Category: Worldwide

Last summer, YG Entertainment founder Yang Hyun Suk said that Blackpink were shooting to have a new project out by the end of the year. He said at the time, “A lot of fans are curious about Blackpink’s album. I know that the Blackpink members and producers in charge of them are working very hard preparing the album. I’m hoping for Blackpink’s album to be out by November, at the latest. That’s what I’m pushing for – we’ll do our best to get Blackpink’s album out soon.”

Well, they tried, but ultimately, it wasn’t out by November, or the end of 2025, or even mid-way through January 2026. Today (January 14), though, there’s news: Blackpink announced that Deadline, their third mini-album, is dropping on February 27. It will be the group’s first project since the No. 1 2022 album Born Pink.

The group members have been busy aside from working on the album. Lisa, for instance, was a star on the latest season of White Lotus. She reflected on her experience, writing, “Thank you Mike White for trusting in me to fulfill the role of Mook and bring her character to life. It was the greatest honor to be part of this show as my first acting gig alongside such incredible actors. And I’m so proud to be able to share my culture and show the beauty of Thailand to the world.”

Rosé, meanwhile, had one of the biggest songs of 2024 (and 2025) with her Bruno Mars collaboration “APT.”

Last week, Rolling Loud made a big announcement: They’re doing just one US festival this year, and it’s going down at Orlando’s Camping World Stadium from May 8 to 10. Now, the other shoe has dropped, as today (January 14), they revealed the lineup.

Headlining are Don Toliver, Playboi Carti, and NBA YoungBoy. Also playing are Chief Keef, Destroy Lonely, Sexyy Red, EsDeeKid, FakeMink, Nettspend, BossMan Dlow, OsamaSon, Homixide Gang, PlaqueBoyMax, SkaiWater, TiaCorine, Lazer Dim 700, and others. Tickets are available now on the festival website.

In a statement, Rolling Loud co-founder Matt Zingler says:

“Rolling Loud 2026 represents a new chapter for us. Orlando felt like the right place to evolve the festival. It’s a new city, a new venue, and a lineup that truly reflects where hip-hop is today. From the headliners to the rising artists, this year is about celebrating the full spectrum of the culture while delivering an unmatched experience for fans at a price that keeps Rolling Loud accessible.”

Co-founder Tariq Cherif adds, “This lineup is a statement. Playboi Carti, YoungBoy Never Broke Again, and Don Toliver each represent different forces shaping hip-hop right now, and bringing them together for our only US festival of 2026 felt intentional. Eleven years in, Rolling Loud is still about putting the culture first and creating moments, elevating new voices, and building something that fans can feel proud to be part of.”

While Flea is best known for his decades with Red Hot Chili Peppers, he routinely keeps himself busy outside of the band. Sometimes it’s with acting, sometimes it’s with supergroups like Atoms For Peace. It may be surprising, then, that he never released a solo album… but that’s about to change soon.

Today (January 14), Flea announced Honora, his first-ever solo album. It’s set to drop on March 27 and it focuses on jazz and Flea’s trumpet. He was joined by a venerable crew of jazz musicians: producer and saxophonist Josh Johnson, guitarist Jeff Parker, bassist Anna Butterss, and drummer Deantoni Parks. Not jazz guys, but Mauro Refosco and Nate Walcott were also involved. Furthermore, the project features vocals from Nick Cave and Radiohead’s Thom Yorke (who was also in Atoms For Peace).

The news is also accompanied by “Traffic Lights,” which features Yorke. In a statement, Flea says of the song:

“Deantoni and I played what became ‘Traffic Lights’ the first day. Something about it reminded me of Atoms For Peace, so I sent it to Thom. Just knowing him, I thought it would be a rhythm and a sensibility that he would relate to. And I was right, he did. With a gorgeous melody and the words, you know, about living in the ‘upside down’ and how do you make sense of things when we’re getting all this fake sh*t and real sh*t? Everyone has their ways of dealing with the world. But he’s just the warmest, free flowing, jamming motherf*cker.”

He also said he was initially intimidated by the group of musicians he put together to work on this album, worrying they would think he was “a non-playing motherf*cker, charlatan, rock poseur or fan.” He continued, “It turns out they were all the most genuinely supportive people, moving me deeply and daily with their generous spirits. […] Sitting in a room and playing the music with them made me feel like I was on drugs. I was buzzing, tripping and floating around the studio. I love them, they truly gave of themselves. I bow all the way down.”

Additionally, Flea is touring in support of the project, with dates currently set for May. The general on-sale for tickets starts January 23 at 10 a.m. local time and more information can be found here.

Listen to “Traffic Lights” above. Below, find the Honora cover art and tracklist, along with Flea’s tour dates.

Flea’s Honora Album Cover Artwork

Flea’s Honora Tracklist

1. “Golden Wingship”
2. “A Plea”
3. “Traffic Lights”
4. “Frailed”
5. “Morning Cry”
6. “Maggot Brain”
7. “Wichita Lineman”
8. “Thinkin Bout You”
9. “Willow Weep For Me”
10. “Free As I Want To Be”

Flea’s 2026 Tour Dates: The Honora Tour

05/07 — Chicago, IL @ Thalia Hall
05/09 — Toronto, ON @ The Opera House
05/10 — Montreal, QC @ Théâtre Beanfield
05/12 — New York, NY @ Webster Hall
05/13 — Washington, DC @ Black Cat
05/16 — Los Angeles, CA @ The Fonda Theatre
05/21 — Berlin, DE @ Heimathafen
05/22 — Amsterdam, NL @ Paradiso
05/26 — London, UK @ Koko
05/28 — Paris, FR @ Alhambra

Honora is out 3/27 via Nonesuch. Find more information here.

As people’s experiences with pop culture continue to get more and more splintered, it may feel like it’s harder for a moment to really break through on a broad level. But, mass attention moments still happen, most notably with the recent Stranger Things series finale.

The show has become known for highlighting classic hits and the pattern after the fact is typically the same from the music world’s perspective: Artists and songs featured on the soundtrack surge overnight, discovery among Gen Z listeners spikes, and there’s sustained engagement across social media and streaming (YouTube, in particular). In a matter of hours, big artists get even bigger, skew younger, and grow more valuable.

In the finale, Prince had two big moments with “Purple Rain” and “When Doves Cry” both getting needle drops. The result? His YouTube views were up 76 percent. He wasn’t the only artist to benefit from this bump. David Bowie’s “Heroes” plays during the closing credits and his YouTube views rose by 40 million. Fleetwood Mac was part of the moment, too: After “Landslide” scored a major moment, their YouTube subscribers were lifted by 31.5 percent.

For brands, it can feel like these moments happen with little notice, but UPROXX has an always-on, trending sponsorship suite crafted to be ready for cultural inflection points as they happen. Brands can get in on viral moments like these and stay at the forefront of culture with brand-safe adjacency. UPROXX has exclusive access to media opportunities for the YouTube inventories of Prince, Bowie, Fleetwood Mac, and other artists, contemporary and classic, who continue to be key players in the modern media landscape.

Earlier this month, BTS gave their fans some long-awaited news: After years away fulling military service obligations in South Korea, the group is coming back with an album and a tour in 2026. Details provided at the time were sparse, but now the BTS has announced tour dates for this year and next.

It kicks off in South Korea and Japan before making its way to North America in April. Venues for a lot of the shows are listed as “TBD,” but the North American ones are all revealed now. Among the highlights are four nights at Los Angeles’ SoFi Stadium to wrap up the US leg of the tour.

The general on-sale for tickets starts January 24 across all regions and information about pre-sales can be found here.

Check out the tour dates below.

BTS’ 2026 & 2027 Tour Dates

04/09/2026 — Goyang, South Korea @ Goyang Stadium
04/11/2026 — Goyang, South Korea @ Goyang Stadium
04/12/2026 — Goyang, South Korea @ Goyang Stadium
04/17/2026 — Tokyo, Japan @ TBD
04/18/2026 — Tokyo, Japan @ TBD
04/25/2026 — Tampa, FL @ Raymond James Stadium
04/26/2026 — Tampa, FL @ Raymond James Stadium
05/02/2026 — El Paso, TX @ Sun Bowl Stadium
05/03/2026 — El Paso, TX @ Sun Bowl Stadium
05/07/2026 — Mexico City, Mexico @ Estadio GNP Seguros
05/09/2026 — Mexico City, Mexico @ Estadio GNP Seguros
05/10/2026 — Mexico City, Mexico @ Estadio GNP Seguros
05/16/2026 — Stanford, CA @ Stanford Stadium
05/17/2026 — Stanford, CA @ Stanford Stadium
05/23/2026 — Las Vegas, NV @ Allegiant Stadium
05/24/2026 — Las Vegas, NV @ Allegiant Stadium
05/27/2026 — Las Vegas, NV @ Allegiant Stadium
06/12/2026 — Busan, South Korea @ TBD
06/13/2026 — Busan, South Korea @ TBD
06/26/2026 — Madrid, Spain @ Riyadh Air Metropolitano
06/27/2026 — Madrid, Spain @ Riyadh Air Metropolitano
07/01/2026 — Brussels, Belgium @ King Baudouin Stadium
07/02/2026 — Brussels, Belgium @ King Baudouin Stadium
07/06/2026 — London, England @ Tottenham Spur Stadium
07/07/2026 — London, England @ Tottenham Spur Stadium
07/11/2026 — Munich, Germany @ Allianz Arena
07/12/2026 — Munich, Germany @ Allianz Arena
07/17/2026 — Paris, France @ Stade de France
07/18/2026 — Paris, France @ Stade de France
08/01/2026 — East Rutherford, NJ @ MetLife Stadium
08/02/2026 — East Rutherford, NJ @ MetLife Stadium
08/05/2026 — Foxborough, MA @ Gillette Stadium
08/06/2026 — Foxborough, MA @ Gillette Stadium
08/10/2026 — Baltimore, MD @ M&T Bank Stadium
08/11/2026 — Baltimore, MD @ M&T Bank Stadium
08/15/2026 — Arlington, TX @ AT&T Stadium
08/16/2026 — Arlington, TX @ AT&T Stadium
08/22/2026 — Toronto, Ontario @ Rogers Stadium
08/23/2026 — Toronto, Ontario @ Rogers Stadium
08/27/2026 — Chicago, IL @ Soldier Field
08/28/2026 — Chicago, IL @ Soldier Field
09/01/2026 — Los Angeles, CA @ SoFi Stadium
09/02/2026 — Los Angeles, CA @ SoFi Stadium
09/05/2026 — Los Angeles, CA @ SoFi Stadium
09/06/2026 — Los Angeles, CA @ SoFi Stadium
10/02/2026 — Bogotá, Colombia @ TBD
10/03/2026 — Bogotá, Colombia @ TBD
10/09/2026 — Lima, Peru @ TBD
10/10/2026 — Lima, Peru @ TBD
10/16/2026 — Santiago, Chile @ TBD
10/17/2026 — Santiago, Chile @ TBD
10/23/2026 — Buenos Aires, Argentina @ TBD
10/24/2026 — Buenos Aires, Argentina @ TBD
10/28/2026 — São Paulo, Brazil @ TBD
10/30/2026 — São Paulo, Brazil @ TBD
10/31/2026 — São Paulo, Brazil @ TBD
11/19/2026 — Kaohsiung, Taiwan @ TBD
11/21/2026 — Kaohsiung, Taiwan @ TBD
11/22/2026 — Kaohsiung, Taiwan @ TBD
12/03/2026 — Bangkok, Thailand @ TBD
12/05/2026 — Bangkok, Thailand @ TBD
12/06/2026 — Bangkok, Thailand @ TBD
12/12/2026 — Kuala Lumpur, Malaysia @ TBD
12/13/2026 — Kuala Lumpur, Malaysia @ TBD
12/17/2026 — Singapore @ TBD
12/19/2026 — Singapore @ TBD
12/20/2026 — Singapore @ TBD
12/22/2026 — Singapore @ TBD
12/26/2026 — Jakarta, Indonesia @ TBD
12/27/2026 — Jakarta, Indonesia @ TBD
02/12/2027 — Melbourne, Australia @ TBD
02/13/2027 — Melbourne, Australia @ TBD
02/20/2027 — Sydney, Australia @ TBD
02/21/2027 — Sydney, Australia @ TBD
03/04/2027 — Hong Kong @ TBD
03/06/2027 — Hong Kong @ TBD
03/07/2027 — Hong Kong @ TBD
03/13/2027 — Manila, Philippines @ TBD
03/14/2027 — Manila, Philippines @ TBD

In recent years, Las Vegas residencies have become increasingly popular among artists at various points in their careers. After all, it’s like a tour minus all that pesky traveling. Plus, being in the same venue for every show can make it easier to keep the production consistent. Now, Mary J. Blige is getting in on the action, as yesterday (January 12), she announced Mary J. Blige: My Life, My Story The Las Vegas Residency.

She says in a statement:

“I’ve been so excited to announce this Vegas residency. Creating a show like this has been something I’ve always wanted to do. It’s a chance to get my fans together from all over — different cities, states, and countries — to experience something together. My Life, My Story will be just that — with some surprises for my fans that have been there through it all. See you in May!”

Currently, shows are set for May 1, 2, 6, 8, and 9, as well as July 10, 11, 15, 17, and 18, all at Dolby Live at Park MGM. Tickets for those dates go on sale on January 16 at 10 a.m. PT. More information about presales can be found here.

Check out the full list of dates below.

Mary J. Blige’s 2026 Tour Dates: Mary J. Blige: My Life, My Story The Las Vegas Residency

05/01 — Las Vegas, NV @ Dolby Live at Park MGM
05/02 — Las Vegas, NV @ Dolby Live at Park MGM
05/06 — Las Vegas, NV @ Dolby Live at Park MGM
05/08 — Las Vegas, NV @ Dolby Live at Park MGM
05/09 — Las Vegas, NV @ Dolby Live at Park MGM
07/10 — Las Vegas, NV @ Dolby Live at Park MGM
07/11 — Las Vegas, NV @ Dolby Live at Park MGM
07/15 — Las Vegas, NV @ Dolby Live at Park MGM
07/17 — Las Vegas, NV @ Dolby Live at Park MGM
07/18 — Las Vegas, NV @ Dolby Live at Park MGM

The Game has never chased moments — he’s created movements. For more than two decades, the Compton rapper has treated hip-hop as an album-driven art form, rooted in authenticity, lineage, and lived experience. With Every Movie Needs A Trailer, a Gangsta Grillz collaboration alongside acclaimed producers Mike & Keys and mixtape king DJ Drama, Game isn’t teasing nostalgia — he’s setting the stage for what comes next. Soulful but sharp, reflective yet defiant, the project feels like a veteran artist locking back into purpose.

Thankfully, I gave The Game a few magazine covers back in the day, so he was kind enough to hop on Zoom from his California home and opened up about legacy, loyalty, Los Angeles, fatherhood, Drake and Kendrick, creative longevity, and why he still believes albums — not algorithms — separate real artists from the rest.

I didn’t expect this project to be so consistently soulful across the entire listen. The tone is locked in. What made you go in that direction?

Man, where I’m at right now in my life, in my music — and where the world is — I just feel like people need more soul. Everybody needs a little more love and a little less hate. I think that’s something that gets lost sometimes, you know? You can still get your point across as an MC, you can still talk about what you’ve seen, what you’ve been through, but you don’t always have to be harsh. There’s a way to make music that touches people without compromising your message. Mike & Keys are masters at that. When I go in with them, it starts there naturally. That’s just the energy they bring.

And for me, it brings me right back to those old Just Blaze, No I.D., Kanye beats — back in the day when it was soulful, hard-hitting, but still had that emotional layer. There aren’t a lot of producers who can hit that and not sound dated or too nostalgic. Mike & Keys can do anything, but when it comes to that soulful pocket, they’re elite. They know exactly how to make a beat that fits what I want to say and the way I want it to feel.

I also feel like you’re bringing a new light to them. People knew they worked with Nipsey, but tell me about exactly what makes them special. You’ve worked with many heavyweight producers over the years.

What makes them remarkable is they’re not thirsty. They’re humble. If Nip hadn’t said “Mike & Keys” on record, the average fan probably wouldn’t even know their names — and they’re cool with that. They don’t want fame. They don’t chase notoriety. That’s rare these days.

Everybody who really knows hip-hop knows who they are. You know, I know. But mainstream fame? They don’t care about that. And because of that, you can’t just walk in there. You gotta be vouched for. That’s the gatekeeping in a good way — they only work with people who respect the craft. It’s why I respect them so much.

They’re not on industry time. They’re not out here chasing clout or the next big feature.

Exactly. They already won the Super Bowl, you feel me? They came in on a Grammy with Nipsey. So now it’s like, “What’s next?” Making quality music with people who actually care about quality. I’ve been in this game 20 years and don’t have a trophy for it yet. I walk into their studio and the Grammys are just sitting there. That’s a different level of achievement. And for them, it’s about legacy now. That’s rare.

Problem [Jason Martin] really runs the ship over there. He kept telling me, “You gotta come through.” I finally did — and I ain’t left since. It’s one of those situations where you show up, and you feel the energy immediately. The room demands excellence. And if you don’t bring it, they won’t compromise. That pushes me to be at my best.

What made you pull DJ Drama into this? I had to double-check — you and Drama never did a tape before.

That’s exactly how it happened. We laughed about it. I was like, “How we never did a tape?” I sent him joints that weekend. He thought I was playing. Then he heard them and was like, “Let me cook.” Once Drama gets on it, it turns into something else. Gangsta Grillz makes good music feel classic. And even subpar shit sounds official. So with this music? It was a wrap.

I don’t even usually ride around listening to myself, but I’ve been playing this tape nonstop. It just feels good. And the craziest thing? No hate. I’ve been watching. Even the usual trolls are like, “Yeah… but this tape is fire.”

I’ve always felt — even with a career filled with controversy — people still see you as an album artist. You take full projects seriously. That’s part of your legacy.

That’s because of how we grew up. We walked around with CD cases — Illmatic, Reasonable Doubt, Stillmatic. Albums mattered. You didn’t just drop a song. You dropped a project. If you wanted to rap, you had to be that good.

Plus, being mentored by Dr. Dre? If it wasn’t classic, it wasn’t coming out. Period. That’s why artists from that era lasted. Dre wouldn’t let anything slide. That attention to detail — pushing you until it’s perfect — is what made me care about quality. I took that lesson and ran with it.

On “Coast Guard,” you say, “Everything n****s creating besides Tyler got me out here with a broken heart.”

Yes, because [Tyler, The Creator] makes projects, themes, worlds. He stays in character. When I watch Top Gun, I don’t want Tom Cruise karate-kicking. I want jets. Consistency matters.

A lot of artists today just want a hit. That’s fine. Everybody got their lane. NBA YoungBoy? He’s one of the best of this generation. I said he’s this generation’s Pac — not musically, but in spirit. Loud, unapologetic, connected to his people. My lane is classic hip-hop. That’s what I represent.

“Clown Emojis” feels like vintage you. How much fun was creating that?

That was the first record I did. First beat Mike played me. I was channeling Nas heavy. That “ha-ha-ha” energy. That’s my joint. If you listen closely, you’ll hear the Nas influence. When I was laying that record, I imagined him nodding his head. That attention to nuance — that’s what makes it feel alive.

On “Good Enough,” you say, “What would my daughter say if she knew who I was on the inside?” How has fatherhood changed you?

It’s complicated. In LA, if you’re really from it and you don’t move, you never fully escape. You gotta stay alert. That’s just reality. My kids don’t see that side. They see Dad coming home. But I still gotta make it home. After Nip, Pac, Big — you understand the stakes. These days, it’s mostly love, but things can flip fast. So I move peaceful but prepared.

You got a lot of shit for not taking sides in the Kendrick–Drake conflict.

Why would I? Drake has been solid with me for 15 years. Kendrick is my homie. I helped Dot early. I don’t gotta explain that to internet trolls. I’ve lived in LA my entire life. Never left. Never ran. I took every fade for this city when nobody else would. That’s authenticity. That’s what I rep.

People also wondered why you didn’t pop out at Kendrick’s event.

Because it wasn’t about me. I didn’t want to cause distractions. I watched it at home and loved it. It was good for the culture. Dot know what it is with me. Drake know what it is. That’s all that matters.

On “Quarter Zips,” you say you’ll outlast everybody. What does forever look like?

Man, some of these cats out here? They’re out of gas. When you listen, it’s like… little slow raps, running out of ideas. That ain’t me. When I said I’d outlast everybody, I meant that as long as I can speak in full sentences, I’m going to be one of the guys still doing this at a high level. I can roll with any of the new-school MCs now, any of the old-school legends from back in the day, and I’ll still hold my own. I can adapt, switch styles, whatever it takes to keep that hip-hop energy alive.

Look, I’m in my mid-40s now. I see Hov, Nas, Preemo, Pharrell, the Clipse — classic cats still doing legendary shit. If they’re still setting the bar, then why shouldn’t I? That’s where I’m at. I’m chasing timelessness, not trends. That’s what “forever” looks like to me — staying relevant, staying hungry, and staying respected no matter the era or the generation coming up.

Any favorite DJ Drama moment on the tape?

Just hearing him scream over my shit. Took me right back to 2005. That’s brotherhood. He’s been solid for over 20 years. That’s the respect that you feel. That’s what makes this all legendary.

The last time we got a new Harry Styles album was in 2022 with Harry’s House. Since that and the supporting Love On Tour, Styles has largely remained out the public eye (aside from random sightings like Pope Leo’s introduction at the Vatican and marathons in Japan and Germany). Before 2025 came to an end, he unexpectedly shared a video from the aforementioned tour, sparking hope that Styles was generating attention for a reason.

Mysteriously, Styles does appear to be teasing something on the way. Some promotional posters have been spotted around the world, with differing messages like “see you soon” and “we belong together.” Regarding the latter, also surfacing is a new promotional website, webelongtogether.co, associated with Sony Music. Clicking the image on the page prompts the user to send a message to HSHQ, an official entity representing Styles.

This follows industry rumors that Styles is currently planning a world tour.

Meanwhile, in a new Billboard cover story, former One Direction bandmate Louis Tomlinson said of Styles, “I always knew Harry was going to go on to do what he’s done — I’m sure he’s superseded his own expectations in the way that he’s taken over the world, but we knew he’s got everything it takes to be a great artist.”

It has been a long time coming for ASAP Rocky’s new album Don’t Be Dumb. It was supposedly finished in 2022. Then there was delay after delay after delay. Finally, though, it’s coming: The project is set to drop this Friday, January 16.

That’s just days away, but before the release, Rocky has hyped it up today (January 12) with a new song, “Helicopter,” and a video for the track. The video is a winner, a rapid-fire and surreal look at various scenes during a riot. Throughout, Rocky raps the song as he practices boxing, flies in a helicopter, and gets into fights. The whole thing is edited in a smooth style with extended shots that must have taken forever to put together in post-production.

Tim Burton previously offered a statement about working on the project with Rocky, saying, “I loved working with an artist like Rocky — it was a great collaboration. He spoke to me about his alter egos and I just drew my interpretations of them. He told me he wanted to make being a dad cool again, which was beautiful, even though I’ve never been able to achieve that myself.”

Watch the “Helicopter” video above.

Don’t Be Dumb is out 1/16 via A$AP Worldwide/RCA Records. Find more information here.

After emerging as one of 2025’s biggest breakout stars, Sombr’s 2026 is off to a good start. Over the weekend, he dropped by BBC Radio 1 for a “Piano Sessions” performance. For his song, he, joined by a pianist, decided to sing a stirring rendition of Phoebe Bridgers’ “Motion Sickness.”

It wasn’t a surprising selection, as Sombr is a big Bridgers fan. In a recent interview, Sombr was asked about his favorite artists and he said, “Radiohead, Phoebe Bridgers, Bon Iver, The 1975, and obviously Sombr.” He later said during the same chat, “I hope to collab with other artists in the future when the right one comes along. I’m still working on my sound, so I’m not too into collabs right now, but maybe if Phoebe Bridgers wanted to. Also, my song ‘Would’ve Been You’ is something I collaborated on with Flawed Mangoes.”

Check out the cover above and find Sombr’s upcoming tour dates below.

Sombr’s 2026 Tour Dates

02/10 — Stockholm, Sweden @ Annexet
02/11 — Copenhagen, Denmark @ KB Hallen
02/13 — Hamburg, Germany @ Inselpark Arena
02/15 — Warsaw, Poland @ Stodoła
02/16 — Prague, Czech Republic @ Forum Karlín
02/18 — Vienna, Austria @ Gasometer
02/19 — Munich, Germany @ TonHalle München
02/20 — Dubendorf, Switzerland @ The Hall
02/22 — Milan, Italy @ Alcatraz Milano
02/24 — Madrid, Spain @ Palacio Vistalegre
02/25 — Barcelona, Spain @ Sant Jordi Club
02/27 — Paris, France @ Salle Pleyel
03/01 — Paris, France @ Salle Pleyel
03/02 — Amsterdam, Netherlands @ AFAS Live
03/04 — Berlin, Germany @ Velodrom
03/05 — Cologne, Germany @ Palladium
03/06 — Brussels, Belgium @ Ancienne Belgique (AB)
03/08 — Brixton, UK @ O2 Academy Brixton
03/09 — Brixton, UK @ O2 Academy Brixton
03/10 — Brixton, UK @ O2 Academy Brixton
03/12 — Manchester, UK @ Aviva Studios
03/13 — Birmingham, UK @ O2 Academy2 Birmingham
03/15 — Glasgow, UK @ O2 Academy Glasgow
03/16 — Dublin, Ireland @ 3Arena
04/10 — Indio, CA @ Coachella
04/17 — Indio, CA @ Coachella
08/11 — Budapest, Hungary @ Sziget Festival
08/12 — Oslo, Norway @ Øyafestivalen
08/29 — Reading, UK @ Reading Festival
08/30 — Leeds, UK @ Leeds Festival
09/12 — New Glasgow, Canada @ Sommo Festival