Will Yellowstone really end with the fifth season, or does Taylor Sheridan plan on continuing with a sixth season about Beth Dutton (Kelly Reilly) and Rip Wheeler (Cole Hauser)? That answer will not surface in today’s discussion because Sheridan is really good at keeping secrets despite swirling reports. Still, we know that Season 5 Part 2 is nearly upon us after a long wait, and although a Kevin Costner-filled trailer suggests otherwise, John Dutton will not return to physically bid farewell.
This doesn’t mean that there won’t be hefty flashbacks. Sheridan also hasn’t revealed whether John will have died in between season halves or if he simply rode his horse into the sunset, but at least we know that Yellowstone will return on Sunday, November 10. Ian Bohen (who portrays Ryan Bingham) has promised that this will lead to “the best series finale in history,” and other logistics also require an answer:
Where Can You Stream Yellowstone Season 5 Part 2?
The series will air on Paramount Network and simultaneously stream on Hulu Live, where episodes will also be available to watch “next day” on demand. New episodes will eventually stream on Peacock, although the precise date hasn’t been confirmed. At the moment, plans don’t exist for Yellowstone to surface on Paramount+, although every other Taylor Sheridan show (including the currently running Lioness and Yellowstone) is streamable on that platform.
Additionally, viewers can also look forward to the return of 1923 in 2025 and The Madison (probably in 2026), both of which will debut on Paramount+.
For now, six episodes of Yellowstone officially remain and will star Hauser, Reilly, Wes Bentley, Lainey Wilson, Luke Grimes, Ian Bohen, Jen Landon, Kelsey Asbille, Brecken Merrill, and Finn Little. And November 10 is go-time.
Since putting out the stunning Nostalgia, Ultra EP in 2011, Frank Ocean has only released two albums: 2012’s Channel Orange and 2016’s Blonde, both stone-cold masterpieces. (There’s also the visual album Endless, but that was mainly an opportunity to f*ck over Def Jam.) Ocean has teased that a new album might be in the works, but like another member of the Odd Future collective, he has other creative passions — including directing a movie?
Here’s everything we know about the rumored Untitled Frank Ocean Movie, as I’m going to call it for lack of an official title, including plot details and the cast.
Plot
Back in 2022, Discussing Filmreported that Ocean is “looking to write and direct his own feature film,” and that “indie distributors A24 and 2AM are in talks to make it happen.”
No plot details were provided, but if a Frank Ocean-directed movie is going to end up anywhere, it’s A24. His songs are all over 2019’s Waves (“I was listening to those albums and dreaming about making this movie,” writer and director Trey Edward Shults said), and he wrote the forward to the Moonlight screenplay book. 2AM is less established, having only been founded in 2021, but the production company is building a promising track record: Bodies Bodies Bodies, Past Lives, and the upcoming (and very erotic) Babygirl.
That initial news — which, it’s worth nothing, hasn’t been confirmed by A24 — was the last we heard about Untitled Frank Ocean Movie. Until…
Cast
The InSneider‘s Jeff Sneider reported this week that Taylor Russell is “in talks” to star in Untitled Frank Ocean Movie.
The actress previously starred in Waves, so there is a loose connection to Ocean, although she’s best known for her magnificent performance in Luca Guadagnino’s cannibal romance Bones and All. Russell’s co-star in Bones and All? Timothée Chalamet, who was interviewed by Ocean back in 2018.
You can read the highlights here (the original source, VMan, doesn’t work anymore), but my favorite part is when Ocean brings up Chalamet’s high school alter ego, rapper Timmy T. “Oh, f*ck. I can’t believe you saw the statistics video. That’s embarrassing,” the Dune: Part Two actor said, to which Ocean replied, “I saw it on Ellen. I figured if Ellen’s talking about it, then it’s fair game.” (2018 was only six years ago, but it feels like 60.)
Release Date
No release date has been announced, and as someone on the Frank Ocean subreddit joked (?), “Well once Frank sees this post, he’ll probably scrap the whole project.”
Trailer
I’m thinkin bout the Untitled Frank Ocean Movie trailer… which unfortunately doesn’t exist yet. Hopefully soon!
Indie music has grown to include so much. It’s not just music that is released on independent labels, but speaks to an aesthetic that deviates from the norm and follows its own weirdo heart. It can come in the form of rock music, pop, or folk. In a sense, it says as much about the people that are drawn to it as it does about the people that make it.
While we’re at it, sign up for our newsletter to get the best new indie music delivered directly to your inbox, every Monday.
The Cure – Songs Of A Lost World
College rock legends The Cure haven’t released a new album since 2008’s 4:13 Dream, but they’ve been a fairly active touring unit despite their scarce post-Wish output. At long last, Robert Smith and the gang have made their oft-speculated return with the lush, ruminative Songs Of A Lost World. Its eight songs take their time, with Smith’s unmistakable voice coming in around the halfway mark on most of them. The Cure know they don’t have to prove themselves. Instead, they’ve bestowed us with the gift of an incredible new record, simply because it felt like the right moment.
Ethel Cain – “Punish”
In October, Ethel Cain wrote a Tumblr post about the ongoing irony epidemic. “It’s everywhere and it’s inescapable,” the indie-pop artist wrote. “No one can be serious for even two seconds.” Earnestness is a mainstay of the songwriter’s work, exemplified in the disturbing yet compelling narrative surrounding her 2022 debut, Preacher’s Daughter. That sincerity, that deep conviction in herself and her art, continues on “Punish,” the slow and contemplative lead single of next year’s Perverts. It’s a song that recedes into the shadows, but it beckons you into that darkness, too, asking you to meet it on its own terms. “I am punished by love,” she sings over droning guitar ambience, her voice cloaked with the exhaustion of pain. Jokes, after all, can do only so much to distract us from agony. Ethel Cain is here to remind us of the necessity of genuine feeling.
Wishy – “Planet Popstar”
One of the best debut records of 2024 is Wishy’s Triple Seven, which dropped back in August. They’re following up with a new one-off single, “Planet Popstar,” which coincides with the kickoff of their UK/EU tour. As co-vocalist Kevin Krauter puts it in a press release, “Planet Popstar” is about “the feeling of longing for someone or something which, by all accounts, seems entirely out of reach.” Wishy miraculously make that impossible situation sound like a fuzzed-out party.
A Place For Owls – How We Dig In The Earth
From the sound of it, you’d think Denver’s now considered part of the Midwest. Of course, it’s not. But Denver emo band A Place for Owls makes a convincing case with their mix of twinkly guitars, pensive lyrics, and gentle yet dexterous drumming. These signifiers are all over How We Dig In The Earth, the quintet’s second full-length record. It’s an album as mountainous as the region they hail from, hitting emotional peaks and valleys that evoke American Football at their noodliest, Manchester Orchestra at their rowdiest, and, dare I say, Coldplay at their most tastefully tender. It’s a difficult balance to strike, but A Place For Owls pulls it off with finesse.
Fabiana Palladino – “Drunk”
Back in April, Fabiana Palladino released her self-titled debut album, a clear standout of the year. Ahead of her first headlining shows in New York and Los Angeles, the indie-pop songwriter has shared a new single, “Drunk.” In press materials, Palladino herself says the song “was written with the chaos of modern dating as [her] backdrop.” Like inebriation itself, “Drunk” sounds slightly unsteady, as if the gentle, hazy instrumental footing could all come collapsing beneath Palladino at any moment.
Fang Island – “Starquake”
Fang Island officially went on hiatus back in 2015, and it’s been even longer since they released new music, which was their 2012 sophomore album, Major. Although the Providence indie rockers aren’t getting back together, they are releasing a new box set, Doesn’t Exist II: The Complete Recordings, which consists of their entire catalog, including both studio albums, all their EPs, and even a 7″ featuring “Starquake.” As a track initially consigned to an obscure limited-edition flexi disc in 2014, it’s excellent news that the cult favorites’ final song is significantly more accessible, now available for the first time on DSPs.
LCD Soundsystem – “X-Ray Eyes”
No, do not ask James Murphy about the status of the next LCD Soundsystem album. The NYC dance-punk fixture has told us that the band is making progress on it, so it’s still unfinished. In the meantime, though, their latest single, “X-Ray Eyes,” can tide fans over. It includes all the signature traits of a great LCD tune: talk-singing, Nancy Whang vocals, glorious analog synths, and new-wave drum machines.
Pinkshift – “One Nation”
Since Oct. 7 of last year, the Biden-Harris Administration has given Israel more than $17 billion in military aid. The American government has not only been complicit but an active ally in Israel’s merciless genocide against Palestianian citizens. With Election Day now here, Baltimore punk trio Pinkshift air their grievances on the incendiary protest song “One Nation.” “And now they’re gunning for a war we don’t believe in,” seethes vocalist Ashrita Kumar. It’s a topical and necessary track that rightfully excoriates the U.S. and Israel’s disturbing war crimes.
Chastity Belt – “That Guy”
Earlier this year, Seattle indie outfit Chastity Belt released Live Laugh Love, and now they’ve returned with a new single, “That Guy.” Initially recorded for that album, it subsequently made it to the cutting-room floor. Fortunately, they’re now sharing it in the form of a split 7” with Austin’s Holy Wave. “I’d rather hold on for too long, until all the feeling’s gone,” sings Julia Shapiro toward the end of the second chorus, inspired by her habit of listening to a song she loves until she’s sick of it. If anything, “That Guy” is a paean to wearing out the music we obsess over. Let’s hope I don’t do it with this song!
Cloakroom – “Unbelonging”
Heavy shoegaze has reigned as one of the defining musical trends of the 2020s, from artists like Deafheaven to Holy Fawn taking part. Indiana trio Cloakroom have been making their own strain of it since the mid-2010s, and 2022’s Dissolution Wave deservedly placed them within its ever-more discernible scene. Freshly signed to Closed Casket and on the precipice of releasing their fourth album early next year, they’ve given us a glimpse of what’s to come. “Unbelonging,” taken from the forthcoming album, is among their most pop-minded material to date. Self-described as “Cloakroom meets Psychedelic Furs,” the group’s latest single leavens the chugging heft of their previous work with a newfound melodic clarity.
For years, Bob Dylan’sX (formerly Twitter) account has been used only occasionally; You don’t have to scroll back too far on his profile to reach posts from 2021. The majority of these posts are promotions for whatever endeavors Dylan was up to at the time. But, things have changed recently.
On September 25, Dylantweeted, “Happy Birthday Mary Jo! See you in Frankfort.” About once or twice a week since then, Dylan has continued to tweet, seemingly just random things passing through his legendary mind at the moment. On October 9, for instance, Dylan wrote, “I ran into one of the Buffalo Sabres in the elevator at the Prague hotel. They were in town to play the New Jersey Devils. He invited me to the game but I was performing that night.”
Dylan’s recent flurry of X activity has drawn some attention and was seemingly parodied in this awesome Saturday Night Live promo from a few days ago. The situation appears to amuse Dylan’s son — Jakob Dylan, most notably of The Wallflowers — as well.
Jakob sat down recently for an interview with The Boston Globe. In response to a comment Jakob made about not using social media much, the interviewer noted, “Your dad tweets more than you do these days.” Jakob responded, “Yeah, like most people, I can’t tell you what’s going on with those. I’ve seen those. I can’t [laughs] can’t tell you what that’s about. I’m not sure. But you’re right: Whatever it is, it’s more than I do.”
Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm-and-blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they love in its true form, we’ll be offering a digest of the best new R&B songs that fans of the genre should hear every Friday.
Since the last update of this weekly R&B column, we’ve received plenty of music and news from the genre’s artists.
Beyoncé continued her decade-long battle to trademark her daughter Blue Ivu’s name after giving a speech with Kelly Rowland at a Kamala Harris rally. Mariah The Scientist proudly celebrated her boyfriend Young Thug’s release from prison while Ari Lennox requested that she be released from her Dreamville and Interscope record label contracts and accused both of neglecting her. Elsewhere, Halle Bailey shined in her costumes for Halloween.
Kiana Ledé — Cut Ties
Kiana Ledé dives into a new era of independence with the release of her third album Cut Ties. It arrives with just 11 songs, a smaller output compared to her first two albums Kiki and Grudges. “The album is about the death of a relationship and how hurt people hurt people,” Kiana explained in a press release. “You see why I turned into this person who’s okay with being detached and getting what I want, even if it hurts others.”
British girl group FLO are just a couple of weeks away from the release of their debut album Access All Areas. Ahead of its release, the trio drops the album title track, which samples Teena Marie’s 1980s single “Portuguese Love” for a track that invites a partner to embark on a journey of intimacy with them. Through it, the girls aimed to capture “the glamour of the Motown divas.”
Ella Mai — 3
Ella Mai celebrated her 30th birthday with a new EP 3, her first project in two years. The three-track EP is a strong offering from the British singer thanks to the flirtatious and proud “Hearts On Deck,” the playful and joyous “One Of These,” and the introspective and sweet “Little Things.”
Highlights: “One Of These” & “Little Things”
Cleo Sol — “Fear When You Fly”
British singer Cleo Sol returns with her new single “Fear When You Fly,” her first official release since her 2023 singles Gold and Heaven. The record is an enchanting and uplifting records that begs listeners to embrace their fears to overcome them, rather than running away from them.
Jacquees — Baby Making
Jacquees returns with more sensual R&B through his fourth album Baby Making. The 10-track project is the singer’s first full-length project since 2022’s Sincerely For You and one that’s unapologetically seductive as he proudly takes on the role of Cupid for himself and others.
Highlights: “Sex Like This,” “Baby Making,” & “The Graduation”
Col3trane — “Crocodile Tears” Feat. Chase Shakur
London singer Col3trane teams up with Atlanta native Chase Shakur for their new collaboration “Crocodile Tears.” It’s a sleek record backed by hazy harmonies and Col3trane’s bright vocals accompanied Chase Shakur equally-smooth croons. “’Crocodile Tears’ is about doing too much for someone and not getting enough in return,” Col3trane said in a press release. “I feel like a lot of people can relate to feeling like nothing you do is ever enough, but this song definitely feels to me like it’s more about being over it than anything else.”
Jordan Hawkins — “Love So Good”
The ever-so-talented Jordan Hawkins is back with his music, his first offering since his 2023 EP Do It To Me. Hawkins’ new record “Love So Good” is a roaring release backed by searing guitar riffs and Hawkins’ vocals that aim for the clouds as he sings of a perfect love.
Gemaine — Something To Sing About
Compton singer Gemaine checks back into the game with his new EP Something To Sing About, his first project since 2023’s Just Gemaine. With Something To Sing About, Gemaine steps through with six songs and a few features from MadeinTYO, Lekan, Ye Ali, and Ray Vaughn.
Nippa — “Pride”
British singer Nippa is letting summer’s end change the sound of his music. His latest drop “Pride” indulges in a summery afrobeats-inspired sound as Nippa ponders over a friction in his relationship and over he and his partner can overcome it, an outcome that will certain call for some vulnerability.
kwn — “Worst Behaviour”
London singer kwn has a big 2024 thanks to scoring a hit with “Eyes Wide Open” as well as landing a collaboration with Kehlani on her While We Wait 2 project. Kwn’s run continues with her new single “Worst Behaviour,” a dark and invite record that dares a lover to challenge the boundaries of intimacy with them.
Khalil — “Change Of Plans”
Sacramento singer Khalil mourns the end of a relationship on his song “Change Of Plans.” The honest and vulnerable record is one Khalil uses to accept the circumstances and move on, rather than bashing his ex on his way out of the door.
The Grammy Awards ceremony itself is just part of the Grammy story, as there are usually a handful of events surrounding the big day. One such event just got a noteworthy change, one that’ll cost nominees a few extra bucks: The Recording Academy is no longer providing nominees with free tickets to the officially Grammy afterparty.
In an email sent to Academy members and seen by Billboard, the Recording Academy wrote:
“With the evolution of the event, we unfortunately will no longer be able to provide complimentary tickets for nominees to the afterparty, nor will we be able to accommodate as many guests as we have in the past. However, we will still have a limited number of tickets available for purchase, while supplies last. Be on the lookout for more information on ticket sales in November. Rest assured that, while the event itself will be smaller, the experience promises not to be, and impact on the next generation of music people will be greater.”
Speaking of changes, it was announced last week that the Grammys will have a new broadcast home in the near future: Starting in 2027, after decades on CBS, the Grammys will simulcast on ABC, Hulu, and Disney+.
Scavengers Reign is one of the best animated shows in recent years, with a perfect 100 percent “Fresh” rating on Rotten Tomatoes. Unfortunately, the Emmy-winning series, which follows the survivors of a spaceship that lands on a bizarre alien planet, has not been picked up for season 2.
“As of right now, Scavengers Reign is not being renewed for a second season,” co-creator Joe Bennett wrote on Instagram. “I wanted to let everyone know directly because I really love our fanbase, they’ve been such champions for the show, and I don’t want to leave everyone hanging.”
Scavengers Reign premiered on Max before Netflix acquired the streaming rights in the hopes of finding a bigger audience.
Bennett continued, “We’ve had to fight tooth and nail every step of the way to get this show made, starting all the way back in 2016 with the Scavengers short film to the release of the first season last year. It’s a case study for believing in something and persevering through a million and one hurdles. But, it got made, thanks especially to so many people who supported it along the way, in big and small ways.”
After thanking the show’s animators, among others, Bennett vowed that “this is not the end. There is more story to be told, we are ready to make another season, and we produced in-house at Green Street a teaser for what was going to come in the second season.” You can see that here. Also, watch Scavengers Reign! It’s very good.
Beyoncé went all out for Halloween this year, taking to social media to show off multiple costumes. One post saw her modeling a Betty Davis look, and another saw her as topless Prince. Now, a few days into November, Beyoncé has finally concluded her Halloween decorations.
She just shared a slew of Pamela Anderson-inspired looks in a new video titled “Beywatch.” Sure enough, it sees Beyoncé modeling the classic Baywatch swimsuit, as well as her Barb Wire character and her look from the 1999 MTV Video Music Awards. The video is set to the Cowboy Carter song “Bodyguard.”
In a follow-up post, Beyoncé wrote, “BEYLLOWEEN FIN,” indicating that Bey has finished her run of 2024 costumes.
This comes after Beyoncé explained why she didn’t release any music videos for Renaissance or Cowboy Carter, saying, “I thought it was important that during a time where all we see is visuals, that the world can focus on the voice. The music is so rich in history and instrumentation. It takes months to digest, research, and understand. The music needed space to breathe on its own. […] Sometimes a visual can be a distraction from the quality of the voice and the music. The years of hard work and detail put into an album that takes over four years! The music is enough. The fans from all over the world became the visual. We all got the visual on tour. We then got more visuals from my film.”
So, this may ultimately be the closest thing we get to a Cowboy Carter video.
Gucci Mane has been credited as a musical influence by several rising hip-hop acts. However, the “Now It’s Real” rapper has been accused of dipping into another person’s creative fountain without properly crediting them.
Yesterday (November 4), Gucci Mane’s ex-girlfriend, former collaborator, and fellow rapper Mac Bre-Z took to her official Instagram with a host of damning allegations including theft, domestic violence, and failure to pay or credit her past creative contributions.
In a series of post, Mac Bre-Z claimed to have been Gucci Mane’s first ever signed recording artist (seemingly to 1017 Records).
“You loved collaborating with me on your albums & mixtapes,” she wrote. “But I would love to get paid for my writing credits. They say you changed for the better. So Why haven’t you done the right thing & just compensate me for everything I’m entitled to? Everybody eating off these records but me.”
Buried in the post, Mac Bre-Z accused Gucci Mane of domestic violence. “I never did a tell all & exposed any stories about your personal life over the 6 years we were together,” she wrote. “When you punched me in the face I could’ve snitched & had you arrested while you were on bond for the murder case of Jeezy artist. I never bad-mouthed you in the media or tried to assassinate your character.”
She went on to hint at potentially taking legal action, writing: “Enough is Enough. Times Up. I’m coming for what’s rightfully mine. Respectfully .”
She is credited as a featured artist on Gucci Mane’s song “Go Head,” which appears on his debut album Trap House. However, Mac Bre-Z claims that she’s made several contributions to other tracks but did not specify which ones.
In a separate upload, Mac Bre-Z alleged that her creatives concepts were hijacked before she could flesh it out for herself. “Gucci [has] been stealing my ideas & running off with them,” she wrote. “Zaytoven was recording me at his mama house when Radric walked into my studio session while I was recording my song ‘Da Kandi Lady’ from my DJ Scream mixtape. He straight stole my idea. Put Brick Squad on it and shot a music video to it. Y’all don’t know the half of what I went through in this industry. I’m telling my story.”
Mac Bre-Z closed by threatening to outline it all in a documentary titled, Life After So Icy.
Gucci Mane has not publicly addressed Mac Bre-Z’s accusation yet.
Lil Uzi Vert has gone to get length to secure guest verse from huge acts like Nicki Minaj. But not everyone sees the “Chill Bae” rapper’s unique charm.
With Lil Uzi Vert’s latest project, Eternal Atake 2, on streaming platforms listeners noticed something off about its guest appearances. On Lil Uzi Vert’s track “The Rush,” singer Carlos PenaVega isn’t present despite being labeled as a Big Time Rush feature.
On November 1, Carlos PenaVega’s wife and fellow entertainer, Alexa PenaVega explained his notable absence in a post on X (formerly Twitter). “Today a song was released that featured the BTR boys minus Carlos because it did not align with his values,” she wrote. “While thankful for the opportunity Carlos kindly passed. Unfortunately it was not credited properly and is currently being represented as a BTR feature. Not a Kendall, Logan and James feature.”
Just what “values” Alexa is referring is unclear. But that hasn’t stopped her vague statement from causing an uproar online. Many are in support of Carlos’ alleged reasoning. While others slammed the singer for what and who he’s seemingly supported in the past.
Read Alexa PenaVega’s full statement below.
Hey friends. Wanted to hop on here to address something. We work super hard to protect our values and the things we believe in especially when it comes to creating content that is mostly family-friendly or what one would consider “safe”.
Today a song was released that featured the BTR boys minus Carlos because it did not align with his values. While thankful for the opportunity Carlos kindly passed. Unfortunately it was not credited properly and is currently being represented as a BTR feature. Not a Kendall, Logan and James feature.
As a wife who has watched Carlos navigate his values alone in an industry not set up for “family” I have been at times both incredibly proud and totally heartbroken for him. This is not putting anyone down. We just respectfully would like to make the people who follow us aware of the mishap and address that this was something he was not a part of.
God Bless
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