Our own Scott Heisel’s interview with Martha Hart offered a fresh perspective on her issues with WWE and their treatment of her late husband, Owen Hart, but it’s far from the only interview she’s given in the lead-up to this week’s season finale of Dark Side of the Ring, which tells Owen’s story. As she’s spoken with various outlets around the internet, a fuller picture has emerged of Martha’s own relationship to the world of wrestling of which Owen was such an important part.

For example, Hart’s interview with The Wrap focused more on the fragmentation of her relationship with Owen’s brother, WWE Hall-of-Famer Bret Hart. In that piece, Martha offers her perspective on the rift between them:

Unfortunately, I have no relationship with Bret. Bret was supportive throughout the lawsuit, but there were a few things that were a problem with Bret. First of all, when we were going through the lawsuit, he really was hoping that I would be able to help him get his wrestling footage. Because at the time, he had no relationship with WWE and he was hoping somehow — if we ever had a settlement — that we could work it in.

When that didn’t happen, he was very upset that he didn’t get his footage. It prompted him to befriend Vince again so he could have access to his footage. That was the first fracture in our relationship.

She also adds that he objected to her refusal to allow WWE to posthumously induct Owen into their Hall of Fame. She says he became “really nasty” in response.

Bret Hart made a short statement to The Wrap, offering a little bit of his own perspective:

While I am not interested in engaging in any more media mudslinging between Martha and myself especially in light of a global pandemic, I will say that our fallout is multifaceted. To say that it only involved being able to access and use my WWE footage and photos for future projects would merely be an oversimplification and inaccurate. I will not comment any further on the matter.

It’s a shame that rifts like these form in families over the years, and even more so when they get aired publicly. It would be nice to think that this renewed discussion might eventually lead to some degree of reconciliation.

DJ Khaled‘s 2019 album Father Of Asahd was just certified platinum by the Recording Industry Association Of America and to celebrate, Khaled teased a nugget of information about the upcoming follow-up to Father Of Asahd, revealing that the first single is already completed and features none other than his longtime hit-making accomplice, Drake.

In a triumphant post on his Instagram, Khaled boasted that the RIAA told him that he is the “only hip-hop artist to have three back-to-back platinum albums in the last 4 years.” He showed off all three plaques — one each for Major Key, Grateful, and Father Of Asahd — side-by-side, while thanking his listeners, declaring the feat was owed to “fan love — you did that.” Meanwhile, the caption of the post concludes with the tantalizing tidbit, revealing the upcoming collaboration with Drake in typical Khaled fashion. “First single BEEN done!” it proclaims. ” x MORE CHUNE PON THEY HEAD TOP.”

Khaled and Drake have had a prolific collaborative history, with 2011’s “I’m On One” giving Khaled his first top-ten Hot 100 hit, “No New Friends” reaching the Top 40 in 2013, “For Free” reaching platinum status in 2016, and “To The Max” going gold in 2017. The as-yet-untitled new collaboration will be their first since 2017, as Drake does not appear on Father Of Asahd.

Check out Khaled’s celebratory video post above.

This week iconic pop stars and rising singers alike put forth energetic tunes and crooning ballads to create the best new pop music. The Jonas Brothers returned with a Karol G collaboration, Katy Perry debuted her anticipated track “Daisies,” and Charli XCX unveiled the album she made entirely in quarantine.

Each week, Uproxx rounds up the best new pop music. Listen up.

Jonas Brothers & Karol G — “X”

With a big-name collaboration between pop icons like the Jonas Brothers and Karol G, it’s sure to make our best new pop music list. The single arrived as a bundle alongside their other track “Five More Minutes.” But the buoyant riff and rhythmic percussion on “X” heralds a catchy number. The track is upbeat and flirty with Karol G delivering a provocative verse in her native Spanish language.

Katy Perry — “Daisies”

Following an exciting pregnancy announcement in her “Never Worn White” video, Perry unveils her second single of the year with “Daisies.” Explaining the meaning behind the track in an Instagram post, Perry said her interpretation of the song has shifted: “I wrote this song a couple months ago as a call to remain true to the course you’ve set for yourself, regardless of what others may think. Recently, it has taken a new meaning for me, in light of what the whole world is experiencing. Each of us is one in more than seven billion, with our own story of strength and resilience to tell.”

Charli XCX — “Visions”

After two months of chronicling each step in the process of her record, Charli XCX’s quarantine album How I’m Feeling Now debuted this week. Written and recorded in less than two months, Charli’s record features a number of captivating tunes. And her glitchy and flirtatious album closer “Visions” is a stand-out track. Starting slow, the song deconstructs to a cacophony of synths, or as one YouTube commenter aptly put it, the track sounds “like a rave at the end of the world.”

Lennon Stella & Charlie Puth — “Summer Feelings”

A groovy bassline opens Lennon Stella and Charlie Puth’s funky collaboration “Summer Feelings.” Written as part of the soundtrack to the upcoming Scooby-Doo reboot Scoob!, the track reflects the fun and carefree feeling of warm summer days and exciting flings.

Chloe x Halle — “Do It”

R&B sisters Chloe x Halle have already had a busy year. Not only was Halle cast as Ariel in the upcoming live-action The Little Mermaid film, but the duo is gearing up to release an album on Beyonce’s label. Speaking to Zane Lowe ahead of their album, Chloe revealed why the duo chose to title their record Ungodly Hour: “We called it Ungodly Hour because it’s okay to not be perfect all the time. It’s okay to have those moments of self-reflection when you just don’t feel okay.”

Loren Gray — “Cake”

Loren Gray got her start on TikTok, but a record deal with Virgin cements the singer as more than just a viral sensation. This week, she unveiled her latest single “Cake,” which boasts Gray’s high-reaching vocals over a hard-hitting beat. Loren started to record the single earlier this year. But once California’s stay-at-home order took effect, the singer crafted her very own home studio in order to finish the track and release it on time.

ALMA — “My Girl”

Finnish pop-punk singer and producer ALMA has unveiled her debut album Have U Seen Her? Known for her work with Tove Lo and Charli XCX, Alma expands on her impressive catalog, showing off her knack for irresistible melodies on “My Girl.” In a statement, Alma detailed her album’s theme: “So that’s what Have U Seen Her? is about – finding your place and your people in the world, feeling valued. It’s for everyone who felt unimportant or couldn’t find their voice. You matter.”

Austn — “Take It All Back”

17-year-old rising singer Austn has already positioned himself as a major contender in pop. This week, he debuted the nostalgic track “Take It All Back.” The single arrives as his second track of the new year, following the major success garnered with his previous single “Phases.”

Prep — “Pictures Of You”

London four-piece group Prep returns with another groove to ail isolation blues. In a statement, Prep described their influences behind the track: “[The song is about] the person you keep thinking about but can’t be with, and the frustrations of trying to connect with them from a distance.”

Alextbh — “Between”

Malaysian artist Alextbh returns with piercing melodies and down-tempo grooves on “Between.” In a statement, Alextbh said he penned the track as a reflection on his sexuality: “I wanted to see how comfortable I could be with my sexuality in my songwriting. It feels empowering to write something explicit in a physical context and I guess it’s something I should explore more often. Queer bodies are human bodies and there’s nothing wrong with trying to frame that intimate moment and showcase it.”

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

“I’m living day to day. I’m not doing this whole, ‘Shakespeare wrote King Lear’ [thing],” Patton Oswalt tells me, content to present as someone striving to maintain sanity and empathy over some imagined need to be productive or attain some kind of meme-prescribed greatness while the world is on hold. It’s a response to a question about if he feels that pressure to create or write. And it’s a good one. “I don’t really have anything right now. It’s like reality has shifted. I’m not just going to jump in and write just to write.”

The purpose of our call is to talk about Oswalt’s new Netflix stand-up special, I Love Everything (which you can stream now). And we will get to that, but I want to veer a little. Oswalt never seems to put out an air of cool detachment. He feels things and expresses them on stage and on social media with authenticity, be they joy, frustration, or bewilderment. And so it’s natural to want to gain a glimpse into how he’s spending his time right now as a dad, bad cook (he’s drinking a lot of smoothies), human person, and, of course, one of pop culture’s most knowledgeable cinephiles.

“I appreciate Netflix’s little special about COVID-19, but I’ve got to admit, the stuff that’s giving me the most joy are just big, dumb action movies and stupid-ass comedies. I just need the relief again,” Oswalt says before we briefly discuss the fight choreography and action of Extraction. “The whole car sequence, when he’s driving in and then has to go back, the way they shot that was like, ‘Wow.’ Planning that shot must have been like planning a heist, the level of detail to that was insane.” Soaking in the minutiae of these things can be a salvation. It’s what normal feels like.

When he’s not watching Hugh Jackman in Bad Education, Errol Flynn movies, or catching up with What We Do In Shadows or Better Call Saul, Oswalt is watching new classics like Groundhog Day, Raising Arizona, and The Truman Show with his 11-year-old-daughter, Alice. “She’s really obsessed with the American version of The Office. She’s watching a lot of that,” he tells me.

While low-key film school is going on at Oswalt’s house, he has thoughts on the absence of movie theaters from our lives.

“I want the experience of going to theaters to come back. I don’t know if it’s going to,” he says, mixing the want of those words with a dose of reality. “I don’t want it to come back if it’s going to mean people dying, obviously.” We’re all scouring the landscape for silver linings, and for Oswalt part of that ties to the exploration of underseen or underappreciated art, a reachable benefit from all this time if it appeals to you and, perhaps, a part of whatever the new normal winds up being. “Maybe, maybe, maybe there’s a generation of people coming up that are so much more used to pulling things out of air. [Maybe] it will make them start to go back. And with services like Criterion and Shutter and Canopy… TCM is really amping itself up to Millennial and Gen Z viewing with interviews and extras. Maybe they’ll make a resurgence in classic film. I hope. I’m being optimistic here, but I don’t know.”

Oswalt is trying to guide his audience to the under-discovered art of Bob Rubin comedy, using his platform to host the frenetic bay area comedy legend’s special, Oddities And Rarities, which plays after I Love Everything and an introduction from Oswalt. “Showing people up and coming comedians or comedians that never got the exposure that they deserved… it just makes the creative atmosphere better for everybody, I think,” says Oswalt before talking more fully about Rubin. “He’s such a huge influence on me and on all of us coming up in San Francisco in the ’90s. He’s such a legend. Almost like a Captain Beefheart in terms of his influence on the art form that he pursued.”

While Oswalt is effusive in his praise for Rubin, he’s humble and doesn’t discuss his own work with too much self-importance despite understanding that this special is being released at a time when the work can provide a service as a distraction. I Love Everything is very clearly counter-programming made before it was known that it would be used as such.

“Maybe I’m being egotistical here, but I think people are going to be relieved to see something that isn’t about COVID,” Oswalt tells us when we ask if he’d ever thought of delaying the release to a more convenient time.

Describing the special, Oswalt says that it’s “just me being goofy, again. Just pop culture and weirdness and just being silly.” The word “again” has some added relevance. I Love Everything presents itself as a different flavor from Oswalt’s last special, Annihilation, which was heavier in some places as the comic talked through the horrific experience of tragically and suddenly losing his wife, grieving, and going on from there with his daughter. Packed with an epic, wonderfully illustrative tour of the Denny’s experience, the allowances he’s willing to make for expert contractors, re-married life, missing out on touring the Millenium Falcon, and other blended moments of normality and absurdity, I Love Everything is a light affair that aims to deliver on the promise of weirdness and silliness. As Oswalt adds with regard to this special’s specific focus: “It’s about being happy to be alive and coming out of the darkness.”

As I told Oswalt at the start of our talk, seeing him perform the I Love Everything material live at the Bergen PAC in Englewood, New Jersey in February was one of the last big outings I had before things got a little crazy (specifically in the New York/New Jersey area). The show stands out as the crown jewel of a fun night of laughter and diner food that I had with my cousin and my wife, holding added importance because it took place a couple of days before my wife went in for surgery. In the months since she has experienced a somewhat bumpy road with complications and a scary ER trip in the midst of the COVID lockdown. Everything is going to be fine now, but it’s obviously easy for me to re-experience this material and think about everything that has transpired since the last time I heard it — in my world and the world at large — while growing a little wistful.

You may have had a similar experience, thinking on the last couple of months while listening to jokes about things like going to restaurants, buying a house, school science fairs, and wedding receptions — the stuff that puts the color in life. But don’t. We shouldn’t. Or, at least, we should also remember that these things aren’t exclusive to the past, but something we’re all working our way back to. And in doing that, we allow specials like this to distract, connect, and be for this time without saying a thing about it.

‘I Love Everything’ is available to stream on Netflix now.

For two months last year, in April and May 2019, Game of Thrones took over my life, and my life was Game of Thrones. I reckon I’m not the only one. It was the final season of one of the biggest shows ever, the last piece of the TV monoculture with more Emmy wins and nominations than any scripted series. As someone who writes about TV for a living, it was nice to cover something that everyone was watching, or at least was willing to discuss (yell about) the next day; it sure beats writing about Brockmire for an audience of 47 people who are slowly catching up on Hulu. (Watch Brockmire! It’s great!)

But following the series finale, which apparently people had a lot of opinions on, I haven’t re-watched a single episode of Game of Thrones. That’s not a knock on the show overall (I love The Sopranos, which has an objectively perfect finale, but I also haven’t gone back to “Pine Barrens” since binging all six seasons a few years ago) so much as Thrones burnout. It got back so bad that last April, I started dreaming about hanging out with Daario. Not even a good character, like Sansa, but Daario! Do not recommend.

Anyway, I should say, I’m in the majority of people who did not enjoy the finale. I wasn’t angry about it, but I can’t say I liked it, either. And I haven’t thought about Thrones much since. But with today being the one-year anniversary of the finale, I thought I would re-watch “The Iron Throne,” and see if it was better, worse, or the same as I remember.

I was cautiously optimistic heading into the re-watch, hoping we were unnecessarily cruel on “The Iron Throne.” Maybe it was a victim of unprecedented hype, and it would have a Pinkerton-like arc: hated at the time, loved in the future. But “The Iron Throne” isn’t Pinkerton — it’s Make Believe, or Raditude, or Harley, or the disappointing Weezer album of your choice. There’s enough good stuff in there to remind you of what once, but not enough to make you, y’know, like it. But first, I want to hand out some compliments.

What Works

It’s great to hear the theme song again (between Game of Thrones, BoJack Horseman, and Unbreakable Kimmy Schmidt, we’ve lost too many never-skip theme songs in the past year); the acting is uniformly excellent, especially Emilia Clarke’s steeliness as Daenerys Targaryen and Peter Dinklage’s heartbreaking performance as Tyrion Lannister (it’s fun to dunk on pouty-faced Kit Harington, but he brought it in season eight); the Mother of Dragons’ final outfit is killer; everything looks expensive; and it’s good to see my dude Tormund again. All that was true last year, and it’s still true now.

Those are the positives. But before getting to the negatives, there’s…

What I Forgot

Daenerys doesn’t appear until 15 minutes into the episode, and she dies halfway through; the Dothraki are the only fun characters; and how annoyed I was that Bran, not Davos, was named the Lord of the Seven, er, Six Kingdoms.

What Doesn’t Work

Let’s say, this time last year, you wanted to see what the hoopla was about and you decided to watch Game of Thrones for the first time. What would you know about Bran, based only on “The Iron Throne”? Well, he has a weird nickname, “Bran the Broken.” He’s in a wheelchair; he appears to be emotionless; he’s “the keeper of all our stories,” whatever that means; and in his first small council meeting, he barely says or does anything. “This is your leader?” you might ask. “The winner of the game of [checks notes] thrones?” What an inspiring choice. In a vacuum, I don’t hate Bran becoming king (he’s a better pick than Jon), but Game of Thrones did not do the work to convince us that he was the right choice — he’s an interrupting weirdo whose powers remain frustratingly undefined. To make sense of King Bran requires too much headcanon. Even Isaac Hempstead Wright, who played Bran, seemed unsure about his character’s arc.

The narrative shortcuts remain the most frustrating element of Game of Thrones season eight, and the final episode, in particular. The Breaker of Chains turning into the Mad Queen? I buy it, in theory, but Thrones never showed the receipts, so to speak. It all felt pre-determined, not earned, or as our own Jessica Toomer wrote before the finale, “So many grand plots have been thwarted because the landing was rushed.”

“The Iron Throne” is also a gloomy, laborious episode, mostly shot in ashy darkness and largely missing what Game of Thrones was always the best at: two characters in a room, scheming and/or arguing. There’s a reason the most passionate scene in the finale is the one where an imprisoned Tyrion tells Jon that it’s his duty to kill Daenerys. The Breaking Bad or Mad Men finales work divorced from context, but not “The Iron Throne.” Once you know what happens to Bran and Brienne, it’s about as interesting as an already-solved maze. Again, not terrible, but not something I’m clamoring to watch again, either.

On May 19, 2019, “The Iron Throne” was almost immediately declared by the Comic Book Guys of the world the “worst series finale” ever (it’s a rule that everything on the internet has to be either the best or worst, with nothing in-between, which is where 99 percent of things fall). But watching “The Iron Throne” on May 19, 2020, twelve months removed from the hype, that’s not true. It never was. The Dexter finale is way worse, to use a recent example. How I Met Your Mother, too, and I’m sure there’s some codger out there who’s still furious over how December Bride came to an end in 1959. But Dexter Morgan and Ted Mosby didn’t inspire packed Hall H panels at Comic-Con, or headlines calling them the “world’s most popular show.” Game of Thrones became a victim of its own success; people hate the episode, because they love the show. Also, it’s boring.

A year later, “The Iron Throne” is what it always was, a disappointing ending to a once-great show, not the cataclysmic failure it’s often depicted as. It’s — to quote a show that will never have a bad finale, as it will never end (brilliant strategy, tbh) — meh.

The Veterinary Care Group’s Westbury location in Long Island had their first case of the coronavirus a week after two New York house cats had tested positive for Covid-19 on April 22 — the first pets in the U.S. to have the virus.

It was a fearful day, as one of the workers at the veterinary hospital tested positive— although it wasn’t from caring for an infected animal. “It’s not confirmed that dogs or cats can spread the virus to humans. There’s no evidence of that,” says Medical Director Mario Costa of the Oyster Bay and Westbury locations.

“But I would warn the absence of evidence is not necessarily the evidence of absence,” he added. “That means just because we haven’t shown that dogs and cats can spread the infection to humans doesn’t mean they can’t. The safest thing to do if someone in your household tests positive for the coronavirus is stay clear of the animal if you can or have someone who is not infected take care of it.”

Once the worker with coronavirus was isolated, the entire Westbury facility was shut down for a few days. Everyone else was tested and the facility was deep cleaned. “It’s definitely been trying times,” says Dr. Costa. “The real positive aspect is that we have seen how people really come together and do the right thing in these situations and help each other out. Everyone has been stepping up. We are understaffed because of everything going on and everyone is helping in these trying times.”

Photo by Marina Hanna on

Like most vet hospitals, they are mandated to emergency surgery, sick appointments and essential surgeries such as vaccines and neutering. No clients are allowed in the building and everything is operated curbside. They bring their own leashes, careful not to let any materials from the outside infect their workers. They all wear masks and gloves. There has been some backlash to the new policy and procedures. Some want to be with their pet. Others get angry that grooming isn’t essential anymore. “We are taking serious precautions,” says Dr. Costa. “We’re trying to protect ourselves and others. There is a risk of coming in contact with pets and people and getting the virus, but we are doing everything we can to avoid it.”

As far as Dr. Costa’s seen, coronavirus in animals is nowhere near the pandemic that’s been happening with their owners. Several labs have developed a SARS-CoV-2 test for pets, but none have broadly administered it. Although the test is costly and not covered by insurance, it will only be administered if the pet shows respiratory signs and the more common causes for infections are ruled out. Their clinics haven’t encountered any positive cases so far.

Photo by Markus Winkler on

When the pandemic first began, Dr. Costa saw respiratory cases in cats far more than he usually does. But, he claims, during the winter months, that’s usually the case. “We’re still learning a ton about what this virus does to animals, specifically dogs and cats. A lot of it really unknown at this point,” he says. “It’s possible that cats and dogs are getting infected, but not showing clinical signs. It’s most likely there are a lot of positive cases out there, especially if they are getting exposed to the virus if someone in the household is infected, but we are not catching it because we aren’t testing a wide percentage of the animal population.”

If an animal tests positive, Dr. Costa says that it’s mostly sneezing and upper respiratory signs, but it’s not analogous to the human infection. “As far as what we’ve seen, animals haven’t required real intense treatment. Whether it’s nebulization to reduce the amount of nasal discharge they are having or an antibiotic to prevent second bacterial infection, we let the virus take its course. Just like the common cold for adults. We haven’t really seen widespread life threatening consequences.”

Dr. Costa says people are less fearful now. He says a lot of it stems from the fact that most pets are only in contact with their household. The chances of contracting the virus from humans are way greater than getting it from your pets. He says: “In fact, pets are more likely to get it from their owner because they are the ones out and about.”

He believes right now it’s important not to let your animal mingle with others outside the home. The virus can live on fomites, which means things like leashes, collars and clothes can carry it and the virus could be transferred to you or your pet. The safest thing to do, he says, is social distance yourself and your pets. Dr. Costa mentioned a few studies that have shown that pets can duplicate the virus. One in China found that dogs, cats and ferrets could replicate the virus inside of them and potentially spread it to other animals. “But there is definitely no clear-cut evidence,” he says. “We’re taking the pulse of the scientific community and trying to figure out a scientific consensus and that takes quite a bit of time with replication of multiple studies. There just hasn’t been enough evidence yet to make broad conclusions.”

Photo by FLOUFFY on

One positive aspect is that since people are home from work and have a lot more time now—there has been a large influx of people adopting and caring for animals. “I’ve been seeing a lot more pets now that everyone is home. People are noticing more about their pets that they wouldn’t otherwise have noticed because they are spending way more time with them. People have time to train properly while they’re home. It’s great and interesting so many more people are adopting animals.”

For the vet community, it’s still essential to see the animals and examine them. But it’s sometimes difficult to tell what’s essential protocol. Dr. Costa believes it’s still a grey area that they are figuring out as time goes on. “People are saying the world is never going to be the same in how we do business. But it’s not feasible to operate only by video, phone calls or pictures. We have to physically examine a pet,” he says. “There is definitely a general concern over the situation we are facing—it’s natural during these times. I have personally seen the value of having the clients there with you. But we are all trying are best in this pandemic we’re facing right now.”

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One thing The Last Dance highlights is that the Chicago Bulls were more than a basketball team during their heyday. They were a gigantic cultural force, with Michael Jordan holding the title of the most famous person on earth. This meant that everyone wanted to be around the team, even if that wasn’t always going to be easy.

An example of this came after the Bulls knocked off the Utah Jazz in Game 6 of the 1998 NBA Finals. As we saw in the finale of The Last Dance, Leonardo DiCaprio somehow made his way into the area outside of the Bulls locker room and got to congratulate Jordan for winning a ring. It turns out that he almost didn’t get the chance to do this, but fortunately for him, Ahmad Rashad was able to do him a solid.

Rashad, throughout the series, has recorded videos on his Twitter account for things that popped up that needed a little more context. On Monday evening, he did that with DiCaprio’s backstage cameo.

“So when the last dance was over, I was on my way to the locker room, and as I walked to the back I saw security putting these little kids — well, they weren’t little kids, they were like, 20-year-old kids — but they were kicking them out of the back,” Rashad said. “So I saw it was Leonardo DiCaprio and I went over and I got him and I told the security guard he was with me, so I took him through the back, through the training room, and had them sit in the corner of the training room so when the whole team came in, they ended up having a chance to meet Michael Jordan. That was the end of the dance, then the dance was over.”

It’s a fun story from Rashad, one that further helps reinforce my belief that a docuseries that involves him telling stories over several hours would be a joy.

HBO Max will launch on May 27, and like a lot of people, you might be wondering if your HBO subscription will get you in the door at no extra charge. It’s a valid question, given that cable packages are pricey, with or without premium channels, and paying for HBO Max on top of HBO doesn’t sound appealing. The good news is that HBO Max is serious about standing as a formidable rival to Netflix and Disney. Not only will the service offer 10,000+ movie and TV titles (both on the library catalog and original content sides), but it’s shaping up to be competitive, pricewise. We’ll try and clear up some confusion here.

The Cost Of HBO Max If It’s Not Part Of Your Existing HBO Package:

If you’re coming to HBO Max dry — that is, if you aren’t one of the fortunate viewers who will be rolled into membership with an existing HBO subscription elsewhere or as an HBO Now subscriber — then HBO Max’s standard price will run $14.99 per month. That’s a higher price than Netflix’s standard plan ($12.99) and lower than its premium plan ($15.99). HBO Max also runs the same baseline price as HBO Now, but a special introductory deal exists to lock people into a 12-month HBO Max rate at $11.99 per month. A limited number of these discounted subscriptions are up for grabs before May 27, so visit the HBO Max home page to take advantage of the offer.

Naturally, anyone who can avoid being charged separately for HBO Max will want to do so. We’re all thrifty! So it only makes sense to look for ways to save money. First, let’s recap the other ways that you might already watch HBO: mainly, the other two HBO streaming services (HBO Go and HBO Now) already offered.

What Is HBO Max Vs. HBO Go And HBO Now?

– HBO Max is the newcomer streaming platform from WarnerMedia. The service will feature 10,000+ hours of premium content, which includes HBO’s entire library, HBO Max Originals, tons of Warner Bros. movies and TV shows, and much more.

– HBO Go is the on-demand streaming service that HBO cable viewers already receive as part of their subscription. The service includes HBO’s original content and rotating monthly selections, and access is tied directly into your specific cable TV package.

– HBO Now is a standalone, on-demand streaming offering for people who don’t hold a cable or satellite package but still want to subscribe to HBO and watch on a smart TV, laptop, tablet, phone or other compatible devices. The current price for this service is $14.99 per month, and many current HBO Now subscribers will automatically receive HBO Max access (when the service launches) without any added cost.

So If You’ve Got HBO, Do You Get The HBO Max Upgrade For Free?

Maybe. The current guidelines aren’t clear cut, and they’re very much in flux. Here’s where the issue stands as of now:

– Those who subscribe to HBO (and, in turn, HBO Go) through a cable TV service may (or may not) be in luck. As it stands, there’s no deal between HBO and many cable TV service companies (including Comcast and Cox), but that could change in the future. However, HBO subscribers who pay for the channel through Charter or an AT&T package will receive HBO Max at no added charge. That includes subscribers to the AT&T-owned DirecTV, IPTV, and AT&T TV, which means that millions of these HBO customers will get rolled into HBO Max.

– HBO Now subscribers who pay straight through HBONow.com will automatically receive access to HBO Max when it launches. So will subscribers who sign up for HBO with the Hulu add-on. And HBO Max has made a special point of saying that more partnerships might pop up before and following launch. Right now, though, it remains unclear whether those who pay for HBO Now as an add-on service through Amazon Prime, Apple, or Roku will also gain access to HBO Max with no extra charge.

– We do know that neither HBO Go nor HBO Now will be erased from existence for the foreseeable future. You can keep on doing your thing and pretend that HBO Max doesn’t exist, but you probably will want to enjoy the expanded library if you can.

Where The Topic Goes From Here:

If you’re a cable subscriber who remains (understandably) puzzled on whether you’ll receive access to HBO Max at no extra charge, your best bet is to ask your cable provider. That’s easier said than done, we know. HBO Max’s FAQ page is also a good source for updates because, soon, HBO Max will also be the only place to stream every episode of Friends and enjoy an expanding slate of wonderful-sounding HBO Max Original TV series and movies. Beyond an included cable package, the easiest way to get HBO Max rolled into an existing HBO service is through HBO Now (directly or through Hulu), so if you’re tempted to cut the cord, there’s one more reason to do so. That, however, might feel like a drastic move, so maybe hang tight and see what happens — other partnerships may very well surface as HBO Max evolves.

HBO Max launches on Wednesday, May 27.

Lil Durk has made feeding people something of a habit. Just weeks after he hand delivered hot meals to healthcare workers in his native Chicago, Durk does the same for some of the city’s most downtrodden residents in the somber video for his latest single, “Street Prayer.”

In the video, not only does Durk feed the needy, but he also addresses the justice system and how faith plays into his charity, literally demonstrating prayer through a scene of Durk and his bodyguards observing Salah, the Muslim practice of kneeling toward Mecca. He wears a thawb and a taqiyah throughout the video, in keeping with the spiritual theme.

“Street Prayer” is the latest single from Durk’s fifth studio album, Just Cause Y’all Waited 2, which released Friday, May 8, and landed at No. 5 on the US Billboard 200 chart, making it his second top-five debut (after 2019’s Love Songs 4 The Streets 2). He also released a video for “Doin Too Much,” while his collaboration with Lil Baby and Polo G, “3 Headed Goat” marked his first Hot 100 entry as the principal artist. The album drop was also preceded by “Chiraq Demons” with G Herbo

Durk’s experienced a big bounce back from 2019, when he was put on house arrest after being charged with intent to commit murder in an Atlanta shooting. While the case still has yet to be resolved, it appears that Durk is intent on making the most of his time until the trial, donating masks and meals to health workers in Atlanta, appearing on Wild N Out with Chance The Rapper, and performing his above-mentioned acts of service.

Watch Lil Durk’s “Street Prayer” video above.