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Westside Gunn Declares His New Album Is Better Than DaBaby’s

Last Friday, fans expressed their disappointment in DaBaby‘s new project, Blame It On Baby, which arrived with plenty of buzz but ultimately wound up apparently falling short of expectations. While DaBaby was likely just as disappointed in the fans’ reactions as they were in the album, there was one observer who found delight in the Charlotte rapper’s fall from grace: Westside Gunn, whose album Pray For Paris had also dropped on Friday. The Griselda Records general took advantage of the opportunity to declare victory over his new unofficial rival by posting a throwback meme, inviting anyone who disagreed to “change his mind.”

We all remember the “Change My Mind” meme that dominated social media for much of 2018. After conservative podcaster Steven Crowder posted a photo of himself seated at an outdoor table with a sign reading “male privilege is a myth — change my mind,” witty internet users had a field day mocking him by swapping out the sign’s message with any number of supposedly controversial or outright wrong opinions. Westside Gunn’s post made use of the format to compare his album cover with the DaBaby’s, sliding a “greater than” sign between the two, favoring Pray For Paris, of course.

The tweet quickly went viral, accumulating over 5,500 retweets in the days since, along with over 19,000 likes. While DaBaby has yet to respond, it’s likely because he’s been focusing on the positive reactions to his album instead, retweeting praise from the fans who actually tweeted their approval of his new lyrical direction. Of course, the two rappers may also just appeal to entirely different fanbases, so there’s plenty of room for both to flourish.

Blame It On Baby is out now via Interscope. Get it here.
Pray For Paris is out now via Griselda/Shady Records. Get it here.

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People Are Memeing An Old Clip Of Hannah Montana Leaving Home, And It’s So Dumb But So Funny


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A Cannabis Delivery Person Talks Safety Precautions And Booming Business During COVID-19

The COVID-19 pandemic has revealed to us a lot about what our society considers “essential.” Nobody debates the idea of markets being open, we all need to get food and toiletries, but a few businesses initially took people by surprise. Your local liquor store might not have seemed essential before a global pandemic brought society to a grinding halt, but it sure has proven to be, right? It’s easy to dismiss our individual vices as frivolous but let’s be real — sometimes you really need to take the edge off.

Enter cannabis. Federally prohibited since 1937 and classified as a Schedule 1 controlled substance since 1970, the marijuana industry was in full bloom before the shutdown. Currently, marijuana is recreationally legal in 11 states, and medically legal in 33 others. It’s a wild shift, considering 10 years ago marijuana wasn’t recreationally legal anywhere. Under lockdown, most marijuana shops are still fully operational and moving more product than they ever have.

To get an inside look into this unique segment of essential work, we linked up with cannabis delivery driver Jeremy Branthoover as he geared up for 4/20. Jeremy services California’s Bay Area as a delivery driver for Caliva. In addition to delivery, Caliva was one of the first dispensaries in California to adapt to the state’s strict social distancing measures — which were first implemented in the Bay Area — by implementing a curbside pickup system and installing plexiglass walls inside their dispensaries to protect their budtenders and customers.

Jeremy has been a driver for Caliva since September 2019, and has been witness to pre and post COVID-19 workloads. He now pulls 12-hour shifts that keep him on the road nearly nonstop. We chatted over the phone about booming business, the changing reputation of cannabis, and the safety precautions that are keeping workers and customers safe during the long lockdown.

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How do you feel about weed shops being deemed an essential business?

I mean, up until last year I was living in Pennsylvania where it’s pretty rigorously illegal, and I’ve always been an advocate of the product itself for the medicinal qualities. So I’m happy to see that it’s deemed an essential business during this period of quarantine or stay at home, because I think it does really provide an essential service for people that might be suffering from anxiety, depression, or insomnia — anything that the product itself could help alleviate, especially during this time because it’s adding to that stress of the individual.

What safety precautions are you and the dispensary taking to keep you and the customer safe?

Well, we’re taking numerous precautions. We have a stockpile of gloves for the drivers as well as sanitary wipes, screen wipes for your phone; even, masks, and if anyone is in the building itself, the facility, they’re required to wear a mask now as well as gloves at all times. I’ve noticed we have a safety manager now that has been walking around and double-checking on workstations, ensuring that everything is cleaned and sanitized every hour.

There’s actually sheets up in the clerking stations where the orders are packed, where a supervisory officer has to sign off every hour stating that they cleaned the station up with the sanitary wipes that we have. The safety manager has been coming around and double-checking on those sheets as well. That’s all new since this whole pandemic has kicked off.

From a driver perspective, in my car I always have an ample supply of wipes and gloves and I try to change the gloves in between orders where I’m touching money and having to handle cash, as well as at the beginning of the day I always wipe off my steering wheel, just keep my car clean and try to do the most I can as an individual to help.

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Could you describe what the handoff situation is like typically with the customers?

Yeah, it’s subjective per the customer, but I’ve noticed during the whole social distancing order, some customers will have a like a stool or something set out already ready to go where I can put the bag down and they can leave their ID and cash so I could properly verify that it’s them. I can see them still while maintaining distance. They get their product and we stay safe the whole time doing so. Some customers will still come right up to the passenger window, not coming in my car obviously, but everyone has been staying very conscious of themselves I’ve noticed.

How are the tips, are you seeing an increase these days?

Yeah, definitely. Especially right around when this whole thing kicked off, customers are even saying “This is for you being out here during these times,” and I think that’s good, it gives everyone a good sense of gratitude and that they’re appreciated for what they’re doing.

Have you noticed any kind of wavering of people’s patience with social distancing itself?

Not really from my perspective because I feel like in most cases, given the nature of the product and everything, or when people are getting their delivery, they’re just grateful to be getting it during these times no matter what rules or precautions you have to follow. I haven’t had anyone be aggressive towards me about having to follow it. I mean if anything, I’ve had people be very stern on keeping distance and staying away during the whole time.

I’m myself a little tired of the whole thing, but I haven’t seen anyone taking it out on any individual who works on the road.

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How many deliveries are you getting out through the day?

It’s steady throughout the whole day ever since this started. There was a huge influx right at the beginning, of course. Now even a couple of weeks after, since we’ve adapted to the whole thing, it’s still from 9:00 AM when we open till 9:00 PM when we close. Steady orders all day.

Have you noticed any changes in buying habits? I know in the beginning a lot of people were stocking up or hoarding. Are people buying a larger volume, or has it normalized over the weeks?

I feel it has started to normalize over the weeks, but definitely I’ve noticed there’s still just huge orders coming in throughout the day of all types of different products. It’s hard to classify what’s hoarding or what’s not in this business, but I’ve definitely been seeing more orders with just a larger amount of products, from flower to drinks or anything that we sell.

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Is there anything that customers should keep in mind to make your job easier and safer?

I just feel obeying this whole social distance thing that has been put out is our best bet. Just not coming and trying to stick your arm in the car or something. Show me your ID, just be patient. Wait till I get out of the vehicle. Stay doing what you’re doing with the whole social distancing thing and we’ll be good.

Do you have any buying advice for people ahead of 4/20?

I would say if you have products that you have in mind that you want to purchase, don’t wait until the hour before you want them. I would just be conscious that there will probably be an influx of orders.

How long does the typical delivery take from the moment a person orders at peak hours?

As far as the Bay, San Francisco, Palo Alto where we operate out of, I would give us a three-hour window. At the busiest times throughout the day would it would be three hours. Most orders we’re still getting out within two.

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‘Animal Crossing: New Horizons’ Offers People Control In An Entirely Uncertain Time

One of the many features Animal Crossing: New Horizons asks players to embrace is taking photos. Your islander’s “phone” has a built-in camera function to set up photo opportunities with animals and friends and when players reach milestones they can hold “ceremonies” where everyone gathers together for a guided photo opportunity, complete with popping confetti. There’s even an entire island dedicated to dressing up and staging photos with the help of a hippie dog.

The Nintendo Switch’s one-touch screenshot button is a blessing for a game writer like me making images for reviews and other posts, so reaching under the left joystick was already common practice. But it took nearly a month with New Horizons to realize I kept instinctively taking a screenshot of the same moment, again and again. Once you get settled into the island after a few days the game lets you build bridges and inclines to make it easier to get around, and I kept saving my digital avatar celebrating the payment in full for these dumb stone bridges.

Nintendo/Uproxx

Basically anything you do in the game sounds unhinged outside of its contexts, but the debt is real. It’s a measure of progress, even if you pay down that debt with fishing and catching bugs and enduring localized puns. Bells may replace dollars in the Nintendo-made universe, but the feelings associated with paying off debts are the same. It took looking back through the images to make a composite for this post to realize what the feeling was: the rush of satisfaction over progress I’ve also gotten when I finally paid off a student loan.

Animal Crossing is a life simulator tethered to the reality in just one very notable way: the real-world passage of time. Its 2001 Gamecube debut took advantage of the system’s internal clock to follow the clock controlling your actual life, which means just like in reality there are moments of downtime. What people do in those moments depends on the player, but the early days of the game are a frantic rush to keep pace with what’s possible. Opening the museum, completing your set of DIY-crafted tools and racing to others’ islands to collect various fruits and furniture to outfit your home.

Nintendo/Uproxx

Unlike games like Stardew Valley, however, there’s no real way to maximize the use of your time. A day on your Animal Crossing island can really last 24 hours, and once you dig up your fossils and pay off your loans you’ll inevitably run out of things to do in the early days. The rush to achieve comes with later accomplishments and abilities looming over it all — there are bridges to be built and, later, terraforming your entire island to your own Frederick Law Olmsted whims. And because sharing images of it has made marking that progress ubiquitous, a lot of gamers unfamiliar with the series were turned off by the daunting laundry list of tasks altogether.

There’s been some predictable dismissal of Animal Crossing from those who don’t get why so many gamers are infatuated with the cutesy title. The words “infantile” and “pointless” have been tossed around, but the complaints are similar to ones the entire gaming genre has endured for decades now. For many of those who were looking forward to the title well before social distancing made it a trendy time-waster, the game’s return has been an escape from an increasingly uncertain reality. It’s also a dive into a world similar to our own where you can actually be rewarded with progress in the traditional ways we’ve always been told will work out in reality. Problems and debts just need time, homes are plentiful and you can always just pay off a bigger place to live with a timely sale of turnips on the Stalk Market.

It’s a concept that sounds absurd because of the nouns involved, sure, but it’s also one that’s equally silly for many outside of the game. As a generation, those most familiar with Animal Crossing are faced with record unemployment that’s shattered career growth, some for the second time in their lives. They also own less property than other generations and largely lack the savings of their immediate ancestors. For millions of people of a certain age, the American Dream is quite literally only possible in a digital world controlled by a crypto-fascist raccoon.

Nintendo

The last two console releases of Animal Crossing have been swiftly followed by a pair of global economic crashes previously thought to be generational. For millions of people playing Animal Crossing: New Horizons, it’s become an alternative to sitting around helpless as politicians, health experts and once-benevolent billionaires decide their fates. Put in that context, turning to a video game for some tangible semblance of control over something is honestly one of the more responsible coping mechanisms currently out there.

It’s also a way to offer kindness to others when faced with a reality that offers few current options for human connection. Small gifts — an MVP shirt for a friend’s son or a pixelated football sent with a somewhat inappropriate letter to an adult friend for 200 bells each — can bring about a smile in real life that must be covered by protective cloth when out in the real world. A friend who actively dislikes my soccer team made an Arsenal jersey design I was able to snag at his island a week ago. Small moments of joy like that are just the beginning of the ways the game has been utilized in a world largely shut down by uncertainty and unimaginable loss.

Through a month, Animal Crossing is a far from perfect game. The menus are dialogue trees and , especially navigating online play, is tedious. Crafting and customization, while a clever system as a whole, are slow and frustrating processes that hopefully will become streamlined through updates. But when major complaints include phrases like “there are not enough tables for my liking” and “the shovel is a bit wonky sometimes” it speaks not only to the kind of game Animal Crossing is, but also how low the bar is for finding something worthwhile in the game itself. There’s a whole lot not to like out there right now, and for some New Horizons scratches the itch of productivity and control they can’t find outside of their Nintendo Switch.

It’s a dissociative act, for sure, but in a world where just staying apprised of the day’s news can be an exhausting task, sometimes you just need to forget about reality and live on an island where money can quite literally grow on trees.

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Travis Scott Will Be The First Rapper To Perform A Live Concert In ‘Fortnite’

After months of rumors that Travis Scott would make an appearance in the popular game Fortnite, the Houston rapper confirmed just what he has in store. After a skin resembling the rapper leaked online, Travis and his Cactus Jack Records confirmed that they have partnered with Epic Games to give Fortnite‘s first-ever, in-game live concert, The Astronomical experience, on Thursday, April 23 at 7pm EDT.

Ahead of the performance, fans will be able to download exclusive outfits and emotes based on the rapper by completing in-game challenges. By “attending” the concert, players will also receive the Astroworld Cyclone Glider and two loading screens free. Travis will also debut a new song during the concert, which will be able to purchase on shop.travisscott.com.

With more and more rappers turning to streaming content in the wake of widespread quarantine protocols, Travis’ move may become another go-to avenue for artists looking to supplement lost touring income. With stars like Drake already proven to be fans, it’s easy to imagine a time when in-game concerts become another fixture of our increasingly online-based world.

To accommodate the global demand, the game will host multiple showings of the game for those in other time zones. See below for more information.

4/23- – The Americas @ 7pm EDT

4/24 — EU & ME @ 10am EDT

4/25 — Asia & Oceania @ 12am EDT

4/25 — EU & ME @ 11am EDT

4/25 — The Americas @ 6pm EDT

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All The Best New Music From This Week That You Need To Hear

Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best music released in the last week.

This week saw a long-awaited and highly-praised new album from Fiona Apple and DaBaby’s third album in just over a year. Yeah, it was a great week for new music. Check out the highlights below.

DaBaby — Blame It On Baby

DaBaby released his debut album last March. Now it’s just over a year later and he’s already back with his third full-length release, Blame It On Baby. Fans may not be sure how to feel about the record, but it has features from Megan Thee Stallion, Roddy Ricch, Quavo, Future, and others.

Fiona Apple — Fetch The Bolt Cutters

Uproxx’s Steven Hyden, like many other critics, had high praise for Apple’s first album in eight years, writing of it, “This, ultimately, is what was happened during Fiona’s hiatus away from the rest of us: She became her own genre. How lucky are we that it just grew by one more classic.”

Read our review of Fetch The Bolt Cutters here.

DVSN — A Muse In Her Feelings

The Canadian R&B duo have been on the rise over the past few years, and now they have returned with their third album, A Muse In Her Feelings. They got some big-time assists this go around, from artists like Future, Summer Walker, and Partynextdoor.

Bon Iver — “PDLIF”

Artists are doing all they can to get themselves and their supporters through these peculiar times. For Justin Vernon, that has involved releasing an optimistic new Bon Iver track called “PDLIF,” the proceeds from which will go to benefit healthcare workers.

21 Savage — “Secret” Feat. Summer Walker

21 Savage had an eventful 2019 due to his well-noted situation with ICE, and 2020 is shaping up to be busy on the music side of things with Savage Mode 2 on the way. As fans await that release, Savage has linked up with Summer Walker for “Secret,” a nostalgic new song that’s hopefully the first of many more in the upcoming months.

Playboi Carti — “@ Meh”

Following some big and likely unappreciated promises, Playboi Carti is getting ready to drop Whole Lotta Red. He teased the record with an artistic and NSFW video for “@ Meh,” about which Lil Uzi Vert does not care (in jest, of course).

Westside Gunn — Pray For Paris

The bad news is that Westside Gunn was diagnosed with coronavirus, but the good news is that he has since recovered. With that out of the way, he just dropped a new album, and he recently told Uproxx of the origins of Pray For Paris, “It started off as a EP. I was out in Paris. I had no idea I was even going to record one record, because I went out there for fashion week. Everything was based off of fashion week.”

Read our interview with Gunn here.

Peter CottonTale — Catch

The Social Experiment member (and therefore, Chance The Rapper associate) Peter CottonTale just independently released a new album, and fans of his previous gospel-inspired work will love this. Furthermore, the album has a couple of features from Chance, as well as contributions from Jeremih, Jamila Woods, PJ Morton, Jon Batiste, Kirk Franklin, Yebba, and others.

Kid Cudi — “Leader Of The Delinquents”

Nearly a decade ago, Kid Cudi performed a snippet of a promising new song at a show. Now, that track is finally out, and “Leader Of The Delinquents” delivers. Despite how old the track is, it sounds like it was written yesterday, with lyrics like, “Hello friends, Cudder again / Gotta smack ’em with some sh*t before the world ends / Same old denims, worn for days / I been home makin’ jams and many wonderful waves.”

Jamie xx — “Idontknow”

Speaking of things that were a long time coming, The xx member Jamie xx just dropped his first solo single in five years. “Idontknow” is an absolute winner, a high-energy, drum-driven number that hopefully precedes a follow-up to In Colour.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Sam Smith Says They ‘Definitely’ Had Coronavirus But Were Never Tested

As the coronavirus continues to spread across the globe, several musicians revealed they have been infected. Pink announced she had tested positive several weeks ago and recently detailed her “terrifying” experience fighting the virus alongside her three-year-old son. Sam Smith is another singer who has been vocal about their experience with the virus. In a recent interview, Smith said that although they were never able to get tested, they are “100 percent” sure they had the virus.

Sam Smith recently chatted with Apple Music’s Zane Lowe to talk about their experience in quarantine and their recent song with Demi Lovato, “I’m Ready.” During the virtual interview, Smith said they had spent weeks in isolation after getting sick. “I didn’t get tested but I know I had it. 100% had it,” they said. “Everything I read completely pointed to that. So, yeah. I definitely had it. Then as soon as I had it, my sister, like five days after, started getting symptoms who was living with me. So, me and her were just isolating for three weeks because we knew.”

Though Smith took weeks to recover, they found themselves remaining creatively motivated. “As everyone was really on lockdown, that’s when I got over it, luckily,” they said. “I suddenly just had this want to sing. The first two weeks, I was just like, ‘I want to sing. I don’t want to sing my songs, I just want to sing.”

Smith is now fully recovered and continues to make music. The singer even recently joined John Legend in performing during the Lady Gaga curated Together At Home livestream benefit concert.

Watch Zane Lowe’s full interview with Sam Smith here.

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The xx’s Romy Madley Croft Teases Her Debut Solo Album By Performing A New Song

So far, Jamie xx is the only member of The xx to have a relatively consistent and robust solo career outside of the group: He has a pair of solo albums to his name, and it looks like another is on the way. Now, though, singer and guitarist Romy Madley Croft is branching out, as she has revealed she has a solo album in the works as well.

Over the weekend, she performed on Instagram Live, and her set included a new song called “Weightless,” from her upcoming solo album. She indicated that her guitar-based performance of the song might not be indicative of the recorded song’s sound, as she said of her solo material:

“For the past couple of years, I’ve been writing a lot of songs for other people, writing a lot of songs for myself, and I ended up with all of these songs, so I’m gonna release a solo album […] under my name, so it’s just gonna be under Romy. I’m gonna be hopefully releasing it soon. I have loads of songs and I feel excited to try something new. […] With my new music, I’m excited to make it a lot more upbeat. It’s not — although I’m playing on the guitar and I love the guitar — it’s not exactly going to be guitar music.”

Watch Croft perform “Weightless” and speak about her solo album above.

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Of Course, Wiz Khalifa Released A New Album In Honor Of 4/20

As hip-hop’s reigning patron saint of laid-back, weed-themed music, it’s only natural that Wiz Khalifa would release an album on the official smoker’s holiday. The Saga Of Wiz Khalifa is quick hit of good-natured party rap, with seven songs featuring collaborators like K Camp, Logic, Megan Thee Stallion, Mustard, Quavo, Ty Dolla Sign, and Tyga. Clocking in at 20 minutes, the project is naturally designed to be started at 4pm and end you-know-when. There’s even a “Still Wiz” song riffing on Dr. Dre’s 2001 hit, “Still D.R.E.”

As an added bonus, Wiz will also DJ a set on Weedmaps’ “Higher Together: Sessions From Home” livestream, beginning at 4:15pm PST. Wiz will spend his favorite songs to get high to, while catching up with fans’ comments and talking about The Saga Of Wiz Khalifa. He’s also dropping a collection of new merchandise, which you can get here.

Wiz has experienced something of a resurgence in recent months, thanks in part to his 2017 song “Something New” becoming a huge moment on TikTok, as well as a recent appearance on Guapdad4000’s Rona Raps series.

The Saga Of Wiz Khalifa is out now on Atlantic Records. Get it here.

Wiz Khalifa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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How Jerry Krause Became The Chicago Bulls’ Greatest Villain

The Last Dance premiered its first two episodes Sunday night on ESPN, as the highly anticipated documentary about Michael Jordan and the 1997-98 Chicago Bulls debuted two months earlier than was initially planned.

The central figure of the documentary is Michael Jordan, unsurprisingly, as he’s been a central figure in basketball discourse for the better part of four decades. Jordan, even for all his flaws — some of which are exposed further in clips of him berating teammates — is and, for most, always will be the conquering hero in the story of the Chicago Bulls (and the NBA as a whole). The villain for many is former general manager Jerry Krause, who was the chief reason the 1997-98 season was the end of the dynasty.

It doesn’t take long for The Last Dance to dive into the tense situation that was brewing in Chicago after they won the 1996-97 championship, with footage of a defiant Jordan in a press conference after the Finals making it clear he felt it was unfair there was discussion of rebuilding after they just won a second title (and fifth in seven years).

“We’re entitled to defend what we have until we lose it. If we lose it, then you look at it and you say OK let’s change, let’s go through a… Rebuilding? No one’s guaranteed it’s going to be two, three, four, or five years,” Jordan said. “Clubs have been rebuilding for 42 years. If you wanna look at this from a business thing, have a sense of respect who have laid the groundworks for you to be a profitable organization.”

Krause, who died in 2017, is featured in various interviews from the past, but it’s clear that while there’s some appreciation for what he did in building the team, a lot of the anger how things ended in 1998 remains among many. To be clear, it wasn’t just Krause. Owner Jerry Reinsdorf was a major part of this as well, noting that aside from Jordan, the team was starting to age and a rebuild might be prudent. There are never front office decisions that don’t get the co-sign of ownership, and that should surely be noted in any discussion of Krause and the Bulls — although Reinsdorf seems to attempt to straddle both sides of the fence in the documentary.

A major part of the problem, as some in The Last Dance explain, was Krause never felt he got appropriate credit for the Bulls dynasty and as such felt compelled to prove how much power he wielded. That frustration spilled out in the now infamous quote, “Organizations win titles, not players alone.” That, in particular, rubbed (and still rubs) Jordan the wrong way. Krause explained it as being an issue of a quote being pulled from context, as the “alone” part is often left out, but still, it was fairly clear a message was being sent, one that was received and not appreciated by the Bulls’ star player.

“We know the team is much bigger than the 15 players,” Jordan said. “Those guys that worked in the front office, they were good people, but the most important part of the process is the players. So, for him to say that is offensive to how I approached the game.”

The tension between Jordan and Krause dates back years. It stared with the insistence in Jordan’s sophomore season to enforce a strict 14-minute per game restriction as he returned from a broken foot, one that Jordan believed was an effort to tank out of the playoffs and get a better draft pick. The discord between star and GM continued with the decision to trade Charles Oakley in 1988 — a trade that Jordan now admits set them up for the opportunity to win championships — as well as Jordan having to apply immense pressure to the Bulls in 1996 to re-sign him, threatening to go to the Knicks.

“Charles Oakley and I were good friends,” Jordan says in The Last Dance. “We spent a lot of time together, but things were in place for us to win when he left.”

It’s rather incredible that Krause, Reinsdorf, and Jordan had so many issues for that long of a period of time and were so successful, still, winning six championships with Krause, a two-time executive of the year, doing an excellent job building a team around Jordan and Scottie Pippen — who he traded up for in the 1987 Draft to pair with Jordan. However, the culmination of those frustrations, along with the deterioration of Krause’s relationship with Phil Jackson and Scottie Pippen, assured that the run would end in 1998.

Phil Jackson had become a superstar coach over his time with the Bulls — another member of the team Krause brought in early on — and as they kept winning, he garnered most of the non-player credit for the Bulls dynasty. This surely contributed to the falling out between he and Krause, which culminated in the possibility that Jackson would be allowed to walk after the 1997 season. That didn’t happen because Reinsdorf stepped in and negotiated a 1-year, $6 million deal with Jackson without Krause to bring him back, largely due to Jordan’s threats to walk away if Jackson wasn’t the coach. But the GM made it very clear from the jump that the 97-98 season would be Phil’s last in Chicago.

“This is going to be your last year. I don’t care if you win 82 games in a row, this is going to be your last year here,” Jackson remembers Krause telling him prior to the season.

That is what precipitated Jackson to call the season “The Last Dance,” hence the name of this documentary and the incredibly dramatic (and at times surreal) nature of such a high stakes season for a team that was at the top of the world. On top of that, Krause was openly courting Iowa State coach Tim Floyd to be his successor, while Jackson was still coaching.

For Pippen, the issues stemmed from a few things. One was his contract massively underpaid him by the mid-1990s. Pippen had signed a 7-year, $18 million deal in 1991, one Reinsdorf notes he felt even at the time was too long, due to a concern about ensuring financial security for his family. Reinsdorf refused to renegotiate that deal, and Pippen was stuck as the sixth highest paid player on the Bulls by the time the 97-98 season arrived. However, the biggest problem Pippen had with Krause was two attempts to trade him, once in 1994, and again mere days after they won the 1997 title.

“That really is what sort of tarnished my relationship with Jerry,” Pippen says in The Last Dance. “He tried to make me feel so special, but yet he was willing to trade and do all that stuff. But never would tell me to my face. After you’re in the game for awhile, you realize that nobody is untradeable, but I felt insulted. I sort of took the attitude of disrespecting him to some degree.”

That disrespect came from Michael and Scottie, who would regularly make vicious jokes at Krause’s behalf — Jordan’s personal favorite was picking on his size as a short, squat individual. In the first two episodes we get video of Jordan asking him if the pills he’s taking are “to keep him short? Or are they diet pills?”

He also invites him to do layup lines with the team, but notes “they’ll have to lower the rim.”

And after the documentary, Jackie MacMullan shared that the players called Krause, “Crumbs,” because he often had crumbs on his shirt.

There is no doubt Krause is the central villain in this story, particularly given the perspectives being shared. The players loathed him, and while Jordan has been fairly diplomatic in some portions of the interviews giving him some credit, that animosity remains. With Krause dying in 2017, he is not able to provide his side of things and, at times, Reinsdorf provides perspective from their side but it would be fascinating to have heard what Krause’s thoughts on how this went down were given he was on the receiving end of a lot from players and fans.