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The 2024 Emirates NBA Cup Groups And Format, Explained

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The NBA’s efforts to add a little excitement to the doldrums of its regular season will return on Tuesday evening. For the second straight year, the league will hold its new cup competition, now known as the Emirates NBA Cup. The first year was fun, with the Los Angeles Lakers winning the whole thing by knocking off the Indiana Pacers in Las Vegas, and now, the NBA will continue its efforts to turn this nascent event into a crucial part of its calendar.

What does this all mean? Well, we tried to answer that today by explaining what’s new this year, how the whole thing will work, and why we’re excited to watch this as it tries to become a tentpole event on the NBA calendar.

So is this just the In-Season Tournament but with a new name?

It is! While the NBA has never explicitly said this, my assumption is that they spent the first year calling it the In-Season Tournament so fans would get a sense of what it is before calling it what they always wanted to call it: The NBA Cup, or more specifically, the Emirates NBA Cup. Or maybe they just couldn’t find a sponsor in the first year.

What’s that Emirates thing? I’ve seen its logo on courts but never actually looked into what it is.

It’s an airline based out of the United Arab Emirates that sponsors a lot of stuff. They’re sponsoring this event, which is the second-best thing that the NBA does, and fortunately, Emirates has plenty of experience sponsoring the second-best thing, as they are the shirt sponsor for Arsenal.

What?

Just let me cook.

Ok, so, any major differences from last year other than the name?

A big one are the courts. Last year, they came under criticism from players (who kept slipping on them) and fans (who thought some were huge eyesores, particularly because of the weird, cumbersome stripe they had going down the middle of the courts). They’re not nearly as bad this year, as they replaced the stripe with rings in the center of the floor and got rid of some of the more abrasive designs that just do not work on television. I’m sure not everyone will love them, but I think they are a huge improvement on last year — we just have to see if players struggle with their footing on them, or else the aesthetic changes do not matter at all.

What about point differential? I know some players disliked that.

Well, that’s still sticking around as a potential tiebreaker for which teams do and do not advance. Frankly, I think it’s fine and we saw last year that some of the European players were trying to egg their teammates on — Domantas Sabonis was the main one I remember — but it’ll still take a bit of a shift for everyone to get on board with it.

Remind me how determining how teams advance will work again?

Sure! Right from the league:

Via NBA.com

So the easiest way to move on is to just win your group and not worry about any tiebreakers.

That is correct.

Well then, what do the groups look like?

Once again, the NBA broke things up into three groups of five teams in each conference — this will, hopefully, look a lot cleaner when expansion happens, we get up to 32 teams, and they can do groups of four in each conference where each team plays group games home and away. The group games will happen on Tuesdays and Fridays starting tonight and running through Dec. 3.

Here’s how it all looks:

West Group A: Minnesota, LA Clippers, Sacramento, Houston, Portland

West Group B: Oklahoma City, Phoenix, LA Lakers, Utah, San Antonio

West Group C: Denver, Dallas, New Orleans, Golden State, Memphis

East Group A: New York, Orlando, Philadelphia, Brooklyn, Charlotte

East Group B: Milwaukee, Indiana, Miami, Toronto, Detroit

East Group C: Boston, Cleveland, Chicago, Atlanta, Washington

How do these teams qualify for the knockouts?

Same as last year — win your group and you get a spot. Both conferences then get one remaining spot for a wild card team, which goes to the best remaining team that did not automatically qualify by winning its group. This is probably where those aforementioned tiebreakers would come in, but you never know.

And will the knockouts work like last year, too?

Yup! Single-elimination basketball games, with the quarterfinals happening on-site at home arenas and the semifinals and final happening in Las Vegas. The quarters are on Dec. 10 and 11, the semis are on Dec. 14, and the final is on Dec. 17.

And are these games all considered regular season games, too?

For the most part they are — group games, the quarters, and the semis will all count towards regular season records again, while the championship game will not.

So it looks a lot like last year, then.

That’s right, the league has, essentially, decided to keep a lot of things the same other than the name and the courts. Oh, also, as a programming note: home teams will wear their Statement Edition uniforms, while road teams wear their Association edition uniforms, according to the league.

Huh, well then, ok.

You don’t seem enthused about all of this, dear reader.

Yeah, I mean, I am still unsure why I should care about this.

Well that’s easy: You don’t have to! You’re an adult with agency and the ability to care about whatever you want, times are tough, maybe you don’t want to get super personally invested in a new thing the NBA is doing, that’s fine.

But you seem to like this.

I do!

Why?

I think a big split I have noticed here is “fans who like soccer” and “fans who do not,” with the former being more open to the idea of a midseason cup competition — Adam Silver has compared the NBA Cup to the FA Cup in English football, but basically every domestic league has a secondary cup competition.

The thing is that these competitions are universally considered not as important as winning the league, but they are still important because it’s an opportunity to win something historic and provide some validation for a team’s season. The NBA Cup is only in its second year, so clearly, it has a way to go before it gets taken that seriously — the whole saga with the Lakers debating putting up a little banner is an example of this.

But the FA Cup, for example, is not considered cool because everyone farts around and then Manchester City wins it at the end. It’s considered cool because teams from several levels of English football have a chance to win it, and sometimes, you get magical runs to the very end. We got a glimpse of what that could look like last year when the Indiana Pacers nearly won the whole thing. Hell, if not for the fact that they’re the Lakers, it’d probably be viewed as proof of concept that the final was between a Play-In team and an upstart young squad trying to win something for the first time. That is, to steal a phrase from the English, the magic of the cup.

So acknowledging that this isn’t as important as winning the NBA Finals is fine?

One-hundred percent. The longer the NBA sticks with this — and, let’s face it, Silver is essentially staking his legacy as a commissioner on this becoming a big deal — the more likely it is that it’ll settle into a spot where fans/franchises like that it is a thing that they can win, all while understanding that the big prize is still waiting for them in June. It helps, of course, that there’s a financial incentive to do well.

Remind me what that is.

Sure! Players whose teams make the quarterfinals make $50,000, players whose teams make the semifinals make $100,000, players on the runners-up make $200,000, and players on the team that wins the whole thing makes $500,000.

Nice.

I agree.

Anyway, this sounds like, bare minimum, a thing I can have on my television on Tuesdays and Fridays.

It is, and really, if that’s all that comes from this for the next year or two, that’s totally fine. Something like this will only become a big deal the more it happens and the more it becomes ingrained as part of the sport’s culture, and as long as this year is a step towards doing that, I’m sure it’ll all work out in the long-run.

Nice. Well, I suppose I can tune in.

That you can, and if you want to know what games are on, when they’re on, and which networks they’ll be on, you can click right here.

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The Warriors Released A New Track Featuring Saweetie, G-Eazy, P-Lo, And More To Celebrate The 2025 All-Star Weekend

The NBA will head to the Bay Area next year for All-Star Weekend. While the league will have a presence in a few different places, its two main events — All-Star Saturday Night and the All-Star Game — will set up shop at the Chase Center in San Francisco, which is the home of the Golden State Warriors.

It stands to reason that we’ll see some of the big names associated with the franchise involved in the festivities — Steph Curry, if I had to guess, is going to be an extremely busy man for a few days. And in the lead-up to the league making its way to California, a number of the biggest names in music from the Bay Area teamed up with the Warriors to release a new song in celebration of the All-Star Game going to San Francisco.

The track is titled “Players Holiday ‘25,” and features Saweetie, G-Eazy, P-Lo, LaRussell, Larry June, Kamaiyah, Thuy, and YMTK. It’s not the only release the team has in store for All-Star, as a full album, titled For The Soil, will come out in January. You can listen to the song — which is being released via the Warriors’ record label Golden State Entertainment — at the top of this post.

“The Warriors have been a big part of my journey, and it’s an honor to collaborate with Golden State
Entertainment and some of the most iconic voices from the community to create something that
represents the culture we live and breathe,” P-Lo said in a statement.

The 2025 NBA All-Star Game will take place on Sunday, Feb. 16.

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My Chemical Romance Is Playing All Of ‘The Black Parade’ During A 2025 Stadium Tour

Emo masterpiece The Black Parade doesn’t turn 20 years old until 2026, but My Chemical Romance is getting the party started early.

The recent When We Were Young headliners are going on tour to support the album that gave us “Teenagers,” “Famous Last Words,” and, of course, the title track (which Phoebe Bridgers once memorably covered). Each show will feature a different MCR-selected artist as the opening act, including Death Cab For Cutie and Thursday in New Jersey, Pixies in Toronto, and Devo in Chicago. You can check out the tour trailer above.

Tickets for The Black Parade Tour go on sale this Friday, November 15, at 10 a.m. local time. You can find more information here.

You can see the full dates and poster for The Black Parade Tour below.

My Chemical Romance’s 2025 Tour Dates: The Black Parade

07/11/2025 — Seattle, WA @ T-Mobile Park (with Violent Femmes)
07/19/2025 — San Francisco, CA @ Oracle Park (with 100 Gecs)
07/26/2025 — Los Angeles, CA @ Dodger Stadium (with Wallows)
08/02/2025 — Arlington, TX @ Globe Life Field (with Garbage)
08/09/2025 — East Rutherford, NJ @ MetLife Stadium (with Death Cab For Cutie and Thursday)
08/15/2025 — Philadelphia, PA @ Citizens Bank Park (with Alice Cooper)
08/22/2025 — Toronto, ON @ Rogers Centre (with Pixies)
08/29/2025 — Chicago, IL @ Soldier Field (with Devo)
09/07/2025 — Boston, MA @ Fenway Park (with Idles)
09/13/2025 — Tampa, FL @ Raymond James Stadium (with Evanescence)

My Chemical Romance’s The Black Parade Tour Poster

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Tyler The Creator’s ‘Mask Is Off’ In A Compilation Of Behind-The-Scenes Clips From The Making Of ‘Chromakopia’

Over the past few years, Tyler The Creator has seemingly become more and more interested in publicly sharing parts of his creative process with his fans and followers, and that trend continues with his new album Chromakopia. After securing the No. 1 Billboard spot for the second week in a row, Tyler posted a video of behind-the-scenes clips from the album’s recording process titled “Mask Is Off” — a reference to a song from the album called “Take Your Mask Off.”

Like the song, which contains a vulnerable look at some of Tyler’s insecurities with its admonishment to listeners to be their true selves, “Mask Is Off” finds Tyler baring parts of his process he’s previously admitted to being shy about, such as his singing. We also see his production work, instrumentation, engineering, and collaboration, as he works out bars, beats, choruses, and melodies, both in his own private bubble and with collaborators like Daniel Caesar and Thundercat. (The recording for “Sticky” looks like the most fun anyone’s ever had in a recording booth since the ’80s.)

Speaking of Tyler’s creative process, you can check out Uproxx’s story on Silent House, the production house behind Tyler’s unique stage shows, ahead of this weekend’s Camp Flog Gnaw Carnival in Los Angeles.

You can watch “Mask Is Off” above.

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Angel Olsen’s ‘Cosmic Waves Volume 1’ Is Part Spotlight Compilation, Part Covers Album

Angel Olsen dropped the album Big Time in 2022 and followed it with the Forever Means EP last year. Now she has detailed what’s next: Today (November 12), Olsen announced Cosmic Waves Volume 1, which has a bit of a atypical structure.

The first five tracks are songs by other artists, while the final five are covers of those same artists, performed by Olsen. For example, today, we get Poppy Jean Crawford’s “Glamorous,” as well as Olsen’s cover of Crawford’s “The Takeover.”

Olsen says of Crawford:

“I remember speaking with my good friend Angela Ricciardi about Poppy starring in the film The Giver Gives to Give, and was immediately transfixed by her overall vibe and ’30s era beauty. But it wasn’t until later when Angela shared one of Poppy’s early demo grunge songs with me that I was blown away. Poppy gives me hope that guitar music will come back. She has such a powerful voice made for pop while also having this edge to her that, for me, communicates the kind of rage I can always relate to.”

Listen to Olsen’s rendition of “The Takeover” above and find the Cosmic Waves Volume 1 cover art and tracklist below.

Angel Olsen’s Cosmic Waves Volume 1 Album Cover Artwork

somethingscosmic

Angel Olsen’s Cosmic Waves Volume 1 Tracklist

1. Poppy Jean Crawford — “Glamorous”
2. Coffin Prick — “Blood”
3. Sarah Grace White — “Ride”
4. Maxim Ludwig — “Make Believe You Love Me”
5. Camp Saint Helene — “Wonder Now”
6. Angel Olsen — “The Takeover (Poppy Jean Crawford cover)”
7. Angel Olsen — “Swimming (Coffin Prick cover)”
8. Angel Olsen — “Sinkhole (Sarah Grace White cover)”
9. Angel Olsen — “Born Too Blue (Maxim Ludwig cover)”
10. Angel Olsen — “Farfisa Song (Camp Saint Helene cover)”

Cosmic Waves Volume 1 is out 12/6 via somethingscosmic. Find more information here.

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Eight Teams That Should Care About The 2024 NBA Cup

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The second edition of the NBA Cup (now with a fancy sponsor, Emirates) will begin on Tuesday night as group stage action gets started. Feelings on the NBA Cup vary, but for the most part, it seems to have been at least a mild positive in terms of adding a little juice to November regular season hoops.

Last year, the eight teams that emerged from group play were the Celtics, Bucks, Pacers, and Knicks in the East, and the Lakers, Kings, Suns, and Pelicans in the West. Ultimately, the Lakers beat the Pacers in the final, marking the high point of the season for Los Angeles, while that was just the beginning of a run to the conference finals from Indiana. There are differing views from teams on how they approach the Cup, but because most of the games until you get to Vegas count all the same as regular season games, you should see contenders still trying at least until the quarterfinals where they may punt to avoid adding a trip to Vegas to their schedule.

Not every team has the Cup schedule circled on their calendars, and for some, it gets in the way of the long-term goals (either to get lottery balls or winning a title). But as the Pacers showed a year ago, for a young team without much playoff experience, the Cup can get guys feet wet to that kind of environment and build some confidence for the tournament everyone cares about come April, May, and June.

Here, we’ll look at eight teams that we think should be willing to invest early season energy into trying to get to Vegas and hoist the NBA Cup.

Houston Rockets

Houston’s gotten off to a strong start this season at 7-4, and I think they’re in a similar position to the Pacers last year, as they can use this as a way to test their young roster without much playoff experience. A successful run to the knockout rounds (and maybe beyond) would be a genuinely big deal for the Rockets, who can assert themselves as a genuine threat in the West playoff race with a strong tournament showing.

Los Angeles Lakers

We saw that the Lakers were willing to raise their level a year ago in the Cup competition, and it’d be kind of incredible if they went back-to-back. Their group is a bit less daunting now that the Thunder are without Chet Holmgren and Isaiah Hartenstein (although that’s still an excellent team), and if they make the knockout rounds, a team with LeBron and AD is always going to be a threat in a single-elimination basketball game. We’ll see if they approach it with the same aggression, but this is a team that has to try and chase wins regardless, so I’d expect the effort to be there, even if they can’t replicate the same kind of run.

Memphis Grizzlies

The Grizzlies want to prove they are fully back as West contenders, and they can make a strong statement if they come out of the aforementioned Group of Death. They are playing at a high level right now, led by Jaren Jackson Jr.’s continued brilliance, and if they can get to Vegas, they’d have a very good chance at lifting the Cup. And if Ja Morant can get healthy and come back in time, absolutely no one will want to see that guy in a one-off.

San Antonio Spurs

By the time the season is over, the Spurs will likely have filtered out of the Play-In race, but this is the exact kind of team I think should place an overemphasis on the NBA Cup. The Spurs are still building around Victor Wembanyama and figuring out what that should look like, but this team has been fairly competitive early (5-6) and could take advantage of some injury woes for the top teams in their group to try and make a little noise in the Cup. We saw in the Olympics that Wemby loves some heightened competition, and this might be a good chance to turn him loose and make an all-out push for something in November, understanding that they probably don’t have the roster just yet to really threaten the playoffs.

Cleveland Cavaliers

Will the Cavs ever lose? At some point, yes, but why not keep the good vibes rolling as long as possible and try to win the Cup? Yes, they’re a title contender, but unlike, say, Boston, this isn’t a team that’s had any real playoff success. Building some good habits in the knockout rounds could pay dividends down the road, and seeing as how they’re in the same group as the Celtics, I’m sure they’d love to use this as a statement of intent in the event they cross paths in the postseason.

Milwaukee Bucks

The Bucks desperately need something to turn around their season, and maybe the Cup gives them a carrot to chase that can wake things up. I’m skeptical they have the juice to make this happen, as the vibes are just horrendous in Milwaukee right now, but theoretically, Giannis and Dame (who will miss their opener with a concussion) are good enough as a tandem to beat anyone. That will require them to get on the same page, which hasn’t really happened to this point, but perhaps playing on different courts can change the mojo in Milwaukee.

New York Knicks

Like every team other than the Cavs and Celtics in the East, the Knicks are off to a sputtering start at 4-5. Their star-studded roster isn’t clicking just yet, the defense has taken a major step back, and the offense hasn’t been quite good enough to make up for it. Their group, at one point, looked like the toughest in the East, but the Magic are without Paolo Banchero and the Sixers … well, we’ll get to them in a second. That cracks the door for the Knicks to try and lay a foundation of winning they can build on as the season progresses and create that chemistry that’s been lacking in games with a slightly bigger game feel.

Philadelphia 76ers

Joel Embiid is back for the Cup games, but Tyrese Maxey is out and Paul George has been on a minutes restriction. This team is desperate to go on a run, and with the big fella back, there’s no time like the present to try and climb out of the East’s basement. Like the Bucks, Philly just needs to stack some wins and get some positivity, and if they can somehow make it to Vegas, they can erase a decent amount of the early season concern about them.

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When Is ‘Harlem’ Season 3 Coming Out On Prime Video?

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It’s been over a year since Harlem season 2 ended with a cliffhanger. But thankfully, the Prime Video series is coming back soon: Harlem season 3 will premiere at the beginning of next year, on January 23.

Created by Girls Trip writer Tracy Oliver, Harlem follows four friends, Camille (played by Meagan Good), Tye (Jerrie Johnson), Quinn (Grace Byers), and Angie (Shoniqua Shandai), on the “precipice of change like never before,” according to the official logline. “Whether it be motherhood, singlehood, sisterhood, complicated career journeys, or even more complicated families, our stylish and ambitious best girlfriends strive to finally choose themselves above all else.”

Season 3 will introduce a number of new characters, including MLB player Seth (Kofi Siriboe), the “edgy and beautiful” Portia (Logan Browning), and “a driven, yet playful venture capitalist” Eva (Gail Bean).

When asked by Pop Sugar about the themes she’d like to explore in season 3, Oliver replied, “I feel like there’s just a growing number of women that are not waiting for the right situation or the right man or woman to come in their lives. They’re just like, all right, I can provide for a kid. I’m ready for it. I’m just going to go about that journey on my own. I think that there’s something really powerful about it, and I’m excited to maybe explore that next season.”

You can check out a first-look image at Harlem season 3 below:

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All The Best New Indie Music From This Week

Claire Rousay and Hovvdy(1024x450)
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Indie music has grown to include so much. It’s not just music that is released on independent labels, but speaks to an aesthetic that deviates from the norm and follows its own weirdo heart. It can come in the form of rock music, pop, or folk. In a sense, it says as much about the people that are drawn to it as it does about the people that make it.

Every week, Uproxx is rounding up the best new indie music from the past seven days. This week, we got new music from Hovvdy, Nation Of Language, Spencer Tweedy, and more.

While we’re at it, sign up for our newsletter to get the best new indie music delivered directly to your inbox, every Monday.

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Girl Scout – Headache

While the music of Girl Scout is relatively tame indie rock, the sentiments within are far more caustic. Vocalist Emma Jansson describes the Swedes’ third EP as “AAAAAAAAH!!!!!!” in a press release. Like a migraine that intensifies over the course of a grueling workday, the appropriately titled Headache reckons with the feelings that bubble up until they can barely be contained.

Hovvdy – “Bubba (Julie’s Version)”

Hovvdy’s self-titled double album is a shoe-in for one of the best indie rock records of the year. Right now, they’re on a victory lap, on the cusp of a headlining tour and an EP that reimagines some of that record’s standout tracks called Live At Julie’s. Ahead of its release later this month, the Texas duo have shared “Bubba (Julie’s Version),” a disarming iteration that augments the original’s unvarnished tenderness.

Man/Woman/Chainsaw – Eazy Peazy

Man/Woman/Chainsaw sound like veterans of their scene, but they’re a fresh group of 19- and 20-year-olds that have just arrived with their debut EP, Eazy Peazy. Shifting between lead vocalists and stylistic milieus on the change of a dime, these five songs glow with the self-assuredness of a legacy band. “Ode to Clio” sounds like a Sonic Unleashed song, replete with jubilant violin, but rendered in post-punk. “Maegan” bursts with a tempest of atonal noise in its second half, bringing new meaning to the phrase “quiet before the storm.” Eazy Peazy, despite its brevity, hits with colossal impact.

Claire Rousay – The Bloody Lady

On this year’s Sentiment, electronic auteur Claire Rousay expanded her aural blueprint to lyrical, melodic dimensions. She follows up that record with the atmospheric, ambient The Bloody Lady, a score for Viktor Kubal’s 1980 film of the same name. It’s a record that dials back the more conventional song structures of Sentiment in lieu of meandering passages centered on exploration rather than endpoint. Catering to her strengths as a composer, The Bloody Lady is a gorgeous film soundtrack that also stands as a work of its own merits.

Spencer Tweedy – “Thinking Will Kill You”

Spencer Tweedy is known for being one of indie rock’s go-to drummers, playing with groups like Waxahatchee and Wilco, his dad Jeff’s band. However, “Thinking Will Kill You,” his latest solo single, is drumless. Composed of acoustic guitars, bass, light piano, and supplementary organ, “Thinking Will Kill You” proves Tweedy’s mettle away from the kit.

Georgia Maq – “Tropical Lush Ice”

Last year, the beloved Australian indie rock trio Camp Cope broke up. But vocalist-guitarist Georgia Maq has returned with a new one-off single under her own name. “Tropical Lush Ice,” in Maq’s words, is a paean to “vaping and being a stupid girl.” Mixed by Yeah Yeah Yeahs’ guitarist Nick Zinner and featuring a gorgeous violin performance from PJ Cartwright, “Tropical Lush Ice” hints at a softer, sparser side of Maq’s artistry. Let’s hope we get to hear more soon.

Nation Of Language – “Christmas (Baby Please Come Home)”

It’s November, so you know what that means. It’s socially acceptable to release Christmas music now. New-wave trio Nation Of Language seem to know that, too. Their take on Darlene Love’s classic “Christmas (Baby Please Come Home)” strips away the ‘80s pop panache of NoL’s typical fare for something more toned down. Distant sleigh bells and synth pads dot the sonic landscape like crystalline snowflakes, serving a fittingly wintry backdrop to Ian Richard Devaney’s soothing vocals.

The Body – The Crying Out Of Things

The Crying Out Of Things, the ninth studio album from experimental metal (or should I say experimetal) duo The Body, opens with roiling, rumbling toms and a distant spoken-word verse. “I don’t have love / I don’t know love / I don’t have hope / I can’t know love,” a muted voice intones, barely intelligible. When everything opens up, vocalist-guitarist Chip King’s howls echo that cryptic despair, and percussionist-gearhead Lee Buford’s drums are as cavernous as the void alluded to in the beginning. Throughout its remaining eight songs, The Body dive headfirst into that void, documenting their discoveries along the way. The Crying Out Of Things acknowledges that, while it may be tempting to push darkness away, it will still linger at the periphery. You may as well confront it.

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Tommy Richman Follows The Release Of ‘Coyote’ With His First Full-Length Tour In 2025

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In the wake of a controversy over whether he really counts as hip-hop or not, Tommy Richman will apparently keep plugging away at promoting his debut album, Coyote, with a full slate of 2025 tour dates. The “Million Dollar Baby” singer went on a mini-tour ahead of the album’s release, but now that it’s out, it looks like he’s garnered enough support to make a full 27-stop tour possible. The Coyote tour begins in February at The Showbox in Seattle, Washington, and will run through April 1st in Saint Paul, Minnesota, before hopping the pond for a handful of dates in Europe.

Tickets go on sale this Friday, November 15 at 10 AM local time, while pre-sales will kick off tomorrow (Wednesday), November 13 at 10 AM local. You can find more information here. You can see the full tour dates below.

Tommy Richman 2025 Tour Dates: Coyote

02/19 —— Seattle, WA @ The Showbox
02/20 —— Portland, OR @ Hawthorne Theatre
02/22 —— San Francisco, CA @ August Hall
02/24 —— Los Angeles, CA @ The Fonda Theatre
02/27 —— San Diego, CA House of Blues
02/28 —— Mesa, AZ @ Nile Theatre
03/02 —— Englewood, CO @ Gothic Theatre
03/05 —— Austin, TX @ Empire Control Room & Garage
03/07 —— Houston, TX @ White Oak Music Hall – Downstairs
03/08 —— Dallas, TX @ House of Blues
03/11 —— Orlando, FL @ The Plaza Live
03/12 —— Fort Lauderdale, FL @ Culture Room
03/14 —— Charlotte, NC @ The Underground
03/15 —— Atlanta, GA @ The Loft Theater
03/18 —— Washington, DC @ Howard Theatre
03/21 —— Boston, MA @ Paradise Rock Club – Music Hall
03/22 —— Philadelphia, PA @ TLA
03/24 —— New York, NY @ Webster Hall – Grand Ballroom
03/27 —— Toronto, ON @ The Opera House
03/28 —— Detroit, MI @ Shelter
03/29 —— Chicago, IL @ Avondale Music Hall
04/01 —— Saint Paul, MN @ Amsterdam Bar & Hall
04/29 —— Berlin, DE @ Holzmarkt – Säälchen
05/01 —— Amsterdam, NL @ Melkweg Old Room
05/02 —— Saint-Josse-Ten-Noode, BE @ Botanique – Orangerie
05/03 —— Paris, FR @ Maroquinerie
05/05 —— London, UK @ KOKO

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‘Severance’ Season 2: Everything To Know About Ben Stiller’s Destabilizing Return To Office On Apple TV+ (Nov. 2024 Update)

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Apple TV+

The wait for Apple TV+‘s Severance has not been smooth for those who are eager to find out exactly what will be in store for Mark (Adam Scott), Helly (Britt Lower), Dylan (Zach Cherry), and Irving (John Turturro). And it’s no wonder why curiosity prevails: the first season ended with three Innies taking a forbidden voyage into the Outie world, and Milchick’s (Tramell Tillman) tackle left an audience hanging on how “work-life balance” would continue.

During that gap, the tech giant’s streaming service has been growing its sci-fi/thriller supply, but for now, let’s piece together clues on what to expect from Severance second season.

Plot

Never before have red herrings been more appropriate (and dare I say acceptable) than with Severance. Were the core four going to remain in the same Lumon department after communicating the reality of severance to the Outie world? Regardless of whether you or I were hoping that would be the case, Apple TV+ did encourage devotees to envision Mark and Helly in the same room with a clip that shows them together and reacting to Gwendoline Christie’s foreboding character declaring that they “should have left.”

Yet a new teaser trailer, which arrives with a “[t]hings look a little different around Lumon” warning, builds upon other previous suggestions of Mark glitching and running around with welcome-back balloons, which are actually supplied by Milchick, who isn’t dancing anymore but is still clearly in control of the situation and the control room.

That teaser trailer reveals that Mark takes off running through Lumon’s maze of corridors only to discover that he does not recognize his three cubicle-mates (one of whom is now portrayed by Alia Shawkat), and this sliver of a synopsis surfaced: “Mark and his friends learn the dire consequences of trifling with the severance barrier, leading them further down a path of woe.”

Now that he’s back at Lumon, Mark must figure out if his “dead” wife, Gemma (Dichen Lachmen), is still alive as Ms. Casey after it sure looked like she was being led somewhere worse than the break room. Additionally, Mark’s budding romance with Innie Helly has now turned into a troublesome love triangle, since Innie Mark didn’t realize that he was still married. As a result, Ben Stiller has suggested that the idea of leaving severance is now more complicated. To be fair, though, leaving severance was probably never an option after Mark’s learned of Petey’s (Yul Vasquez) suspicious death after departing.

Ideally, the audience will receive some concrete answers as a reward for waiting nearly three years for a second season, but is it possible that the show will carry on for a third season? Severance writer and co-executive producer Mohamad El Masri recently told Indiewire that Stiller and series creator Dan Erickson have “mapped out” the full series run, and it sounds like third-season plans (and perhaps more) do exist:

“There was always a thinking ahead to future seasons. Even in Season 2, we were talking about, what is the end game and how does this show end? A lot of work was talking about that. I think there’s a natural overlap that happens, especially with the second season of a show, that you’ve got to keep [the momentum] going. People are interested, people are watching, and now with Season 2, you really have to sort of think about, not just what is Season 2 going to deliver in a satisfying way, but how does this set up Season 3 and beyond?”

Stiller, for his part, admitted to Variety that he’s in unfamiliar territory with delivering a second TV season because “[e]verything I’ve done has gotten canceled back in the day.” He added that he understands why viewers re “frustrated” by the wait. That’s why — and Stiller has been through social media hell with this ongoing thread revealing countless people telling him to “work faster” — he and Erickson aimed to truly deliver a followup that would be worth the wait. Stiller also promises that they’ve painstakingly arrived “where the characters really start to have a life and the actors understand the characters so well, and it grows into something more.”

Cast

Lumon will introduce a new crop of workers, although they might not be new to severance. As Deadline reported, characters portrayed by Gwendoline Christie and Alia Shawkat, Stefano Carannante, Robby Benson, Merritt Wever, John Noble, and Ólafur Darri Ólafsson will report to the office.

Returning cast members will include Dichen Lachman (although we do not know whether she will be aware of being Mark’s wife, Gemma, or whether she will appear in the office solely as wellness counselor Ms. Casey). Tramell Tillman, Patricia Arquette, Christopher Walken, Michael Chernus, and Jen Tullock are expected to return to some degree, and of course, we should expect to see the main quartet — Adam Scott, John Turturro, Britt Lower, and Zach Cherry — who might or might not be working together again.

Release Date

January 17, 2025 will see the debut of a 10-episode second season.

Trailer

The aforementioned teaser trailer for your viewing confusion:

And there’s never a wrong time to revisit Milchick’s dancing: