marenmorris singing background vocals on this song!! Produced by Aaron Dessner and co-written by Scooter Carusoe – can’t wait for you to hear it.”

Morris seems excited for the recording to drop, as she responded to Swift’s tweet about it, “too early for [champagne]?”

This isn’t the first time the two have linked up. At a 2018 stop of the Reputation tour, for example, Morris made a guest appearance to join Swift in a performance of “The Middle.”

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Bernie Sanders Thinks Trump Is ‘Racist’ And ‘Sexist,’ But He Still Doesn’t ‘Feel Comfortable’ About His Twitter Ban

Donald Trump has been off Twitter since early January when the social media platform “permanently suspended” his account due to “the risk of further incitement of violence.” The former-president claims he’s doing fine without being able to tweet (and in a real Bender building his own theme park move, he’s reportedly working on his his own social media site that will attract “tens of millions” of MAGA followers), but does anyone believe him? No. Twitter has been a quieter, 0.0000000001 percent more civilized place without #45’s piping hot Robert Pattinson and Kristen Stewart takes, but Bernie Sanders, one of Trump’s biggest foes, thinks his suspension sets a dangerous precedent.

On a recent episode of The Ezra Klein Show podcast, Sanders called Trump a “a racist, a sexist, a homophobe, a xenophobe, a pathological liar, an authoritarian, somebody who doesn’t believe in the rule of law.” That being said, “If you’re asking me, do I feel particularly comfortable that the president, the then-president of the United States, could not express his views on Twitter? I don’t feel comfortable about it.” He continued:

“I don’t like giving that much power to a handful of high tech people, but the devil is obviously in the details and it’s something we’re going to have to think long and hard on, and that is how you preserve First Amendment rights without moving this country into a big lie mentality and conspiracy theories.”

Sanders has previously said that “we should definitely take a look at” at breaking up Big Tech companies like Facebook and Twitter — even if it means letting Trump back on to tweet more “garbage.” You can listen to the podcast episode below.

(Via Axios)

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Anna Kendrick And Toni Collette Fight For Survival In Space In The Trailer For Netflix’s ‘Stowaway’

Things are about to get very claustrophobic for Anna Kendrick‘s latest streaming project. Alongside Toni Collette and Daniel Dae Kim, Kendrick stars in the upcoming Netflix Original, Stowaway, which centers around their three-person astronaut team learning that they blasted off with a mechanical engineer (Shamier Anderson) accidentally trapped inside the ship. While the situation seems manageable at first, things go from bad to worse when there’s only enough oxygen for the original team, and some difficult choices have to be made.

While talking to Entertainment Weekly to promote Stowaway‘s upcoming release, Kendrick praised director Joe Penna and the production team for creating the a little too realistic set. “It was like being in a spaceship. It was so cool,” Kendrick said. “I know [Penna] wanted it to feel incredibly claustrophobic — and that was not hard!”

Kendrick also revealed that Collette played a hand in ratcheting up the tension. “There were times when we’d be about to start rolling, and Toni would close her eyes and just whisper to herself, ‘we’re in space, we’re in space, we’re in space,’” Kendrick told EW. “It would add this level of absolute terror and desperation.” Here’s the official synopsis:

On a mission headed to Mars, an unintended stowaway accidentally causes severe damage to the spaceship’s life support systems. Facing dwindling resources and a potentially fatal outcome, the crew is forced to make an impossible decision. Directed by Joe Penna and starring Anna Kendrick, Daniel Dae Kim, Shamier Anderson and Toni Collette.

Stowaway takes off on Netflix on April 22.

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Works By Nas, Janet Jackson, And Kermit The Frog Have Been Inducted Into The Library Of Congress

Having a work preserved in the National Recording Registry of the Library Of Congress is a significant honor, and now that feat is something a handful of artists can add to their resume. Today, the Library Of Congress announced its 2020 selections for the registry and among the highlights from the world of modern music are Nas’ 1994 album Illmatic and Janet Jackson’s 1989 album Rhythm Nation 1814.

Some other notable works include one of the oldest known audio recordings via Thomas Edison, Kermit The Frog’s “The Rainbow Connection,” Israel Kamakawiwo’ole’s “Over The Rainbow/What A Wonderful World,” Kool & The Gang’s “Celebration,” Jackson Browne’s Late For The Sky, and the This American Life episode “The Giant Pool Of Money,” which is the first podcast recording to be included in the National Recording Registry.

Librarian Of Congress Carla Hayden said, “The National Recording Registry will preserve our history through these vibrant recordings of music and voices that have reflected our humanity and shaped our culture from the past 143 years. We received about 900 public nominations this year for recordings to add to the registry, and we welcome the public’s input as the Library Of Congress and its partners preserve the diverse sounds of history and culture.”

Check out the full list of recordings from the 2020 class below.

1. “St. Louis Tinfoil” — Thomas Edison (1878)
2. “Nikolina” — Hjalmar Peterson (1917) (single)
3. “Smyrneikos Balos” — Marika Papagika (1928) (single)
4. “When The Saints Go Marching In” — Louis Armstrong (1938) (single)
5. Christmas Eve Broadcast — FDR & Winston Churchill (Dec. 24, 1941)
6. “The Guiding Light” — Nov. 22, 1945
7. Odetta Sings Ballads And Blues — Odetta (1957) (album)
8. “Lord, Keep Me Day by Day” — Albertina Walker And The Caravans (1959) (single)
9. Roger Maris hits his 61st home run (October 1, 1961)
10. Aida — Leontyne Price, et.al. (1962) (album)
11. “Once A Day” — Connie Smith (1964) (single)
12. Born Under A Bad Sign — Albert King (1967) (album)
13. Free To Be…You & Me — Marlo Thomas And Friends (1972) (album)
14. The Harder They Come — Jimmy Cliff (1972) (album)
15. “Lady Marmalade” — Labelle (1974) (single)
16. Late For The Sky — Jackson Browne (1974) (album)
17. Bright Size Life — Pat Metheny (1976) (album)
18. “The Rainbow Connection” — Kermit The Frog (1979) (single)
19. “Celebration” — Kool & The Gang (1980) (single)
20. Richard Strauss: Four Last Songs — Jessye Norman (1983) (album)
21. Rhythm Nation 1814 — Janet Jackson (1989) (album)
22. Partners — Flaco Jiménez (1992) (album)
23. “Over The Rainbow / What A Wonderful World” — Israel Kamakawiwo’ole (1993) (single)
24. Illmatic — Nas (1994) (album)
25. “This American Life: The Giant Pool Of Money” (May 9, 2008)

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Alexander Skarsgård Apparently ‘Looks Like An Absolute Beast’ As A Viking In Robert Eggers’ ‘The Northman’

Alexander Skarsgård recently looked like his usual svelte, charismatic self while portraying the face of evil, Randall Flagg, in CBS All Access’ The Stand reboot, but he apparently followed that up with heading into beast mode. That news arrives courtesy of Ralph Ineson, who’s part of the ensemble cast of The Northman, directed by Robert Eggers (The VVitch). Skarsgård portrays a viking, and presumably a very angry one, and Ineson is nothing but impressed (and perhaps slightly terrified) by what he’s seen from the leading man so far.

Ineson revealed to NME that he was “blown away” while watching a preview montage, and while beholding the “marriage of Rob Eggers’ imagination and Viking folklore… Jesus, man.” The movie stars Nicole Kidman (as Queen Gudrun) and Willem Dafoe (as Heimir the Fool), but it was Skarsgård’s portrayal of Nordic prince Almeth (and perhaps his physique as well) that drew the biggest reaction from Ineson:

“Alexander Skarsgård looks like an absolute beas… [There’s] a scene where he beats this guy in a battle; bends down and rips his throat out with his teeth, screams to the gods and he’s got his shirt off – and you think: ‘My god that’s not a bodybuilder doing a scene, that’s like a proper serious actor!’”

Eggers wrapped production on the period-revenge saga, which also stars The VVitch‘s Anya Taylor-Joy, Claes Bang, and Björk (in Ireland) in December. Hopefully, we’ll see a tease soon? No one can be mad about a Skarsgård in beast mode. He must be super ripped. Man, I miss going to the movies.

(Via NME

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Stephen Colbert Called Out An ‘Idiot’ Republican Senator For Not Recognizing America Has A Gun Problem

Tuesday’s episode of The Late Show with Stephen Colbert opened on a solemn note. “Yesterday was another grim day for America when a gunman walked into a Boulder, Colorado, supermarket and killed 10 people, including a police officer,” host Stephen Colbert began. “This story is unspeakably tragic and I cannot imagine for a moment the grief of these families and this community can be approached with words alone.”

The only suitable way of honoring the victims is with “action,” like stricter gun reform. Instead, we have people like John Kennedy (R-LA), who, during a Senate Judiciary Committee hearing on gun violence, said, “We have a lot of drunk drivers in America that kill a lot of people. We ought to try to combat that, too.” Colbert’s response: “OK, I’ll take that deal!” He continued, “Let’s regulate guns the way we regulate alcohol and cars: You gotta be 21, you gotta pass a test to get a license, you gotta have registration and insurance for your gun, if you move to a new state you gotta do the whole damn thing all over again, and you can’t go out loaded.” Kennedy wasn’t done spouting “folksy BS.” He claimed America doesn’t have a gun control problem, it has an “idiot control problem.”

“Oh, we definitely have an idiot control problem,” Colbert said. “It’s people who don’t recognize that this country has long had a gun problem, John Kennedy. So when idiots like John Kennedy refuse to do anything about getting rid of idiots’ guns, it’s clearly time to get rid of idiots like John Kennedy. And that means voting them out.”

You can watch the entire monologue above.

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Ed Sheeran Tearfully Performed A New Song At A Memorial For Australian Music Icon Michael Gudinski

The Australian music industry suffered a significant loss earlier this month with the death of Michael Gudinski, who was best known as the founder of Mushroom Records and Mushroom Group. An obituary in The Sydney Morning Herald described him as “one of the most significant and powerful players in the local music scene” and “a label boss, live music promoter, promoter of electronic dance music, music publisher, film and television producer, racehorse owner […] and passionate supporter of the St Kilda Football Club.”

Gudinski’s passing had a profound effect on many, including Ed Sheeran, who quarantined in Australia so he could perform at his memorial service today. At the event, Sheeran performed a new song that he finished writing while quarantining, called “Visiting Hours.”

Introducing the emotional track, Sheeran said, “In lockdown, I was able to have a guitar for quarantine. I always find the best way to process stuff is to write songs — be it good news, bad news, or whatever, and, yeah — here’s a song I finished last week.” Armed with an acoustic guitar, Sheeran began the tune, “I wish that heaven / Had visiting hours / So I just could show up / And bring good news / That she’s getting older / And I wish that you’d met her / The things that she’ll learn from me / I got them all from you.”

Immediately after strumming the last chord of the song, Sheeran wiped tears from his eyes and cried as he left the stage.

Following Gudinski’s passing, Sheeran took to Instagram to share a lengthy statement about Gudinski, along with photos of the two together. He wrote in part:

“It’s so hard to put into words how much Michael meant to me, and to all of us who knew him. I felt like I needed to try just so I could process it in my own head. […] We were, first and foremost, friends. He was a father figure and mentor to me. […] We holidayed many times with our families and together. We had late night, early morning talks, all over the world, from my house to his, from his hotel room to mine, in back of cars, planes, long walks. Every memory I have of him is so clear and precise, because every moment was electric. […]

The night he passed, I was very grateful to be able to share his favourite wine with him and say goodbye. […] Nothing will fill the void he left in our lives, but the memories we all have of him will live on. He’s everyone’s favourite story, and I will make sure I keep sharing all of my amazing stories I have of him. I’ve loved hearing everyone else’s this week. In between the tears there has been laughter and joy, remembering this Titan of a man.”

Watch Sheeran perform “Visiting Hours” above and find his post about Gudinski below.

Ed Sheeran is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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These Mezcals Feature A Perfect Smoky-To-Sweet Ratio

We talk a lot about whiskey, specifically bourbon and Scotch, around here. In fact, we zero in on whiskey so much that sometimes it feels like other spirits get lost in the shuffle for a few months. Mezcal, we apologize. We haven’t given you the attention you deserve of late.

That changes today. And since spring has officially sprung, the timing couldn’t be better.

For those needing a primer, mezcal is actually the term for any distilled alcoholic beverage made from the agave plant in Mexico. This means that tequila is also a form of mezcal. But while a spirit must be 51% Blue Weber Agave to be called a tequila (there are other rules), it can be made from any agave varietal and still be called a mezcal.

Flavor-wise, mezcal is often noted for its vegetal-sweet flavor notes featuring a robust, smoky backbone. Of course, some mezcals are smokier than others, making them a little tougher to get into. Balance is what you’re after, if you’re just starting your mezcal journey.

That’s why we’ve decided to share ten mezcals that manage a perfect smoky-to-sweet ratio. Check them all out below.

El Silencio Espadin

El Silencio

ABV: 43%

Average Price: $40

The Story:

Master mezcalero Pedro Hernandez makes this small-batch mezcal using Espadin agave as its base. It comes in a bottle that draws its inspiration from the traditional “barro negro” of Oaxaca. This organic mezcal is produced using the authentic process used for centuries. Agave is roasted, crushed to release its juices, and double distilled.

Tasting Notes:

On the nose, you’ll find vegetal sweetness and a subtle kick of woodsmoke. The palate is filled with buttery caramel, pineapple, a dose of green herbs, and an underlying smoky presence. The finish is long, filled with heat, and ends with a nice mix of orange peels and vanilla.

Bottom Line:

This mezcal bridges the gap between sweet and smoke nicely, but it’s more of a mixer than a sipper. Perfect for a smoky margarita or bloody Maria.

Mezcal de Leyendas Maguey Ancho Guerrero

Mezcal de Leyendas

ABV: 46.9%

Average Price: $79

The Story:

Made using 100% Agave cupreata, Mezcal de Leyendas Maguey Ancho is one of a few artisanal mezcals in the Mezcal de Leyendas portfolio. This offering comes from Mazatlán, Guerrero, in the Sierra Madre mountains of southwest Mexico using roasted agave pits, a mechanical grinder, oak wood vats, and traditional copper pot alembic stills.

Tasting Notes:

Take a moment to breathe in the scents of tropical fruits, roasted agave, vanilla beans, and a kiss of smoke. Take a sip and you’ll find grilled pineapple, orange peel, and buttery caramel — all shuttling across a smoky backbone. The dram ends with a nice mix of sweet agave and smoke.

Bottom Line:

If you’re looking for a smoky, subtly spicy, semi-sweet sipper, look no further than Mezcal de Leyendas Maguey Ancho. Pair it with a crackling fire and you have the makings of a great evening.

El Buho Espadin Mezcal

El Buho

ABV: 43%

Average Price: $40

The Story:

Made using 100% Espadin agave, El Buho Espadin is the brand’s flagship expression. On top of the high-quality of this mezcal, it should be noted that the brand is all about sustainability. They plant more Espadin agave plants than they use every year.

Tasting Notes:

On the nose, you’ll find aromas of caramel apples, freshly brewed coffee, and roasted agave. The palate transports you to a world of crisp pears, charred oak, fresh vegetable sweetness (green peppers), buttery caramel, and a nice mix of salt and smoke. The finish leans into that caramel and briny smoke.

Bottom Line:

This is a bold, well-balanced, yet reasonably priced mezcal. It’s the kind of mixing-sipping-shooting all-around mezcal you will want to continuously stock in your home bar.

Mezcal Marcanegra Dobadán

Mezcal Marcanegra

ABV: 48%

Average Price: $100

The Story:

This Joven (young) mezcal is distilled from 100% Dobadán agave that was allowed to grow from 8 to 12 years for maximum flavor. It’s distilled twice in copper pot stills. The result is a smoky, sweet, subtly spicy mezcal renowned for how it holds up in cocktails and as a sipper.

Tasting Notes:

Take a moment to give this a proper nosing and you’ll find aromas of roasted agave, ancho chilies, citrus peels, cracked black pepper, and just a wisp of smoke. The palate drives forward with notes of candied orange peels, buttery caramel, pineapple, and a nice kick of herbal smoke. The finish is smoky with a hint of vegetal sweetness.

Bottom Line:

Pair this subtly spicy, smoky mezcal with spicy or smoky Mexican dishes — think Chili Colorado or chicken mole.

Montelobos Mezcal Espadin

Montelobos

ABV: 43.2%

Average Price: $40

The Story:

This unaged Joven mezcal is made in small-batches using Espadin agave that’s roasted in underground pits before being distilled in copper pot stills. It’s known for its well-defined, mellow, balance of sweet and smoke.

Tasting Notes:

The nose is filled with the scents of fresh-cut grass, orange peel, clover honey, and a nice kick of smoky agave. On the palate, you get sweet agave, subtle pepper, a nutty sweetness, and a hint of peppery smoke. It all ends with buttery caramel, sweet agave, and herbal smoke.

Bottom Line:

Another reasonably priced offering, Montelobos Mezcal Espadin is the perfect joven for mixing. It really adds a new dimension to a smoky Paloma or margarita.

Siete Misterios Pechuga

Siete Misterios

ABV: 48.5%

Average Price: $190

The Story:

Similar to Mezcal de Leyendas, this brand’s portfolio is made up of various mezcals that were produced in different areas by different mezcaleros. Their Pechuga is made from Espadin agave in Santiago Matatlan, Oaxaca. It’s hand-milled, distilled three times with the addition of fruits and spices, and, like many Pechuga mezcals, is vapor infused with a raw chicken breast.

Tasting Notes:

On the nose, you’ll find herbal notes mixed in with caramel, sweet agave, and just a hint of smoke. The palate centers on caramelized pineapple, crisp apples, floral notes, and a backbone of roasted agave. The last flavors you’ll find are those of butterscotch and smoky agave.

Bottom Line:

Pechuga is Spanish for “breast” — denoting that this type of mezcal involves hanging a raw piece of chicken (whole chicken or breast) inside the still while the spirit is being distilled. This is a great example of the style for newbies and aficionados alike.

Doña Vega Espadín

Doña Vega

ABV: 43%

Average Price: $45

The Story:

This artisanal, small-batch mezcal is made using hand-picked 100% Espadin agave. Distilled to proof, it’s a trifecta of pepper, juicy fruits, and briny, roasted agave. It’s unaged, yet surprisingly mellow and easy to drink.

It’s also a tremendous mixing mezcal.

Tasting Notes:

Take a moment to breathe in the aromas of raw earth, grass, roasted agave, and a nice hint of sweet barbecue smoke. Take a sip and you’ll find flavors of ripe pineapple, grassy agave, guava, and almond cookies — all anchored by an undercurrent of smoke.

The finish is sweet, smoky, and subtly peppery — a classic mezcal closing.

Bottom Line:

If you’re looking for an herbal, earthy, complex, smoky expression, this mezcal checks all the boxes. As a bonus, it’s surprisingly cheap.

Mezcal Vago Espadin

Mezcal Vago

ABV: 50.5%

Average Price: $42

The Story:

Founded 2013, Mezcal Vago is focused on building relationships with sustainable small farm operators. Their mezcals, including Vago Espadin, are produced by small, family-run mezcal producers. This particular mezcal was distilled by maestro mezcalero Aquilino Garcia Lopez in Candelaria Yegole, Oaxaca.

Tasting Notes:

On the nose, you’ll notice aromas of fresh-cut grass, roasted agave, vanilla, and flowers smelled from a distance, along with subtle smoke. On the palate, flavors of sweet agave, banana, honey, buttery caramel, and herbal smoke are prevalent. The finish is long, warming, and ends with a nice mixture of pepper and smoke.

Bottom Line:

If you want to try an authentic, family-made mezcal, this is a great option. Especially for the price.

Del Maguey Pechuga

Del Maguey

ABV: 46%

Average Price: $189

The Story:

The most interesting thing about this mezcal is that most of the action happens after the initial distillation. Del Maguey takes its Minero Mezcal and adds it back into a pot-still along with apples, plums, pineapples, almost, plantains, and rice. Then, like all Pechugas, they hang a raw chicken breast over the still for the distillate vapor to travel through.

Tasting Notes:

Before sipping, take a moment to breathe in the aromas of licorice, figs, cinnamon, and vanilla, all balanced out by a solid note of agave smoke. Take a sip and you’ll find anise, cracked black pepper, buttery caramel, and vegetal agave. The finish is long, warming, sweet, and ends with a nice kick of spicy smoke.

Bottom Line:

Historically, Pechuga mezcal is made in extremely small batches to share with friends and family on special occasions. Buy a bottle of Del Maguey Pechuga and share it with your family to toast the (still forthcoming) end of the pandemic.

Ilegal Mezcal Joven

Ilegal Mezcal

ABV: 40%

Average Price: $38

The Story:

This small-batch mezcal is distilled by fourth-generation mezcaleros. The brand’s Joven Mezcal, from Santiago Matatlan, Oaxaca, is made with 100% Espadin agave before being distilled two times. It’s unaged and well-known for its subtly spicy, smoky, and sweet flavor notes.

Tasting Notes:

On the nose, you’ll find notable scents of fresh-cut grass, herbal hints, crisp apple, and spicy green pepper. On the palate, you’ll find orange peels, buttery caramel, light vanilla, ancho chilies, and a nice smoky backbone. The finish is filled with sweet butterscotch and smoky agave.

Bottom Line:

When it comes to smoky, sweet mezcals perfectly suited for mixing, there’s no better option (for the price) than Ilegal Mezcal Joven.