This week’s episodes of The Last Dance focused heavily on the rivalry between the Bulls and the Detroit Pistons, introducing us to Dennis Rodman and Phil Jackson along the way while establishing why the Bad Boys were so important to the evolution of Michael Jordan, Scottie Pippen, and the Bulls as an organization.

Jordan noted that his hate for the Pistons remains “to this day,” and in particular, he cannot get over the actions of one Isiah Thomas. Thomas, who was interviewed as well, tried to explain some of what the Pistons did, most notably the walk-off in Game 4 of the 1991 ECF, in which they walked right past the Bulls bench and off the court without shaking their hands with seven seconds left. That didn’t sit well with the Bulls, and Jordan said no explanation Thomas could say would make him think “he wasn’t an asshole.”

Naturally, this sparked the discourse once again online as to whether the vitriol towards the Bad Boys and Thomas in particular was still warranted all these years later, and caught in the middle of Jordan fans still mad about things was Isaiah Thomas. Isaiah, with two A’s, is the active player, best known for his incredible 2016-17 season in Boston before his hip injury derailed his career. Isiah, with one A, is the Hall of Famer that is hated by Bulls fans, Jordan fans, and Knicks fans (for an entirely different reason). Isaiah asked politely if folks could please stop confusing the two, because he was not the one trying to injury Michael.

To further emphasize they are two different people, he posted two pictures of he and Isiah standing next to each other.

It didn’t really help, people kept tweeting at him, even replying to these tweets telling him he was wrong for what he said in the documentary and that the Pistons suck and he sucks and Jordan rules.

It’s something he’s used to at this point, but on a night like Sunday, when the world is focused on one A Isiah, poor two A Isaiah hears it and would like you to kindly stop yelling at him for something he did not do when he was a baby.

The ‘Westworld’ Confusion Index is your guide to what we know, what we kind of know, and what we don’t know about Westworld, one of television’s more confusing shows. We will make mistakes, surely, because we rarely know what is happening or why (and whenever we think we’ve figured it out, they go and change it on us), but we will try to have at least as many jokes as mistakes. This is the best we can offer. Here we go.

What We Know

Caleb’s story was darker and more complex than we thought

Man, poor Caleb. Life is just a non-stop kick in the pants for this guy. It was bad even when it was good, or at least as good as “my best friend died in war and now I’m a two-bit criminal who makes money via an app that curses at me and pays me to do felonies” can be. It was a pretty crappy existence filled with loneliness and PTSD. And that was before he met Dolores and discovered all of the following things:

• He was what’s called an “outlier”
• A hyper-powered algorithm expects him to commit suicide by heaving himself off of a sad pier
• He was reprogrammed in Serac’s creepy facility
• The outliers who are not successfully reprogrammed are locked away in these weirdo zombie cryo chambers
• He wasn’t so much “catching insurgents in Crimea” as he was “being manipulated with drugs to catch other outliers for Serac”
• He was actually the one who killed his best friend, Francis, in what amounted to a kill-or-be-killed situation set in motion by Serac and the RICO app to silence a rogue pharma developer

And so on. That’s not even everything. It feels like enough, though. And that’s before we even get to Dolores introducing him to Solomon, Rehoboam’s somewhat unhinged older brother, which he handled… pretty reasonably, all things considered.

Dude has had his entire brain fried every 30 seconds or so for the last two or three weeks of his life, ever since he met Dolores in that alley. Now he’s the one in charge of her revolution, the King Outlier out for blood. Do I foresee a future where he wakes up all the frozen undead outliers in that storage facility? My friends, I do. I will be supremely disappointed if he does not. You can’t just go around showing us a room filled with thousands of loose cannon wild cards in a state of artificially induced slumber and then not turn them loose on the world. I need this. I deserve this.

Let Aaron Paul lead a revolution.

Maybe… they weren’t so different, after all

God bless Dolores. The woman cares about two things in this life and two things only: One, leading a revolution that ends humanity’s reign over the robots they’ve created; two, explaining that other people she meets are not so different. She does it all the time. Last week, she described one of her clones as not so different from herself, which is just a staggering level of devotion to the premise that I would have to support it even if I did not love it dearly, which I do. One of these days an ATM is going to eat her debit card and she’s going to narrow her eyes and say “You know, you and I are not so different, really…” before she gets impatient and rips it out of the wall.

In her defense, she’s not entirely wrong, at least as far as the series goes, writ large. She wants a revolution to take down humans and set robots free. Serac wants to use robots to control the human population with algorithms. They’re both unhinged ideologues who are using all the power at their fingertips to bend society to their whims. They really, truly, are not so different in a lot of ways, with the small caveat that one wants to turn humans into robots and the other wants to turn robots into humans. And then there’s William, who really just wants to murder every robot he sees, which seemingly has little to do with anything right now beyond giving Ed Harris something to do for a while. I don’t know. I support this, too. The man is a visionary in the fields of growling and sneering. Let him cook.

The funniest part of this episode, though (for me, if not for anyone else), was everyone disagreeing with Dolores about how different they are. She tried it on both Solomon, who wanted no part of it…

… and Maeve, who wanted even less of it somehow, to the degree that she later blasted Dolores’ arm off mid-bicep with a helicopter gun.

We’ll come back to this shortly.

Everyone has cool guns, except for Maeve, who also has a samurai sword

We’ll actually come back to it now. Holy Toledo, were there some impressive weapons this week. I suppose I shouldn’t be blown away by this considering it is also a world where life-like android-types walk amongst us and occasionally fly futuristic-ass hoverplanes, but still. Dolores had that drone gun that scouted out targets and then launched what I assume were heat-seeking bullets at them. Maeve showed up with a samurai sword in her land (quite literally bringing a knife to a gunfight), only to then reveal that she was also controlling her hoverchopper’s artillery from her brain (Maeve rules).

But even with all this high-tech weaponry and space-age artillery, my favorite instrument of death this week, by a lot, was Sato’s briefcase machine gun that he used in his Jakarta shootout with Clementine, who is alive and is presumably the mystery robot that was getting boiled up at the end of last week’s episode.

It did not end well for Sato, as his torso was dragged out of the fancy club while his legs remained inside, the result of a stab-and-spin maneuver by Hanaryo — Maeve’s buddy from ShogunWorld, who was basically just a copy of Armistice, and was also apparently boiled up in the goo lab — that was almost ballet. Still, cool briefcase gun. I hope someone in the club picked it up before the cops got there. Not to kill anyone with or anything, just to show it off at parties.

What We Kind Of Know

This is probably not the last we’ll see of Dolores and Maeve

Dolores was not doing great in her fight with Maeve, a fight that has been brewing a long time and could have lasted much longer, in this recapper’s opinion. Like, the whole episode. They could have done battle for 60 straight minutes for all I care, with the two of them trading witty barbs back and forth and arguing about how different they are or are not as they slash and shoot each other’s limbs off one at a time. But that didn’t happen, in part because this show has flung open a whole lot of doors and windows that now need closing and in part because Dolores smashed what I have chosen to call “the emergency murder-suicide button.”

So there they are, passed out on the floor like lumps. On another show, that would be the end of them. Rest In Peace, badass strutting robot women. But this is Westworld. Both of them have died dozens of times. In fact, this is the second episode this season that has ended with Maeve lying dead on the floor of some weird science facility. Forgive me if I’m not buying the permanence of their incapacitation. Also, the show just got picked up for a fourth season with plans for a total of six and sweet Ford in heaven I do not see how they’re going to get three more seasons out of a show that is already waging a human vs. robots war in the streets that is tearing society apart at the seams. They’ll need Maeve and Dolores to keep this going, if only to kill time with snappy dialogue and sword fights.

Another note: This show has a whole lot of balls in the air all the time, which is probably why so many of its episodes this season have ended with a character in peril and then skipped almost entirely over that character the whole next episode. It happened with Caleb, with Maeve on the floor of the first science facility, and now with Charlotte after she got seared to a crisp by the car bomb that killed her kid and lover. One assumes we’ll see her again in the finale. One assumes we’ll see everyone again in the finale. Or not. Who knows? Maybe the whole thing will just be Ford playing chess in hell against the child version of himself, who is also Satan. I dare you to rule it out

What We Don’t Know

What does Serac have in store the finale?

If there’s one thing we know about Serac, it’s that my evil hologram boy has plans. He always has plans. His plans have contingencies and those contingencies have contingencies. And now, he has a whole mess of people gunning for him. Dolores and her robot army (plus Caleb) are smashing up his facilities and trying to undo all of his life’s work. William is pissed about him stealing Delos and is already out to kill every robot he sees so, hey, why not add one human supervillain to the list. Charlotte’s family was murdered by his goons and she very much looked like a lady who did not appreciate that. There’s is a race for the man’s head. It’s very exciting.

A not-inconsequential part of hopes Serac defeats everyone and just keeps going on with his diabolical existence and that’s what the last three seasons are about. I hope he builds a lair in a hollowed-out volcano and starts wearing an eyepatch. Lean into it, buddy.

Why would they choose the dumb default voice?

All I wanted in the entire world, at least in the moment that this happened in the show, was for the Solomon machine to ask what voice they wanted it to use and for Caleb to think about it for five full seconds of silence before responding, “Hmm… can you do Tracy Morgan?”

And then the Solomon machine would have bleep-blorped a little and said something about getting that old-school EMP robot pregnant. It would have done absolutely nothing to move the plot forward and might have even had the opposite effect. But it would have made me happy. That’s what’s important here.

Toronto five-piece punk rockers Pup return with a new single following their acclaimed 2019 record Morbid Stuff. The group is continuing their lively catalog with the energetic track “Anaphylaxis.”

“Anaphylaxis” is a song about fear, anxiety, and allergies. The accompanying video, tediously constructed by Callum Scott-Dyson, brings the song’s story to life through claymation. A blindfolded man accidentally bashes a beehive with a bat. Rather than attacking him right away, the bees form a complex strategy for revenge.

Vocalist Stefan Babcock explained that he drew inspiration for “Anaphylaxis” from seeing the reaction to his partner’s cousin getting stung by a bee:

“I got the idea for the song when I was at my partner’s cottage and her cousin got stung by a bee and his whole head started to swell up. His wife, although she was concerned, also thought it was pretty hilarious and started making fun of him even as they were headed to the hospital. He ended up being totally fine, but it was just funny to watch him freaking out and her just lighting him up at the same time. It reminded me of all the times I’ve started panicking for whatever reason and was convinced I was dying and the world was ending and no one would take me seriously. In retrospect, I always find those overreactions pretty funny. So we wrote a goofy song about being a hypochondriac and tried to make our guitars sound like bees at the beginning of it.”

Watch the “Anaphylaxis” video above.

Unbreakable Kimmy Schmidt is here to revive some Bandersnatch vibes, which is a grand idea because I don’t think anyone would be opposed to revisiting December 2018 right about now. Are you in? Good. Get ready for Ellie Kemper’s plucky heroine to return, one year after her Netflix series ended, for an interactive/choose-your-own-adventure special called Kimmy vs. The Reverend. No one can say for sure whether this edition will have a “trillion” permutations to both entertain and confound users as they help Kimmy and her crew make sure that Reverend Richard Wayne Gary Wayne doesn’t get his way. However, Jon Hamm pretending to stick an invisible key up his tush is the ridiculous content that we need.

Lots of choices must be made here, obviously. For starters, should Kimmy get married to her fiancé, Frederick, who’s portrayed by Daniel Radcliffe? Well duh, yes, but first, she’s going to have to locate more missing girls who were kidnapped by The Reverend. He’s not budging with any knowledge of their whereabouts, so it’s up to Kimmy and Titus Andromedon (obligatory Dishmantled shoutout) to locate these young ladies. A press release promises that this will be Kimmy’s “biggest adventure” yet, and one should expect not only explosions but a “dancing hamburger.” And robot overlords. I can’t wait.

Beware: things might get morbid, depending on which selections that users make.

Kimmy vs. the Reverend will stream on May 12, and Jacqueline (Jane Krakowski) and Lillian (Carol Kane) are also on board for this official end to the four-season series.

When Daft Punk releases new music, it’s a big deal. The issue that fans have is that the French electronic duo doesn’t drop fresh material all that often. Their most recent album was 2013’s Random Access Memories, and before that, it was 2005’s Human After All. That said, their Tron: Legacy soundtrack came in 2010, they contributed to Kanye West’s 2013 album Yeezus, and they featured on a pair of songs from The Weeknd’s 2016 record Starboy.

Still, the point stands: New music from Daft Punk doesn’t come along frequently, especially not full-length releases. It looks like they are working on new material now, though, as a film score is apparently on the way: Influential Italian horror movie director Dario Argento is working on a new film titled Occhiali neri (which translates to Black Glasses), and he says Daft Punk are providing the score.

In a recent interview with Italian publication La Repubblica, Argento said (translated via Google), “They are my admirers, they know all my movies. […] They learned that I was shooting a new film and they called me: ‘We want to work with you.’ [They said], ‘We will send you the first songs shortly.’ They are enthusiastic. They will come to Rome as soon as they can.”

Given the state of the world in light of the current pandemic, it’s not clear how soon Daft Punk would be able to travel to Rome, but based on what Argento said, it seems they’re already working on the score remotely.

Pro wrestling has a long history of recruiting its competitors from NFL rosters. Roman Reigns had brief stints with the Vikings and the Jaguars; Bill Goldberg was signed with the Falcons; Brian Pillman was a part of the Bengals; hell, even Verne Gagne was drafted by the Bears way back in 1947. But now, the script has been flipped: The NFL is now recruiting its competitors from pro wrestling bloodlines.

After the conclusion of the 2020 NFL Draft last week, the Baltimore Ravens announced they were signing undrafted free agent Bronson Rechsteiner, a fullback from Kennesaw State. Rechsteiner is the son of Robert Rechsteiner, better known the world over as the Dog-Faced Gremlin himself, Rick Steiner. (TIL Rick Steiner’s ring name was literally just his real last name cut in half.) As one half of the über-popular tag team the Steiner Brothers with his brother Scott, Rick traveled the world and won countless titles (and also feuded with Chucky).

Nowadays, the elder Steiner is retired from the ring (well, mostly), working as a real estate agent instead. However, his brother is still very much an active wrestler, and as such, he took to Twitter to share the news of his nephew’s success:

Sadly, the Ravens are not playing the Tampa Bay Buccaneers this season, which means the odds of Rechsteiner acquiring the 24/7 Championship from Gronk are slim.

Since its foundation, Netflix has consistently shown a commitment to delivering quality food TV. Starting with the now-iconic Chef’s Table, the streaming giant made it clear from the outset that they were going to take food-focused storytelling seriously and that great cinematography would be held in the same high regard as the food, locales, and personalities themselves. The formula worked and Netflix expanded its prestige offerings while also branching out into lighter, more eclectic fare.

Right now, Netflix is unarguably one of the premier spots to watch food and travel and/or food competition shows. There are a lot of options for a wide range of tastes. Too many to cover in one list, for sure. We’ve compiled our picks for the 16 best shows on the platform below, but rest assured: if you find one you love it can lead you to other shows in the same genre. Once you’ve finished watching Chef’s Table, for example, hit up Street Food: Asia — the same team is involved in both offerings and the shows work well as companion pieces.

Let’s dive in and find some hunger-inducing food shows to binge this week or weekend.

16. Cooked With Cannabis

1 Season, 6 Episodes | IMDb: 7.6/10

The Show:

This is Netflix’s second swing at a cannabis cooking show and it hits more often than not. The conceit is simple, cannabis chefs step into the studio kitchen and make the best THC or CBD infused plates they can. It’s fairly fast-paced and the food is legitimately repeatable in your own kitchen (for the most part).

Each episode is just over half-an-hour and there are only six total, so this is a really easy binge if you’re stoned and couch-locked.

Can’t Miss Episode:

With only six episodes, just start at the beginning. Though, episode five, High Holidays, is a particularly fun episode with a “Danksgiving” theme.

15. Million Pound Menu

2 Seasons, 12 Episodes | IMDb: 6.5/10

The Show:

This British show is equal parts fascinating and entertaining. Burgeoning cooks gather to do a pop up for the public and a group of judges, who are also restaurant investors. Meaning there’s are some serious stakes at play here. Pop up chefs, home cooks, and food truck chefs are cooking for their professional futures.

The show doesn’t flinch as it takes you into what it’s really like to create a fully realized concept for a restaurant and then actually make that business function in the real world, in front of people willing to give you sometimes millions of dollars (well, millions of pounds in this case).

Can’t Miss Episode:

Episode five from season one is a great place to start. The episode covers two concepts: A small plate Korean restaurant and a reimagining of the British dish bubble & squeak into a whole menu. While it’s clear early on which of these two will get funded, it’s still a fun and hunger-inducing watch.

14. Flavorful Origins

2 Seasons, 30 Episodes | IMDb: 7.6/10

The Show:

More than anything, this show is beautiful to look at. The Chef’s Table aesthetic is on full display as the camera and narrator takes us around two Chinese provinces with a laser focus on the food.

Farms, markets, hawker stalls, family dinner tables, and professional kitchens blend to create a clear sense of the place through the food the people grow, prepare, and eat. The episodes are also about 12 minutes each, making this a really easy binge.

Can’t Miss Episode:

Season two (Chaoshan Cuisine) episode two about Hu Tieu is a great place to start. The thick rice noodle takes on many forms over the 13-minute runtime and will have your craving noodles immediately.

13. The Final Table

1 Season, 10 Episodes | IMDb: 7.7/10

The Show:

This was a huge step up for Netflix when it came to fast-paced cooking competitions. Real-deal chefs gather in-studio to cook food based around a different nation’s food culture each week, creating a truly global feel.

While the show punts on their American episode, the rest of the series moves at a break-neck pace and features some truly inspired cooking.

Can’t Miss Episode:

Start with episode one based around Mexican cuisine. It’s an hour-long episode but will give you a great introduction to the show overall.

12. Ugly Delicious

2 Seasons, 12 Episodes | IMDb: 7.8/10

The Show:

Chef David Chang’s first Netflix show has a lot to offer. The show follows the chef around as he does his best to fill the shoes of Anthony Bourdain. There’s a clear travel element that’s focused on a food theme for each place. The second season focuses even more with Chang taking you into his family’s home as he has his first child and ponders food for kids before heading off to India and Australia.

Once you get through Ugly Delicious, check out Chang’s other food and travel show, Breakfast, Lunch, & Dinner, especially the episode in Cambodia with Kate McKinnon.

Can’t Miss Episode:

Season one, episode six (about fried chicken) is really when Chang hits a stride. The episode travels from Nashville’s hot chicken scene to a Chinese KFC to a Japanese home kitchen by the end. Plus, it’s all about fried chicken. That’s an easy subject to watch for an hour.

11. Somebody Feed Phil

2 Seasons, 12 Episodes | IMDb: 8.1/10

The Show:

There’s something very infectious about Phil Rosenthal’s wide-eyed wonder at all the beautiful food in the world. While this show is just as much about travel as it is food, it’s really Rosenthal’s affability that carries the hour-long episodes. You really want to be at the table with him as he dives into amazing looking dishes found all over the world.

Can’t Miss Episode:

Episode five of season one, New Orleans, is a great place to start. From there, jump around to whatever episode piques your interest. Don’t skip Tel Aviv or Saigon though.

10. The Chef’s Line

1 Season, 30 Episodes | IMDb: 6.9/10

The Show:

This cooking competition from Australia is incredibly addictive. Home cooks are brought into a studio kitchen to make the cuisine they love for chefs from a restaurant specializing in that food (essentially, it’s a show extrapolated around this famous Gordon Ramsay moment). Imagine loving Italian cooking and having to cook for the head chef of your favorite Italian spot.

While it’s only one season, there are mini-seasons within. The first mini-season covers Vietnamese cuisine, then African, Turkish, Italian, and Chinese foodways. There are eliminations, personal stories, and legitimately great food from home cooks. Plus, each episode is 25 minutes — making this a very easy binge.

Can’t Miss Episode:

Start from the beginning. The first mini-season is five episodes, focused on Vietnamese cuisine, and drops you right into the action.

9. Taco Chronicles

1 Season, 6 Episodes | IMDb: 7.8/10

The Show:

Taco Chronicles comes from Netflix’s Latin American division but feels like a spiritual successor to Chef’s Table. The look and feel of the show are outstanding. Each 30-minute episode takes you into a sub-culture of tacos across Mexico.

This is taco culture at every level from the farms to the streets and everywhere in between. Just make sure to have taco plans before you finish your binge. You’re going to want to feed a serious taco fix. Trust us.

Can’t Miss Episode:

This is a really easy six-episode binge from the beginning. Still, if we had to pick just one episode, it’d probably be barbacoa. The episode covers how the ancient traditions of this dish are still used today.

8. MeatEater

2 Seasons, 16 Episodes | IMDb: 7.9/10

The Show:

Steven Rinella has devoted his life to conservation, the celebration of wild foods, and educating the public on those subjects. MeatEater follows Rinella and other hunters as they travel the Americas to hunt, fish, and cook.

This show is unflinching and deeply informational, especially if you’re looking into sourcing your own foods. Each episode ends with a cook, often in nature, of what the crew has recently hunted.

Can’t Miss Episode:

Start with season seven, episode 16. This 22-minute episode takes Rinella out of the field and into his kitchen to demonstrate various techniques for cooking game, fish, and foraged foods. It’s a great entry-level episode.

7. The Great British Baking Show

7 Collections, 70 Episodes | IMDb: 8.6/10

The Show:

There’s probably little left to be said about this massive hit from the U.K. Home bakers assemble to, well, bake. The show has it all — from catty judges to ridiculous recipes to all the drama as the ovens heat up and flour flies. All in all, this is a very easy and fun watch, especially if you have the time to binge.

Can’t Miss Episode:

Collection One is the place to start. Ten episodes ensue as 12 home bakers fight for the championship.

6. Cooked

1 Season, 4 Episodes | IMDb: 8.1/10

The Show:

Journalist and author Michael Pollan’s Cooked takes a look at food from a scientific and often personal POV. Each episode looks at how fire, water, air, and the earth help us create the food and flavors we know and love. This is the sort of show for food lovers who want to have a better understanding of what it is that makes food cultures worldwide/ through history so incredibly unique.

Can’t Miss Episode:

Episode one, Fire, is a great place to start. The episode looks at how cooking the food we eat changed us a species and what we owe the animals we choose to eat. It’s heady stuff but worthwhile.

5. Salt Fat Acid Heat

1 Season, 4 Episodes | IMDb: 7.7/10

The Show:

Chef Samin Nosrat travels the world, digging into how salt, fat, acid, and heat change food and all the ways those elements differ across cultures. Nosrat’s infectious love of all things food really draws you in, with the beautiful dishes and locales adding a layer of wanderlust to the whole affair. It’ll be really hard not to binge this series in one sitting, is what we’re saying.

Can’t Miss Episode:

The first episode, Fat, is a great place to start. Again, just binge this one. It’s only four hours of beautiful TV at the end of the day.

4. Nailed It!

6 Seasons, 42 Episodes | IMDb: 7.4/10

The Show:

Comedian Nicole Byer and star baker Jacques Torres come together to offer home bakers the chance at winning $10,000 for recreating a ridiculous cake or confectionary. Celebrity guest judges drop in for judging (and zinger) duties. The 30-minute format and one-and-out nature of the competition make this a very addictive show that feels new with every episode.

Can’t Miss Episode:

Pop over to the “Holiday” version of the show. Season one, episode six has Jason Mantzoukas guest judging a New Year’s Eve bake-off and it’s an absolute blast.

3. Rotten

2 Seasons, 12 Episodes | IMDb: 7.1/10

The Show:

This is a crucial watch. The series is a journalist-forward documentary series covering our food supply chains. There are some harrowing aspects to how we get the food we eat every day and they’re revealed here in sobering detail. Over two seasons, the show covers everything from chocolate and big chicken to bottled water and French wine.

Can’t Miss Episode:

The season two opener, The Avocado Wars, is an eye-opening look at how Mexican cartels are shifting to avocados to fill in the gap left by losing part of the cannabis market.

2. The Chef Show

3 Volumes, 20 Episodes | IMDb: 8.2/10

The Show:

Jon Favreau and chef Roy Choi created a great cooking show based around Favreau’s hit movie, Chef. The show takes elements from food and travel TV and stand-and-stir cooking shows and blends them into a micro-talk show format with big-name guests.

This show has it all but still feels small and personal. Plus, the easy back-and-forth between Favreau and Choi as they cook is wonderfully familiar.

Can’t Miss Episode:

The fourth episode of Volume Two where Choi and Favreau head to Hog Island Oysters is a great place to start, especially if you’re looking for a little bit more of a travel element. The episode ends with a massive oyster cook right on the beach that’ll leave you salivating.

1. Chef’s Table

7 Seasons, 31 Episodes | IMDb: 8.6/10

The Show:

Chef’s Table is the gold standard of the Netflix food series. The show has even spun off into a Street Food series that we’d highly recommend watching after this one.

The thrust of the series is a look at a chef, baker, butcher, or cook who has devoted their lives to food. There’s a travel element at play here, but it’s really the single personality at the center of each story that drives this series. From a visual standpoint, this show is also just amazing to look at.

Can’t Miss Episode:

The Volume Six opener with The Grey’s chef Mashama Bailey is the perfect place to start. The show goes deep into Georgia and Savannah’s food scene with one of the region’s most important chefs. It’s a part history lesson, part culinary education, and 100 percent entertaining.

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Top Dawg Appreciation Week may have concluded with Reason’s animated video for “Might Not Make It,” but it seems the illustrated shenanigans may continue for a just a bit longer. The latest TDE video comes via an unusual source: The Instagram page of Guapdad 4000, who posted an animated video for TDE singer SiR’s “John Redcorn” video to his own feed and tagged SiR in the caption.

At the moment, there are few details about where the video came from or who made it, but one thing is for sure: The core Top Dawg roster of Ab-Soul, Jay Rock, Kendrick Lamar, and Schoolboy Q fit amazingly well into the roles of King Of The Hill‘s main characters Bill Dauterive, Dale Gribble, Hank Hill, and Jeff Boomhauer. Naturally, SiR himself embodies the song’s namesake as he chills in his room, makes beats, ignores a call from “Neicy,” and of course, smokes weed.

There’s no telling where Guapdad came across the video or whether it’s an official TDE release, but it’s Guapdad’s first non-Rona Raps or Falcon Fridays post to his feed, so make of that what you will. The clip itself is only around 30 seconds long, implying that there might be a longer version out there somewhere. The only question now is, of course, whether or not TDE will release it.

Watch SiR’s “John Redcorn” video above.

The Last Dance, the ESPN documentary series about Michael Jordan and the 1997-98 Chicago Bulls, is one of the biggest things in pop culture at the moment. Consequently, a lot of people who have ever had run-ins with the sports legend are sharing their stories about it. Now that includes Eminem, who, like Jordan, is one of the greatest ever at his chosen craft.

During a recent appearance on Sway’s Universe, Eminem spoke about a phone call he and Jordan once had about a potential sneaker collaboration. He said that he thought he blew his shot at working with MJ thanks to a joke he made at the end of the call:

“We were talking about doing some sort of shoe together. I was on the phone with him, we were talking, and everything was cool. He’s super cool, and everything was good until we get to the end of the phone call, and I said, ‘Yo man, when are you gonna come to Detroit so I can dunk on you?’ And it was crickets. I don’t remember exactly what he said, but I think he just kinda was like, ‘Ha ha ha,’ like laughed. I remember getting off the phone going, ‘Oh my God, I think I might have just blew it.’ Because to me, in my head, it was a total joke. It’s so ridiculous for me to think I could dunk on Jordan. In my head, it’s one of those things you think is going to be funnier in your head than when you actually say it.”

It turns out Eminem’s attempt at humor didn’t irreparably sour his relationship with the Jordan brand, as he has gone on to work with the company on multiple occasions, like on the recent Air Jordan 4 Retro “Carhartt x Eminem” sneakers.

Listen to the full interview above.