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‘The Last Dance’ Director Jason Hehir On The Series’ Upcoming Surprises And Why Jerry Krause Shouldn’t Get All The Blame

On Monday, a new Michael Jordan meme hit social media. There’s Jordan in Jason Hehir’s The Last Dance, watching Isiah Thomas give an interview, and, well, reacting. Now, Michael Jordan is all over the internet reacting to a whole host of things. But the funny thing is, there are a lot more surprises coming, including a Jordan reaction shot to Gary Payton’s interpretation of the 1996 NBA Finals that puts the Isiah Thomas one to shame. (We’ll see that one in the eighth episode.)

Jason Hehir is a busy fellow these days. Now, famously, with so many people at home, ESPN moved The Last Dance from July to now, and it’s been a massive success. Four episodes have aired, but there’s still so much more coming. (Eight episodes were sent out to media. The last two episodes weren’t done yet when screeners went out.) This coming week spends a large portion of its time on the 1992 Dream Team. And Hehir was lucky enough to watch an hour of footage from the now-famous Dream Team scrimmage and tells us what that was like, which he says was maybe most interesting for the trash talk between Magic Johnson and Michael Jordan.

Hehir also gives us his thoughts on the much-discussed motivations of former Chicago Bulls GM Jerry Krause. Now, Krause died in 2017, so Hehir has to piece together his informed opinion, but dives deep into Krause’s mindset and warns that all isn’t what it seems and that it wasn’t just Krause’s ego alone that ended the reign of the Chicago Bulls. And, if it were possible, Hehir tells us the one question he’d ask Krause.

I know you’re busy, so thanks for taking the time. With how popular this is, it’s like getting time with the Pope.

[Laughs] I think the Pope’s schedule is a little bit more regimented than mine, and his fashion sense is certainly better than mine. And I doubt that he’s running out to the deli for chicken cutlet sandwiches every six hours.

You don’t know that, there’s a chance he is.

Who knows? He might be a Chick-fil-A guy.

Everyone on social media is talking about Michael Jordan’s reaction to the footage of Isaiah Thomas’ interview. Wait until they get a load of the Gary Payton scene, because that is one of the funniest things I’ve seen in the last five years, just that whole exchange.

Michael’s reaction?

Yes.

Well, that’s when the true Michael comes out. You hand him that thing and it’s almost like a time machine. It’s a portal back to prime MJ and you can just see it, it comes over his face, he’s locked back in. He goes from a 57-year-old grandfather retiree, who’s competitive on the golf course, to prime Michael Jordan who was the most ferocious competitor in the history of sports. So, he definitely wasn’t going to do that reaction if I had just read him what those guys said. I think he needs to see their face and hear their voice to bring him back to that place.

Before this premiered, there was that quote from Jordan about how he was worried that he’d look like a dick or whatever. But he comes off pretty hilarious.

He is.

Like, a hilarious dick.

Every group of friends has the guy who loves being around people and is that ball-buster. And that is Michael. This is not a guy who has reached ultra levels of fame and he’s Charles Foster Kane locked away in his capital. Michael wants to be around people and always has. So that’s why, as you see as the series goes on, it gets more and more difficult for him. You talk to the local Chicago beat writers and they’re the ones who said that Michael was the most outgoing and the most likely to stay around after practice and just shoot the shit with these guys and sit there and talk basketball and talk life and talk politics and talk anything else.

We see that in that clip where he’s complaining about getting asked on the road if he’s coming back next year, but he’s talking with the local Chicago press and makes it clear it’s not them, then he just hangs out.

You can tell that everybody in that room was relaxed. That kind of aura that’s present when someone that famous and that culturally significant walks into a room, it dissipates very quickly when he starts to interact with people because he’s so down to earth and he’s got such charisma that you can’t help but feel relaxed in his presence. So it’s nice to see that side of him in these interviews, because he was very relaxed and natural every day that we did these interviews and he was very generous with his time and his candor. And I’m so glad that people can see that side of him rather than just the basic Q&A podium Michael. And this is more of what it would be like to hang out with him and have a discussion.

So, let’s pretend for a second that Jerry Krause didn’t pass away three years ago and he agreed to do this. You get one question. What would you ask him?

“What do you regret the most about the breakup of that team?”

Are you under the assumption that he did, in fact, regret it?

I’m under the assumption that everyone has regrets. I think that the way that team broke up, it was so unnecessary because it was so much more about ego than it was about money. I’m under the impression that everyone looking back says, you know what, man? It was a 50-game season [because of an NBA lockout before the 98-99 seasson] and next season we could have gone for seven. And you’ll see more of Michael and the guys talking about that in episode ten. We go deep into that, about everyone’s reasons, from Reinsdorf to Michael on down. And that’s not to… I don’t want that question to come off as like, “you must regret something, now’s the time to come clean and apologize.”

Sure.

That’s not it at all. I think that Jerry Krause has an enormous amount to be proud of and that’s the kind of relationship I hope I would’ve forged with him. Once he sat down, that he knew where I was coming from and he felt safe with me, but of course he’s got regrets. I would ask him if he had any regrets, if he had any regrets about the way that situation was handled in the late ’90s and if he does have regrets, what he would have done differently.

He just seemed so malicious against Phil Jackson. It’s like Phil Jackson killed Jerry Krause’s dog or something. Like, the whole Tim Floyd thing — it’s really nuts. It’s almost like there had to be more going on than just, “I want more credit.” But I guess that’s it, right?

That’s it as far as I know. I mean, I spent years researching this before we even sat down with the major players here and I never got the sense that it was over much more than just pettiness and jealousy for attention and credit. And that doesn’t stop with Jerry — that’s everybody. That year, Phil was famous for giving books to players and anyone who was on that long road trip. The first long road trip of the year, he would give everyone a book that he had curated and chosen just for them. A reporter asked Phil, “What book are you giving Jerry this year?” And he said, “I don’t think Jerry’s getting a book from me this year.” Some of this stuff is so childish. It was like, well, what are you proving here? You’re in the course of making history with arguably the greatest basketball team of all time other than the Celtics in the ’60s and you’re going to break this up because people are sucking their thumbs over who gets credit and who deserves to be mad at who? So, I think everyone, especially after Jerry’s passing, time heals all wounds and those wounds heal a lot quicker when people pass away. Before you get a chance to truly tell them how you feel about them. How much you appreciate them and if you’re sorry. What you’d be sorry about. And I think there would be a lot of reciprocal expressions of appreciation and apology to go around. But it’s too late now, and that’s a shame.

And Krause’s quotes from the time make it sound like it’s easy to just put a team like that together again. And it didn’t happen. And then he gets into the Hall of Fame, but it’s after he died. It’s kind of sad.

Yeah, well, I think that the important thing to realize here, too, is how far back Phil and Jerry Krause’s relationship went. Jerry Krause scouted Phil Jackson when Phil was in college, when Jerry was a scout for the Washington Bullets. So he knew him for decades and recognized something in Phil that he thought would make a great head coach when Phil, as we demonstrated Sunday night, was just about out of coaching. He was ready to go back to Montana and get his law degree and do something else with his life. So Jerry kind of rescued him. And Jerry always felt that Phil owed him a debt of gratitude. And I think from Phil’s perspective, he brought Jerry six titles. So in reality, neither one of them owed the other one anything because they both provided so much. It was a very symbiotic relationship, but it became toxic.

Pat Riley calls it “the disease of more.” Once you win one, you win two, you win three: everybody wants more credit, more money, more adulation. And that’s what happened. So I think that Phil’s in the position where he’s… the villain is always going to be portrayed in public as the front office, as the rich guy who’s pulling the strings and isn’t out there running up and down the floor every night, playing hurt, and winning the actual titles. Because Jerry Krause is not dunking from the foul line. But he did do all that leg work. He did do the work necessary to put the pieces in place. His reputation and his legacy is fraught and I think that one of the things that I wanted to do in this is demonstrate how difficult it was for him to navigate those relationships and how cruel they could be to him. So, some people are misinterpreting that as the film ridiculing him. If anything, it’s the opposite. I want to demonstrate to people just what this guy went through on a daily basis.

Were there any restrictions that Jordan had for you? Because the thing that I noticed was that there’s never even a passing mention of his wife at the time or his kids. Was that off limits?

It wasn’t off limits. Because the marching orders at the outset of this thing, and Michael said this himself to me, that this is not the definitive Michael Jordan documentary. “You can do that when I’m six feet under in a pine box,” is what he said. And if it’s not going to be the definitive documentary about his life on and off the court, I wanted to tell the story of the Bulls Dynasty, starring Michael through the lens of the ’97-’98 season. His children do appear in this in “Episode X.”

Ah, okay.

We wanted to get them in there. We interviewed them. Michael’s remarried now and he’s got twin daughters and he’s in a new chapter of his life. But this is not a biopic. This is meant to be an examination of all the machinations of building a dynasty and what goes into that and how many characters were there to make up this once-in-a-lifetime team. So I always say, as absurd as it sounds, ten hours is not enough time to tell the full stories of all of these people. So we decided to dedicate a lot of time to telling B,C,D stories of all the guys who made up that team, rather than to concentrate on Michael too much.

So next week is the Dream Team episode. Did you actually watch that entire famous Dream Team? Isn’t that supposed to be this hallowed thing that not many people get to see? Because we get to see some of it in your film, but did you watch the whole thing?

I did, yeah. It was included. That’s been seen before in another NBA entertainment doc about the Dream Team.

Right, but not the whole thing?

That footage has been seen by people, but I don’t know how many people have gotten to sit there and watch it in full, which is a thrill for a fan. It’s incredible. It’s literally some of the best basketball ever played. So just to watch the intensity of those guys playing in a tiny gym with a referee, a local referee that they hired who barely spoke English. There should be a documentary on that. Because I’m sure that those couple of days for him were quite nerve-wracking.

Yeah, I bet he has some stories.

But those are the kind of moments, you’re sitting in an edit room by yourself at night, and you’re screening stuff and taking notes on…

How long is that? How long was that scrimmage?

I think we had about an hour of footage of that.

Oh, wow.

I think we had about an hour of footage of that game. They switched up teams a bunch and played back and forth a bunch. But I was more interested in – spectacular plays of course – anytime we could decipher what they were saying on the floor. Because it’s so echo-y and obviously none of the players are mic’d and they’re filming it with a home video camera from about 50 yards away. But anytime we could decipher what people were saying, I took note of those things because I just loved to hear it. Who wouldn’t want to hear everything these guys say to each other when they’re talking trash on the court? So it was a fun experience though, just to watch.

Was there one thing that stood out? A piece of trash-talking that was like, wow, that was good.

Well, I thought it was so telling when Magic Johnson said, “It’s just like we’re in Chicago Stadium again and you’re getting all the calls.” And then Michael came back at Magic and said, “This is the ’90s.” And the implication there was: your time is done. If there’s a passing of the torch moment, there’s a good argument for it being the ’91 finals when Magic hugs Michael and congratulated him on winning his first title. But even more so, it’s that Michael was now the alpha dog among all the alpha dogs and for Michael Jordan to shout at Magic from the sidelines, “This is the ’90s.” That means, your time was the ’80s and the new sheriff is in town. So I thought that was cool to hear.

You can contact Mike Ryan directly on Twitter.

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Janelle Monáe Doesn’t Remember Who She Is In The Mysterious ‘Homecoming’ Season 2 Trailer

Homecoming ended on a dramatic final scene, emphasis on the word “final.” I’m not sure anyone expected the psychological thriller series to return for another season, not that we’re complaining — the Julia Roberts season was one of 2018’s best binge-watches, and the new season, this time with Janelle Monáe in the lead role, looks really good, too.

In Homecoming season two, Monáe plays Jackie, who “wakes in a rowboat adrift a lake, with no memory of how she got there — or even who she is,” according to the official plot description. “Her ensuing search for identity will lead her into the heart of the Geist Group, the unconventional wellness company behind the Homecoming Initiative.” If this turns into a crossover with Devs, I would not be surprised. But I would be delighted.

Here’s more on season two:

The second season finds Stephan James reprising his role as Walter Cruz, who is trying to build a new life following the traumas of war and the Homecoming Initiative, when he begins to realize that there’s an even more insidious version of the program underway – if only he can remember. Hong Chau returns as Audrey Temple, an anonymous underling at Geist who finds herself thrust into unexpected positions at the top of the corporate ladder. Joining the cast are Oscar-winner Chris Cooper as Leonard Geist, the company’s eccentric founder; and Emmy-winner Joan Cusack as Francine Bunda, an equally eccentric military woman.

Chris Cooper and Hong Chau? Don’t mind if I do.

Homecoming returns to Amazon Prime Video on May 22.

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Chris Paul Confirmed He Was Nearly Traded To The Warriors For Steph Curry And Klay Thompson In 2011

The Los Angeles Clippers took the leap from league-wide laughing stock to a formidable squad in the Western Conference in 2011 when it acquired Chris Paul from the New Orleans Hornets. It was a trade that occurred under extremely strange circumstances — then-commissioner David Stern infamously voided a Paul trade between New Orleans and the Lakers — but it kickstarted a golden era of Clipper basketball, even if that never resulted in a championship.

However, the Clippers and Lakers were not the only west coast teams that tried to acquire Paul’s services. The new book The Victory Machine by Ethan Strauss features a fascinating tidbit about the Golden State Warriors attempting to trade Steph Curry and Klay Thompson for the All-NBA point guard, but it reportedly fell through because Paul told the Warriors he would not sign an extension with the team.

Paul was asked about this during a recent podcast cameo and confirmed that it’s all true, saying he had no interest in playing on the west coast until he got out there and experienced life in L.A.

“At that time, all I knew really about the bay is cause I had been there to play the games or whatever,” Paul told Paul Rivera and Maverick Carter of Uninterrupted. “And everything was just so hilly, and I just thought about Full House.”

Obviously this is a fascinating thing to look back on in retrospect. At least three NBA teams — Golden State, New Orleans, and the Clippers — are directly impacted by this move regardless of any other context. This doesn’t even begin to consider things like L.A. potentially going star hunting elsewhere, or some of the role players who ended up being staples of those Clippers teams like J.J. Redick and Jamal Crawford potentially never ending up with the franchise, or someone other than New Orleans potentially getting the No. 1 pick and securing the services of Anthony Davis in the upcoming draft, or any of a host of other things that would have happened in the aftermath.

Things ended up working out pretty well for everyone involved to one extent or another, but it’s rare that this kind of deal that legitimately would have impacted titles, outlooks, and the careers of multiple All-Star players can be looked upon in retrospect.

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Sia Has Turned A Megan Thee Stallion Song Into A ‘Tiger King’ Parody For Charity

The Netflix documentary series Tiger King has become one of the defining media products of the ongoing quarantine era (along with the Chicago Bulls/Michael Jordan documentary The Last Dance). It’s one of the most appealing options in a newly limited pool of entertainment choices, so it has turned into a phenomenon. The show has inspired a bevy of parodies, and now Sia has offered her own: A song named after the series’ star, “Joe Exotic.”

Set to the beat of Megan Thee Stallion’s “Savage,” Maddie Ziegler and make-up artist Tonya Brewer do most of the heavy lifting on the song (Sia is credited as a featured artist), which opens, “Joe Exotic / Breeds tigers and lions: chaotic / His obsession with Carol: psychotic.” Although Sia doesn’t show her full face in the video, she does, in the spirit of Megan Thee Stallion’s twerking prowess, pull up her long shirt and shake her backside for the camera. The visual for the song is decidedly quarantine-friendly, as it was all filmed in a backyard, a garage, and a house.

In the description, Sia directs viewers to a donation page for The Humane Society Of The United States, which “[fights] all forms of animal cruelty to achieve the vision behind our name: A humane society.”

Watch Ziegler, Brewer, and Sia perform “Joe Exotic” above.

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Offset, Young Thug, And Others Are Hosting A Live Virtual Reality Stadium Concert

As the coronavirus pushes musicians everywhere to postpone their shows or cancel their tours entirely, many artists have turned to livestream performances to bridge the gap in live entertainment. Artists like Death Cab For Cutie’s Ben Gibbard, James Blake, and Post Malone have taken it upon themselves to give their fans virtual performances online. Now, Offset aims to raise the bar on digital concerts. Rather than host an Instagram live, Offset will join friends for a high-production virtual reality concert.

Virtual reality organization Oculus Venues partnered with Supersphere VR to bring an immersive and energetic concert experience to fans from their homes. Offset tapped fellow rappers Saint Jhn, Rich The Kid, and Young Thug to join him in the performance. The rappers will be broadcasting their performances into the virtual venue and donations from the event will be donated to the Atlanta Community Food Bank.

As part of the virtual experience, friends will be able to meet up inside the venue and enjoy the show together through VR headsets. According to Supersphere, the event will mimic a typical stadium show along with “actual production and stagecraft that fans would typically enjoy on tour.”

Offset’s VR performance kicks off 4/29 at 7 p.m. EDT. Watch it here.

Some of the artists covered here are Warner Music Artists. Uproxx is an independent subsidiary of Warner Music Group.

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All The Best New Pop Music From This Week

Despite the quarantine, pop musicians to continue to spread uplifting music through bright anthems. Charli XCX released the second song off her “DIY” quarantine album, Kali Uchis released a surprise EP, and James Blake ushers in a new era with a shimmering single.

Each week, Uproxx rounds up the best new releases. Listen up.

Charli XCX — “Claws”

Charli XCX continues creating her quarantine album, How I’m Feeling Now. Following the release of the lead single “Forever,” Charli is back with the metallic number “Claws.” Bright, wonky synths offer a pixelated background to Charli’s upbeat lyrics. “I like everything about you,” Charli sings over heavily-layered production.

Kali Uchis — “Angel”

Charli XCX isn’t the artist who has been working on new music from quarantine. Kali Uchis unveiled an EP filled with self-recorded tracks Friday and “Angel” arrives as the second number. The singer’s signature velvety cadence melts over a shimmering backbeat. “Can’t give you my album yet, but i recorded some demos in my room for u,” Uchis wrote on Twitter.

James Blake — “You’re Too Precious”

Following a series of spirited and earnest livestreams from quarantine, James Blake unveiled his first single of 2020. “You’re Too Precious” opens with Blake’s watered-down vocal track which ultimately morphs into a catchy, unassuming beat. Showcasing the full range of his voice, Blake praises his lover with intentionally choppy production.

PVRIS — “Gimme A Minute”

“Gimme A Minute” is the latest taste of PVRIS‘ upcoming third studio album Use Me. A moniker of multi-instrumentalist, songwriter, and producer Lynn Gunn, PVRIS furthers her knack for blissed-out alt-pop numbers with the single. In a statement, Gunn said the song is a sonic interpretation of dealing with mental health issues: “The pacing and dynamic of the song feels similar to when your mind starts to spiral on something, the quiet start slowly stirring and building eventually landing into chaos.”

Alina Baraz — “Off The Grid” Feat. Khalid

After teasing it with several singles, Alina Baraz released her vibe-heavy album It Was Divine this week. With its arrival came the slow-burning number “Off The Grid” with R&B crooner Khalid. Crafting an enchanting tune with a rolling beat, Baraz’s comforting inflection blankets the single.

Jessie Ware — “Ooh La La”

Jessie Ware continues to pivot towards groovy, dance-ready music with her latest track “Ooh La La.” Opening with a heavy, euphoric bass guitar, the single features resonating synths and crashing percussion. Over the hip-shaking instrumentals, Wares lilts a story about carefree young love.

Chloe Lilac — “Moderation”

Chloe Lilac continues to preview her forthcoming sophomore EP Moderation with the eponymous single. A pivot from her formerly-released singles, “Moderation” features noisy guitar and revved-up production. In a statement, Lilac wrote that the song is inspired by her past struggle with mental health: “This song is about my struggle with mental health and self-hatred. I’m a really intense person and I sometimes feel like people can only handle me in moderation.”

Alaina Castillo — “Pass You By”

Alaina Castillo showcases her emotive songwriting with the heart-wrenching single “Pass You By.” Castillo’s fingers glide over a smooth acoustic guitar while her soaring vocals narrate the importance of knowing one’s self-worth in the face of an emotionally toxic relationship.

Miquela — “Machine” Feat. Teyana Taylor

With our current modes of technology, it was only a matter of time before the arrival of a robot influencer — and Miquela was the first of her kind. The perpetual 19-year-old AI singer Miquela teamed up with rapper Teyana Taylor to debut the buoyant anthem “Machine.” In a statement, Miquela praised Taylor’s music. “Working with Teyana has been on my vision board for a MINUTE,” Miquela said. “The stars aligned once I found out she was recording in the studio next to mine. She was as perfect and cool as I imagined, and she brought that same energy to ‘Machine.’”

Gus Dapperton — “First Aid”

What started out as a bedroom pop project, Gus Dapperton grew over the course of several years and has honed his sound as a musician. After recently seeing viral fame due to his verse in Benee’s “Supalonely,” Dapperton is at his most vulnerable in “First Aid.” The track arrives as the lead single from his forthcoming sophomore album, the singer wrote: “In the past, I’ve written my songs from a place of love and heartbreak. This album is about internal pain and suffering.”

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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WWE Has Reportedly Released Cain Velasquez

In retrospect, it was never quite clear where the “Cain Velasquez in WWE” thing was going. After an impressive MMA career and a couple of appearances in AAA, he made a surprise debut on the first episode of Friday Night Smackdown on Fox, striking fear into the heart of Brock Lesnar immediately after the latter had squashed Kofi Kingston to take the WWE Championship. They announced a match for Crown Jewel in Saudi Arabia, and then news broke that Velasquez had been signed to a lucrative multi-year deal with WWE. He lost to Lesnar at Crown Jewel, worked a few house shows… and that was it. He wasn’t in the Royal Rumble, despite saying he would be, and he wasn’t at WrestleMania 36. And now, it seems his time in WWE is already over.

According to Dave Meltzer on Wrestling Observer Radio, Cain Velasquez was released from WWE as part of their recent budget cuts. Meltzer notes that his deal was for a lot of money, so now that they’re cutting back on spending, and considering how little he’s done in the company so far, it was probably an easy choice. There are rumors that it’s been issues with his lingering knee injury that have kept him from working, and if that’s true he’ll now have plenty of time to focus on rehab before moving on to whatever the next stage of his career turns out to be.

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A Lovely Chat With Kim Bodnia About Konstantin And Villanelle’s Magnetic ‘Killing Eve’ Relationship

Danish actor Kim Bodnia has played characters who you’d never want to meet in a dark (or light) alley, but his uproarious laugh over the phone communicates otherwise. Fortunately, on Killing Eve, he’s able to let several sides of the same assassin-handler character fly. With Konstantin, viewers often don’t know exactly where his loyalties lie first and foremost, and that’s how Bodnia likes it. When it comes to being Villanelle’s primary handler, though, their surrogate father-daughter relationship somehow remains steadfast, as unlikely as that seems when she does things like, you know, shoot him. Now, Konstantin’s third-season arc is leading to more cunning maneuverings as his professional and personal lives threaten to collide, and his showy phone juggling is only the beginning of dealing with The Twelve’s whims.

We’re not sure whether Konstantin can keep managing his delicate balancing act, but if anyone can survive this series, it’s probably him. Similarly, Bodnia’s adept in the art of longevity. He’s been rolling around on film and TV screens for over two decades after breaking out in Nicolas Winding Refn’s 1996 directorial debut, Pusher, and he’s best known for his four-season stint on Scandinavian noir series The Bridge. He’ll also soon appear in The Witcher‘s sophomore season as Geralt of Rivia’s mentor, Vesemir, a different kind of father figure that fans can’t wait to see. For now, though, Bodnia was kind enough to talk with us about Konstantin’s third-season reunion with Villanelle and how they just can’t quit each other.

Your character in the book did not survive very long. Somehow, he’s still kicking, despite a few close calls, which is nice.

I’m so happy for that, too! It was a lovely surprise in the first season that they continued rewriting — so Konstantin was going through the season — because I was hired in to do five episodes. Thank god that everybody loved the relationship between Konstantin and Villanelle, and that paid off, so everybody wanted to see more of that relationship. And it seemed like it happened again in Season 2, and that’s why I’m in Season 3, isn’t that great?

Villanelle shot Konstantin and Eve, yet they both live. It feels like when she shoots someone that she loves, she can’t get it right. Does that seem accurate?

Yeahhhh, it does. But I was nervous when she pointed at me the first time because she was pointing at my head, and that’s against the rules. And the second time, thank god, she was pointing down, and I had a bulletproof vest on, and I was very fond of that. The second time when we reconnected, and she ran against me, and I could see that she had a knife, I tell you that I got scared! And thank god she didn’t stab me. You’re probably right, it seems like she’s not a good killer when it’s people that she loves, and I can only be happy for that. So, I can’t complain.

They also seem like the most stable relationship in each other’s lives.

Yes, I agree. I think, from the beginning, it was very more important for me to react to Villanelle as if she was my daughter. And it has always been the case that Konstantin that really lives Villanelle somehow and really wants to take care of her, and [that comes through in] the idea we had in Season 1 — that Konstantin was training assassins in how to react through senses and feelings so that they can survive any kind of situation when they are on the job and dressing as another person. And through this kind of work, I think they have a special relationship. But it’s definitely not like a daughter because I can’t be safe with her. I mean, Konstantin can’t.

There’s a wonderful scene this week where she surprises him in his bed.

Oh yes, that was scary! [Laughs]

And he’s got some actual family stuff going on, too. Where does his work-life balance stand now?

It was a balance to find out what direction they wanted to go within Season 3, and how to deliver the work through the eight episodes, but the world is crumbling down around Konstantin. When he has those personal issues around his family, they’re not fun. But as an actor, it’s wonderful to work with, and it gives a lot of positivity to show a lot of sides of the character that, normally, I can’t do. When they put me in these different and difficult situations, I had a lot of fun.

Can you tell me what his intent is with Villanelle right now?

Well, of course not! [Laughs] He’s kind of a double spy, so it’s difficult to say something about his plan. It’s also difficult because where at a point where, with every episode, new things are coming in, and in the first episodes of Season 3, he doesn’t know where he’s going, and Konstantin doesn’t know what way all of the departments are going to react to what’s going on right now. And what’s going on with personal stuff, so we can say that [he has knowledge about a case] that he knows that Villanelle will find out. So he conveys the information to her because Konstantin has work that he wants her to do, and that’s the case that he uses to get her back on track with that knowledge, to get her back into working with him.

Do you find out where Konstantin’s going week-by-week?

We have a wonderful meeting before we start shooting where we have an opportunity to meet with the writers and producers to talk about the way that Konstantin could move, and they are telling me what way they’re looking at it. And before we’re shooting, they tell me how to work as an actor through the season in accordance with the way the show should run. So I know what direction it’s going, but you never know! It can change, like whether I’m alive, so I’m always open for suggestions and a new way of going, and it’s always exciting. I like that kind-of movement that we have together in this type of business. That’s very funny to work with.

The head writer changes each season on this show. Do you ever sense any type of difference in the flow of language?

I often have a concern about the whole idea of the show and how it’s going to run out. How new writers are coming in, how they are putting their new ideas and their own lives into the story? For me, I just join that type of co-creation.

Going back almost 25 years though, we’re almost at the anniversary of Pusher, which is a really great action-crime, street-level movie.

Ahh, that was kind of a one-shot. It was perfect timing, and we all had great energy. We all wanted to work with the new system of video cameras that was coming into the distance. We could move around with that kind of camera and make it more natural, integrated on the street level. That was perfect for how we were wanted to work in the future. So for us, at the time, it was fantastic. The equipment that we have now is developing all the time, and I really love it every time we have possibilities to change the way we are doing things and keep on doing that. And I’m just happy that when you have success at the right time, the right moment, it can still go on. It can still be a show that people can watch and enjoy. That’s fantastic.

And decades later, the technology now sees YouTubed clips of you blazing down a street and landing in water.

Yeah, it was perfect. At the time, I was a really fast runner, and the cameraman had to be behind on a motorbike to get the right speed, and it was fantastic. You can only do that when you have that type of camera, so that’s an example of what we could do at that time, and jumping in the sea was very fun.

BBC America’s ‘Killing Eve’ airs on Sundays at 9:00 PM EST with simulcasting on AMC.

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Lil Baby Clarifies The $5-Million Demand He Made Of Quality Control

Lil Baby has established himself as one of hip-hop’s biggest rising stars over the past couple years, thanks to singles like “Drip Too Hard” and his new album, My Turn, his first No. 1 release. He raised some eyebrows recently when he suggested that his relationship with his record label, Quality Control, may not be on the best of terms.

In a recent Instagram Live video, Baby said that he gave Quality Control an ultimatum: “I told my label they need to give me $5 million or I’m going to hustle, f*ck it. […] Give me $5 million or I’m doing what I do.”

Now, though, both Baby and Quality Control confirmed that the rapper was just messing around when he said that.

In an Instagram Story, Baby tagged Quality Control leader Pierre “P” Thomas and dispelled the nation that he had an issue with the label, writing, “@qcmceo_p tell theese people it was a joke !!! How many 5ms we done ran up.” Thomas shared the post and responded, “Too Many Times Idiots. Y’all MF’s Love A Story. ‘My Turn’ Deluxe Come Out Friday. Go Run That Up.”

Indeed, Lil Baby’s deluxe edition of My Turn does arrive this week, and it comes with a handful of new tracks, including the recently shared “All In.”

My Turn (Deluxe) is out 5/1 via Quality Control.

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Post Malone’s Nirvana Tribute Livestream Has Raised Millions Of Dollars For Pandemic Relief

To cap off last week, Post Malone linked up with Travis Barker and performed a livestream concert that doubled as a Nirvana tribute, as his set consisted solely of songs by the legendary grunge group. Like many livestream concerts these days, the covers-only performance was a fundraising effort, and it turns out the livestream did extremely well on that front.

As of this post, the total money contributed sits at over $4.3 million, and TMZ notes that the $1-million mark was crossed within the show’s first hour. Donations are still being accepted now through the livestream’s YouTube page. Additionally, Google.org has pledge to double the first $2.5 million in contributions, so they will be giving $5 million as well. The money will go to The United Nations Foundation’s COVID-19 Solidarity Response Fund for The World Health Organization (WHO).

Nirvana’s Krist Novoselic was a big fan of the show, as he conveyed in multiple tweets. “So proud of @PostMalone and crew,” he wrote in one tweet. He later added, “I don’t think these fellows can play any better. They are on fire!!!!,” and, “I am holding emotions back the whole show.” Courtney Love, who gave the show her stamp of approval before it started, was also excited about the performance, writing on Instagram, “GOOSEBUMPS! F*CK YES. Go have a margarita @postmalone . nothing but love from here .”

Watch Malone’s full performance above.