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Will.I.Am And Britney Spears Tell The Haters ‘Mind Your Business’ On Their New Collaboration

Britney is back, b*tch! Tonight (July 21), Will.I.Am has dropped “Mind Your Business,” his hotly-anticipated new collaboration with Britney Spears. Over a thumping, bass-heavy beat, Will and Spears are reminding their haters that they’re not here for any drama.

Having been a star since she was a child, Spears can never escape intrusive people. No matter where she goes, she is aware that she is being followed “Uptown, downtown, everywhere I turn around,” on her verse of the song.

She continues, singing, “Hollywood, London, snap-snap is the sound / Paparazzi shot me / I am the economy.”

Will doubles down on the frustration, rapping, “Too much looky-looky, I’m so sick of all these looky-loos / Everybody lookin’ at me like I was the breakin’ news / Police gotta stayin’ watchin’ every step I take / Every move I make, every breath I take.”

“Mind Your Business” marks Spears’ first musical contribution since last year’s Elton John collab, “Hold Me Closer,” an updated version of John’s timeless classic, “Tiny Dancer.” It’s also her second overall since being released from her 13-year conservatorship back in 2021.

At this point, the message of “Mind Your Business” rings stronger now more than ever for Spears.

You can listen to “Mind Your Business” above.

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Travis Scott, Bad Bunny, And The Weeknd Are On ‘KPop’ Levels Of Fame With Their New Collab

Travis Scott is back — and he’s brought some friends with him. On his new song, “KPop,” Scott is joined by fellow hitmaker heavyweights Bad Bunny and The Weeknd, as they all come through with the heat.

Over a smooth, percussive beat, Scott delivers his signature brand of rap-singing. Of course, in true Travis Scott fashion, there’s no shortage of “skrt” or “it’s lit” adlibs.

Bad Bunny pops in, with the intent to charm a lady on the dancefloor — no matter how her man feels about it.

Meanwhile, The Weeknd — in his first musical contribution since the end of season 1 of his controversial HBO series, The Idol — seeks to continue a debauched night long after the club closes.

The scorching new single arrives a week before his hotly-anticipated fourth studio album, Utopia. Utopia marks Scott’s first album in five years, and also, his first since the Astroworld tragedy.

Scott will celebrate the release of Utopia next week with a special concert at the Giza Pyramids in Egypt — despite rumors of its previous cancellation due to alleged cultural insensitivity. The album will also come in five different artworks.

You can listen to “KPop” above.

Utopia is out 7/28 via Epic Records and Cactus Jack. Find out more information here.

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Kindergartener brings audience to tears with a speech honoring mom who died in a fire

Jaxon Carter is an incredible example of turning tragedy into triumph. The 6-year-old boy lost his mother, Taryn Marie Gainey, in an accidental apartment fire in Harrison Township, Michigan, when he was 5, a few weeks before he started kindergarten.

Even though his life had been turned upside down by tragedy, young Jaxon excelled at his school, New Dawn Academy, a public STEM-focused charter school. He won his class spelling Bee, received honors in nearly all of his subjects and graduating valedictorian of his class.


In June, his teacher asked him to give his class a valedictory address, and he delivered a 4-minute speech from memory that he wrote with his grandma. “When I started kindergarten at New Dawn Academy in August 2022, I was a little 5-year-old who had lost my beautiful mother a month before,” Jaxon said.

@blackdollarntwk

♻️ lG/blackinformationnetwork 6-year-old Jaxon Carter delivered an emotional speech dedicated to his late mom at his graduation ceremony. Jaxon lost his mom, Taryn Marie Gainey, last July in an apartment fire. Jaxon started kindergarten at a new school in Sterling Heights, MI

But he persevered and put all of his efforts into his studies. “I learned to play with other kids, read books, answer or ask questions like how or why, use correct grammar and use my school tablet,” he continued. “My kindergarten year helped me grow braver, smarter, kind-hearted and more grateful.”

He ended his speech by paying tribute to his beloved mother. “I dedicate my speech, good grades, all school awards, and my kindergarten graduation to my beautiful mommy, who I will always love and miss so very much. I know she will always be with me in my heart,” Carter said.

He also thanked his grandmother, uncles and dad for their support. “You are the best daddy ever, and I love you so very much,” Carter said to rapturous applause.

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Queen releases a never heard ballad sung by Freddie Mercury and it has fans in tears

Freddie Mercury had a voice and a stage presence unlike any other in rock music history. His unique talents helped propel the band Queen to the top of music charts and created a loyal fan base around the world.

Sadly, the world lost that voice when Mercury died of AIDS at age 45. For decades, most of us have assumed we’d heard all the music we were going to hear from him.

However, according to Yahoo! Entertainment, remaining Queen members Roger Taylor and Brian May announced this summer that they had found a never-released song they’d recorded with Mercury in 1988 as they were working on the album “The Miracle.”


“We did find a little gem from Freddie, that we’d kind of forgotten about,” Taylor said in June, according to the BBC. “It’s wonderful, a real discovery. It’s a very passionate piece.”

That “little gem” is a four-minute ballad called “Face It Alone.” Queen released a lyric video of the song on its YouTube channel, and it’s bringing fans to tears.

The lyrics are particularly heart-wrenching, considering the timing of the song’s recording. Mercury was reportedly diagnosed with HIV in 1987, though kept it a secret from the public and even from many who worked closely with him until shortly before his death.

Comments have poured in from around the world in multiple languages, and the sentiment is universal—people are deeply moved.

“Over 3 million views in one day. To hear Freddie’s voice again is so special. You live forever, darling. The song is heart breaking but then again, Queen’s songs are from the heart and that can never go wrong. Thank you to all who made it happen.” – sweet pea

“One day Freddie said:I won’t be a star, I will be a Legend’ And yes we all agree, he STILL REMAINS A LEGEND even after 31 years after his death. AMAZING.” – Gloria Sousa

“Freddie’s vocal is killing me same today as 20 years ago. Thank You Queen for this amazing gift after so many years. We love You.” – Adrian Kufel

“What to say?? A great magnificent surprise. All I know is that I cried the moment I heard this voice, these words…. Only Freddie. Love this man for eternity.. It seems as if he returned briefly to us!! To send us a message… What a beautiful present for all his fans, for this generation that has had the impact of the pandemic, this strange war, these strange times. So happy and touched to hear this now. Thank you Queen… Thank you Freddie forever !!!” – Fern 19671

“So great to see all the Freddie and Queen fans here today celebrating this song and Freddie’s amazing voice. I love how much Freddie is still treasured. I remember the day he passed away, how I cried. It’s like a gift to get this new song and have his song playing loud throughout the house today. We all love you dear Freddie.” – Sarah-Louise ASMR

Mercury was truly a legend in his own time, and hearing his voice anew almost makes it feel like he’s time-traveled to the here and now. What a lovely gift for Queen fans everywhere.

This article originally appeared on 10.14.22

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He showed up for a job interview and the BBC accidentally put him on live TV as an expert

We’ve all been there at some point or another, nervously waiting for a big job interview hoping you don’t sweat through your good shirt. Interviews are stressful but there’s likely no job interview more stressful than the one Guy Goma went on in 2006 for the BBC, when he was mistaken for an expert for a news segment. The person they were supposed to interview for the news segment was Guy Kewney, an actual music industry expert. But with cameras rolling and questions being asked, Goma took a deep breath and answered the newscaster.


In the clip you can see Goma likely thinking through how he could gracefully exit the situation after the realization that he had been placed on live television with no idea what he was about to be asked. It didn’t stop him though, once he committed to going along with the expert interview he did pretty well. While he tried desperately to control his breathing, he was able to inform the interviewer that he was predicting more people would begin downloading music online and it would become a faster process. I mean, he was right, even if he had no idea at the time.

Surprisingly, after the on-air snafu and subsequent save by Goma, he didn’t get the job he applied for, which is weird because he was clearly perfect for whatever position he wanted. I’m pretty sure they dropped the ball there, but it sure would be nice to know what happened to the quick-thinking faux expert.

Unfortunately there are no recent updates about the whereabouts of Guy Goma after his brief and random moment in the spotlight, but he’ll always hold a place in television history. Watch Goma’s WTF reaction when he realizes what’s going on below.

This article originally appeared on 10.20.22

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Here Is Garth Brooks’ Vegas Residency Setlist For 2023

Garth Brooks may have friends in low places, but his Vegas residency Garth Brooks/Plus One is proving why he deserves to be held high in esteem. Earlier this week, Brooks launched his 2023-2024 Las Vegas residency show, where he’s been performing all of his hits — and then some.

The setlist, which has been revealed by Setlist.fm, appears to be an all-encompassing assortment of hits throughout his career. Plus, he also gives a country spin to songs by the likes of Billy Joel, Lady Gaga, and Steve Goodman.

Upon arrival, fans are reportedly required to lock up their phones in a special bag for the duration of the show. And seeing as Brooks is vehemently anti-streaming, meaning you won’t find much of his music on digital streaming platforms, fans aren’t going to want to miss a minute.

You can see the full setlist below.

1. “Against The Wind (Bob Seger & the Silver Bullet Band cover)”
2. “Rodeo”
3. “Two Of A Kind, Workin’ On A Full House (Dennis Robbins cover)”
4. “Two Piña Coladas”
5. “Much Too Young (To Feel This Damn Old)”
6. “The River”
7. “Night Moves (Bob Seger & the Silver Bullet Band cover)”
8. “That Summer”
9. “Turn The Page (Bob Seger cover)”
10. “The Thunder Rolls”
11. “Ask Me How I Know”
12. “Shallow” (Lady Gaga & Bradley Cooper cover) (with Trisha Yearwood)
13. “Golden Ring (George Jones & Tammy Wynette cover)”
14. “Whiskey To Wine”
15. “She’s in Love With the Boy (Trisha Yearwood cover)”
16. “Callin’ Baton Rouge (The Oak Ridge Boys cover)”
17. “Shameless (Billy Joel cover)”
18. “Fishin’ in the Dark (Nitty Gritty Dirt Band cover)”
19. “You Never Even Call Me By My Name (Steve Goodman cover)”
20. “The Dance (Tony Arata cover)”
21. “Piano Man (Billy Joel cover)”
22. “Friends In Low Places (Dewayne Blackwell cover)”

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Dorian Electra Shares Their Stantastic New Video For ‘Anon’ And Announces Their Third Album, ‘Fanfare’

Dorian Electra is known to wear their heart on their sleeve. In their latest video for their new song, “Anon,” the genderfluid icon reminds everyone that they are not the one to be f*cked with.

On “Anon,” Electra addresses the absurdities of social media, and alludes to people who believe they can talk freely to them, confusing access with familiarity.

“I do a little blasphemy as a treat / Instead of pressing send, yeah, I press delete / Made a threat thinkin’ that I should retreat / Back down, back down, and admit defeat,” they say.

In the song’s accompanying video, Electra walks through an office filled with people standing tall and bravely, despite their faces covered with paper bags. Electra maintains rockstar status, playing guitar and headbanging, unfazed by the anonymous haters.

“Anon” precedes Electra’s upcoming third studio album, Fanfare, which arrives this fall. According to a press release, Fanfare will feature Electra as they “explore parasocial relationships from the claims we stake on figureheads’ lives to taking in obsession, idolatry and pop culture as modern mythology.”

You can see the Fanfare and album artwork and tracklist below.

Dorian Electra Fanfare Cover
Charlotte Rutherford

1. “Symphony”
2. “Idolize”
3. “Freak Mode”
4. “Sodom & Gomorrah”
5. “Puppet”
6. “Manmade Horrors”
7. “Yes Man”
8. “Anon”
9. “Phonies”
10. “Touch Grass”
11. “Lifetime”
12. “Warning Signs”
13. “Wanna Be A Star”

Fanfare is out 10/6 via Dorian Electra. Find out more information here.

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Burna Boy Travels To Jamaica To Remix Byron Messia’s Summer Hit With ‘Talibans II’

Jamaican artist Byron Messia is having the biggest year of his career so far in 2023. That’s in large part to the success of his “Talibans,” which to many, is in the running for song of the summer. The record was released on Messia’s No Love project at the top of the year and since then, the song’s accompanying music video has racked up over 36 million views, and now to give it an additional boost, Messia connected with Burna Boy for a new remix of the song, appropriately titled “Talibans II.”

The new record arrived with a music video that took both artists to the Jamaican island to party and soak up the sun. The remix begins with a strong entrance from Burna before Byron returns with his original verse. Burna later checks back in with another verse where he brags about his relationship with Jamaican singer Jada Kingdom and more.

The new remix comes after Messia looked to build off the success of “Talibans” with strong records like “90z” and “I Hate Byron.” As for Burna Boy, “Talibans II” arrives after he teamed up with 21 Savage for a remix of “Sittin’ On Top Of The World.”

You can watch the video for “Talibans II” remix above.

Burna Boy is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Lucy Dacus Seemingly Called Obama A ‘War Criminal’ After He Included Boygenius On His Summer Playlist

It’s that time of year again, when former U.S. President Barack Obama shares his annual summer playlist. Each year, Obama’s summer playlist proves to offer an eclectic mix. Some notable artists who have been featured on there include Chance The Rapper, Megan Thee Stallion, Dua Lipa, and Beyoncé.

Among this year’s picks are J Hus and Drake, SZA, Luke Combs, and Boygenius. It’s no surprise Obama opted to include “Not Strong Enough” by Boygenius on his coveted summer playlist. The three-piece band, comprised of Phoebe Bridgers, Julien Baker and Lucy Dacus has had a big year, upon releasing their debut album, The Record and delivering memorable performances at SXSW and Coachella. But despite their latest feat, it appears Dacus isn’t too thrilled about Obama opting to include Boygenius on the playlist.

After Obama posted the playlist on his Twitter account, Dacus quote-replied to the tweet, simply saying, “war criminal :(”

Dacus, Bridgers, and Baker have long been open about their politics. The trio recently performed a Nashville show in drag to protest anti-drag bills. During their Coachella performance back in April, Dacus expressed support for the safety of transgender kids, while Bridgers proudly stated “F*ck Ron Desantis.

You can see Obama’s summer playlist above.

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Playoff Lessons: Evan Mobley Can Become A Much Better Short Roll Decision-Maker

Throughout their first-round series against the Cleveland Cavaliers, the New York Knicks had a clear plan defensively: coax the ball out of Darius Garland and Donovan Mitchell’s hands. Time and time again, New York trapped Cleveland’s star guards, coerced the offense elsewhere, and exploited the Cavaliers’ lack of frontcourt floor-spacing.

The upshot of that gambit left Evan Mobley in a cycle of short-roll opportunities, presenting him with a slew of reads, including kickouts to corner shooters, lobs to Jarrett Allen, or calling his own number as a scorer. Mobley and the Cavaliers failed to shift or challenge the Knicks’ strategy. Cleveland’s offense was dreadful during the playoffs — it ranked 20th among 20 postseason teams in offensive rating (102.2) and 11.3 points below league average after finishing seventh (116.7) and 1.6 points above league average in those respective categories during the regular season, according to Cleaning The Glass.

Mobley experienced some similarly jarring declines. Despite significant growth between years 1 and 2 — namely as a finisher and self-creator, which manifested in a major scoring efficiency uptick (54.9 percent true shooting in 2021-22, 59.1 percent in 2022-23) — the second-year big man struggled to translate those improvements to the playoffs.

He averaged 9.8 points per game (16.2 in the regular season) on 47.6 percent true shooting (59.1 in regular season). His assist-to-turnover ratio slipped from 2.8:1.5 to 1.0:1.2. His two-percentage tumbled from 59.5 percent to 46.8 percent. While his defense remained quite the asset, the offense emerged as a glaring liability and New York was happy to keep directing touches his way.

Among Mobley’s struggles was his incongruence on the short roll. He could not consistently punish New York in 4-on-3 situations. Some of that is not his doing, as Isaac Okoro’s presence in the corner enabled the Knicks to comfortably help off of him while he connected on just 30.8 percent of his long balls in the series.

Okoro’s shooting from distance perked up from his 29 percent rookie year clip to 35.7 percent over the past two seasons, but it’s on such minimal volume (2.3 attempts per game) that defenses are willing to concede those shots, particularly when the alternatives are guys like Mitchell or Garland creating and Mobley or Allen finishing at the rim. The arrivals of a pair of versatile, effective shooters in Max Strus and Georges Niang could harmonize some of these lineups, more optimally arrange the court for Cleveland, and ease Mobley’s short-roll burden.

Regardless, Mobley did not steadily maximize these possessions. Because neither Allen nor Mobley stretches the floor from deep, much of the focus about his areas of improvement revolve around the outside jumper, especially since he’s so much younger than Allen and adding that to his repertoire seems more plausible than the six-year veteran doing so. Yet Mobley’s playoff foibles revealed another hole to address: the floater.

Through two regular seasons, per Cleaning The Glass, he’s shot 38 and 40 percent between 4 and 14 feet, ranking in the 35th percentile or lower both years. In the playoffs, he was 4-for-24 (16.7 percent, 13th percentile) on those field goals. Mobley shrewdly trimmed down his long two volume as a sophomore to prioritize more looks around the rim, which behooved his efficiency and paired well with newfound physicality and craft. Sometimes, though, that aggression persuaded him to pursue daunting finishes against gangly, eager rim protectors when a viable runner might’ve prompted him to be a bit more judicious versus Mitchell Robinson and Isaiah Hartenstein. The lack of an intermediate game instills some rigidity into his paint scoring. It was evident against the Knicks, illuminated through choppy footwork and general discomfort transitioning into those shots.

One of Mobley’s staunch, foremost traits is his processing speed in advantageous situations. He tends to feast in these scenarios and punish defenses for giving him an edge. That didn’t manifest in Round 1. His decision-making looked hurried and off-kilter. He didn’t patiently progress through his reads. He slung errant passes, glossed over ones typically within his wheelhouse, and sped up even when he had space and time available. New York’s rotations and physicality befuddled him.

He resembled a completely different player offensively than the one whose playmaking and feel have been bedrocks for so long. Caris LeVert shot 39 percent beyond the arc during the regular season and 36 percent during the playoff; Mobley continually elected to confront Robinson inside rather than swing feeds to LeVert for open triples. Mobley and Allen have developed some nifty high-low rapport; Mobley squandered various openings for lobs or drop-offs when the low man stepped up to him.

He must refine his pacing and discernment to be the short-roll release valve he’s capable of becoming. Alleviate pressure from his star guards — who experienced their own first-round tribulations worth rectifying — and burn defenses for providing him such beneficial alignments on the floor. Force defensive schemes into conflict.

Getting a bit stronger will benefit him, as well. When Robinson stayed down on his shot fakes, Mobley didn’t have much of a counter, given the chasm in strength between them. There’s a whole lot of tape out there from the first round that could forge a roadmap toward another leap offensively, one that carries a pulse into the playoffs.

His regular season strides should be applauded and are relevant. He is a much better scorer today than the player drafted two summers ago and, at 22 years old, is one of the world’s premier defenders, which remained the case in the playoffs even though he went through some major growing pains on offense. The Cavaliers’ future is bright with him at the helm and their foundational quartet is certainly not a finished product.

His playoff regression should also be a signpost of the crucial next steps, reinforcing the dichotomy between regular season and postseason hoops that Mobley and his teammates must bridge to help Cleveland achieve its lofty aspirations.