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Despite Florida being one of the quickest states to reopen during the ongoing coronavirus pandemic, that process doesn’t seem to be moving fast enough for folks who are desperate to work up a sweat and get back to their gym routines. According to local Clearwater (FL.) NBC News affiliate WFLA, on Monday afternoon a small group of protestors (20-30 people in total) gathered outside of the Pinellas County Courthouse to protest the state’s phased reopening and call on gyms to reopen so employees could get back to work and customers could start getting fit with professional equipment again.

During the protest, several attendees began defiantly performing squats and push-ups on the courthouse steps, which hopefully made it clear that they didn’t need gyms to reopen at all and could just, you know, workout outside or in their homes. “See those pushups you’re already doing outside?” you can imagine public officials saying while rubbing their temples. “Keep doing them… outside!”

Florida is currently in phase one of its reopening process which notably doesn’t include gyms. When gyms do get the go-ahead to reopen, they’ll have to limit their capacity to 75% and will have to adopt new strict protocols to increase sanitation procedures and ensure social distancing. Considering that there was already a problem with people not wiping down their equipment in Pre-COVID-19 times, keeping things controlled and sanitary right now as gyms do reopen seems incredibly important.

As you’ve almost certainly heard by now, Becky Lynch revealed last night that she’s expecting a baby, and relinquished her WWE Raw Women’s Championship to Asuka, who won the Women’s Money in the Bank Ladder Match that turns out to have been for Becky’s title all along. While the Raw segment was great, there obviously wasn’t much room to go into detail about Becky’s feelings or plans. It didn’t take long, however, for a lot more to come out.

Shortly after the segment ended on Raw, Becky tweeted gratefully about her feelings and her future:

She had also already given an interview to People.com, which went up almost immediately after word got out. As she explained there, the only question she had about being a mother for a long time was when it would be possible.

I’ve always, always wanted kids. I’m just so career-focused that it became one of those things that, when you’re chasing a dream for so long, I always wondered, “Am I going to get around to it? Is it going to happen for me?”

But once Seth came into the picture, things became clearer:

When we got together, things started to look a lot clearer and I knew he was the person that I wanted to have kids with — that this was going to happen and it was just a matter of when. Seth is one of the smartest people I know. He’s just got an insane work ethic, insane integrity and he is the most generous, kindhearted person. He’s very, very focused on what the right thing to do is and always looking to grow and correct himself and be better so he can be the best person for me, and now, the best father.

The first pregnancy test came up negative, but Becky knew better and tried again.

I took the first one wrong. Then I took a few more tests until I got a digital one that just said the word “Pregnant.” I was with Seth at the time and he just threw his hands up in the air, all excited!

And once she knew there was a baby on the way, her whole outlook had to change:

Of course, you start to become nervous, too, because you’ve lived your whole life as thinking for yourself and yourself alone. Now you have this whole other person that you have to look after and grow, and make sure that you’re doing everything that you possibly can to make sure that they are the healthiest and the safest that they can be. But we’re just so, so excited. Just so excited for how much love we’re going to give that little thing.

Beyond becoming a mother, Becky clearly doesn’t know what comes next. Will she return to the ring, or move on to an acting career? Only time will tell.

It’s just such a joyous time and then such a sad time too. I loved this and I’ve given my life to this. I’ve achieved everything that I want to achieve in this business. I don’t know what the next chapter is because I only know what it’s like to think for myself when I’m by myself. So I don’t know what it’ll look like and how my priorities shift and what I’m going to want in the future. So, everything’s open.

WWE won’t be the same without Becky Lynch, but knowing how happy she is with this turn of a events can only bring comfort to her fans. And whether it’s in WWE, on the big screen, or elsewhere, it seems safe to assume we’ll see her again down the road.

The RX is Uproxx Music’s stamp of approval for the best albums, songs, and music stories throughout the year. Inclusion in this category is the highest distinction we can bestow, and signals the most important music being released throughout the year. The RX is the music you need, right now.

Three years have passed since Kehlani delivered her debut album, SweetSexySavage. Yet, before its arrival, she was already a celebrated artist thanks to her 2015 mixtape, You Should Be Here. The mixtape gave Kehlani her first Grammy nomination for Best Urban Contemporary album while also landing on several year-end lists. You Should Be Here also presented an emphasis on emotional presence, a theme that Kehlani would incorporate into her future work and overall artistic style.

A nine-track EP, dubbed While We Wait, and a number of quality singles made the three-year gap between her first and second albums far less grueling than the wait periods experienced with her R&B contemporaries. Returning with her sophomore effort, It Was Good Until It Wasn’t, the album arrives after a rollercoaster pair of years that found her highs and lows pulled apart by Twitter know-it-alls. It Was Good Until It Wasn’t finds Kehlani detailing her own heart when it comes to love. At the album’s conclusion, she proves that her tendencies in love and a willingness to give her all are anything but flaws in her eyes.

Confident in her abilities to not only support but uplift and protect her partner, Kehlani looks to change her potential lover’s secluded and tunnel-visioned approach to the world on the Jhene Aiko-featuring “Change Your Life.” Agreeing with Aiko that the song’s subject is far from “incomplete,” Kehlani pushes forth with her persuasion. “But now you seein’ that it’s more than body, face, and smile / You see me, and you look beyond it, you feel inspired,” she sings. “I’m here to excel with you / Here to break bread with you.” This narrative continues on “Bad News” as Kehlani expresses distrust in the world — one that constantly aims to break her down — and its ability to protect her lover from any dangers. “Take your time away from the bullsh*t,” she begs. “Just be on some cool sh*t with me.”

The phrase “it takes two to tango” comes alive on It Was Good Until It Wasn’t. Kehlani wears her heart on her sleeve in every relationship and despite unfavored results, she proudly keeps her sleeve rolled up where her heart remains unmoved. Convinced the world is unable to handle a love like hers, she labels herself a “Serial Lover” on the Boi-1da-produced track and considers a break from chasing the romantic experience she longs for. Break or not, with pure intentions and a “heart full of gold,” changing her approach to love is not up for consideration. In an attempt to convince her partner that the streets aren’t as informed as they pretend to be, Kehlani places her best foot forward on “Everybody Business.” Self-aware of her best and true qualities in love, she reminds listeners and her latest lover that she’s never been a “half-assed lover” or one to dish her heart and body out to any and everyone. Regardless of the ending, Kehlani rests assured knowing she was never at fault, singing, “Can’t make me feel bad for nothin’ / Don’t make me feel bad for lovin’.”

Throughout the album, Kehlani proves that being a fearless lover is a consistent quality she brings time and time again. Placing it all on the table in the beginning, when it comes time to leave Kehlani admits to struggling to pick up her belongings and exit without delay. On “F&MU” and “Can You Blame Me” with Lucky Daye, she confesses to picking fights to ensure her ex-lover does not depart from her life for good. Enthralled by the newfound bedroom passion that follows moments of anger and frustration, Kehlani and her ex-lover keep each other at arm’s length as they are far from ready to let go of this fiery experience, one that she details on “Toxic.” Why? Well, as she says on “Can You Blame Me,” “Rather call you out than no one call my phone / Hold my grudge instead of havin’ none to hold.”

Kehlani’s It Was Good Until It Wasn’t reminds me of the growing love-themed YouTube series My Crynicles, which features the stories of Sierra McKie, a young college student, and her failed romantic relationships. No amount of hurt between Kehlani and Sierra seems to deter them from giving their heart along with the shirt off their back. While the pain from broken hearts will sting for a considerable amount of time, there’s one thing they will never experience: guilt for their unapologetic love as more times than not they are the party that is wronged.

The naivety Kehlani held on You Should Be Here and SweetSexySavage vanished from existence on It Was Good Until It Wasn’t. She no longer pouts at failing attempts at love instead, she leaves herself with two options: stay or leave. However, this isn’t the overarching theme on her sophomore album. Rather, Kehlani presents her latest love stories while justifying her reasons for giving her all from the get-go, time and time again. The think pieces and comments from the know-it-alls become null and void once the realization arrives that Kehlani left it all in the bedroom, a quality that deserves to be, if anything, celebrated and heralded.

It Was Good Until It Wasn’t is out now via TSNMI and Atlantic. Get it here.

Kehlani is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

It’s been five years since Tony Hawk’s name was put on a console video game. Tony Hawk’s Pro Skater 5 hit shelves in the fall of 2015, and almost immediately, fans were asking for a new game, as THPS 5 was panned from the jump. There’s no word on a brand new game coming any time soon, but in a bit of good news, the series will get back to basics a little later this year.

Word began circulating on Tuesday morning, Hawk’s 52nd birthday, that the first two Tony Hawk’s Pro Skater games would be re-released later this year. Twitter user @Wario64 claimed to have gotten a text from Hawk that laid out the details of what’s going to happen.

Soon after, Hawk took to Twitter and confirmed the news, announcing that Tony Hawks’ Pro Skater 1 + 2 will come to major consoles on Sept. 4, 2020.

A trailer also dropped for the updated games, which showed off the updated look at some of the classic locations from the original games.

While the series did a ton of evolving over the years — as was the case with the more story-driven releases like the Underground series and Project 8 — the first two games were beloved by gamers and skaters alike. While the games won’t hit shelves for a few more months, this is still one heck of a way to celebrate Hawk’s birthday.

Nick Hakim aims to translate the yearning for connection to music. Continuing with his goal, the New York-based musician shares “Bouncing,” the second single to arrive ahead of his upcoming sophomore album, Will This Make Me Good.

The song’s accompanying video, directed by Nelson Nance, depicts a group of people expressing themselves through movement and connecting with each other through dance. About the video, Nance said: “The ‘Bouncing’ video asks the viewer to question our drive to find spectacles and how the pursuit of such can lead to becoming a spectacle. There is nothing inherently wrong with viewing or being a spectacle but I think it’s healthy to question if our energy is being put in the right place when interfacing with what draws our attention.”

The song itself boasts all-encompassing instrumentation that melts together with Hakim’s slow-burning cadence. In a statement, Hakim said he wrote the song during the coldest day of the year: “‘Bouncing’ is a sound bath where I wrote about one of the coldest days in New York I remember, while lying in my bed, restless by a radiator. It’s about feeling uneasy.” But while the song was written during a different time, its theme resonates with what the world is currently facing. “It’s such a dark climate these days,” Hakim said, “With what’s going on politically and how immigrants are being treated here in the US. The travel ban, the camps.”

Listen to “Bouncing” above.

Will This Make Me Good is out 5/15 via ATO Records. Pre-order it here.

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When Run The Jewels first began, they came out the gates blazing. Their self-titled 2013 debut was quickly followed the next year with Run The Jewels 2. The wait for RTJ3 was a bit longer, as that one dropped in late 2016. Now it’s been about three-and-a-half years since their last album, and fans have been waiting for info about Run The Jewels 4. Finally, though, El-P and Killer Mike have revealed the release date for their next collaborative album, along with the art and tracklist.

This morning, El-P took to Twitter and wrote, “RTJ4 DROPPING IN 24 DAYS,” which gives the album a June 5 release date. Shortly after that, he shared the album’s cover art and tracklist, and noted that pre-orders would be live today at noon ET. The 11-song tracklist has a handful of featured guests, including Greg Nice, DJ Premier, 2 Chainz, Pharrell Williams, Zack De La Rocha, Mavis Staples, and Josh Homme.

Check out the Run The Jewels 4 art and tracklist below.

1. “Yankee And The Brave (Ep. 4)”
2. “Ooh La La” Feat. Greg Nice and DJ Premier”
3. “Out Of Sight” Feat. 2 Chainz
4. “Holy Calamaf*ck”
5. “Goonies vs. E.T.”
6. “Walking In The Snow”
7. “Ju$t” Feat. Pharrell Williams and Zack De La Rocha
8. “Never Look Back”
9. “The Ground Below”
10. “Pulling The Pin” Feat. Mavis Staples and Josh Homme
11. “A Few Words For The Firing Squad (Radiation)”

Run The Jewels 4 is out 6/5. Pre-order it here.

Ass. Sh*t. Motherf*ckin’.

As far as curse words go, these are pretty tame (uh, most of them), but they might be too much for Disney+. Earlier today, Disney announced that Hamilton, Lin-Manuel Miranda’s Tony/Emmy/Pulitzer Prize/everything-winning musical, will be coming to the company’s streaming service much sooner than expected, on July 3. “No other artistic work in the last decade has had the cultural impact of Hamilton,” Disney chairman Bob Iger (not to be confused with the other Disney Bob) said in a statement, although he failed to answer a question many have about Hamilton under Mickey’s umbrella: will it be censored?

Disney+, like Disney itself, bills itself as the “family-friendly content” alternative to that smut on Netflix. It’s why Love, Victor, a spin-off of Love, Simon, a romantic comedy about a gay teen, was moved from Disney+ to Hulu (also a Disney property), and why Splash was edited with “digital fur technology” and why “this is f*cked up” from Free Solo has been replaced with “this is messed up.” (The most risqué thing on the streaming service might be Brendan Fraser “almost” showing his butt in 1997’s George of the Jungle. Not exactly pearl-clutching material there.) But while Disney+ is cool with PG-13 swears, like Morgan Stark repeating her dad Tony’s “sh*t” in Avengers: Endgame, what about the occasional f-bomb (or “cuckold” or “whore”) in Hamilton? PG-13 movies are allowed one “f*ck,” after all, according to the Motion Picture Association of America.

When asked by New York Times reporter Kyle Buchanan about Disney+’s PG-13 and under mandate back in February, Lin-Manuel Miranda replied, “I think we’ll figure it out when we get there, but we’re not going to cut any sections of the show. If we have to mute a word here or there to reach the largest audience possible, I’m OK with that, because your kids already have the original language memorized. I don’t think we’re depriving anyone of anything if we mute an f-bomb here or there to make our rating.”

There’s understandable nervousness among fans over the censorship, but Lin-Manuel Miranda is not going to throw away his shot at letting people watch Hamilton on Disney+ over a few measly swears (the $75 million payday didn’t hurt, either).

Hamilton hits Disney+ on July 3.

Billie Eilish and her family are remaining at home in quarantine. In fact, Eilish has been enjoying her time in isolation. The singer has been recording new music and even started a radio show with her dad. But Eilish is also, unfortunately, dealing with the negative repercussions of growing up in the spotlight. The singer reportedly needed to file a restraining order against an obsessed fan who repeatedly showed up to her home.

According to legal documents obtained by TMZ, Eilish was granted a restraining order against a stalker 24-year-old fan. According to the report, the man trespassed on her family’s property several times and rang the doorbell. When Eilish’s father asked what he needed, he replied: “I think I might have the wrong house, but does Billie Eilish live here?” Eilish’s father responded that he had the wrong house, but that didn’t stop the stalker from returning.

The fan appeared again later that night and camped out on Eilish’s front porch. While Eilish and her family waited for security, the fan exhibited “erratic behavior.” Eilish said the stalker pulled out a book and began to read: “While we waited for security, Mr. Rousseau remained on our porch, sat down and began to read a book, while also continuing to engage in a periodic monologue. My father repeatedly asked him to leave, but he refused.”

After the fan was ushered away by security, the stalker returned more than five times. The man was escorted away by the police. But the officers told Eilish that they couldn’t do much because trespassing is a non-violent offense and they want to keep non-violent offenders out of jail due to the coronavirus. Thankfully, a judge reportedly granted Eilish a temporary restraining order against the fan. Per the restraining order, he must retain at least a 200-yard distance between himself and members of Eilish’s family until the case goes to court in June.