Category: Viral

On the Billboard Hot 100 chart dated August 22, Cardi B and Megan Thee Stallion’s “WAP” knocked Harry Styles’ “Watermelon Sugar” from the top spot. The song remained on top the next week, but the week after that, BTS’ “Dynamite” took over the No. 1 position. Now, the K-pop group has enjoyed a couple weeks on top, but their reign comes to an end today: On the Hot 100 chart dated September 19, Cardi and Meg are once again on top, as “WAP” has reclaimed its No. 1 spot for a third total week.

The return of “WAP” has the song tied for Cardi’s longest reign on top of the Hot 100, as “Bodak Yellow” was previously No. 1 for three weeks in 2017. As a featured artist, Maroon 5’s Cardi-featuring “Girls Like You” was No. 1 for seven weeks in 2018.

It was also revealed earlier today that “WAP” is the first No. 1 song on the new Billboard Global 200 chart.

Meanwhile, The Weeknd is closing in on an impressive Hot 100 record. “Blinding Lights” sits at No. 5 on this week’s chart, and it’s been in the top 5 for 27 total weeks so far. That’s tied for the biggest total of all time, alongside Ed Sheeran’s “Shape Of You” and The Chainsmokers’ Halsey-featuring “Closer.” So, If “Blinding Lights” remains at No. 5 or climbs higher next week, it will be the new record-holder in that category.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

My birthday was low key this year. We’re still in a pandemic, so there would be no partying, but also I’d just been upstaged by the arrival of my daughter. She came the day before and was still swaddled in the limelight. There was a great Zoom surprise party, but there weren’t any gifts. Or cake.

Until a box landed on my doorstep full of ice, oysters, mignonettes, gloves, and a shucking knife. An oyster kit. No frills. No pricey engraved tray or shooter cups. Just 20 Kaiparas, 20 raspberry points, and the essentials I’d need to enjoy them.

I started shucking immediately. Any avid viewer of Top Chef is sure to perceive oyster shucking as an impossibly onerous task destined to leave any non-chef with a severed artery. Not true. I watched zero YouTube tutorials and was able to muddle through just fine. You slide the knife in, swing it over to the joint, then just sort of leverage the shell open. On the “how cool it makes you feel vs. actually being difficult” scale of tasks, this ranks high.

With a quartine cluster full of people who don’t like shellfish, I was left to my own devices as the sun set on a very weird year in my life. I shucked and slurped down legitimately 30 oysters — each cold, firm, and briny — before I tapped out and passed the whole operation over the fence to our neighbors. They’re not the “self shucking” sort and were delighted. They also now basically perceive me as a survivalist, because after 30 oysters I was able to pretend to have some level of expertise with popping them open.

All in all, it was a memorable meal in an era when most of what I eat seems routinized. The charm of quarantine life is long gone. I’m over homemade sourdough. We all need little stuff like this to keep life surprising and to keep us on track. And with the “months that end in R” just beginning, oysters may be the perfect fit.

“Do not, under any circumstances, send me raw shellfish,” my editor wrote on Slack when I floated the idea of sending him his own batch of oysters to say thanks for covering me after the baby. “The last time I had a bad oyster, I legit thought I was going to die.”

His concern isn’t unfounded. Bad oysters tear up your insides in a way that no food can rival — to the point where they’re sort of the poor man’s version of blowfish sushi, which can kill you if prepared incorrectly. Now take that risk, which already feels noteworthy at oyster bars and seafood houses, and add shipping into the mix. Sounds precarious at best, right?

Not according to Rob Knecht, co-founder of Real Oyster Cult, which farms, sells, and ships oysters direct to consumers.

“No offense to restaurants, because I love restaurants, but they can keep product in their walk-in fridges for a week,” he says. “This is like you’re visiting our family farm — they’re harvested and shipped the same day.”

Knecht has obviously built his business around this concept, so you wouldn’t expect him to say any different, but the logic does hold. Restaurants get their oysters fresh from farms and keep them chilled. But then they have to wait for you to come in and order them. Overnight shipping (paired with same-day eating) should be able to cut down the “farm to table” time, not increase it.

Fisher’s Island, Hama Hama, Island Creek, Hog Island, Taylor Shellfish… Oysters by mail are definitely a thing. I run this by my editor and he balks — “I live near the water, mine are same day and that’s all I’m gonna trust.”

Knecht and his partner/ wife Sims McCormick are very aware of the “bad oyster” stigma. They’ve got three layers of quality control in place, just to combat it. Even their selection is influenced by people’s fears about slimy, loose, spoiled oysters sloshing onto the doorstep.

“It’s a huge barrier to entry for many people,” McCormick says, “that’s part of why we focus on tighter, smaller oysters with a deep cup and firm flesh — which are an easier entry point for anyone who’s nervous.”

Whether it’s your speed or not, the oysters-by-mail model falls into the new era of provisioning that has been sparked by the pandemic. This past weekend, I bought sashimi-grade salmon, yellowtail, and albacore from a fishmonger who used to supply to restaurants. I picked up my fish — along with two delicious, very-hipstery loaves of bread — straight from his front yard.

This ex-rugby playing Kiwi (who asked to remain anonymous because of food retailing laws) has been running his little operation for months. He sends out an email Wednesday and you have three hours to order. Then on Friday, there’s a three-hour pickup window. Fail to show, and you’re banned from the listserve. No fish for you.

This time, even I was skeptical. But the thick, uneven cuts of sashimi I made with the fish I bought from him are some of the best pieces of sushi I’ve ever had. Better still, I was able to gorge myself three nights in a row for the cost of a single restaurant experience (one sure to be dominated mostly by rice with razor-thin slices of potentially fraudulent fish).

Plus buying everything from someone who only lives a few miles away, chatting about life in the pandemic, my favorite spots in New Zealand, and how this modern-day provisioner sources his product was a very cool throwback to an era I never lived in. It references the days of the milkman and the corner fruit stand. That might sound both inconvenient and expensive, but the oysters I received on my birthday and the sashimi I bought a week later were both far cheaper than a restaurant would have been (the artisan bread, on the other hand, is more pricey than it would be from a bakery working at scale).

Speaking personally, I’ve had a lot of fun with this new sort of food shopping — much more reminiscent of Italy, where you go to the cheese guy, then the butcher, then the bakery, etc. Like Knecht, I’ll always love restaurants, but I have a feeling how we love them after coronavirus will change. With the level of at-home experience that you can affordably create improving drastically throughout this era, what we want from our restaurants is sure to shift. In a world where we can get a5 wagyu shipped to our doors, the community, creativity, and convenience chefs provide will be their strongest assets. Not just the product.

“We’re bringing a fine-dining experience to people’s homes,” McCormick says. “It makes us happy to offer that in a time when we’re all craving newness wherever we can find it.”

And while even this idea gets a “nope” from my editor, my birthday experience sold me. Anyone wanting to send me oysters by mail should know I’m all for it.

Steve Bramucci is on Twitter and Instagram.

Now Power, Starz’s engrossing crime drama executive-produced by 50 Cent, is over, it’s story has been picked up by a sequel series titled Book II: Ghost. Now, that show about to have some company on the network according to The Hollywood Reporter. 50 Cent and Starz have come together once again for a duo of new series currently under development which will have the rap media mogul’s shows all over the network.

One of the two shows is inspired by sports agent Nicole Lynn and will follow a female sports agent as she navigates the boys’ club of professional sports business, while the other would be a hip-hop anthology series whose first season would be devoted to 50’s long feud with former G-Unit rapper The Game. These two shows would join Power Book II and 50’s forthcoming show about the Black Mafia Family as part of 50’s overall deal with Lionsgate Entertainment, Starz’s parent company.

The agent show is executive produced by Lynn and written by Snowfall writer Tash Grey, recounting the events that led to Lynn becoming the first woman to represent a top three NFL draft pick. Meanwhile, the anthology series, Moment In Time: The Massacre will depict the behind-the-scenes events behind 50 and Game’s beef that spilled onto the street and eventually sent producer Jimmy Henchman to prison for conspiracy to commit murder. Abdul Williams, who wrote The New Edition Story, is billed as writer and executive producer.

2018 saw the release of Return To Mount Kennedy, a documentary about Robert F. Kennedy climbing a mountain named after his brother, the late president JFK. Pearl Jam leader Eddie Vedder recorded the soundtrack for the film, but it has yet to be released. Now, though, he has shared one song from it, “Cartography,” as part of Sub Pop’s singles club series.

The instrumental acoustic guitar and piano track runs shy of three minutes and is closer to American primitivism and Vedder’s solo material than it is to Pearl Jam’s typical rocking sound. The B-side of the release is a remix of the song by Yeah Yeah Yeahs’ Nick Zinner, which plays up the song’s ambient qualities and samples Robert Kennedy dialogue.

Vedder said in a statement, “Listening to the speech delivered by Bobby Kennedy in regards to the assassination of Martin Luther King Jr. 50 years ago, you are reminded that once again we are at a moment in time when our society can and must do better. Voting is our most powerful form of nonviolent protest. And those whom we vote for must be made deeply aware that the issues of equality and justice in America are of the utmost importance and need to be not only restored but taken to the next level. NOW.”

Listen to “Cartography” above.

One day, there will be a 4-LP boxed set of Bartees Strange’s debut album Live Forever. First recorded in the early months of 2019, the album has gone through many iterations, with songs added here and removed there, and the entire album being remixed and remastered more than once. The open-ended process of crafting Live Forever gave Bartees Cox the space he needed to imbue each song with its own meaning, and ultimately give 100% of his attention to every piece that went into creating the album.

Refusing to conform to any genre lines, Cox incorporates into Live Forever elements of punk, alternative, indie, hip-hop, R&B, and everything in between. It’s a record about resilience and power of the individual, with the main mission stemming from a desire to make sure that every person feels valued in life and that they are empowered to work toward their aspirations and live their fullest live.

Ahead of the new album, I chatted with Cox on Instagram Live to talk about the long road to Live Forever, his undying love for Adrianne Lenker, and the inspirational force that is Tyler The Creator, as part of our Fall Music Preview. Check out the full interview below

Live Forever is out October 2 on Memory Music. Pre-order the album here.

Kawhi Leonard isn’t associated with bright colors and cartoony imagery, as the Clippers superstar forward is best known for his stoic nature. Up to this point, New Balance has steered into that demeanor with its sneakers and apparel designed for his collection with the brand, such as their “Fun Guy.” campaign, with black and white shirts in Times New Roman font.

Most of his sneakers have likewise featured pretty straightforward colorways, but the next Kawhi collection from New Balance is going to be much more bold and colorful than anything we’ve seen from him. Leonard debuted the first of two Jolly Rancher colorways in Game 6 of the Clippers second round series with Denver, showing off a bit more of his personality. Jolly Ranchers are Kawhi’s longtime favorite candy, and as such New Balance partnered with the fruit candy to come up with something a bit more bold, but still very much Kawhi.

In late October (a firm release date is still TBD), New Balance will release a Jolly Rancher x Kawhi Leonard collection, featuring two colorways of Leonard’s KAWHI signature sneaker — the white and multi-color one he wore on Sunday and a blue raspberry colorway — along with slides and two pairs of lifestyle sneakers (the 327 and 480 Low).

The pops of bright colors are certainly a bit different for the Kawhi line, but I really like how New Balance still finds a balance between something bright and still being true to Kawhi’s personality. The Kawhi Leonard logo on the tongue of the sneakers features his name written in Jolly Rancher font with a collection of fruit cartoons, but they all feature a non-expressive look — a signature of Leonard.

It’s a cool collab and I’m particularly fond of the blue raspberry colorway. The KAWHI sneakers will run $160, with the slides going for $35.

Khalid dropped his second album, Free Spirit, last year, but now fans are wondering when his next one will arrive. Well, the singer hopped on Twitter today and shed some light on his upcoming record, answering fan questions about its release date and what it will sound like.

One fan asked how long they should expect to wait for Khalid’s next album, and he responded, “I’ll say early next year to be realistic lol.” Another fan followed up by asking if the record will sound similar to his recent single “Eleven,” and he replied, “No! Way different.”

He went on to reveal that he doesn’t have a new single in mind for the album yet, but he’s only planning on releasing one song from the record before it drops: “I don’t have one yet! Its super early but I’ll keep you guys updated and I’ll probably only release one song before the album tbh.” Khalid also provided a couple different answers to questions about the album’s sound, writing, “I just wanna listen to it in bed in the dark with my earphones in hahaha,” and, “late night drives on an empty freeway.”

Khalid also seemed interested in fan suggestions that he host a listening party for his new music, potentially an intimate affair over Zoom. However, he expressed concern about leaks. Ultimately, he concluded that he might consider the idea if participants signed some sort of non-disclosure-like contract.

Khalid’s first two albums, 2017’s American Teen and 2019’s Free Spirit, both arrived during the first few months of the year. That, combined with the fact that a two-year gap between albums has been par for the course for Khalid so far, suggests that an early-2021 album for Khalid isn’t that unlikely, as he says.

Peacock is new to the streaming game, so there’s not a ton of original programming yet (although you should watch the super-fun Psych 2: Lassie Come Home). But that’s about to change. The streamer will be the home of the gritty The Fresh Prince of Bel-Air reboot, Kate McKinnon as Carole Baskins in a Tiger King series, and the return of MacGruber, as well as the upcoming premieres of Wilmore and The Amber Ruffin Show.

The former, hosted by The Daily Show writer Larry Wilmore, premieres on September 18, while the latter, out September 25, is one of our most-anticipated shows of the fall. Ruffin’s segments on Late Night with Seth Meyers are always a highlight, and it’s exciting that she’s finally getting a show of her own. “We are going to talk about the news, and we are going to be doofuses, so hopefully it’ll be a nice mix of the two,” she told Vulture about how her show will stand out from the crowd. “We will be like, ‘Well now this crazy thing is the law. Let’s examine what that might look like in a puppet show.’ God, it won’t be a puppet show. Sorry I said puppet show. In a song or whatever. So hopefully we will do something like a monologue and maybe that’ll cover the topical news and then maybe a sketch and a song… Any ideas for structure, please mail them to me.” You can reach her at [email protected].

You can watch the trailer for The Amber Ruffin Show above, and for Wilmore below.

Lovecraft Country star Jonathan Majors has reportedly joined the Marvel Cinematic Universe. If further accompanying details are true, his upcoming role could make him the next Thanos-level villain.

Majors is onboard for one of the “lead roles” in Ant-Man 3, and according to sources for Deadline, he is likely playing Kang the Conqueror, a major time-traveling villain from the comics who’s had many epic battles with The Avengers. However, it should be noted that Majors’ role has not been confirmed by Marvel, nor has there been official word that the role would extend beyond the third Ant-Man film:

The studio had no comment, but sources close to the project say he is likely to play the super-villain Kang the Conqueror.

Sources add that like with so many new characters in the MCU, there could be a twist with how the character is featured in future films, but as of now he is likely to be one of the main villains in the next installment in the franchise.

Marvel fans have been waiting for Kang to show up in the MCU, and the likelihood of the classic villain finally making his debut only increased after the events of Avengers: Endgame. That film saw the heroes manipulate time to defeat Thanos. More specifically, The Avengers used Quantum Realm technology created by Hank Pym (Michael Douglas), which would certainly explain Kang’s presence in Ant-Man 3.

Majors’ casting also arrives on the heels of Ant-Man director Peyton Reed recently talking up the next installment. “I think the third Ant-Man movie is going to be a much bigger, more sprawling movie than the first two. It’s going to have a very different visual template,” Reed told The Jess Cagle Show in late August. He also confirmed that Evangeline Lilly will still be a major presence in the film and share top billing with Paul Rudd, despite her controversial remarks about not social distancing her children during the early days of the pandemic.

(Via Deadline)

Kanye West wants his fans to help him root out an imposter on his roster, tweeting that he found a fake employee on his payroll and wondering if anyone had ever heard of such a person. Posting a screenshot of a what looks to be a blank profile picture from a job site with the name “Lauren Greenfield” and title “Music Consultant,” Kanye asked, “Has anyone ever heard of this person? I just found a fake employee on my payroll!!!”

While most of the responders, including good friend Chrissy Teigen (who is an absolute delight on Twitter most days), seemed clueless, a few theories did emerge. One reply posited that it could refer to photographer Lauren Greenfield, who apparently photographed Kanye’s wife Kim when she was 12 years old. Another hilarious theory was that the employee “was real until July 24th, but when the album didn’t drop she vanished because a music consultant was no longer needed.” Then, of course, there were the usual over-the-top memes and obnoxious stan tweets, proving that maybe Kanye should have kept this particular investigation in-house.

In the meantime, if Kanye’s worried about wasteful overhead, he might want to look into how his campaign money is being spent. It was recently reported he’s spent over $6 million on his wonky run for President, which has resulted mostly in his name being rejected on ballots all over the country due to false signatures. Good thing for him he’s the highest-paid male entertainer for 2020 or the money he’s spent on this and his 2019 Sunday Service concerts would have him in the poorhouse in no time.