With World Whiskey Day coming up this weekend (May 16th), there’s going to be a lot of celebrating of whiskey going around. In previous years, distilleries would fling open their doors for partying, cocktail mixing, tastings, and general merrymaking. Those days are gone (for now). So distilleries are making plans to change up the game while still celebrating all things whiskey.

Jameson Bow Street Distillery is leading the way this coming weekend. The huge Irish whiskey tourist destination in the center of Dublin has been shuttered due to the COVID-19 pandemic. To keep the celebrations for World Whiskey Day alive, they’ve shifted to a streaming celebration via Jameson’s YouTube channel. Since you don’t actually have to fly to Dublin to participate, anyone from anywhere can take part this year. Though you may want to pre-order a few bottles of Irish whiskey before the weekend.

The live stream will start with the Jameson team leading Irish whiskey classes. There’ll also be a tour of the Bow Street Distillery, cocktail classes from bartenders around the world, and a live musical performance from a special guest. According to Jameson’s press release, the musical act will be “a once in a lifetime virtual concert from one of Ireland’s favorite musicians.”

Gotta be Bono, right? Sinéad O’Connor? Van Morrison?

Jameson’s World Whiskey Day Live stream will kick off at 3 pm EST on May 16th. Head over the Jameson Irish Whiskey’s YouTube channel to watch along.

There’s a subtle beauty to the chimichanga. The crunch of the fried tortilla, the flaky outer layer. Inside, a mash of beans, protein, and spice mix to create a classic “burrito” filling. It’s the ideal one-hander food — as nostalgia-inducing as it is delicious. And one of the best ones around is Disneyland’s Chimichanga from their Edelweiss Snacks kiosk.

Beyond its deliciousness, the classic Disneyland Chimichanga is one of the best values you can get at the park. The extra-large chimi costs about $7 and fills you up without the need for a side dish. At a company known for innovation, this is one of the few things that hasn’t changed over the years — the always perfectly fried tortilla around a mash of beans and beef with a “spicy” chili sauce in packets for dousing each bite as you eat. It’s ostensibly Mexican but also feels like classic Americana.

Since Disneyland has been closed for months (and will likely remain so a fair bit longer) and we have an abiding love of recreating classic Disneyland recipes like the giant turkey leg and corndog, I thought it was high-time to recreate the chimichanga. One, I love chimichangas but rarely eat them since I live in Berlin. Two, while I can make a mean burrito, I’ve never actually made a chimichanga. And what is quarantine for if not trying to make new foods while worrying over the state of the world?

All told, this dish was actually easier than I expected. In fact, I 100% made it harder than it has to be. I did a very low and slow barbacoa beef and homemade refried beans. You could, theoretically, use your favorite can of beans with ground beef in taco seasoning if you wanted. But I just got a new oven and wanted to fill my house with the smells of fatty beef, chili, and spices slow-cooking.

I regret nothing.

PART I: The Low And Slow Beef

Since I don’t have a backyard to dig a pit in to fill with hot rocks, I’m using a very chef-y kitchen approach to barbacoa. I’m taking a nice five-pound top round roast with a decent fat cap and slow-roasting that in veg, chili, braising liquid, and corn husks (I couldn’t find agave leaves).

Ingredients:

• Five lb. Top Round
• Six cups Beef Stock
• 12 Corn Husks
• One Carrot
• One Yellow Onion
• Four Cloves of Garlic
• Two Sweet Pointed Peppers
• Two Cayenne Peppers
• One Dried Pasilla Pepper
• Half-can of Chipotle Peppers in Adobo Sauce
• One Cinnamon Stick
• Five Juniper Berries
• Five Allspice Berries
• Two Fresh Bay Leaves
• One tbsp. Dried Oregano
• One tbsp. Ground Cumin
• One tbsp. Smoked Paprika
• One Lime
• Olive Oil
• Sea Salt
• Black Pepper

Prep:

First, I get the corn husk soaking in warm tap water. They need about five to ten minutes to loosen up.

Next, I trim the top round roast. I remove the silverskin and about half of the fat cap, leaving about one-quarter inch of fat on the lean. I generously salt and pepper the whole chunk and set aside. Quick note, take the meat out about 30 to 45 minutes before you start working with it. You want it to be close to room temp when you start cooking.

Next, I do a very rough chop on all my chilis and vegetables. I cut the onions into eighths, the carrots into large cubes, and the peppers into fairly large and small chunks.

I also get my beef stock warming with the Pasilla chili in the stock to rehydrate it a bit and add an extra layer of depth to the stock.

Cook:

I put a large saucepan on the stove on medium heat. I add the top round, fat side down, into the cold pan and let them heat up together. This will help render out the fat a bit better and create a better Maillard reaction.

Basically, you don’t need to touch the roast as it sears. Just let it do its thing until you smell a sweetness to accompany the sizzle. Give the pan a shake, if the meat wiggles and moves, the Maillard reaction has happened and freed the meat from the bottom of the pan. I use a large set of tongs to flip the meat and sear off the other side.

After the roast is fully seared, I set it aside on a plate and start to get some color on my peppers and veg and also, crucially, bring up all that delightful fond from the bottom of the pan. I use a wooden spoon to scrape up that fond as waters come out of the vegetables in the pan.

Next, I add in my spices and slightly toast them in the hot pan to activate them a bit. It should be very aromatic already.

I then add in all the beef stock and pasilla. I increase the heat a bit and bring to a bare simmer. In the meantime time, I ready my roasting pan.

I’m using an eight-quart stainless steel chafing pan (sometimes called a “steam pan”). That’s what you’d generally use in a pro kitchen as they’re perfect for low-and-slow roasts like this. Plus, they’re closer to $20 compared to the hundreds you’d spend on a Le Creuset pan of the same size.

Anyway, I line the bottom of the pan with a layer of corn husks so that they start coming up the sides of the pan. I then place the top round roast on top and then pour everything from the searing pan over the top.

Next, I use the rest of the corn husks to “seal” the roast in the chili-filled stock. I cover that tightly in tin foil.

I place the pan into a pre-heated oven on gas mark 2. That should be around 275 to 300F.

I don’t touch it for six hours until…

… it looks like the photo above.

The meat should be so tender that you barely need any effort to stick a fork in it.

I fish the roast out and set it aside. It’ll fall apart easily, so be careful. I let it rest for about an hour before I started breaking it up.

I then remove the corn husks and remove about three cups of the braising liquid, making sure to bring along all the chipotle and pasilla chili peppers and more of the veg. I then hit that with a hand-mixer until it’s silky smooth.

I put that onto a low flame on the stove and cover. This is going to be my Chipotle chili dipping sauce for inside and outside of the chimichanga.

I taste and add a little salt and the juice of half a lime.

I let that cook down, stirring occasionally until it’s simmered down by half — about 30 minutes.

The sauce should coat a spoon when you stir it. I set this aside and let it cool.

PART II: Refried Beans Done Right

Refried beans are the second crucial part of this filling dyad. Making a good pot of beans is very straight-forward, ingredient light, and low-impact as far as kitchen time goes. Let’s dive right in.

Ingredients:

• Two cups Dried Pinto Beans
• Four cups Chicken Stock
• One small Yellow Onion
• Two Cloves of Garlic
• Two tbsp. Pork Lard
• One tsp. Dried Oregano
• One tsp. Ground Cumin
• One tsp. Smoked Paprika
• Half tsp. Cayenne Pepper
• Half tsp. Ground Allspice
• Half tsp. Ground White Pepper
• Two Fresh Bay Leaves
• Sea Salt

Cook:

About two hours before you start cooking your beans, you’ll need to soak them. I’m using an accelerated method whereby I place two cups of dry beans in a small bowl and cover in boiling water until there’s about an inch of water over the beans. I place a plate over the bowl and let it sit for two hours, untouched.

When I’m ready to cook, I dice the onion and peel the garlic. In the meantime, put a medium-sized pot on medium heat and melt the pork lard.

Once that’s melted, I add in the onions with a pinch of salt and slowly sweat until fully translucent. I use a garlic crusher to add the garlic. I stir until fragrant — about 30 seconds. I add in the spices and allow to toast/bloom until fragrant too.

I add the chicken stock and bay. I then set the temp on the stove to the lowest setting and cover the pot. I stir occasionally as the beans simmer away for about 2 more hours. Or until they look like the beans below.

They should be soft enough to eat but still have a bit of a bite — what the Italians would call al dente. The liquid should have cooked down to just under the surface of the beans.

The last step is to mash ’em. I remove the bay leaves and use a regular potato masher to get them to the consistency I like, which is still a little rough.

PART III: The Whole Chimichanga

We’re ready to put this beast together! My flourish is that I’m not pulverizing the beef and beans to create a mush for the filling. I’m keeping them separate components so that you get the feel of each with a bit more chew. Plus, this beef is just too damn nice to mince.

Assembly:

I shred all the beef by hand and pour some of the leftover braising liquid over the whole plate. This beef is outstanding as is. It’s super moist, fatty, well-spiced, and hard to stop eating.

I also make a paste (thanks to Binging with Babish for the tip) to seal my chimichangas with before frying. It’s a simple one-part all-purpose flour to three parts tap water, mixed until smooth. A tablespoon of flour will be enough.

I’m using 12-inch flour tortillas that I didn’t make (sorry, I just didn’t have the time).

The construction goes like this:

• Tortilla
• Line of Chipotle Sauce
• Spoon of Beans
• Pile of Barbacoa
• Smaller Spoon of Beans
• Smaller Line of Chipotle Sauce

Although I didn’t do it here (so that I could adhere to the Disneyland version), you can also add some shredded cheese as well.

I then fold the whole thing like a regular burrito. I start from the edge closest to me and fold over once. I then fold each side, making a package. Then I use a brush to paint the flour-glue to the whole exposed section of the tortilla. Next, I simply roll the chimichanga package until it’s a perfect little pouch.

I gently press down on the burrito to help the seal, well, seal. It should be obviously affixed almost immediately.

Cook:

I’m using my trusty wok to deep fry. I add about one-and-half quarts of vegetable oil and bring that up to 350f.

I use tongs to gently lay the chimichangas in the oil, sealed side down. Keep an eye on them. It’ll take about two minutes for one side to brown to that golden brown you’re looking for. I use the tongs to gently flip the chimichanga over for another two-minute fry.

I place them in a warming oven on a wire rack over a baking sheet to stay warm as I fry the rest of the batch.

I’m kind of shocked how beautiful these turned out.

PART IV: Order Up

There’s a couple of options here. I wrap up one of the chimichangas in paper to get the whole hand-held experience of being in the park.

I also whip up some crema. It’s simply a half cup of good sour cream with the juice of half a lime. Mix until smooth. Done.

The first iteration, wrapped in paper, was pretty much perfect. The outside was super crunchy with a flaky interior. Keeping the beans and meat separate was a big step up from the mush that’s in the Disneyland version. The meat was still succulent and juicy and beans were the perfect umami-bomb with a velvety texture.

Holding the chimichanga in my hand like that brought back a flood of memories like that critic at the end of Ratatouille. I’m not going to lie, I ate chimichangas two days in a row that way.

The great thing about chimichangas though, is that you can serve them as a sit-down meal too. Add a nice drizzly of the crema and chipotle sauce and tuck in with a knife and fork.

Still, my preferred way is the Disney way: in the hand and dripping with sauce. Even the mouse himself would be jealous of this one.

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No one did PDA like they did PDA. No one.

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In every job that must be done, there is an element of fun — you, singing the Mary Poppins cleaning song

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According to TikTok, rings will leave a dark line if you have anemia.

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At 40 years old, Glover Teixeira’s light heavyweight run is as impressive as it is surprising. Over the last four years, his record has been checkered with alternating wins and losses. But following his most recent victory over former title contender Anthony Smith — his fourth-consecutive win — it’s time to take Teixeira seriously.

The No. 4-ranked Smith came into his Wednesday’s night tilt with Teixeria as a -190 favorite, having most recently taken the division champ, Jon Jones, the distance before finishing former contender Alexander Gustafsson with a fourth-round submission in June 2019.

Smith started off well with a sharp first round, but as the one-time title challenger slowed in the second, the cagey veteran began his onslaught.

In the third round, Teixeria poured it on, landing a whopping 76 strikes, including 43 significant strikes, to Smith’s one, per UFC stats.

The fourth was much of the same, with Teixeria earning a 57-12 strike advantage, taking Smith to the ground, where his opponent legitimately handed his teeth to referee Jason Herzog:

While maintaining Smith’s back, Teixeria even apologized for the unrelenting beatdown in a conversation picked up on the side of the cage thanks to the fan-less environment.

In the fifth, the referee mercifully but an end to Smith’s night, giving the TKO win to Teixeria. The victory puts the No. 8 ranked Teixeira at 31-7 on his career with his most impressive win since knocking out Rashad Evans in 2016.

Over his 18-year professional career, Teixeria fought for the division crown in a 2014 decision loss to Jon Jones, but he’s positioning himself for one final title shot. The future of the UFC’s light heavyweight division is very much uncertain at this time, but should he get a contender bout against someone like Thiago Santos, Dominick Reyes or Jan Blachowicz, he could very well be on the doorstep of a career-defining title fight.

Sabrina Ionescu went No. 1 in the WNBA Draft last month and will head to Brooklyn to join the Liberty soon, as she continues her ascent in the basketball world. Ionescu is expected to continue advancing the women’s game, something she’s been doing for years, even before she had a national profile.

In an interview with Ernie Johnson on Thursday morning, Ionescu told Johnson about how while in elementary school she used to hustle men at the local park with her brother during the guys’ lunch break, then turn around and spend that money on 7-Eleven snacks and slurpees.

“They didn’t think I knew how to play, they didn’t think I knew how to shoot,” Ionescu said. “So we’d kind of bait them into some competitions, some shooting competitions, some games, for money, like ‘hey, a couple bucks that she can’t beat you.’

“And I was out there acting like I didn’t know how to play, then when the game started, I’d start hitting free throws, hitting threes, and that’s how it got to the point where we were able to get enough money to go to 7-Eleven across the street.”

After a while, Ionescu said, the guys started to learn and avoid the Ionescu siblings’ hustle, but by that point, we can assume, they’d had more than their fair share of slurpees, hot dogs, and candy from the corner store. No one will be caught off-guard like that after Ionescu’s monster career at Oregon, but next up, she’s bringing her hustle to the WNBA.

As the PGA Tour nears its June 11 return to the golf course, it has outlined the safety measures it will put in place to protect its players, caddies and workers during play.

Among the new regulations will be the 400 or so people involved in each stop of the tour being swab-tested before and after they fly to each location, as well as daily symptom and temperature checks, limitations on who is allowed into locker rooms, and the withdrawal of golfers who test positive.

Not even family members and coaches are expected to be allowed into lockers rooms, while media interviews will take place in a more spread-out environment, potentially even from separate rooms, as the UFC did in Jacksonville last weekend.

When it comes to where the players and their teams and families will stay during tournaments, the PGA will strongly recommend a handful of trusted nearby hotels that have put in place enhanced safety and sanitation measure. The PGA will, however, allow them also to stay at rental homes or in RVs “with guidance from the tour.”

The tour will also pay for all testing, sanitation wipes, thermometers, and face masks. It will defer to local laws when it comes to masks and other rules regarding movement. On the course, high-fives and the traditional post-round handshake will be prohibited.

Though the first month of events, beginning June 11 in Texas, is scheduled to not have fans, the John Deere Classic on July 9 is the soonest the PGA might have a gallery of socially distanced fans watching a tournament.

Said chief tournaments and competitions officer Andy Pazder: “We are not wedded to any specific date. Obviously, it’s going to be dependent on local, state and federal regulations that will largely dictate when we’re able to resume having some number of fans.”

Golf is naturally suited to weathering this storm because it takes place outdoors and is not a contact sport, but these PGA Tour events will still be seen as an important trial as other sports consider their plans.

As I admitted to Scoob! director Tony Cervone, I was a little skeptical of Scoob!. Primarily because of the title, because it had an air of Poochie in it. Like it was trying to be “cool.” Of course, I tried to say this to Cervone in a diplomatic way – especially since I wound up liking the movie – without bringing up the name “Poochie.” Of course, as soon as I ask this, Cervone was quick to call me out, “You mean it in a Poochie kind of way?”

Yes, there’s an origin story in Scoob! where all the characters are kids, but this only takes up maybe the first 15 minutes of the film before Scoob! transitions with a very clever montage of adventures, which is almost a shot-for-shot remake of the original Scooby-Doo, Where Are You? opening credits and theme song. Which is something that many adults will see and it’s impossible for it not to tug at our nostalgia sensors.

Cervone, who has been in animation long enough to have seen it all at this point, is obviously a pretty big Hanna-Barbera nerd and has a million stories. And here, he does share a few of those. Including one about how the assassination of Robert Kennedy led to the cancellation of cartoons that were deemed violent – which put Hanna-Barbera in a position of having to come up with a whole slate of new characters almost instantly. And, yes, one of them was Scooby-Doo.

I wasn’t sure what to expect because with the title — I thought this was going to be a different take. But then the movie won me over early when you recreated the opening sequence from Scooby-Doo, Where Are You?.

Well, good. I’m glad that you’re responding to that, because recreating the Scooby-Doo, Where Are You? main title really kind of happened late in the game.

That’s surprising.

Actually, the decision to do it took a long time, and then we finally did it at the end – so late in the game that we were like there’s a whole bunch of sets that don’t exist anywhere else in the movie. There’s all of a sudden all those extra characters to create! And we’re like, can we do this? Really, the folks at Reel Effects, who did the animation, they were like, we want to do this. We will figure it out. That sequence is a lot of smoke and mirrors. We only created everything we absolutely needed. Like the spooky space kook can’t animate very much. You could animate only enough for what you’re seeing for like 12 frames.

It seems so natural that’s in there that I would have never guessed that that was a late addition.

That’s Best Coast who recreated the song. It was just right before COVID hit. We’re like, “Are you sure you can do it,” and they’re like, “Yeah, we want to do it.” It was really cool, but everyone really pitched in and came together. It was almost like an extracurricular project to get it done. I’m just saying it just to show you how much people loved it.

Warner Bros. should release that on YouTube or something, to advertise the movie.

That’s a great idea.

Because adults would watch that and be excited.

You know what? I’m going to pass that idea along. I think that’s a really great idea. We were like, well, are kids going to care? We were then like, why wouldn’t they care? Do you know what I mean?

I’ll be honest, when the title was announced, Scoob!… It sounded like it was going to be this hip, cool for kids thing…

You mean it in a Poochie kind of way?

Exactly. But I didn’t want to say that. But that’s exactly what I was thinking. And then I watched it and it is like watching a great episode of Scooby-Doo. I think if people see that opening, adults will be like oh, okay, this is also for me.

Yeah. I think that’s great. As soon as I hang up, I’m sending that email out. I think that’s a great idea. Because, I mean, the whole movie is a love letter to Hanna-Barbera.

Yes, it is.

There are only a couple shots in there that aren’t in Scooby-Doo, Where Are You?, which kind of just helped establish Fred’s love of the Mystery Machine. Also, part of it is we wanted to keep Scooby and Shaggy together. In season one, the next shot was Shaggy in a bathtub. But we had so little time, we were like we can’t make a wet Shaggy. So, in season two, they’re in garbage cans in the alley, like we did, so we just stole that shot from the season two opening, not the season one.

I like that back then they decided that they needed to differentiate the opening credits for the second season.

That was Hanna-Barbera. Hanna-Barbera was pretty bold, and I learned that from them, from talking to them. They were just like, try it. You want to try that? Try it. If it doesn’t work, stop doing it. There’s a lot of different animation styles in this movie that are all kind of happening at once, and it made me nervous. Scooby and Shaggy are animated in a completely different style from the rest of the gang. And Dastardly has his own animation style. And Blue Falcon has his own. From an animation perspective, they’re all completely different styles. I was like, is this going to work? I was worried about it for a long time, but then finally I’m like, these are the people who made Laff-A-Lympics. They didn’t care as much, so just go for it.

Laff-A-Lympics was great.

I’ll tell you a story!

Go ahead.

I was animating something once, something with Penelope Pitstop, and I couldn’t really figure out how her head connects to her body. And Iwao Takamoto was still around and down the hall, so I brought my animation over to him, who was the designer of Penelope Pitstop. I described the difficulty I was having and he said, “If I knew I’d be looking at this 40 years later, I would have taken longer than 45 minutes to draw it.”

That’s a great answer.

I don’t mean to say that as if it was a bad design. But they didn’t know they were making classic characters. They were just cranking out classic characters. He didn’t know when he drew that, they didn’t know they’d be looking at Scooby-Doo for the rest of their life. They thought it’s going to live for one or two seasons and be over.

When you look at the Scooby-Doo history, they were trying to make a show about a band that solved mysteries, and the dog didn’t have much to do with it, right? And then they kept getting rejected, and it kept shifting, and then finally it was something that got accepted and that became Scooby-Doo.

Right, and its influences are all over the place. You know the story. There’s actually a great article I just read online in, I believe, on the Smithsonian website, which ties the assassination of Bobby Kennedy to the creation of Scooby-Doo.

What?

Scooby-Doo was created because of a big reaction to violence in cartoons.

Oh, right. Like Space Ghost…

Right, and Johnny Quest in particular, but there was a bunch of public anti-violent, public outroar.

I thought you were going to say Sirhan Sirhan watched Scooby-Doo or something.

No, no. Bobby Kennedy thought cartoons were garbage and much too violent. Then, after he was assassinated, there was a giant public outcry that we need to do something about violence. It is one of the things that started that anti-violence movement, which led to the cancellation of Johnny Quest and the green light of Scooby-Doo, Where Are You?.

So that’s why they had to come up with stuff so quickly, to replace a slate of other stuff.

Right, yes. That, I knew for sure. I asked Joe Ruby and Ken Spears directly about all that. I know all the stories from them. So, yeah, they definitely were like what are we going to do? We have to stop making what we’ve been making and do something new in like three minutes. Luckily, Archie from the Archie cartoons had also premiered the year before.

Yes, and had a hit song, “Sugar Sugar.”

Right, it had a hit song. So that’s why at one point they were conceiving that it’s kids in a van in a band that would solve mysteries along the way.

And then after Scooby-Doo, then came similar shows like Speed Buggy, which also had a lanky guy in a green shirt.

We had fun with that in Mystery, Incorporated. We took all the Scooby-Doo rip-offs, Speed Buggy, there’s Jabberjaw, and put them all in one cartoon. That was pretty fun.

Jabberjaw is in your new movie. In the end credits.

Yeah. Jabberjaw, Adam Ant, and Grape Ape. They were all in the movie at one point, and then eventually, as we were making the movie, we were like this is a 90-minute movie and we’ve got 48 characters in it. They wound up getting cut out, but they’re ready. They’re on the sidelines ready to jump in. I do consider those end credits as part of the continuing story, so it should be considered canon, I guess. For a moment, the Falcon Fury, the Blue Falcon Ship, was intelligent. And we were going to make it stutter like Speed Buggy. We were going to give it basically Speed Buggy’s voice. Our idea, the behind-the-scenes idea, would have been Blue Falcon bought Speed Buggy at some point and then took his brain out and built the Falcon Fury around it.

That’s a lot to explain to an eight-year-old kid.

Yeah, I know. If you think this movie is nerdy now, there are versions that are mega nerdy.

You can contact Mike Ryan directly on Twitter.