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Hayley Kiyoko Won’t Be Denied In Her Bravely Honest ‘Greenlight’ Single

Hayley Kiyoko is slated to perform at Can’t Cancel Pride 2023 next month and the Panorama artist just added a song to her setlist.

On Wednesday, May 24, Kiyoko released “Greenlight.” The single is perseverance in pop form — an undeniably catchy glimpse into Kiyoko’s stream of consciousness as she tries to adjust her outlook.

“I’ve spent a lot of time and energy trying to prove my worth to people but have realized that if a situation in life is stopping you from moving forward or making you feel trapped, it’s okay to pivot in a new direction. Once I embraced that mindset, so many new doors opened,” Kiyoko said of the song’s inspiration in a statement.

She continued, “‘Greenlight’ is about making an active decision to put your energy into the things that are working. Of course, there will be roadblocks along the way, but we become our best selves when we surround ourselves with people who challenge us in a healthy way, encourage us to keep digging deeper and support our overall journey.”

The melodic chorus finds Kiyoko in the midst of that epiphany. “I keep on waitin’ on red lights / I keep on chasin’ the stop signs,” she sings. “Why isn’t anything movin’? Not movin’ / Can’t take it / I wanna know what it feels like / I wanna follow the green light.”

Kiyoko has plenty moving in her favor right now. The Panorama Tour has seven more dates, including back-to-back nights at Irving Plaza in New York, New York on May 30-31, before wrapping on June 2 in Silver Spring, Maryland. On May 30, Girls Like Girls, her debut novel, will be published. Pre-order it here.

Listen to “Greenlight” above.

Hayley Kiyoko is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Trump And Biden Both Dragged Ron DeSantis’ Trainwreck Of A Twitter Campaign Launch

Joe Biden and Donald Trump don’t have much in common apart from both being presidents. One is nice and chummy; the other mean and vindictive. They probably hate each other even more than people think. But on Wednesday, they both did the same thing: They dragged Ron DeSantis for his disastrous presidential campaign launch on Twitter.

Days ago, the Florida governor announced an unusual way to formally announce his 2024 run: Rather than hold some press event (or descend a golden escalator), he’d do it on Twitter Spaces. Teaming up with Elon Musk — and on a service that’s been plagued with problems ever since he took over and gutted the staff — was asking for calamity. And he got it. There were glitches from the start, and it took some 20 minutes for DeSantis to even speak. At one point the room crashed and they had to open a new one.

The launch was roundly mocked on social media, including by the men who could very well (or not!) become his predecessors. Let’s start with Biden, whose Twitter account mocked the technical difficulties with a simple tweet: the words “This link works,” directing users to his 2024 campaign site.

It may have been embarrassing for the relatively young DeSantis (and Elon Musk) to be pantsed by an 80-year-old man. Even worse, he was also belittled — relentlessly — by a 76-year-old.

As per The Daily Beast, Trump spent a lot of the lead-up to DeSantis’ Twitter Spaces gathering by lighting into him on Truth Social. He posted screengrabs of polls showing Trump trouncing him. He welcomed him to the race and warned him that he’ll be “attacked by the Marxists, Communists, and Radical Left Lunatics of our Country,” just as he had. At one point he called him “Rob,” which is admittedly kind of funny.

After The Twitter Spaces debacle, though, Trump really let it rip. He posted a video of a SpaceX rocket crashing and burning, the words “Ron! 2024” affixed to it.

He also posted a video juxtaposing his 2020 campaign launch with the snafus that plagued DeSantis’ 2024 one.

https://twitter.com/ReallyAmerican1/status/1661541710231371776

“Wow! The DeSanctus TWITTER launch is a DISASTER! His whole campaign will be a disaster. WATCH!” he wrote later.

He also weighed in on other Republican contenders. “Tim Scott’s Presidential launch, even with the broken microphone (don’t pay the contractor, Tim!), was by far the best Presidential launch of the week,” he wrote. “Robs was a catastrophe!”

“Rob” is no “Meatball Ron,” which he swears he’ll never say, but it’s oodles better than “DeSanctimonious.”

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Travis Scott Plans To Enroll At Harvard To Study His ‘True Passion’ After He’s ‘Done With Music’

Travis Scott has been teasing the seemingly imminent arrival of Utopia, his fourth studio album, which, to be fair, he’s been teasing in one way or another since early 2022. But earlier this month, he let Houston Astros players listen to the album in the clubhouse at Minute Maid Park before telling Fox 26’s Mark Berman, “It’s on the way now.”

While Scott is locked into music mode now, he already has eyes toward the future.

The rapper was on the cover of Pin-Up Magazine‘s “Body Issue” on Wednesday, May 24, and in the accompanying spread he was asked to share something about himself in accordance with the letters of the alphabet. For “A,” Scott said, “Architecture is my true passion. I plan to apply to the architecture program at Harvard GSD [Graduate School Of Design] when I’m done with music, which won’t be for a while. It would be dope to do both at the same time.”

Scott also noted that he likes cars and has “a very rare collection” and said “drawing, and visual art in general” were his “main inspirations” when writing music. Architecture isn’t his only true passion, as he used to same phrasing for graphic design. He also identified the person who has artistically influenced him the most.

“Making an impact is fun. But sometimes people also flip the question on you in weird ways,” he said. “There are people who don’t understand why you’re influential, and it can become an issue. The person who had the greatest impact on me and my taste level was Virgil [Abloh]. He was a true inspiration.”

Read the full story here.

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Here Are The Afro Nation Miami Set Times For 2023

Afrobeats’ footing in the United States is as strong as ever, as became apparent in January. Afro Nation will host its inaugural stateside festival at LoanDepot Park in Miami this weekend, May 27-28, with Burna Boy and Wizkid as its headliners. (The festival will hit Detroit in August.)

Afro Nation revealed the full schedule on Wednesday, May 24.

Burna Boy’s headlining set on Saturday, May 27, is scheduled from 10:30 p.m. to 11:30 p.m. on the Main Stage. He’ll be preceded by Asake (9:30-10 p.m.), also on the Main Stage, while Uncle Waffles is scheduled to perform on the Piano People Stage from 9-10:30 p.m. Other acts slated for Saturday include Mavado (8:30-9 p.m.), Dadju (7:45-8:15 p.m.), and CKay (7-7:30 p.m.).

On Sunday, May 28, Wizkid will take on the Main Stage from 10:30-11:30 p.m. after the likes of Rema (9:15-10 p.m.), Fireboy DML (8:15-8:45 p.m.), and Beenie Man (7:15-7:45 p.m.). The Piano People Stage will be occupied on Sunday by Major League Djz (9:30-10:30 p.m.), Kamo Mphela (9-9:30 p.m.), TXC (8-9 p.m.), DBN Gogo (7-8 p.m.), Kelvin Momo (6-7 p.m.), and DJ Walgee (5-6 p.m.).

See the full Afro Nation schedule and the site map below, and find more information about the festival here.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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The Wizards Are Reportedly Hiring Clippers GM Michael Winger As Team President

For the first time in 20 years, the Washington Wizards will bring someone in from the outside to run their basketball operations, as the franchise fired GM Tommy Sheppard earlier this offseason (who had been elevated from his longtime post as assistant GM in 2019).

On Wednesday, word broke from ESPN’s Adrian Wojnarowski that the Wizards had filled that hole at the top of their front office by bringing Clippers general manager Michael Winger in to serve as President of Monumental Basketball, overseeing not only the Wizards but also the Mystics (WNBA) and Capital City Go-Go (G League).

Winger has been in L.A. since 2017 when he joined the Clippers to serve as GM under team president Lawrence Frank after seven years with the Thunder under Sam Presti. The task for Winger is not an easy one, as he steps into a team that hasn’t finished above .500 since the 2017-18 season and has a number of key decisions to make this summer. Kyle Kuzma is set to enter free agency and could be joined by Kristaps Porzingis, who has a player option for next year, and Winger will have to decide if he wants to make those two part of his long-term core alongside Bradley Beal (who is on a supermax with a no-trade clause) or make some substantial roster changes this offseason.

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Nicki Minaj And Karol G Gushed Over ‘Tusa’ And Minaj Explained Why They Haven’t Performed It Yet

Nicki Minaj didn’t have any kind words for Yung Miami on Twitter on Wednesday, May 24, but she took a break to shower Karol G with praise.

Karol G is the newest cover star for Elle, and as part of her cover star duties, she participated in “Life In Lyrics” for the magazine’s YouTube channel. The Colombian artist spoke about”Tusa,” her 2019 collaboration with Minaj.

“When I had this song, I just text on Instagram to Nicki Minaj,” Karol G explained. “We never had met before, and it was so special for me that she loves the song, and she just jump on it — like, singing lyrics in Spanish. We were really grateful about her celebrating our Latina community.”

She continued, “And I remember [during] the pandemic, this song was one that people used to sing in the balconies, so this one is really, really special. I know you love ‘Tusa.’ I love ‘Tusa,’ too.”

Someone shared that clip on Twitter, which caught Minaj’s attention.

“But the thing is, Karol sent me another song @ first & I asked her to send smthng else,” Minaj tweeted. “She didn’t want to b/c she said the reggaeton was what was popping at the time. But she still sent a new song. When I heard Tusa I fell in love. I think I was pregnant. I was dancing w/husband non stop in the backyard. We swore we were doing the merengue. The song made us feel so happy. That’s how I knew it was the one.”

When another person said Karol G and Minaj “owe the world a performance” of “Tusa,” Minaj shared, “To be fair, Karol asked me to perform it with her on 2 different award shows, if I recall correctly. By that time I had gotten preggers tho & I was still keeping it a secret. I hated having to pass up on it but papa was growing in mama tummy. Lo siento por mis fans Latinos.”

“Tusa” is certified diamond as of November 2021, per RIAA.

Karol G recently announced she will embark on the Mañana Será Bonito Tour later this year, so maybe Minaj will make a surprise appearance and finally deliver “Tusa” in a live setting.

Watch Karol G’s “Life In Lyrics” video below.

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The Ever-Opinionated Brian Cox Has A Hot Take On How ‘Succession’ Handled Logan Roy’s Departure

Warning: This post contains spoilers about the most recent season of Succession (in a twist we more or less gave away in the headline).

Brian Cox is a lot warmer than Logan Roy, his tyrannical corporate despot on Succession. But he’s not afraid to speak his mind. He’s not afraid, for instance, to talk smack about Johnny Depp. He’s not even above repeatedly trashing his on-screen son Jeremy Strong’s committed approach to acting. Well, guess what? Now he’s criticizing the writers of the show that made him a mega-star.

As per Deadline, Cox appeared on an episode of BBC Two’s Amol Rajan Interviews, where they discussed the shocking way the show dispensed with his ever-grumpy patriarch. Logan’s death came not in the final episode, nor even in one of the last ones. It happened in episode three of the final season. Suddenly Logan was lying prostrate inside a private plane, not breathing, while everyone panicked. Soon he was declared dead, just like that.

The move was widely praised, and the remaining episodes have all been nail-biters. But not by Cox. He called the most “ultimately too early.” Not that he thought Logan should make it to the end, or even never croak. He said he would have been fine with episode five or six.

Sounds like Cox’s beef with the premature passing is really about him suddenly no longer having to deliver any lines (or “f*ck off”s).

“I was fine with it ultimately, but I did feel a little bit rejected,” Cox said. “You know, I felt a little bit like all the work I’ve done and finally I’m going to, you know, end up as an ear on a carpet of a plane.”

As of this writing, there’s still one more, super-sized episode left. Maybe Cox will make another appearance in a flashback. Or maybe Logan will simply come back from the dead, angrier than ever.

(Via Deadline)

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Nicki Minaj And Yung Miami Are In A War Of Words Over ‘Gay Slang’ And Diddy Got Dragged Into It

On Wednesday, May 24, Yung Miami teased an upcoming episode of her Revolt talk show, Caresha Please, with Summer Walker, due to air tomorrow, May 25. Alas, that episode will likely not live up to Nicki Minaj’s reaction to the teaser.

“*Hits Diddy to advise him that a young lady on a show that appears on his network seems to have ‘borrowed’ a very popular #QueenRadio catch phrase* Puff, who representing u these days chile?” Minaj tweeted in response to Miami’s trailer. “I got my sh*t drafted in my HEAD B!CH @YungMiami305 talkin bout u got into some thangssss. Um chile, anyways, so…”

“Nicki @NICKIMINAJ what’s really the problem??? cause I definitely didn’t get that from you LOL,” Yung Miami promptly responded. “‘let’s get into some thing Chile’ actually is a gay slang Lmaooooo.”

That tweet was followed by another from Miami aimed at everyone following along: “Y’all b*tches stfu and get tf out my mentions with that dumb sh*t tf.” Nobody can claim that she’s not a clear communicator.

Meanwhile, Minaj fired back at Miami’s defense with, “Caresha now you know damn well [six cry-laughing emojis] ‘gay slang is the first go-to nowadays. Let’s discuss it on #QueenRadio chile. If not, I’m hittin Puff right now. You know he used to manage me right? Now it’s my man my man my man [cry-laughing emoji] Puff what up? Hit my line chi @Diddy.”

Minaj also posted a Twitter poll with the message, “Talkin bout ‘gay slang’ caresha please! Let’s ask the gays ms B*tch!!!! @YungMiami305.”

Miami said she’s “ready when you are Ms. b*tch” to join Minaj on her Queen Radio, to which Minaj said, “*stops typewriter* *Looks at the first legal draft* *rips it up* *Hears puff desperately calling my line* *Doesn’t answer* *gets my questions ready for Ms Caresha*”

Diddy hasn’t tweet a peep so far, but Miami spoke for him across two more tweets: “Yeah I’m On my way to his house im Finna call you when I get there. Desperately??? It’s never giving that Nicki [four cry-laughing emojis] let’s be fr.”

As context , Diddy recently updated the world on his and Miami’s fluctuating relationship status after they appeared at the 2023 Met Gala together earlier this month. “We’re dating, and we’re just enjoying ourselves,” he told Vogue.

Way back in February 2022, Miami said in an interview with The Morning Hustle that any beef — perceived or real — between City Girls and Minaj had been “let go.” Guess not!

See all of the tweets below.

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Ron DeSantis’ Glitchy, Audio-Only Twitter Spaces Campaign Announcement Was An Elon Musk-ian Disaster

Eight years ago, Donald Trump announced his first-ever presidential campaign by descending a golden escalator. It was a tacky, ridiculous way to announce one’s gunning for the most powerful job in the world. But it sure was better than what gaffe-prone Ron DeSantis did, which was team up with Elon Musk for an announcement that was inevitably plagued with glitches and headaches.

DeSantis’ much-hyped, outside-the-box announcement was scheduled to kick off at 6pm EST on Twitter Spaces. Perhaps in the Jack Dorsey era, such an ambitious volley would have gone off with flying colors. Not so in the Musk era, when a large chunk of the service’s staff was unceremoniously canned.

The Guardian tracked the disaster in real time. First off, it was audio-only, perhaps so as to hide any weird faces the Florida governor might have made. But the audio had bad feedback. What’s more, many reported that the event was causing their apps to crash.

“We got so many people here that we are kind of melting the servers, which is a good sign,” said Republican donor and Musk pal David Sacks.

DeSantis was noticeably quiet. Even 20 minutes in, he had yet to say a word. Then, 21 minutes in, the Space appeared to crash. The event had to move to another room, where glitches seemed to abate and DeSantis finally spoke about COVID restrictions and declared there’s “no substitute for victory.”

But people really couldn’t get over what a crapshow the whole thing was.

Many people noticed all the crashing and glitches.

For some, the Spaces event just plain wasn’t working.

People got kicked out.

Others complained that this presidential campaign announcement was oddly audio-only.

Little about it inspired confidence in either the guy trailing behind Donald Trump in the polls nor the guy who runs three major tech companies.

There were jokes.

Eventually DeSantis got trolled by an 80-year-old man.

Perhaps this whole disaster should give Tucker Carlson an idea of what he’s in for.

(Via The Guardian and The Hollywood Reporter)

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How The Nuggets Picked Apart The Lakers Once-Elite Defense

Late in the Denver Nuggets’ Game 1 win over the Los Angeles Lakers last week, a contest in which they tallied 132 points and prolific 136.1 offensive rating, one of their rare empty possessions became a harbinger for the rest of the 4-0 sweep.

As Jamal Murray and Nikola Jokic tangoed into a pick-and-roll, Aaron Gordon jogged from the weakside corner to the elbow. There, he set a flare screen on Dennis Schröder, who had flashed into the lane to crowd Jokic on the catch. When Schröder tried retreating to his man, Kentavious Caldwell-Pope, he was greeted by the brick wall of Gordon.

Although Caldwell-Pope’s open three clanked off the rim, it was apparent Denver holstered counters for the Lakers’ schematic tweak of putting Anthony Davis on Gordon to roam as a helper, primarily against Jokic, but really everywhere its elite offense ventured. The Nuggets’ attack stalled for portions of Game 1 as they adapted to Los Angeles’ decision to swap Davis and Rui Hachimura’s defensive assignments. It even stalled for lengthy stretches of Game 2 (playoff-low 104.9 offensive rating that night), with Gordon unsure of where to position himself and how to exploit Davis’ unwillingness to guard him off the ball.

Every game, however, the Nuggets exhibited various understandings of how to mitigate Davis’ looming presence and avoid letting him lord over their offense like he had in previous rounds against the Memphis Grizzlies and Golden State Warriors. During their two road wins in Los Angeles, the second of which propelled them to the franchise’s first NBA Finals berth, that understanding coalesced to keep the offense humming. Denver’s brigade would not see the same fate as the Lakers’ prior opponents.

Much of that stems from Murray and Jokic’s artistry. They were superb all series and dissected the array of coverages Los Angeles confronted them with. Murray averaged 32.5 points on 65.1 percent true shooting. Jokic averaged 27.8 points on 59.8 percent true shooting and slung 47 dimes to only 15 turnovers.

But part of that collective potency is a reflection of the manner in which Gordon, the rest of the Nuggets, and their coaching staff adjusted to the Lakers considering him a non-shooter. For much of Game 1’s crunch time, Gordon resided in the opposite dunker spot of wherever Jokic posted or faced up. That made Davis’ responsibilities straightforward. He knew how and when to help. His timing was routine. Denver botched a couple plays, but Davis’ impact absolutely muddied the waters.

So, the response to that was to amend Gordon’s positioning. Complicate the reads and decisions for Davis. Force him into different situations. Move him around the floor and pull him out of the paint. Diagram plays in which a double-team wouldn’t sink the ship and might even be the preferred outcome. The results were less crisp, attentive rotations from Davis and more space for the Nuggets that led to bountiful possessions.

During Games 3 and 4, part of amending Gordon’s positioning meant letting him initiate possessions. The bouncy, explosive forward notched nine assists in Los Angeles, compared to five in the Mile High City. He’s a skillful static passer and showcased as much. Denver lured Davis away from the rim and dialed up actions to manipulate his absence there. The Lakers lacked another menacing interior defender in their playoff rotation. Instances where Gordon commandeered possessions above the break illuminated that. The ripple effects of collaborative paint protection burned them.

Another tactic the Nuggets embraced to generate quality looks was utilizing Gordon as a weakside screener or dribble handoff facilitator. That’s nothing distinct to them. Plenty of non-shooters are featured on flare or pin-in screens and as a DHO operator. If a defense is ignoring a player, leveraging that space into beneficial opportunities for someone else is a logical and popular strategy. Denver sparked far more good looks than it capitalized upon with this gambit, but I suspect it could be a grander storyline in the Finals if/when the Miami Heat emerge from the East.

The Heat love to bring aggressive help and adhere to a no-middle scheme. They tend to help at the nail one pass away and are tremendous at playing the gaps to dissuade or interrupt driving lanes. That prowess is a significant reason they’ve stymied the Boston Celtics’ offense. The difference, though, is Jokic’s virtuoso passing vision can break that scheme. Boston doesn’t have a playmaker who approximates him in that realm and is struggling to flip the court to get Miami in rotation. Jokic won’t have that trouble. Sequences like the ones below, which were only a fraction of Denver’s Western Conference Finals success, could be commonplace next month.

In Game 4, the Lakers replaced D’Angelo Russell and Jarred Vanderbilt with Schröder and Hachimura as starters. Hachimura guarded Jokic and Davis took Gordon. The Nuggets didn’t solely manipulate those assignments with Gordon’s initiating. They also attacked Hachimura in pick-and-rolls, where his limited length, mobility, and vertical pop were exposed. Throughout Games 3 and 4, involving Hachimura in screening actions yielded such good shots for Murray and the Nuggets that the Lakers eventually put Davis back on Jokic in Game 3 to coax the offense somewhere other than Murray-Jokic pick-and-rolls (instead, they spammed Jokic-Murray inverted pick-and-rolls to cap off that victory).

Similar to shifting Gordon’s positioning and straining Davis’ duties, Denver refused to keep Hachimura’s job simplistic as a post stopper. That’s the windfall of Jokic’s multiplicity. There are so many avenues through which he can punish a scheme and dictate another adjustment. The Lakers tried a ton of stuff. None of it consistently proved effective because Jokic, Murray, and the Nuggets’ playbook punched back with a superior counter.

In addition to being the NBA’s best player, scorer and passer, Jokic is also an elite rebounder. He gobbled up 58 rebounds in four Western Conference Finals games. When he pinballed the rock to himself on the defensive end, he consistently aimed to push the tempo, likely both in a hope to burn the Lakers’ steadfast, disorganized fast break defense and create cross-matches if things settled into a half-court possession.

According to Cleaning The Glass, Denver averaged 133.3 points per 100 possessions in transition following a live board. Jokic’s intersection of rebounding, ball-handling, and playmaking expertise were a nightmare for the Lakers to contain. If he didn’t immediately create something positive, his sheer ability to pressure the defense often thrust Davis onto a credible shooter who he couldn’t lurk away from.

Other times, the Nuggets were meticulous about forcing him to switch in the halfcourt and exile him from the action. It didn’t transpire every trip or anything like that, just enough to loosen up the offense and rely a little less on Jokic and Murray’s brilliance. Granted, their playoff brilliance has long warranted the credence to bank on it.

Los Angeles entered the Western Conference Finals touting the top-ranked defense of the playoffs with a 106.5 defensive rating. Across these four games, the Nuggets tallied a 122.5 offensive rating, including 124.7 inside Crypto.com Arena (what a wretched name, for the record). Toss out transition, where the Lakers have long struggled this year, and Denver’s offensive rating remains elite at 109.1.

That’s 11.4 points higher than the postseason average and 3.5 points higher than Denver’s own playoff-leading 105.6 half-court offensive rating. It’s also 19 points higher than the Lakers’ 90.1 half-court defensive rating they sported entering this matchup. Ignore the first game, when they hardly employed Davis as a roamer, and Denver’s halfcourt offensive rating is still 103.2. Any way you slice it, the Nuggets stampeded through this battle of vaunted offense vs. stingy defense and rendered one of these labels entirely obsolete.