Jerrod Carmichael has been busy. In the wake of his hit special Rathaniel, the comic has hosted the Golden Globes, where he managed to almost (but not) piss off Rihanna, and appear opposite Emma Stone in Poor Things. He’s also found time to make a reality show about his life, and based on the new trailer it looks like a mix of yuks and emotion.
Carmichael’s reality show is called, simply, Jerrod Carmichael Reality Show, and it finds him, as he puts it, trying to “self-Truman Show” himself, i.e., make sure cameras are catching his 24/7. So what does Carmichael get up to? For one thing he has a boyfriend, having come out with the release of Rathaniel. He’s also spending time with his parents, who are very religious and, well, are struggling a bit with their son’s newish sexual identity.
At one point in the trailer, Carmichael’s mom prays for God to “take the desire from my son to be with a male.” She then tells him she loves him, which leaves an unresponsive Carmichael awkwardly smiling. The trailer ends with him rattling off some gay terminology to his dad: bears, twinks, twonks, etc.
You can watch the trailer for Jerrod Carmichael Reality Show in the video above. New episodes start airing weekly starting March 29 on HBO at 11pm.
When Community began, Joel McHale’s Jeff had his eyes on Gillian Jacobs’ Britta, the two set up as a classic will-they-or-won’t-they maybe-couple. As the show aged, though, it moved away from sitcom cliché. The Jeff-Britta business fell into the background, with the show too cool to pair off its main ensemble. Still, there was some romantic tension between Jeff and someone else: Alison Brie’s Annie. When the long-promised Community movie gets made — if it gets made — that relationship might go further.
In a new chat with Palm Spring Life, Brie opened about the movie, which she hopes will feature some more Jeff-Annie action. “Some of my favorite parts of the show were shooting scenes with Jeff and Annie and the romantic push and pull there, so I hope there would be some of that in the movie,” she said. She added, “But you never know.”
Lately both McHale and Donald Glover, the group’s resident Troy, have seemed extremely optimistic about the Community movie happening. There’s a completed script, they say, and they seem sure it will start filming this year. Brie, though, is a bit more skeptical. She says she’s in the dark about where it is, apart from spotting headlines about it happening, and she’s unsure if the gang’s schedules can align.
“We’re all excited to do it. Everybody wants to do it,” Brie said. “It’s just, even when we were shooting the show, Gillian used to say that getting all the cast together was like herding cats, and I feel like that’s what it’s going to be like [making the movie].”
In other words, don’t assume that the Community movie will happen this year, or next, or ever. But keep your fingers crossed.
It took more years than originally planned for Rick Grimes to reappear in AMC’s The Walking Dead franchise, but Andrew Lincoln and Danai Guirira must have had a blast while reuniting (and moaning more than walkers) on The Ones Who Live, even if their characters go through it on a daily basis. Someone who did not have a blast, however, would be Jon Bernthal during the filming of an early scene in the zombie franchise’s history.
Granted, this little tidbit isn’t brand new, but Entertainment Weekly has gone a little social-media wild by resurfacing some fun quotes from a 2017 interview, in which Lincoln revealed how he frightened the holy hell out of The Punisher star by driving erratically on the wrong side of the street: “Jon Bernthal is not a man that gets scared often. And after about the third take, he just went, ‘Andy, Andy, please slow down.’”
If only we could see that happen in a blooper reel. Additionally, if you ever wondered how much they bothered with makeup on the series, which shot in and around Hotlanta, Georgia, the answer would be “not really.” They initially tried, however, according to Lincoln:
“I remember just dripping in sweat and everybody seeing the rushes apparently, and it just looked like we were in a shower. So the execs from AMC came down and said, ‘Where’s the makeup?’ And they all came in suits. And within about three minutes they just went, ‘Okay, there’s no makeup on this show. It’s too hot.’”
Very glamorous stuff, obviously, but I do appreciate nobody looking like they’re taking glamour shots in any of the spin offs, either. Heck, if they ever brushed Norman Reedus’ hair, that would have been cause to riot. With that said, there’s plenty more Andrew Lincoln quotes at EW, and you can catch new episodes of The Walking Dead: The Ones Who Live on Sunday nights.
Thanks to the internet and social media, aspiring entertainers can create opportunities for themselves they might not have gotten otherwise. The latest example is breakout singer 4Batz, whose song “Act II: Date @ 8” went viral on TikTok, giving the relative newcomer a Billboard Hot 100 hit. Even better for 4Batz, the single came to the attention of some pretty heavy hitters, with Drake and Kanye West both commenting on the song and the latter calling 4Batz one of his favorite artists. Meanwhile, Drake shared an Instagram post that seemed to suggest he and 4Batz were collaborating on a remix.
Now, it looks like we have confirmation of the remix along with a release date, thanks to a 4Batz post on Twitter. In the accompanying video, Drake and 4Batz huddle with some friends in what looks like an empty arena — perhaps one of the more recent stops on Drake’s Big As The What? Tour — listening to Drake’s new verse from a phone and getting pretty hyped up about it. The release date is also right around the corner; the song is due to hit streaming this Friday (March 8) according to 4Batz, who also added the pre-save link to his bio. You can check that out here.
Now that Erica Banks has gone independent — much like the rapper she most often gets compared to, Megan Thee Stallion — she’s on her own release schedule. That’s turned out to be a good thing for her, as the rate of releases has increased expeditiously; since dropping “Real Rap B*tch,” in which she aired out her and Meg’s former label, 1501, last July, the Dallas rapper has dropped new videos every couple of weeks while teaming up with fellow up-and-coming stars K Carbon and Gloss Up along with way.
Her latest single, “Lyin Ass N***,” shows off just how much her songwriting skills have matured in even that short span. A confessional ballad, the song finds Banks questioning a noncommital gentleman caller (i.e. a f*ckboy) after their situationship takes a turn for the serious. “Why you ain’t tell me you wanted to f*ck? / Why you act like you wanna be serious?” she wonders. “I was cool with a drink and a nut / Fell for your sh*t, now I’m missin’ my period.”
The video, though, shows off much more than Banks’ vulnerabilities as she raps to the camera in a hotel room wearing a lingerie set that leaves very little to the imagination. The “Buss It” rapper is clearly proud of her assets but the message here is clearly something along the lines of “look at what you’re missing out on, stupid.”
“I never met Elvis, because I didn’t want to meet Elvis. Elvis was in his Sixties movie period, and he was just crankin’ ’em out and knockin’ ’em off, one after another,” Dylan once told Rolling Stone. “I wanted to see the powerful, mystical Elvis that had crash-landed from a burning star onto American soil. The Elvis that was bursting with life. That’s the Elvis that inspired us to all the possibilities of life. And that Elvis was gone, had left the building.”
The terrible and great thing about music biopics (terrible because you end up with Jackie Jormp-Jomp-style movies being taken seriously and winning Oscars; great because it reminds me of Walk Hard: The Dewey Cox Story) is that they can bend the truth. So, if Timothée Chalamet wants to meet Austin Butler‘s Elvis in his Bob Dylan biopic, he’s going to make it happen.
“I’ve been picking Austin’s brain non-stop,” Chalamet told his Dune: Part Two co-star as he prepares for A Complete Unknown during an interview with NME. “Let’s let my film come out before I’m so lucky as to get included with Austin, he did such a phenomenal job.” Timmy continued:
“I wish you were in it! There’s an Elvis character in the Johnny Cash biopic [Walk the Line]. It’s really brief, it’s very brief, but I was kind of wishing we could create a musical cinematic universe.”
Chalamet and Butler should — spoiler alert for Dune: Part Two — re-do the Paul Atreides vs. Feyd-Rautha Harkonnen fight in A Complete Unknown but as Dylan and Elvis. My money’s on the boxer.
Multimedia artist Anna Marie Tendler has announced that she’s written a new memoir set to arrive later this year. Titled Men Have Called Her Crazy and set for an August release, Tendler will weave tales of “heartbreak and rage” from the men in her life.
Presumably, one of those tales will involve her ex-husband and standup comedian John Mulaney who famously divorced Tendler shortly after a stint in rehab during the COVID pandemic. Adding insult to injury, he quickly started a relationship with Olivia Munn and the two welcomed a son in 2021.
While Mulaney mined his rehab stint for his Emmy nominated special, Baby J, Tendler has only spoken in vague terms about the tabloid-frenzy split. That appears to no longer be the case.
“I have been writing this book for two years. More accurately though I have been writing it for close to four decades,” Tendler wrote on Instagram in an announcement post. “I have never been more proud of any work. It is a story about mental health; about being a woman; about family. And finally, about the endless source of my heartbreak and rage—men.”
You can see the full announcement below:
Tendler briefly opened up about her split from Mulaney in a 2022 interview with Harper’s Bazaar where she described the experience as “surreal.” She also turned to TikTok where she created several viral videos on art and heartbreak, which have seemingly culminated in her upcoming memoir.
Men Have Called Her Crazy hits bookshelves on August 13, 2024.
Leeds quartet Yard Act are having a moment. The band, composed of vocalist James Smith, bassist Ryan Needham, guitarist Sam Shjipstone, and drummer Jay Russell, have been releasing music as a band since 2020 before being catapulted into critical acclaim. Their debut album, 2022’s Overload, earned them a Mercury Prize nomination and co-sign from Elton John. Now, the group have returned with a new album and a new message.
Where’s My Utopia? is jam-packed with witty and wry lyrics that take aim at the modern condition and the state of the music industry (they literally call out their label subsidiary on “We Make Hits”). The 11-track record infuses upbeat rhythms with post-punk sensibilities, proving Yard Act are in a lane of their own.
To celebrate the release of Where’s My Utopia? Yard Act sit down with Uproxx to talk awesome catering at Coachella, non-alcoholic Guinness, and being addicted to social media in our latest Q&A.
What are four words you would use to describe your music?
Alright overall, I suppose.
It’s 2050 and the world hasn’t ended and people are still listening to your music. How would you like it to be remembered?
Remembered by reminding. You can guarantee we’ll be on some nostalgia-heaped anniversary tour cashing in. Probably with some of our less successful contemporaries from the time supporting to really make it a trip down memory lane (and great value for money too if you don’t mind me saying so).
Who’s the person who has most inspired your work, and why?
For compassion, resilience and graft, my mum. For shaping my view of the world, my dad.
Where did you eat the best meal of your life and what was it?
I think the catering tent at Coachella. It was like Red Hot World Buffet but better. I ate an edible beforehand and had two savory plates piled high and a few pudding’s worth to boot. There was root beer on draft and I was sat next to the singer from Papa Roach. Top that!
Tell us about the best concert you’ve ever attended.
I’m really bad at this stuff, my experiences are never really that definitive. Maybe Sharon Van Etten at the Brudenell or Gil Scott Heron at Bestival.
What song never fails to make you emotional?
“To Love Somebody” by The Beegees.
What’s the last thing you Googled?
Glasses Direct.
Where’s the weirdest place you’ve ever crashed while on tour?
Slept in the boot of a Ford Fiesta after a gig in Salford once.
What’s your favorite city in the world to perform and what’s the city you hope to perform in for the first time?
Glasgow Barrowlands currently holds the title for number one, Hong Kong Clockenflap is number two and Manchester Ritz is number three
What’s one piece of advice you’d go back in time to give to your 18-year-old self?
Remember that no one is solely defined by their best or worst moments in this life, yourself included.
What’s one of your hidden talents?
Being pleasant with people I can’t stand.
If you had a million dollars to donate to charity, what cause would you support and why?
I’d support any creative space providing disadvantaged young people with an outlet and the opportunity to learn and develop whatever skills they want in any art form, preferably in my local area.
What are your thoughts about AI and the future of music?
I think it’ll decimate and erase the need for artists and musicians within the music industry. I think it’s a bad thing for humans making money from art but it won’t stop humans from making art, and even though we all have to survive in this world somehow, ultimately making art always trumps making money from art – though it doesn’t trump making money unfortunately. I hope it’ll bring smaller communities closer together, and I think there will be some interesting collaborations to come between humans and AI.
You are throwing a music festival. Give us the dream lineup of 5 artists that will perform with you and the location where it would be held.
Beatles, Stones, Kinks, Who, Oasis. Paul Weller’s House.
Who’s your favorite person to follow on social media?
I haven’t had it for nearly a year now and I never enjoyed it when I did — though I was addicted to it and still am. When I see my wife scrolling I want to know what’s going on? Why? It’s all nonsense, but not innocent nonsense. It’s dark. I’m not tryna be some old ok boomer luddite guy about it, nor some pretentious high brow thinker with a superiority complex, but I think it turns everyone into, at best, a slightly less likeable version of themselves and at worst, absolutely insufferable. There are bands I quite liked before I had social media that I can’t listen to anymore because I’ve seen how they act on there, and I’d say it’s completely fair if people have that impression of us as well, because the slivers of wit you slip in there always gets buried beneath the mountains of insufferable faux humble, blatantly smug self-promotion you have to do on it to get people’s attention. It’s all a load of shite designed to waste our time, inflate our egos and misdirect our very valid anger back on itself and keep us scrolling. The only cure is to delete your account. All of you. I also don’t need to know about your memes. Stop sending me your memes and telling me about your memes when I see you. Actually, Bob Mortimer was quite enjoyable doing train guy.
What’s the story behind your first or favorite tattoo?
My son’s name on my wrist, matching with my wife’s. But we haven’t got round to getting them done yet.
What is your pre-show ritual?
A run and a non-alcoholic Guinness.
Who was your first celebrity crush?
Leanne Battersby.
You have a month off and the resources to take a dream vacation. Where are you going and who is coming with you?
Wild camping on my own in the Scottish Highlands.
What is your biggest fear?
My son’s future.
Where’s My Utopia? is out now via Island Records/Universal. Find more information here.
Jon Stewart is known for using humor to skewer politicians on both sides of the aisle, cleverly exposing their more ridiculous claims and inconsistencies with deft satire and mock incredulity. To the delight of The Daily Show viewers, he’s returned to the program after nine long years where he’ll sit in the hosting chair on Mondays throughout this year’s presidential election cycle.
This week, he fixed his gimlet eye on the migrant crisis at the border. He had plenty of criticism to go around and he even managed to zing Dr. Phil.
In a clip that’s now gone viral, titled, “Stewart Unpacks the GOP’s ‘Migrant Crime’ Narrative,” the host makes the case that Republicans are using the crisis for political gain while Democrats are turning their backs on their core values.
After showing a series of alarmist clips (“Illegal invaders invading America!” warns one Fox News host), Stewart says, “Every two to four years, we are reminded we have a Southern border. And it is porous.”
More clips play, ratcheting up the levels of fear over the types of people who might be flowing through the border.
“Criminals, rapists, murderers, predators and God knows who else,” we see Marjorie Taylor Greene proclaim. “God knows who else? Statistically, a couple of them at least have to be podcasters,” Stewart quips.
Stewart goes on to show commentators and politicians discussing the countries where the people crossing the border are coming from, including Dr. Phil on “The Joe Rogan Experience,” talking about all the fit, military-age men from China coming through the border.
“While it’s clear hyperbole,” says Stewart, after showing a clip where Donald Trump says Hannibal Lecter is one of the people crossing the border, “there does seem to be bipartisan agreement now that the border is a problem. There were 300,000 crossings in December alone. That’s an all-time high, and that is not sustainable.
“But Republicans turned down the chance to pass a strong border bill because of how confident they are that fearmongering will be an effective election-year strategy. It’s really all about branding,” Stewart said.
Trump again: “I call it Biden migrant crime, but it’s too long… Let’s call it Bigrant… Oh that’s good. That’s smart, Bigrant crime.”
“I’m not completely sold on Bigrant,” Stewart joked, stifling a laugh. It really just sounds like a migrant who’s open to crossing either border.” Stewart then turned his attention to what he calls “a good old-fashioned border off,” where Trump and Biden both went to the Texas-Mexico border last week. Trump went to Eagle Pass, and Biden to Brownsville.
Biden suggests he and Trump should get together to pass a bipartisan border bill which Trump declines.
“When it comes to immigration, the Democrats hold to our country’s cherished ideals, the eternal promise etched at the feet of lady liberty that speaks to our better angels,” Stewart said. This is followed by a montage of clips showing politicians, including New York Mayor Eric Adams, speaking warmly about how our country is stronger because of immigrants.
“Unshakable bedrock American values of compassion and empathy and there is not a damn thing you can do to change that,” said Stewart. “And then busloads of migrants from Texas, seeking asylum in New York.“
Nice try, Texas, but you heard the mayor,” Stewart continued. “We’re New York [bleeping] City!… You are never going to change our values because you’re afraid. So keep sending those busloads because we got plenty of room in our hearts and in this city.”
Adams again: “We have no more room in the city.”
Stewart stared at the camera in disbelief. “What about the yearnings and the tiredness and the tiredness of those who are doing the yearnings?”
Stewart then shows clips of Adams talking about the effect of 110,000 migrants coming to New York City. “This issue will destroy New York City,” he says.
“Yes, it turns out in the age old battle between values and fear, values never had a [bleeping] chance.
“So this is the terrible cycle America is caught in. Democrats whose high-minded values and principles did not survive a contact high with reality and Republicans whose desire to solve the problem isn’t nearly as strong as their desire to exploit it,” Stewart concluded.
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