The feud between Taylor Swift and Scooter Braun continues. The Lover singer has had a longstanding dispute with her former manager Braun and Big Machine Records, which holds the rights to her first six albums and that squabble has seemingly escalated yet again. Swift posted a long-ish message to her Instagram Story earlier today, addressing a planned live album taken from recordings from 2008 scheduled for release tonight/tomorrow at midnight.
In the message, Swift thanks her fans for bringing the planned release to her attention and rebuked Big Machine for applying some legal trickery to the recording to circumvent the terms of her deal. According to Taylor, “This recording is from a 2008 radio show performance I did when I was 18. Big Machine has listed the date as a 2017 release but they’re actually releasing it tonight at midnight.”
Swift asserts that “this release is not approved me,” and accuses Braun, Big Machine, and Big Machine’s financial backers of trying to avoid paying her fairly for the recording — to the tune of $330 million. She calls the move “just another case of shameless greed in the time of coronavirus. So tasteless, but very transparent.”
.@TaylorSwift13 says her former label is releasing an album of live performances from 2008 TONIGHT without her approval:
“Just another case of shameless greed in the time of Coronavirus. So tasteless, but very transparent.” pic.twitter.com/hDSDJA3pYF
All jokes have a life cycle. The bigger and more immediately far reaching the joke, the longer the time between when every single person in the world was screaming it at once and when you couldn’t bear to hear it again. When big jokes hit peak saturation they go dormant and when they come back it’s usually quietly, in an off-handed way between friends or almost as a joke of the memory of that joke.
What no big joke in recent history has been through is a pandemic, which is kind of why Budweiser bringing back “Wassup?” right now via a pretend phone call between Dwyane Wade, Chris Bosh and Candace Parker is like one giant, quiet, and surprisingly tender inside joke.
The spot opens with Wade checking his hair and beard in whatever amalgamation of video calling app he’s using, the kind of frantic last minute gesture we all make in that situation. In the other small screen the initials “CB” pop up. When Chris Bosh materializes Wade lets slip an elated grin that is returned by Bosh.
“Hey!” Wade calls, now he is sort of acting.
“Yo, my guy,” Bosh grins, doing an ad lib salute off the tip of his nose, “wassup man?”
“Wassup with you?” Wade asks.
“Nothin’,” Bosh shrugs, “Just rewatchin’ some games, havin’ a bud.” He is affecting exactly enough of a gentle cowboy here.
“I’m always rewatching old games,” Wade says, before another screen pops up and a woman with a cartoon head of a goat appears, surprising them both.
“Wassup!” It says. For a second, it’s a little scary! But then a smiling Candace Parker is revealed.
Bosh grabs his forehead in total surprise! “It’s the goat!” He says.
“What chu doin’, girl?” Wade asks.
Parker shrugs, “Nothin’. Gave up on cooking,” she sighs, “living off of snacks,” she lifts a single chip, “havin’ a bud.”
Everyone is nodding and here comes another floating square indicating a new caller. It’s DJ D-Nice! Everyone is dancing in their chairs. Wade is the least convincing, Bosh is moving his entire body so much out of frame that his head can’t quite stay in his small window. Parker actually looks cool. D-Nice mutes them all. A chorus of protest from all three until Parker asks Wade the question he must get most in life, where is Gabrielle Union? For how loud Wade calls for her you would think she were several floors away, but she appears, almost instantly, in a denim jumpsuit and sprawls over the back of the couch with the one word you have been dying to hear this whole time —
“WAAASSSSSSUP?”
Like the first laugh after an uncomfortable silence, the biggest first yawn of your day, the magic word releases them and soon all four are shouting it, mouths open, tongues out, eyes shut, D-Nice has even taken them off mute to join in. It lasts for a full ten seconds and as everyone recovers, catching their breath, Wade turns suddenly serious.
Watching, you understand it’s the concept of the ad before it’s gotten there, but you got kind of lost in their going off script for the big WASSSSSAAAAAAPPPP reveal that Wade saying, “For real though, what’s up with everybody?” in a tone of concern and Union following up with, “You guys staying safe?” rings the kind of “Oh yeah” bell everyone is experiencing at all different points in their days, these days. Flip-flopping between feeling okay, feeling isolated, not knowing if those feelings are worth sharing if if they’ll pass.
Bosh, bless him, goes all in for the monologue that eventually fades the video out to the sign-off messaging, that “Checking in, that’s wassup.”
The Wassup joke has reached a completely new kind of zenith, an affectionate echo, the joke of a joke that might make people more comfortable and less inclined to admit they aren’t feeling great reach out and talk about it. If it takes a beer joke to get some people calling their friends and family to talk a little more right now, or encourages them to contact the help line Budweiser has set up with the Salvation Army, it’s really not the worst way to do it. Checking in is wassup, take it from fresh out of Inside The Actors Studio Chris Bosh.
Ex-pro wrestler and yoga instructor Diamond Dallas Page says he will not be reopening his gym tomorrow despite the announcement from Georgia Gov. Kemp.
DDP acknowledged that he’s “in a much better position than a lot of people” because his business has an online and DVD component and isn’t just the DDP Yoga Performance Center in Smyrna, Georgia. He explained that he won’t immediately reopen the gym because “For me, I’m going to err on the side of caution because first of all, I’m 64, so I definitely don’t want to be out there working with people and putting my hands on people or anything, so I’m going to apply what I’ve been doing since this first all hit the fan.”
Page explained that “For me, I have to see something change. Right now there’s been no vaccine. There’s been no cure. We don’t really know where it’s going to go.” This arguably makes DDP pro wrestling’s equal and opposite coronavirus reaction to that of Hulk Hogan.
He added that he thinks businesses will have to adapt to the changing environment, comparing the situation to Netflix changing the movie rental industry and the creation of TSA. “I believe the gym business is going to have to change the way they do business moving forward,” Page said, “and I know for sure when I open at some point I will definitely be changing the way I do things.”
The NFL Draft begins tonight, and as such we’re winding through the last of our big boards, this time looking at an interesting linebacker group.
At the top is Isaiah Simmons, an absolute freak that can play about four different positions on defense, all very well, and is nominally a linebacker but is better referred to as a football player. From there you have some potential first-round middle linebackers, decent depth for Day 2, and some Wild Cards that could jump up boards or be steals on Day 3.
Tier 1
Isaiah Simmons: There are rumors that Simmons may be on the slide in the top 10 due to a run on offensive tackles at the top of the draft and movement for QBs as well. Don’t overthink this, GMs. Take the 6’4, 238 pound swiss army knife that can play anywhere from rush backer to safety and runs a 4.39 40 and has a 39 inch vertical.
He’s not just an Underwear Olympics gold medalist, he’s insanely productive. He had 102 tackles, 16 TFLs, 8 sacks, 3 interceptions, and 7 pass breakups last season for Clemson.
Take. Him.
Tier 2
Kenneth Murray: The Oklahoma standout was the glue that held the Sooner defense together. He flies to the football, can cover the field side to side, and loves attacking downhill. He’s been highly productive and while there are some questions of strength when blockers get to him at the second level, he figures to be an immediate starter for someone in the middle next season and rack up tackles.
Patrick Queen: Hi, Bill here, this is my first write-up on this one and before I begin, take Isaiah Simmons. Anyway! Patrick Queen is one heck of a football player. A brain of a defense, Queen is the type of guy whose football IQ, ability to read plays, and athleticism makes him a potential centerpiece as a Mike linebacker. Not the most physically imposing linebacker at 6’ and 229 pounds, but he threw down a 4.5 40 at the combine, which comes through in his film. His tackling will decide if he’s a Pro Bowl-level player or just a consistently good player, but a team is going to look very smart for drafting him.
Tier 3
Malik Harrison: Brings the physicality you want out of a Mike linebacker. Harrison saw the field during all four years in Columbus and got a little better each year, culminating in a senior campaign where he recorded 75 tackles, 16.5(!!) of which were for loss. A dude you want on the field against the run, Harrison is a tough, physical, downhill linebacker who tackles reliably. Questions exist about how he will fare against the pass, but there’s a lot to like here.
Jordyn Brooks: Here’s a project, but a potentially fun one. Drafting defensive players from Texas Tech is normally — sorry, Red Raiders fans — a terrible idea, but Brooks is capable of doing a whole lot on the field. He’s an alert, quick, and aggressive linebacker who wraps dudes up when he tackles them. He needs plenty of refinement, especially in coverage, but the physical profile and football IQ in a 6’, 240 pound frame could very much be worth it.
Troy Dye: Dye was really productive at Oregon and some analysts love him and think he could be a Day 2 pick, while others see him going early Day 3. The question on him isn’t what he did with the Ducks but projecting his slimmer frame to the NFL and wondering if he’s strong enough to be as productive at that level. I think he’s got ample talent and motor to be a stick, as he’s always been productive and has the benefit of being a solid cover man on pass downs.
Wild Cards
Willie Gay Jr.: One of the most talented linebackers in this class, one some would argue belongs with or even above the guys in Tier 2. However, he’s had some discipline issues that will shuffle him down some boards, but it wouldn’t be an absolute stunner if he got his name called Thursday night or early in Round 2. If a team feels they’ve got an understanding of who he is through the interview process, he’s got incredible talent and athleticism (his Combine performance was jaw-dropping).
Markus Bailey: Here’s the guy who teams will want in their franchise if they can get past legitimate injury concerns — he suffered two ACL injuries as a freshman and redshirt senior. Bailey isn’t a stellar athlete, but he’s a very, very smart linebacker who plays hard as hell and isn’t afraid of any challenge. Will bet on him, at the bare minimum, being a very good special teams player for a long time.
Shaq Quarterman: All Quarterman did at Miami was hit people very hard and he did this an awful lot. He’s not the best athlete or the biggest guy, but he loves to fly around the football field and lay the lumber. There’s always room on my team for a guy like that, and he could be a Day 3 pickup that someone loves.
Akeem Davis-Gaither: The App State product put up terrific numbers in Boone and, like some of the other guys on this list, the questions for him aren’t about production but about his size and strength going to the next level. His tape is too good for him to not have some team fall in love with him and could be a late Day 2 selection as an outside backer with pass rush skills.
Evan Weaver: He’s probably a two-down linebacker. Due to his athleticism, passing downs will always be a bit of a problem for him. But my god, it is stupid how good he is at seeing what is happening, reacting, and tackling ballcarriers. The 6’2, 237 pound linebacker recorded — not a typo — 336 tackles during his final two years at California. Sees and attacks as well as anyone in this class. He’s fun.
Khaleke Hudson: Hilarious strength, as evidenced by his LB-high 30 reps on the bench at 5’11 and 224 pounds. Had a monster sophomore year at Michigan — 77 tackles, 16 TFLs, 7.5 sacks, two picks — but never really got better. Mostly on here because he seems primed to have a long career as a special teams ace, but I would be surprised if he never does anything in the league.
Desus And Mero: This week’s quarantine edition features illustrious guests Issa Rae and Jay Ellis from HBO’s Insecure.
Conan: Kaley Cuoco’s around to represent DC Universe’s new Harley Quinn season.
The House of Flowers: Season 3 (Netflix) — Dark secrets and crimes still abound in soap-operatic fashion with Paulina in prison, Elina in the hospital, and Diego working on his relationship with Julian. Friendship and family still remain a challenge.
Katy Keene (CW, 8:00 p.m.) — Katy’s finally not distracted by her job and is dealing, instead, with accusations surrounding Gloria. Meanwhile, Josie and the new Pussycats are at each other’s throats.
Superstore (NBC 8:00 p.m.) — A 21st birthday party brings trouble for Mateo and Cheyenne while Glenn’s playing matchmaker to semi-disastrous ends.
In The Dark (CW, 9:00 p.m.) — A cover-up is at hand when it comes to the new “business” of the Guiding Hope team, and Dean’s working on a new mission with Nia confronting an unexpected development.
Brooklyn Nine-Nine (NBC, 8:30 p.m.) — A blackout seems like the perfect mini-crisis for Brooklyn, considering what the world’s dealing with right now.
Will & Grace (NBC, 9:00 p.m.) — The revival winds down with two episodes, including a packed-up apartment, Grace about to give birth, Karen taking on NYC landmarks, and a half-hour wind-down of the series’ greatest moments.
Better Things (FX, 10:00 p.m.) — Frankie gets Batceñera from Sam, and naturally, things are more complicated than they need to be.
Siren (Freeform, 10:00 p.m.) — Confrontation abounds with Ted and Helen while Ben’s dealing with strange side effects, and Maddie and Robb deal with a gruesome finding.
The Late Show With Stephen Colbert: Claire Danes, Mandy Patinkin, Ina Garten
Jimmy Kimmel Live: Arnold Schwarzenegger
The Late Late Show With James Corden: Hugh Jackman
Like all of us, Saturday Night Live is just trying to make the best of quarantine life. Earlier in the month, the show took a bold leap by attempting its first “At Home” episode, which, on top of a socially-distanced assortment of sketches, featured a monologue from Tom Hanks, a musical performance from Chris Martin, and surprise cameos from celebrities trapped indoors.
SNL notably didn’t return the next week, because God only knows how difficult these episodes are to arrange, but according to a new Twitter video, a second “At Home” episode is arriving this Saturday.
Like the first episode, SNL is playing things very close to its chest. There’s no official word on musical guests or who will be delivering the opening monologue, but that just adds to the spontaneity of the episodes as castmembers are forced to come up with apartment-bound material while everyone works remotely. We’ve all been on a Zoom call. Now imagine trying to turn one into an elaborate comedy sketch.
Remarkably, SNL still managed to deliver some impressive sketches under the unusual conditions. Its maiden voyage into “At Home” comedy featured riffs on Tiger King star Carole Baskin, Pete Davidson’s version of a Drake video, a struggling Twitch streamer, and a look at the Teenage Mutant Ninja Turtles coping with middle age. Curb Your Enthusiam‘s Larry David also popped in to reprise his classic Bernie Sanders impression, and Alec Baldwin was also back as Donald Trump to check in on the quarantined SNL proceedings.
With two weeks to prepare, it’ll be interesting (and hopefully entertaining) to see what rabbits the SNL crew can pull out of its hat this Saturday, and how long the show will keep the “At Home” comedy coming as America debates on when to reopen.
After the spectacular success of the first Instagram Live edition of People’s Party With Talib Kweli featuring The RZA, the show continues this week with another big-name New York rapper: ASAP Mob member ASAP Ferg.
This time around, Kweli will check in with Harlem favorite to discuss the insane success of Ferg’s single, “Plain Jane,” the ASAP Mob’s impact on hip-hop music and fashion, Ferg’s Floor Seats EP, and the music he’s been working on during quarantine, which includes his new single “Value.” Presumably, they’ll also chat about the fan-favorite 2019 film Uncut Gems, in which ASAP Ferg nearly had a role (which ultimately went to The Weeknd). Hopefully, they’ll also get a chance to chat about the wild debate that popped off earlier today about whether ASAP Rocky or Nelly had the bigger impact on the popularity of Nike’s Air Force 1s (hint, hint, wink, wink).
Tune in Friday, April 24 on @UPROXX on Instagram to watch the latest episode of People’s Party Live and see what fun surprises the two New Yorkers have in store.
People’s Party is a weekly interview show hosted by Talib Kweli with big-name guests exploring hip-hop, culture, and politics. Subscribe via Apple, Spotify, or YouTube.
With some Americans clamoring to “open up America” and others prepared to hunker down for the foreseeable future, the question of when to start lifting lockdown measures is on everyone’s mind. We appear to be at the peak of this wave of the pandemic, and how we proceed from this point on will determine if and when another wave will hit.
Experts agree that before the social distancing and lockdown measures can safely begin to be lifted, infection numbers have to get low enough and testing and contact tracing have to be systematized enough that we’d be able to contain sporadic outbreaks before they spread. But the U.S. is a huge country. What does that timeline look like in different areas?
One of the unfortunate hallmarks of pandemic is that nothing is totally predictable or certain. Scientists constantly have to ascertain what data they need and and then synthesize the data they have in order to guide decision-makers and give the public information. That means what we know changes frequently, which can be frustrating when we all want to know things for sure.
But changing data doesn’t mean scientists don’t know anything. The phrase “models are always wrong, but some are useful” is tossed around in the scientific community for a reason. Models give us the most likely scenarios based on a snapshot of the variables at any given time. As the variables change, so do the models. That’s why they’re always giving us new numbers.
The University of Washington has been at the forefront of pandemic data since the virus arrived in the U.S., with the first cases being found in Washington State. The university’s Institute for Health Metrics and Evaluation (IHME) dedicated a portion of its website to COVID-19 metrics, which is constantly being updated.
Yesterday, the IHME released a new map showing when, based on the current data, each state might safely be able to start lifting containment measures.
The site states that these are (emphasis mine) “the earliest dates after which relaxing social distancing may be possible with containment strategies that include testing, contact tracing, isolation, and limiting gathering size.” In other words, this doesn’t mean the dates when it’s okay to return back to normal. And the containment strategies (testing, contact tracing) do have to be in place first. But this does at least give us an idea of when it’s reasonable to start easing up a bit.
The earliest date range, which applies to just three states—Montana, West Virginia, and Vermont—is May 4 to May 10. The state of Georgia, which is already lifting lockdown measures, falls well into the latest date range, with a specific date of June 22—a full two months from now.
All of the models that are showing the steep drop in cases and deaths down to near zero are predicated on people maintaining the mitigation measures that have been put in place. Lifting them too soon is one of the variables that can throw the entire thing off.
It is interesting to note that several of the states that fall into the latest date range are states that have not had a great deal of cases. The reason for that is because it’s not the total number of cases that determines the trajectory, but rather the growth curve. The easing up dates are determined by when each state’s “peak” is expected. Some states, even though they don’t have a large number of cases, still have cases increasing and have not yet reached their peak, while other states with large numbers have already reached theirs.
To see exactly what your state’s date for relaxing lockdown is, go to this page on the IHME site, click the “United States of America” dropdown box at the top of the page, and choose your state.
The COVID-19 pandemic has completely upended how we live, work, and play. But it’s also given many of us some free time to try our hand at new hobbies or rethink our old ones.
For creative types, being forced to stay indoors and practice your art can be a huge gift.
Erin Sullivan, a.k.a. “Erin Outdoors” is a travel photographer and writer whose goal is to “communicate the wonder of this Earth and to inspire connection so that ultimately, we might take our role as stewards a bit more thoughtfully.”
Throughout her career as a nature guide, she says she learned how to problem solve on her feet, even in the most challenging conditions.
That’s probably why she found a creative way to practice her art while under quarantine. Sullivan recreated the majesty of nature using household items such as food, bed sheets, and an ingeniously-placed paper bag to make realistic-looking photos.
“As a travel photographer, I spend a lot of my time outdoors and photographing interesting places around the world. When our stay at home order went into effect last month, I wanted to challenge myself to stay creative in my craft without leaving my house,” she told Bored Panda.
The results look stunning, but for Sullivan, the photos were therapeutic as well.
“I had the idea to create outdoor adventure scenes out of objects in my house,” she said. “I shot a few scenes as experiments before I ever shared the project publicly and found that creating this series of images helped me keep my imagination active and my creative practice alive.”
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