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What’s On Tonight: ‘The Lord Of The Rings’ Trilogy Streams On Hulu, And Netflix Is Still Holidaying Hard

The Lord Of The Rings Trilogy (New Line Cinema films streaming on Hulu) — For one month only (plan your binging accordingly, my precious), you can watch Peter Jackson’s beloved adaptation of J. R. R. Tolkien’s epic book series. It’s a perfect time to catch up on all the Middle-earth business before the Amazon Prime TV series, which will land at some point, assuming that the weird casting call went smoothly. If you’re not familiar, you still probably know to expect plenty of wizardry and elves, and Elijah Wood stars as Frodo Baggins, a young hobbit who must obliterate the ring of Sauron.

Angela’s Christmas Wish (Netflix film) — Based upon Frank McCourt’s characters, this followup to the 2017 Christmas short film from Ireland follows a young girl who wishes for a Christmas family reunion. The story emphasizes family and togetherness, all engineered by one determined young child.

Dance Dreams: Hot Chocolate Nutcracker (Netflix documentary film) — Shondaland brings us this career spotlight for trailblazer Debbie Allen (Fame), who reimagines the classic ballet guiding a group of stellar young dancers as they gear up to launch Allen’s yearly “Hot Chocolate Nutcracker” production. This film looks like a blast and includes not only fantastic choreography and behind-the-scenes glimpses at the grueling process but also intimate interviews with Allen and all involved.

Even more holiday cheer from Netflix:

Dolly Parton’s Christmas on the Square (Netflix film) — Everyone loves Dolly, so at least there’s one thing that you won’t be arguing about with your relatives this season. Featuring an album full of original Dolly music, this film (which co-stars Christine Baranski) revolves around how the coldest of hearts can melt in the face of family, love, and the enduring Christmas spirit of a small town.

The Christmas Chronicles: Part Two (Netflix film) — Kurt Russell’s hot Santa returns two years after Kate and Teddy saved Christmas. Kate’s now a cynical teenager with family drama, and for some reason, she’s not thrilled to spend Christmas in Cancun. The trouble truly begins when a mysterious toublemaker, Belsnickel, plots to destroy Christmas and make a ground zero out of the North Pole. Russell’s here to help save the day, and yes, Goldie Hawn’s along for the ride.

Here are the rest of tonight’s programming highlights.

Swamp Thing (CW, 8:00pm EST) — Alec and Abby’s trip to a degraded part of the swamp ends with an infection and a trip to the lab. Oh boy.

Tell Me A Story (CW, 9:00pm EST) — Ashley’s attacker’s the subject of a Beau hunt while Tucker’s cluing in on Olivia and Jackson has a chat with Veronica.

The Late Show With Stephen Colbert — Bryan Cranston, Congresswoman-Elect Cori Bush

Jimmy Kimmel Live — John Mulaney, Rita Wilson, Devon Gilfillian

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Bill Walton Started Barking Like A Dog During A Broadcast Because Of Course He Did

Bill Walton doesn’t really call games, in the traditional sense. What he does when he’s on-air during sporting events is better described as a sort of one-man avante-garde tour-de-force. You never really know what to expect when Walton gets into the booth, but one thing’s for certain: there is rarely a dull moment.

Whether he’s marveling at a baseball player’s bunting skills or spinning tall tales about this days following the Grateful Dead, Walton creates an atmosphere in which the conversational flow moves freely and erratically, untethered by the normal confines of relevance, accuracy, or even general listener interest.

He was at it again this week during an NCAA game between Indiana and Texas. Ever the proponent of the non-sequitur, Walton started to tell an anecdote about celebrating his dog Potter’s birthday, which quickly devolved into him just making barking sounds.

Once or twice a year, ESPN does a crossover broadcast in which they switch NBA and college basketball announcers, and it’s always a joy to hear Walton’s signature nonsensical musings applied to the NBA for a change. Until then, rest easy in the knowledge that Walton is the type of person who celebrates his dog’s birthday without a hint of irony.

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Fleet Foxes’ ‘A Very Lonely Solstice’ Is The Band’s First Livestream Since The Release Of ‘Shore’

At the exact moment of the autumn equinox, Fleet Foxes surprise-released their well-received album Shore. The group has not performed a single livestream since their album’s September release, but that’s about the change. Fleet Foxes’ Robin Pecknold announced a solo performance of the album on the upcoming winter solstice.

Pecknold will bring his soulful music to the St. Ann & the Holy Trinity Church in Brooklyn, New York for the performance. While the majority of the performance will be Pecknold alone, the singer will also be joined by Resistance Revival Chorus, a collective of more than 60 women and non-binary singers, for one song.

Ahead of the livestream’s announcement, Pecknold announced he would be dropping the stems to his Shore album on Bandcamp for fans to remix. Announcing the project in a statement, the singer commented:

“VERY excited to release all of the stems for Shore this Friday on Bandcamp. This is eleven hours of all of the album’s isolated tracks, solo’d drums, vocals, horns, bass, guitars – every individual piece of every song untangled and laid bare. These aren’t royalty free, but any and all remixing / sampling / twisting / creative reuse and reimagining for your personal, non-commercial use is highly encouraged. And if you want to sample for commercial release, just get in touch.”

A Very Lonely Solstice livestream kicks off 12/21 at 9 p.m. EST. Get tickets here.

Shore is out now via Anti. Get it here.

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After being married for 47 years, this couple died of COVID-19 within the same minute

Usually when we share a story of a couple having been married for nearly five decades, it’s a sweet story of lasting love. Usually when we share a story of a long-time married couple dying within minutes of each other, it’s a touching story of not wanting to part from one another at the end of their lives.

The story of Patricia and Leslie “LD” McWaters dying together might have both of those elements, but it is also tragic because they died of a preventable disease in a pandemic that hasn’t been handled well. The Michigan couple, who had been married for 47 years, both died of COVID-19 complications on November 24th. Since they died less than a minute apart, their deaths were recorded with the exact same time—4:23pm.

Patricia, who was 78 at her passing, had made her career as a nurse. LD, who would have turned 76 next month, had been a truck driver. Patricia was “no nonsense” while LD was “fun-loving,” and the couple did almost everything together, according to their joint obituary.



Coronavirus Kills Husband & Wife One Minute Apart – NBC

www.youtube.com

Reading a bit about their life is a reminder of the human toll of this virus.

“Summers they hosted family pool parties, where Pat made way too much food. They loved driving their ’59 Corvette to car shows to meet up with family and friends. We always ended the summer with the annual family canoe trip, in Evart, Michigan. Pat and LD loved going to watch Maxx and Mia race quarter midgets and rarely missed a race. They also enjoyed going up north to watch their grandson, Keaton, play basketball and baseball. Every Tuesday, Pat and LD babysat their great-granddaughter, Arbor and she brought the youth out in them. They attended all their nieces and nephews sporting events. Pat and LD loved to play cards and Mexican Trains with just about anyone who would play. Family game night was something they always looked forward too. Every Saturday was a Hickley’s Day that started with their granddaughter, Chelsea and carried on through their great-grandkids.”

The McWaters’ daughter, Joanna Sisk, did see some sweetness in the tragedy of her parents’ passing, based on the couple’s relationship in life.

“It’s beautiful, but it’s so tragic. Kind of like Romeo and Juliet,” she told NBC affiliate WDIV. “One wouldn’t have wanted to be without the other.”

“I can tell you this, when they passed we think Mom—the boss–she definitely went to his room and said, ‘Come on. Let’s go,'” Sisk said.

Sisk said that hearing people brush off the risks of the virus has been painful as she and her family grapple with such a terrible loss.

“People were talking about it not knowing my parents in the hospital fighting for their lives and I just had tears streaming down my cheeks listening to them,” Sisk said. “Our entire family is completely devastated.”

“It’s tough enough to lose one parent, but this was the worst,” she said.

As the coronavirus careens through the country at a pace we haven’t seen since the outbreak began, it’s more important than ever to be vigilant in distancing and staying home as much as possible, wearing masks in public, and washing hands frequently. While there is an end in sight with promising vaccine trial results, we still have months to go before enough doses will roll out to make a difference.

The McWaters passed away two days before Thanksgiving, forever altering that family’s holiday. We are already anticipating thousands of families’ December holidays being similarly impacted by losing loved ones to COVID-19. Please follow the advice of public health professionals to keep those numbers as low as we can going into the new year. We’ve already lost too much to this pandemic.

Rest in peace, Mr. and Mrs. McWaters.

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Aminé Is Adding Almost An Album Of New Material To ‘Limbo’ With A Deluxe Edition

Music changes with the times and new trends emerge. One of the biggest ones to come out of 2020 is the new way deluxe albums are treated. Usually, a deluxe edition would come out months down the road to bring renewed interest to an aging album. This year, though, they have come out sometimes just days after the original release as a way to generate even more hype for the new music. Aminé took more of an old-school approach to his just-announced deluxe edition of Limbo, which originally came out in August.

The deluxe edition drops this Friday, December 4, and the core tracklist expands from 14 tracks to 21. Unlike most deluxe albums, however, the new songs are added to the front of the tracklist, as opposed to the back end of it. In the seven new songs, there are a handful of fresh collaborators making their way onto the album: Valee, Saba, Toosii, and Unknown Mortal Orchestra.

Check out the deluxe Limbo tracklist below.

1. “Mrs. Clean”
2. “Zack & Cody” Feat. Valee
3. “Gelato”
4. “Talk” Feat. Saba
5. “Chicken” Feat. Toosii
6. “Buzzin” Feat. Unknown Mortal Orchestra
7. “Solid”
8. “Burden”
9. “Woodlawn”
10. “Kobe”
11. “Roots” Feat. JID & Charlie Wilson
12. “Can’t Decide”
13. “Compensating” Feat. Young Thug
14. “Shimmy”
15. “P.I.M.P.” Feat. Vince Staples & Slowthai
16. “Riri”
17. “Easy” Feat. Summer Walker
18. “Mama”
19. “Becky”
20. “Fetus” Feat. Injury Reserve
21. “My Reality”

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‘Assassin’s Creed: Valhalla’ Doesn’t Throw a Strong Punch

I give movies 20 minutes to grab my attention before I call it quits. TV shows, two episodes. Books … well I usually open the book in the store, read a few pages, and decide within 60 seconds. Time is money, and also, books cost money, sorry. There are millions of lifetimes worth of entertainment at our fingertips, with new material releasing daily to compete for our attention, so why is the video game community so obsessed with the idea that we need to sink dozens of hours into a game before deciding to move on? Especially if it’s The Witcher 3!

But as much as I wanted to love it, Assassin’s Creed: Valhalla isn’t for me.

I picked up Valhalla because cool Viking sh*t totally is for me and, make no mistake, Valhalla is chock full of it. I got to swing a battle axe around, raid monasteries, and get my face tatted. Plus, I got to do all the typical Assassin’s Creed stuff like sneak around, climb some buildings, and explore. It’s a gargantuan open world filled with battles, secrets, and Viking conquests that felt well-tailored to my progress throughout my playtime at first.

Without spoiling anything: Valhalla starts you off in a fantastic tutorial section where you learn the basics of the game and begin to unfold the story. Then after 3-5 hours, depending on how many side-quests and exploring you want to do, it thrusts you out of that area and into a large open world where you are expected to spend the majority of the game. It’s at this point that the main connections to the AC franchise get made, the quest-load thickens, and all the “RPG stuff” gets dropped in your lap, which is expected. And from a graphics and scope standpoint, it’s pretty awe-inspiring. So what gives?

For me, when I made it into the mid-game, Valhalla stopped feeling rewarding. The cool Viking stuff began to feel repetitive, the exploration felt tedious, and the Assassin’s Creed storyline stuff felt tacked-on. The game begins to ask you to commit a lot of time and trust into seeing things through, like traveling a great distance or finishing a questline. When you arrive at the place or accomplish the task, however, it doesn’t seem to change much in the game at large. In my opinion, the most important thing to nail in an “action role-playing game” is the skill-development aspect. Valhalla opts for what seems like a comprehensive skill-tree model, but upon closer inspection, it reveals itself to be random-feeling with most of its attainable “skills” being percentage-increasing, passive attributes. The stuff that isn’t passive (like the ability to stomp stunned enemies) either proves incredibly useful to the point of monopolizing my fighting style or kitschy to the point of uselessness. This ripples out to combat, which starts to feel stale after a while. That is kind of a big deal for a Viking game. For all intents and purposes, I’m here to lob heads with a great ax.

I’m also here for the loot. I have a compulsion to gaze in every nook and cranny, check in every drawer, and explore every cave behind a waterfall. Valhalla actually does a good job of providing plenty of areas to discover, but each time I found myself off the beaten path, I managed to uncover a bug that soured the experience. While I imagine most of these will be patched out going forward, for the time being, their frequency definitely spoiled my desire to get lost now and again. On more than one occasion I encountered a broken quest. There were a few times I found myself literally stuck between a rock and a hard place. And one instance, in particular, the grand offender, I slid through a hole in the wall, found a secret chest, and discovered that I couldn’t slide back out. I know there’s bound to be issues with a title this big so close to launch and I have a deep respect for developers and QC’ers alike. But truthfully, I turned off the game at this moment without resolving the problem. I was pretty frustrated.

What is a big deal to me might not be a big deal to you, as Valhalla has plenty of other things going on outside of the combat. There’s plenty of that aforementioned “RPG stuff” like item acquisition, settlement management, and distracting side quests. While all of that is super appealing to me, and at this point expected in an Assassin’s Creed title, I just honestly lost faith that it would feel rewarding after the 60-80 hours it takes to complete the game because of the lack of excitement I got from the skill-development, combat, and exploration. Of course, most RPG and story elements don’t pay off until much later in the game by design, but usually in these types of games, it’s the stuff that’s designed to be rapidly developing that will carry you to the major goalposts. The time between goalposts might not be too important for diehard fans of the series, but for me, they’re a large part of the equation.

So, after giving the beginnings of the mid-game a chance to see where things went, I decided that Assassin’s Creed: Valhalla wasn’t my cup of mead. Some might say I didn’t give it a fair shot, but how do you define a fair shot anyway? What rules do I abide by? Have I no shame? I think why the gaming community has these dramatically skewed rules by which to judge a video game is because video games, even within the same genre, are dramatically different from one another. But for games from a well-established series that unapologetically has entries that don’t stray too far from the formula like Assassin’s Creed, you don’t have to give them the Witcher 3 treatment to have an understanding of the full scope of what the game has to offer.

For people who absolutely love the Assassin’s Creed series, this tends to be a really good thing. You can jump in and feel instantly at ease. For some, it’s a welcome home parade that happens every two years. But for me, I felt like I had seen the beginning and end of the parts of the game that were most appealing to me in picking up Valhalla in the first place. I couldn’t imagine that combat was suddenly going to get better and all the bugs would suddenly go away. And in case you were wondering, I played 47 hours of The Witcher 3 before deciding it wasn’t for me. I can’t begin to tell you why. I only gave the show one episode, though. The Assassin’s Creed movie? It’s … on my list.

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Jennifer Lawrence Thanked The Firefighters Who Put Out A ‘Devastating Fire’ At Her Family’s Farm

Jennifer Lawrence’s family farm in Louisville, Kentucky, burned down in a “horrible fire” over the weekend. “It is with the heaviest of hearts that we confirm the news that we lost our barn last night in a horrible fire,” a statement from Camp Hi Ho read (the camp is operated by her brother Blaine). “We are deeply thankful that no people or animals were hurt, but we are still mourning the loss of years of hard work and memories that occurred in these walls.” It took nearly 30 firefighters and a half-dozen fire trucks to put out the blaze, which started around 9 p.m. The four-time Oscar nominee has since expressed gratitude not only for the firefighters, but also Louisville residents for their support.

“I want to thank my Louisville community for reaching out to my family and me following the devastating fire that sadly destroyed a significant part of Camp Hi Ho,” Lawrence wrote. “Thankfully, because of our amazing firefighters and first responders, no one was hurt and all of the animals were kept safe. I grew up on that farm, going to Camp Hi Ho every summer. When my brother Blaine took it over, he applied his creative mind and fun loving spirit and expanded a camp that was already the coolest, because it was the only place where kids could do whatever they wanted. A muddy, messy paradise.”

She continued:

I’m grateful to Camp Hi Ho for the amazing childhood memories. My family and I are working together to help Blaine through this. And we are so grateful for the widespread support from the community to get Camp Hi Ho back up and running so we can welcome kids back this summer.”

The cause of the fire has not yet been announced by the authorities.

(Via People)

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Showtime Is Launching Free Pluto TV Channel In An Effort To Drum Up Subscribers

Starting today, you can watch a collection of Showtime series for free on Pluto TV. The move is an effort by ViacomCBS, which owns both services, to drum up new subscribers for Showtime by getting them hooked on its original content. Like most of Pluto’s offering, the Showtime series will be free to watch, but also contain ads. Via Variety:

The new Pluto TV channel, Showtime Selects, launches on Tuesday (Dec. 1) with about 250 hours of uncensored originals. The lineup in the linear-style channel will include sneak peeks at the first episodes of Showtime drama series “Your Honor” starring Bryan Cranston and the 11th and final season of “Shameless.” Showtime Selects also will feature select episodes of originals including “The Affair,” “Ray Donovan,” “Billions,” “The L Word” and “Californication” as well as the entire limited series “The Loudest Voice” about Fox News’ Roger Ailes and true-crime docuseries “Murder in the Bayou.”

While offering free trial periods to premium channels is common during the holiday season, Showtime Selects will be a “permanent cross-promotional vehicle” that will see its content updated on a monthly basis in an attempt to convert users to Showtime. As for Pluto TV, if you’re not familiar with the service, Uproxx’s Derrick Rossignol put together a primer on the free streaming app that emulates that old broadcast TV feel of channel surfing. It also takes away the often overwhelming task of sifting through hundreds of movies and TV shows and just enjoying whatever happens to be on, which now includes Billions and Shameless. Not bad.

(Via Variety)

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Samia Enlists Bartees Strange, Anjimile, Field Medic, And More To Cover Her Debut Album ‘The Baby’

It’s been a few months since Samia released her thoughtful debut album The Baby. But since she can’t tour behind the release, Samia has thought up a clever way to keep fans engaged with her music. The singer tapped several of her fellow indie rock cohorts to cover all the songs on her debut release.

Titled The Baby Reimagined, Samia announced the project Tuesday with a rendition of her album opener “Is There Something In The Movies?” by the singer Briston Maroney. Other artists that appear on the cover project include Bartees Strange, Anjimile, Field Medic, Palehound, and more.

Speaking about his cover, Maroney praised Samia’s songwriting. “This song is the most representative of Samia’s ability to tell a very specific story in a relatable way,” Maroney said. “I really enjoyed the opportunity to retell this story in an attempt to show my appreciation as a listener for Samia’s willingness to share her experiences with us all.”

Listen to Briston Maroney’s cover of “Is There Something In The Movies?” above check out Samia’s The Baby Reimagined cover art and tracklist below.

Grand Jury

1. “Is There Something In The Movies?” by Briston Maroney
2. “Minnesota (Remix)” by Michelle
3. “Winnebago” by Charlie Hickey
4. “Waverly” by Anjimile
5. “Does Not Heal” by Christian Lee Hutson
6. “Triptych” by Field Medic
7. “Stellate (Remix)” by The Districts
8. “Limbo B*tch” by Donnal Missal
9. “Big Wheel (Remix)” by Palehound
10. “Fit N Full” by Remo Drive
11. “Pool” by Bartees Strange

The Baby Reimagined is out 7/15 via Grand Jury. Pre-order it here.

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Elliot Page Is Receiving An Outpouring Of Love From Celebrities After Coming Out As Transgender

Elliot Page (who stars as Netflix’s most powerful The Umbrella Academy sibling and received an Oscar nomination for Juno) came out as transgender and non-binary on Tuesday morning in an Instagram announcement. “I want to share with you that I am trans, my pronouns are he/they and my name is Elliot. I feel lucky to be writing this. To be here. To have arrived at this place in my life,” Page wrote. “I feel overwhelming gratitude for the incredible people who have supported me along this journey. I can’t begin to express how remarkable it feels to finally love who I am enough to pursue my authentic self. I’ve been endlessly inspired by so many in the trans community.”

In addition, Page expressed solidarity with “all the trans people who deal with harassment, self-loathing, abuse, and the threat of violence every day.” He promised, “I see you, I love you, and I will do everything I can to change this world for the better.” Those words follow up on Page’s ongoing advocacy with the GLAAD organization, along with his condemnation of VP Mike Pence’s policies, which Page singled out as encouraging the normalization of homophobia that leads to hate crimes.

The announcement has been greeted with a mounting celebration. GLAAD Director of Transgender Media, Nick Adams, praised Page for being “an outspoken advocate for all LGBTQ people.” Adams added, “He will now be an inspiration to countless trans and non-binary people. All transgender people deserve the chance to be ourselves and to be accepted for who we are.”

The party moved to Twitter, where Elliot thanked GLAAD and TGI Project (advocating for transgender, gender variant, and intersex people) for their support.

Soon, The Umbrella Academy and Netflix accounts added their voices to the chorus, along with many of Page’s fellow entertainers.

2020 finally brought some good news, and the year’s not over yet, so hopefully, we’ll see some more.