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The ‘Game Of Thrones’ Showrunners Are Tackling Another Acclaimed (And Expensive) Book Series For Netflix

Instead of focusing on the, let’s say, polarizing final season, let’s remember the good times on Game of Thrones. The first five seasons are unimpeachable, with some of the most thrilling scenes (the Red Wedding, the Red Viper vs. the Mountain, Joffrey getting slapped, etc.) in TV history. Keep that “Hardhome is a masterpiece” positivity in mind before reading the rest of this sentence: Thrones showrunners David Benioff and Dan Weiss are adapting Liu Cixin’s The Three-Body Problem novels into a Netflix series.

The trilogy, also known as Remembrance of Earth’s Past, depicts humanity’s first contact with an alien civilization, and as Benioff and Weiss wrote in a statement, “Liu Cixin’s trilogy is the most ambitious science-fiction series we’ve read, taking readers on a journey from the 1960s until the end of time, from life on our pale blue dot to the distant fringes of the universe. We look forward to spending the next years of our lives bringing this to life for audiences around the world.” They will be joined by writer-producer Alexander Woo (True Blood) and executive producer Rian Johnson (The Last Jedi).

“As ardent fans of the books, it was especially meaningful to us to get the support of Liu Cixin who created this expansive universe. Cixin has gone one step further and has joined as a consulting producer alongside Ken Liu, who wrote the English translation for The Three-Body Problem and Death’s End. Having Cixin and Ken involved will help ensure that the spirit of the books remains intact,” Netflix’s VP of original series Peter Friedlander wrote. The rights didn’t come cheap: Amazon was reportedly set to spend $1 billion to adapt the series in 2018, but two years later, Netflix swooped in.

The Three-Body Problem does not currently have a premiere date or announced cast.

(Via Netflix and EW)

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Big Sean Wouldn’t Have Made ‘IDFWU’ If He Knew ‘Something Tragic’ Would Happen To Naya Rivera

In his new interview with Vulture about his upcoming album Detroit 2, Big Sean addresses many of the rumors that have followed him in his music career, including one about one of his biggest hits. “IDFWU,” a feisty breakup anthem produced by Mustard and featuring E-40 from 2015’s Dark Sky Paradise, has long been attributed to his then-recent breakup with TV star Naya Rivera. In Vulture, however, Sean denies that the song is about her and admits that had he known how things would ultimately play out, he wouldn’t have released the song in the first place.

“I don’t feel comfortable talking about it because I want to respect her,” he confesses. “She’s made such an impact on people, and she’s done so many great things in her life and her career that it was hurtful to even have that [song] be associated with her. It wasn’t a diss to her. I truly made the song and played it for her. She knew about it, and she liked it. We had a breakup that was very public, and we were young and we forgave each other and moved on from that. If I would have known something this tragic would have happened, I would have never made the song.”

Sean also addresses rumors about a July tweet some fans thought was about Kanye West, as well as the long-speculated-upon “beef” between Sean and Kendrick Lamar after K. Dot demolished Sean’s 2013 hype single “Control.”

Read the full interview here.

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All The New Albums Coming Out In September 2020

Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in September. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.

Friday, September 4

  • Alright — I’m Doing This To Myself (Self Aware Records)
  • Annie Dessner — Coffee At The Corner Bar (Annie Dressner)
  • Barely Civil — I’ll Figure This Out (Take This To Heart)
  • Big Sean — Detroit 2 (GOOD Music/Def Jam)
  • Bill Callahan — Gold Record (Drag City)
  • Billy Pilgrim — Time Machine (Honest Harry Records)
  • Carolina Story — Dandelion (Black River Americana)
  • Chaser — Look Alive EP (Thousand Islands Records)
  • Cold Years — Paradise (Original Rock)
  • Corey Flood — Hanging Garden (Fire Talk)
  • Declan McKenna — Zeroes (Tomplicated)
  • Denis Sulta — This Moment Of Silence EP (Sulta Selects)
  • Dirk Powell — When I Wait For You (Compass Records)
  • Dirty Projectors — Super João EP (Domino Recording Company)
  • Drew Danbury — Icarus Phoenix (Drew Danburry)
  • Dukes Of Chutney — Hazel (Beats in Space Records)
  • Elrichman — Heaven’s Mayor (Bobo Integral)
  • Grant-Lee Phillips — Lighting, Show Us Your Stuff (Yep Roc Records)
  • Grant Pavol — Album A Year (Accidental Popstar Records)
  • Greta — Ardent Spring (Celebration Records)
  • Hannah Georgas — All That Emotion (Brassland)
  • Hannah Grace — Remedy (Never Fade Records)
  • The Hawkins — Silence Is A Bomb (The Sign Records)
  • Hayden Calnin — Soon Forever EP (Nettwerk)
  • Home Counties — Redevelopment EP (Alcopop Records)
  • Initiates — Esoteric Pop (PNKSLM Recordings)
  • Japanese Television — EP III (Tip Top Recordings)
  • Jarv Is… — Beyond The Pale (Rough Trade Records)
  • Josiah Johnson — Every Feeling On A Loop (ANTI‐)
  • Korine — The Night We Raise Out (Born Losers & Data Airlines)
  • Lauren Alaina — Getting Over Him EP (19 Recordings/Mercury Nashville)
  • Lomelda — Hannah (Double Double Whammy)
  • Luka — First Steps Of Letting Go (Snowstar Records)
  • Max Bessesen — Trouble (Ropeadope)
  • Michael Rider — Temptation (1426857 Records DK2)
  • Michael Rother — Solo II (Groenland Records)
  • Muzzle Tung — Gannet (Big Potato Records)
  • Native Harrow — Closeness (Loose Music)
  • Phew — Vertigo OK (Disciples)
  • Phil Madeley — Century Witch Hunt EP (Nice Swan Records)
  • The Pineapple Thief — Versions Of The Truth (Kscope)
  • Rocket Pengwin — Planet Earth EP (Ultra Records)
  • San Cisco — Between You And Me (Nettwerk)
  • Scott Helman — Nonsuch Park (Warner Music Canada)
  • Shlohmo — Heaven Inc. EP (Friends of Friends Music)
  • Simon Collins — Becoming Human (Frontiers Records)
  • St. Panther — These Days EP (How So Records)
  • Tangents — Timeslips (Temporary Residence Limited)
  • Tennessee Jet — The Country (Tennessee Jet Music, LLC)
  • Tekashi 69 — TattleTales (Create Music Group)
  • Total Revenge — Total Revenge (Forged Artifacts)
  • Tricky — Fall To Pieces (False Idols)
  • Vaya Futuro — El Peso Del Mundo (Devil In The Woods)
  • Watertank — Silent Running (Atypeek Music)

Friday, September 11

  • Attaboy — Big Heart Manners (Atta Boy)
  • Blitzen Trapper — Holy Smokes Future Jokes (Yep Roc Records)
  • Brian Cullman — Winter Clothes (Sunnyside)
  • The Brothers Keg — Folklore, Myths And Legends Of The Brothers Keg (838258 Records DK)
  • Chad Lawson — You Finally Knew (Chad Lawson)
  • Conway The Machine — From King To A God (Drumwork/Griselda/EMPIRE)
  • Delta Spirit — What Is There (New West Records)
  • Doves — The Universal Want (Imperial Distribution)
  • Elizabeth Cook — Aftermath (Agent Love Records)
  • The Flaming Lips — American Head (Bella Union)
  • Granville Automatic — Tiny Televisions (Start Swimming)
  • Haai — Put Your Head Above The Parakeets EP (Mute)
  • Jeremy Gara — Passerine Finale (Invada Records)
  • Manikineter — Copper Fields (Atypeek Music)
  • Marilyn Manson — We Are Chaos (Loma Vista)
  • Mastodon — Medium Rarities (Reprise Records)
  • Matt Costa — Yellow Coat (Dangerbird Records)
  • Mickey Guyton — Bridges (Capitol Nashville)
  • Ronnie Earl & The Broadcasters — Rise Up (Stony Plain Records)
  • Susanna — Baudelaire & Piano (SusannaSonata)
  • Two Bird Stone — Hands & Knees (Wondermore)

Friday, September 18

  • AG Cook — Apple (PC Music)
  • Al Riggs And Lauren Francis — Bile And Bone (Horse Complex Records)
  • American Authors — Counting Down EP (Island Records)
  • Armon Jay — The Dark Side Of Happiness (Armon Jay)
  • Ava Max — Heaven & Hell (Atlantic Records)
  • Be No Rain — Strawberry Backstory (One Two Many Records)
  • Bear’s Den — Fragments (Caroline International)
  • Brennen Leigh — Prairie Love Letter (Brennen Leigh)
  • Brother Firetribe — Feel The Burn (OMN Label Services)
  • Carnation — Where Death Lies (Season of Mist)
  • Cindy Blackman Santana — Give The Drummer Some (Present Future, LLC)
  • Daniel Romano’s Outfit — How Is They World Is Ordered (You’ve Changed)
  • David Broza — Casa Limón (S-Curve Records)
  • Deradoorian — Find The Sun (ANTI‐)
  • Derek Sherinian — The Phoenix (Insideout Records)
  • Dig Nitty — Reverse Of Mastery (Exploding In Sound Records)
  • Dylan Thomas Griffin — Our Age EP (Friends of Friends Music)
  • Ed Harcourt — Monochrome To Colour (Point Of Departure)
  • El Ten Eleven — Tautology III (Joyful Noise Recordings)
  • Elliott Brood — Keeper (Six Shooter Records)
  • Emma Kupa — It Will Come Easier (Fika Recordings)
  • Fenne Lily — Breach (Dead Oceans)
  • Gus Dapperton — Orca (AWAL)
  • Hey Elbow — We Three (Adrian)
  • Hollis Parker — Newscapism (SoSure)
  • Ian Wayne — Risking Illness (Whatever’s Clever)
  • Into It. Over It. — Figure (Triple Crown Records)
  • James Williamson & Deniz Tek — Two To One (Cleopatra Records)
  • Jealous Of The Birds — Peninsula (Atlantic Records)
  • Joan Osborne — Trouble And Strife (Womanly Hips Records)
  • Joe Wong — Nite Creatures (Decca Records)
  • Joshua Speers — Summerland EP (Warner Records)
  • Keith Urban — The Speed Of Now Part 1 (Capitol Records Nashville)
  • Kelly Lang — Old Soul (Leopard Entertainment)
  • Kev Sherry — Foxy Orthodoxy (Here Be Apples Records)
  • Knuckle Puck — 20/20 (Rise Records)
  • Luke Wild — Easier To Lie EP (Terrible Records)
  • Matt Berry — Phantom Birds (Acid Jazz UK)
  • Michel Benita Quartet — Looking At Sounds (ECM)
  • MJ Guider — Sour Cherry Bell (Kranky)
  • Movements — No Good Left To Give (Fearless Records)
  • Namir Blade — Aphelion’s Traveling Circus (Mello Music Group)
  • Osees — Protean Threat (Castle Face Records)
  • Peter Bibby’s Dog Act — Marge (Spinning Top)
  • Photo Ops — Pure At Heart (Western Vinyl)
  • Popcorn Fiend — Distance (Pure Moth)
  • Reverend John Wilkins — Trouble (Goner Records)
  • The Ries Brothers — Paint Your Emotion (Controlled Substance Sound Labs)
  • Rose Bonica — Tears For The Tea Maker (Roses Are Red)
  • Rudy De Anda — Tender Epoch (Karma Chief)
  • Ryan Hamilton & The Harlequin Ghosts — Nowhere To Go But Everywhere (Wicked Cool Records)
  • Semisonic — You’re Not Alone EP (Pleasuresonic Recordings)
  • Shira — Birds Of A Feather EP (Fairy Folk Publishing)
  • Stephen Clair — The Small Hours (Rock City RC 2020)
  • Sumac — May You Be Held (Thrill Jockey)
  • Sundressed — Home Remedy (Rude Records)
  • Tender Creature — An Offering EP (Island Records)
  • Tobin Sprout — Empty Horses (Fire Records)
  • Trae Sheehan — Postcards From The Country (Half Moon Records)
  • Warren Wolf — Christmas Vibes (Mack Avenue)
  • Yours Truly — Self Care (UNFD)
  • Yusuf / Cat Stevens — Tea For The Tillerman² (A&M Records)
  • Ziggy Marley — More Family Time (Tuff Gong Worldwide)
  • Zoe Graham — Gradual Move EP (Zoe Graham)

Friday, September 25

  • 2 Chainz — So Help Me God (Def Jam)
  • Anna Von Hausswolff — All Thoughts Fly ((RED) Southern Lord)
  • Asy Saavedra — Trover Saves The Universe (Mondo)
  • Attic Salt — Get Wise (Jump Start Records)
  • The Band Of Heathens — Stranger (BOH Records)
  • Big Scenic Nowhere — Lavender Blues EP (Heavy Psych Sounds)
  • Billy Lemos — Wonder (AWOL)
  • Blue Hawaii — Under 1 House (Arbutus Records)
  • Bob Mould — Blue Hearts (Merge Records)
  • Bright Dog Red — Something Comes Along (Ropeadope)
  • The Buckleys — Daydream (Petrol Records)
  • Carrie Underwood — My Gift (Capitol Nashville)
  • Cayucas — Blue Summer (Park The Van)
  • Christian McBride Big Band — For Jimmy, Wes And Oliver (Mack Avenue Music Group)
  • Christopher Parker & Kelley Hurt — No Tears Suite (Mahakala Music)
  • Christopher The Conquered — I Am Christopher (Grand Phony)
  • Chrome Waves — Where We Live (Disorder Recordings)
  • Connor Bracken And The Mother Leeds Band — Nightbird Motel (self-released)
  • Cristian Machado — Hollywood y Sycamore (Coconut Bay)
  • D.A. Stern — Mmxxtape (Slumberland Records)
  • Dead Low — Listen Up! EP (Audio Epidemic Records)
  • Deftones — Ohms (Reprise Records)
  • Diana Krall — The Dream Of You (Verve Records)
  • Eve Maret — Stars Aligned (Whited Sepulchre Records)
  • Gamblers — Small World (Gamblers)
  • Haider — The Muses Come Out At Night EP (Warehouse Music)
  • Half Stack — Wings Of Love (Forged Artifacts/Breakfast Records)
  • Heavy Salad — Cult Casual (Mal Loco)
  • Idles — Ultra Mono (Partisan Records)
  • Jadu Heart — Hyper Romance (VLF Records)
  • Jake Winstrom — Circles (817649 Records DK2)
  • Jason Nix — Money On You EP (Platoon)
  • Jimmy Chamberlin Complex — Honor (Make Records)
  • Joji — Nectar (88rising Music)
  • Jordan Tice — Motivational Speakeasy (Padiddle Records)
  • Kirk Fletcher — My Blues Pathway (Cleopatra Blues)
  • Lydia Loveless — Daughter (Honey, You’re Gonna Be Late Records)
  • Machine Gun Kelly — Tickets To My Downfall (Bad Boy/Interscope Records)
  • Marie Davidson & L’œil Nu — Renegade Breakdown (Ninja Tune)
  • Masma Dream World — Play At Night (Northern Spy Records)
  • Matthieu Bordenave — La Traverse (ECM Records)
  • Mos Generator And Di’aul — Mos Generator And Di’aul (Argonauta Records)
  • The Neighbourhood — Chip Chrome & The Mono-Tones (Columbia Records)
  • Nicolas Michaux — Amour Colère (Capitane Records)
  • Night Shop — The Fountain EP (Night Shop/Salinas)
  • P.J. Farley — Accent The Change (Highvolmusic)
  • Paris — Safe Space Invader (Guerrilla Funk)
  • Ric Robertson — Strange World (Free Dirt Records)
  • Riley Pearce — Maybe I Can Sleep It Off EP (Nettwerk)
  • Rituals Of Mine — Hype Nostalgia (Carpark Records)
  • Róisín Murphy — Róisín Machine (Skint Records)
  • Ryan And Pony — Moshi Moshi (Pravda Records)
  • Sad13 — Haunted Painting (Wax Nine)
  • Sam Interface — Pink Dolphins EP (R&S Records)
  • Shannon Labrie — Building (Moraine Records)
  • Shy Boys — Talk Loud (Polyvinyl Record Co.)
  • The Silent Years — Spider Season (Love Is EZ)
  • Sola Rosa — Chasing The Sun (Way Up Recordings)
  • Sophia Loizou — Untold (Houndstooth)
  • Spatial Relations — Talking To Strangers: The Companion Album (People Teeth)
  • Squirrel Nut Zippers — Lost Songs Of Doc Souchon (Southern Broadcasting)
  • Sufjan Stevens — The Ascension (Asthmatic Kitty Records)
  • Surfer Blood — Carefree Theatre (Kanine Records)
  • Sylvan Esso — Free Love (Loma Vista Recordings)
  • Tashi Dorji — Stateless (Drag City)
  • Thurston Moore — By The Fire (Daydream Library)
  • Tim Heidecker — Fear Of Death (Spacebomb Records)
  • Trevor Hall — In And Through The Body (Trevor Hall)
  • The War And Treaty — Hearts Town (Rounder Records)
  • Wax Chattels — Clot (Captured Tracks)
  • Will Butler — Generations (Merge Records)
  • Yves Jarvis — Sundry Rock Song Stock (ANTI‐)
  • Ziemba — True Romantic (Sister Polygon Records)

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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The ‘Jurassic World: Camp Cretaceous’ Trailer From Netflix Proves That Frenzied Dinos Always Find A Way

Jurassic World: Dominion is still shooting in the U.K. after rebooting production in July, and Bryce Dallas Howard showed off the bruises that she was happy to acquire since it meant getting back to the business of running from dinos, possibly while wearing heels. That movie won’t arrive for awhile (June 2021), but fortunately, franchise fans can get a fix from an animated series is coming to Netflix, so we can watch dinosaurs terrorize humans afresh. It never gets old, does it?

The cautionary tale is still alive, this time with parents sending their children off to a luxurious, all-access camp set on Isla Nublar. As one always expects from this franchise, there’s no real peace to be found after cuddling little baby reptiles that can eventually grow up to rip one’s heads off. This trailer is everything that one would expect and more, since the DreamWorks Animation visuals might be even more striking than what we’ve seen in the live actions. Is it kid-friendly? Mostly, although Steven Spielberg (who’s executive producing, along with Colin Trevorrow, and Frank Marshall) has been scaring kids’ pants off since 1993’s Jurassic Park, so take that as you will.

The show’s a Netflix original (at the behest of at the behest of Universal Pictures and Amblin Entertainment), so it’ll be bingeable stuff, and the streamer has also set up an interactive site for users to explore treetop cabins and a zip line. From the synopsis:

Set against the timeline of the blockbuster film Jurassic World, Jurassic World: Camp Cretaceous follows a group of six teenagers trapped at a new adventure camp on the opposite side of Isla Nublar. When the events of the film unfold and dinosaurs are unleashed across the island, each kid realizes their very survival rests on the shoulders of themselves and their fellow campers. Unable to reach the outside world, our six teens will go from strangers to friends to family as they band together to survive the dinosaurs and uncover hidden secrets so deep they threaten the world itself.

Jurassic World: Camp Cretaceous arrives on September 18.

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Miley Cyrus Turns In An Upbeat Cover Of Billie Eilish’s ‘My Future’ For The BBC Radio 1 Live Lounge

The BBC Radio 1 Live Lounge is famous for the covers it has yielded, and now it’s back for more. Miley Cyrus was the latest guest, and she offered her rendition of Billie Eilish’sMy Future,” a performance that took on a more upbeat energy than Eilish’s laid back original.

Before the cover, Cyrus was asked if she sees any of herself in Eilish, and her response was full of praise for the young artist:

“I see my little sister a lot, and I see that generation [that has] that awareness that I think is so new and fresh. I love the idea that we are falling in love with ourselves, and I think that’s something so important. Right now, I think there are so many unrealistic ideals of what women should be or should look like or what our priorities are. For me, I grew up in an era where it wasn’t OK to wear sweatpants on stage. I grew up in a time where you were supposed to have on a bedazzled body suit and go out and do choreography. It is a different generation of this time. A lot of the female artists are regaining that power and saying, ‘I’m an artist and I look the way that I want to reflect who I am.’ I see a really healthy role model for the girls like my little sister. So, to that, I kind of do see something that I identify with because I feel like I did have a lot of awareness. I just encourage artists using their voice, not just to sing and entertain us, but to make change. I always see Billie out there being an activist first.”

Cyrus played more than just the Eilish cover, so listen to the full performance here and watch some clips above and below.

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Oscar Isaac Explains Why ‘Dune’ Is More Timely Now Than Ever Before

Dune isn’t only beautiful people walking around in the desert. I mean, it’s mostly that. But author Frank Herbert’s text also touches on politics, religion, capitalism (not a fan!), and environmentalism. “Men and their works have been a disease on the surface of their planets before now,” a character in the 1965 novel says. “Nature tends to compensate for diseases, to remove or encapsulate them, to incorporate them into the system in her own way.” It was timely in the 1960s, when the book was published; it was timely in the 1980s, when David Lynch’s film came out; and, as Oscar Isaac explained in an interview with Empire, it’s timely in the 2020, months away from Denis Villeneuve’s adaptation.

“It’s about the destiny of a people, and the different way that cultures have dominated other ones,” the Inside Llewyn Davis star, who plays Leto Atreides, explained. “How do a people respond when it’s at the tipping point, when enough is enough, when they’re exploited? All those things are things we’re seeing around the world right now.”

Dune comes out a week before Christmas, on December 18, although that assumes Christmas actually happens this year. Not for COVID reasons, but because of the anti-capitalist uprising among teens that Dune, and specifically Timothée Chalamet and Zendaya in Dune, inspires. That’s poor planning on Warner Bros.’ part, really.

(Via Empire)

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Joe Rogan Became Emotional While Looking Back On Chadwick Boseman’s Incredible ‘Black Panther’ Legacy

Joe Rogan’s move to Spotify and Texas (while uprooting from California) appears to have gone smoothly, cowboy hat and all. Before he launched his first The Joe Rogan Experience podcast from the new abode, he visited with MMA analyst Jimmy Smith on the debut installment of SiriusXM’s Unlocking the Cage with Jimmy Smith. Naturally, the discussion turned to last Friday’s tragic death of Chadwick Boseman at age 43 from cancer. Rogan, who recently discussed how he’s not afraid to cry, did not hold back while revealing how upset and stunned he was to hear of Boseman’s passing.

“I just looked at the news and said, ‘F*ck!’” Rogan recounted. “Just instantly, ‘F*ck!” That guy was cool. He was a brilliant guy. It sucks so hard that some a**holes live forever. And some really cool people die young. He was one of them.”

From there, Rogan praised Boseman’s performance in Black Panther and noted the movie’s resounding (over $1 billion) success. While wiping his eyes, he recalled the monumental moment when Boseman’s King T’Challa materialized in Endgame to resounding cheers from theater audiences. “The Avengers movie — I’ll really tear up if I talk about this — there’s a video that someone took from the audience, where they see him show up onscreen, and the whole audience goes crazy, it’s amazing.”

Clearly, Rogan’s a fan not only of Boseman’s work but also the man himself. He spoke to how important Black Panther felt to audiences, beyond being a mere superhero movie. “That movie was such a spectacular box-office success, and he was so perfect in the role,” Rogan raved. “And as a human being outside of the movie, he was so perfect. To be that guy, to be this guy who embodies what you would want from a movie star and in a position of prominence, and a guy who has a voice. To see him die at 43 of cancer [sniffles], it’s just what I said when I looked at my phone.”

Of Boseman shielding the public from his diagnosis, Rogan believes that it “speaks to his character that he suffered in silence like that, and he didn’t make a big deal of the fact that he was trying to get through cancer. It’s a bummer, man.”

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Ed Sheeran Ends His Social Media Hiatus To Announce The Birth Of His First Child

After years of touring behind Divide, Ed Sheeran announced in late 2019 that he would be taking a much-deserved break. He declared he would be staying away from social media during this hiatus, so fans were surprised to see him return to Instagram a few hours ago. His comeback post announces a new project, the biggest of Sheeran’s life: He and his wife Cherry Seaborn have welcomed their first child, a daughter named Lyra Antarctica Seaborn Sheeran.

Sharing a photo of tiny socks on a knit blanket, Sheeran shared the news and reported that everybody is doing well, writing, “Ello! A quick message from me as I have some personal news that I wanted to share with you… Last week, with the help of an amazing delivery team, Cherry gave birth to our beautiful and healthy daughter – Lyra Antarctica Seaborn Sheeran. We are completely in love with her. Both mum and baby are doing amazing and we are on cloud nine over here. We hope that you can respect our privacy at this time. Lots of love and I’ll see you when it’s time to come back, Ed x.”

It was rumored that Sheeran and Seaborn got married shortly before Christmas in 2018 in a private ceremony, and months later, he confirmed in an interview with Charlamagne Tha God that the two tied the knot.

Ed Sheeran is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Trump Actually Compared Cops Who ‘Choke’ And Kill People To Golfers Who Miss Short Putts Under Pressure

In the words of noted tech journalist Kara Swisher, “When you need to be saved by Laura Ingraham, it’s not good.” But that’s what happened over and over tonight in a Fox News interview in which Ingraham repeatedly went out of her way to try to save the President of the United States from himself. Still, that did not stop him from saying utterly baffling and at times downright shocking (even for him) things.

Case in point: after being asked by Ingraham to comment on the dangers of being a police officer in 2020, Trump opined, “The police are under siege. They can do 10,000 great acts, which is what they do, and one bad apple or a choker — a choker, they choke.” Ingraham then jumped in, “You mean, they, they panic.”

Trump continued, “Shooting the guy in the back many times…Couldn’t you have done something different? Couldn’t you have wrestled him?…You know, in the meantime, he might’ve been going for a weapon. And you know there’s a whole big thing there. But they choke, just like in a golf tournament, they miss a 3-foot putt…” It was here that Ingraham apparently sensed that Trump was about to drive the car straight into the ditch and quickly interjected in an attempt to steer him back on course: “You’re not comparing it to golf, because of course that’s what the media would say” as she smiled and nodded her head. But, of course, the president was indeed comparing cops who kill to golfers who panic and miss easy putts.

Also in the interview with Ingraham, Trump claimed that people “in the dark shadows” are secretly controlling Joe Biden. He went on to add that he recently heard about a plane full of “thugs wearing these dark uniforms, black uniforms” who apparently control Biden? Or maybe Biden controls them? (Who knows!) When Ingraham pressed him for more details, the president claimed “I’ll tell you some time but it’s under investigation right now.

You can watch the full interview — which starts out with Trump falsely claiming that “Portland’s been burning for many years…for decades it’s been burning” — here. There are 63 days until the presidential election.

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Three Takeaways From The Thunder’s Close-Fought Game 6 Win Over The Rockets

In a game marked by the absence of a double-digit lead for either team at any moment, the Houston Rockets and Oklahoma City Thunder put on an entertaining show in Game 6 on Monday evening. It wasn’t exactly an offensive exhibition, with both teams failing to score even one point per possession, but Chris Paul excelled in crunch time and the Rockets couldn’t keep up on the way to a 104-100 final margin that prompts a Game 7 on Wednesday in the NBA’s Orlando Bubble.

With that as the backdrop, here are three takeaways from Game 6, all with an eye on Game 7.

1. Chris Paul can still go

With the game on the line, Paul was the best player on the floor in Game 6. Yes, Harden is the superior player at this stage, but Paul was legitimately brilliant in the fourth quarter, scoring 15 points on 5-of-7 shooting and 3-of-3 from three-point range — he finished the night with 28 points, seven rebounds, and three assists, with no turnovers.

To be fair, Paul did get an ill-advised technical foul (air punch!) that could have burned the Thunder but, in the end, he was also the biggest reason that Oklahoma City lived to fight another day. The entire 2019-20 season has been something of a revenge tour for the “Point God,” leading an undervalued team to the playoffs and staying healthy and productive all the way through the campaign. That continues here, with Paul bringing his teammates along for the ride and prompting a winner-take-all matchup on Wednesday.

2. Russell Westbrook and Eric Gordon have to be better

A lot will be made of Westbrook’s errant pass in the final seconds, as the Rockets trailed by two points and the future Hall of Fame guard tossed the ball out of bounds.

Make no mistake, it was a poor play at an inopportune time but, even with the ball, the Rockets are underdogs to win the game with a two-point deficit and no single possession is responsible for the final result. Still, Westbrook made quite a few errors in Game 6, committing seven turnovers in 27 minutes and submarining Houston’s defense at times. It is worth noting that he continues to ease his way back from an injury, including the fact that the Rockets have him on a pitch count in terms of minutes, but Westbrook was an overall negative in this game, even when accounting for his gravity as a rim-attacking force.

As for Gordon, it was just not his night. The veteran guard shot just 3-of-12 from the floor and 1-of-6 from three, joining Westbrook in committing four turnovers. His transition defense was also problematic, and the Rockets simply can’t reach their goals if their No. 2 and No. 3 shotmakers flounder to this degree. Of course, no one should assume Westbrook and Gordon will be this bad, but Game 6 was a reminder that Houston is going to ride with their shortened rotation, and they just need more from this duo.

3. Game 7 is looming and there is a lot at stake

The stakes are always high in Game 7’s, just by nature of the win-or-go-home setup. Still, both teams have a lot riding on Wednesday’s tilt, albeit in far different circumstances.

For Houston, the pressure is immense. The Rockets are widely seen as the superior team and, with the Lakers looming, many seemed to overlook even the possibility that Houston could fall short of the second round. From there, Mike D’Antoni has an uncertain contractual situation beyond this season, and Houston’s small-ball approach could be in for further investigation if they are not able to prevail in the clincher. And, on top of all of that, they’d be losing a series to the player they dealt away this past summer.

On the Oklahoma City side, the pressure isn’t as significant, if only because the Thunder were not “supposed” to be here. Paul has been masterful all season long, Danilo Gallinari flashed some of his brilliance with 25 points in Game 6, and the Thunder have overachieved when compared to any reasonable expectation. In the same breath, Oklahoma City could be considering a full-fledged rebuild if things don’t break the correct way, with Gallinari on an expiring deal and both Paul and Steven Adams owed considerable money for the future.

Do the Thunder blow it up if they fall short? Do the Rockets look for a major tweak if this season ends with a first round exit amid lofty expectations and real buzz? Let’s just say that Game 7 could dictate a lot of decisions, for better or worse.