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Britney Spears Digs Into Her Sister Jamie Lynn After Apologizing For A Previous Insult

Britney Spears has made it clear she is not on great terms with her sister Jamie Lynn at the moment, as she has on multiple occasions taken to social media to call her sister out for alleged misdeeds. The latest of those came yesterday, as in a now-deleted post (that was preserved by Pop Crave), Britney apologized for referring to Jamie Lynn as “scum” before throwing some more criticisms her way.

The post starts, “I’m sorry I called you scum but why did you lie about when I went home ??? It’s like you’re going out of your way to lie about me and make me look bad !!! And if I wasn’t your sister I would believe everything you’re saying in your interviews … you’re actually believable !!! It’s scary !!!”

She then detailed an alleged incident in which Jamie Lynn and her and Britney’s father Jamie mistreated her while she had a broken foot. She also claimed Jamie Lynn never let her hold her baby.

Britney concluded by alleging that the timing of Jamie Lynn’s public statements about her is poor, writing, “You have the right to tell your story but honestly the timing … right when people are just counting down the the seconds until I do something wrong, you come out and literally say hurtful things about me lying that’s being so unsupportive and it’s kind of insane … I’m honestly wondering if this is all a joke and you’re testing me because this is so far from you it’s not even funny.”

Find the full post below.

“I’m sorry I called you scum but why did you lie about when I went home ??? It’s like you’re going out of your way to lie about me and make me look bad !!! And if I wasn’t your sister I would believe everything you’re saying in your interviews … you’re actually believable !!! It’s scary !!! You and dad pushed me in the corner about my broken foot and you guys were poking at it … I felt ganged up on so I said ‘shut the f*ck up !!!’ I never stick up for myself, so you were shocked !!! All you said was, ‘dad was poking at your foot, I never touched you !!!’ … you then went into the closet and screamed like a drama queen for like an hour and I was confused ??? Aren’t I supposed to be the one screaming ??? I never screamed at you in front of anyone what you don’t know is that when you were screaming and yelling in Mom’s closet, one of the kids came out and said to me, ‘You need to go say you’re sorry to momma!!’ FOR WHAT ??? I didn’t do anything !!! Let’s not even start about how you would never let me hold the baby … momma’s mouth dropped because you would never say anything you would just yank her out of my arms !!!! You acted like you owned that household and I’m sorry you were too much … I know dad has taken a back seat because he doesn’t do the conservatorship anymore so I guess you’re feeling that your little sassy ass can boss them around, but I’m here as your older sister to keep it real with you and put you in your place !!! You have the right to tell your story but honestly the timing … right when people are just counting down the the seconds until I do something wrong, you come out and literally say hurtful things about me lying that’s being so unsupportive and it’s kind of insane … I’m honestly wondering if this is all a joke and you’re testing me because this is so far from you it’s not even funny.”

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Caleb Martin Credits J. Cole With Helping Him Make It Onto The Miami Heat

J. Cole might be sitting pretty with his place on hip-hop Mount Rushmore, but his influence spreads beyond music, too. Cole has always been a very vocal fan of basketball, even going so far as to join a Rwandan team himself in order to play pro basketball in Africa.

Turns out his basketball influence extends to the states, too. Caleb Martin, who recently joined the Miami Heat, told The Charlotte Observer that the rapper was instrumental in getting him in position to be picked up by the team. Cole’s network with NBA contacts and private gym both helped Martin get in position to be signed to Miami.

“Yeah, that’s my man,” Caleb Martin told The Observer. “It shows that even though he’s accomplished a lot of things … and he’s got so many other things to worry about, he worries about his people. And it’s dope he considers me one of his people, that he takes into account and he knew my situation. He saw me working in the gym every day and you could just tell he appreciates guys who grinds like he does and so that’s a blessing for him to lend a hand out there and do what he could.”

Check out the whole profile right here.

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Michael Jordan Grabbed Mary J Blige’s Backside At NBA All-Star And 50 Cent’s Got Jokes

The NBA’s All-Star weekend is often a star-studded event, as both the league’s athletes and other entertainers get the chance to come together to enjoy the host city’s festivities as well as a low-stakes run of basketball games that allow for more socializing than the average in-season game. This year’s festivities were no different, as the league’s 75th anniversary brought out even bigger stars than usual, including retired players like Michael Jordan, who was honored as one of the 75 best players in league history.

But basketballs weren’t the only thing Jordan palmed over the weekend, which led to some pretty amusing memes from social media. When MJ encountered one of those celebrities, Mary J Blige — who’s fresh off her own big performance at the Super Bowl which included a surprise appearance from 50 Cent — their friendly hug apparently turned out a little more than that when cameras caught the hooper resting his hand on what looked to be the singer’s backside. Naturally, Twitter achieved liftoff from sheer reaction energy as fans noted the exchange and took great delight in pointing it out.

One of those fans was none other than 50 Cent, who never misses a chance to weigh in on a viral moment with a meme or two of his own, and in this case, he had the perfect gag, courtesy of his Starz drama series Power. Posting a pretty big spoiler for the recent season finale of Book II: Ghost (which stars Mary as Monique, the matriarch of a drug-dealing family that includes an NBA prospect basketball player, Zeke), 50 shared a fan’s screenshot with the comment “See just when we thought it was all f*cked up.” Of course, if you haven’t caught up on the show, you can click away, but if you’re not that pressed about the shocking ending — which, yeah, I hollered a bit when it aired — scroll on down to see 50’s reaction.

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CNN’s Awkward Airing Of A Butt-Shaking Applebee’s Commercial During Ukraine Bombing Coverage Is Being Roundly Dragged

Thanks to very awkwardly timed Applebee’s commercial, CNN and the chain restaurant are getting ruthlessly dragged on social media for some downright dystopian product placement. During the cable news network’s live coverage of Russia invading Ukraine, footage of Kyiv being bombed was interrupted by a commercial for Applebee’s while CNN’s “Russia Invades Ukraine” graphic remained on the screen. It was not the best look as a butt-shaking cowboy essentially danced in the middle of an international crisis to promote the American eatery.

After the clip hit social media, the dunks started flying in fast as people commented that the incident was straight out of a South Park episode and just straight-up cringed at the poorly timed advertisement.

You can see some of the reactions below:

Of course, the Wednesday night invasion produced several awkward moments besides just the Applebee’s spot on CNN. The Weeknd had an ill-timed scheduled tweet that read “LET’S GOOOOOOOO” just as the bombing started. Surprisingly, it’s still up, but The Weeknd did take a minute to say that he’ll be holding off an announcement in light of the Russian invasion.

“Unfortunately i’m just now seeing what’s happening with the conflict and will pause on tomorrow’s announcement,” The Weeknd tweeted on Wednesday. “I pray for everyone’s safety.”

John Cena also garnered a wave of reactions after he made a very odd Peacemaker-themed remark about the Ukraine situation. “If I could somehow summon the powers of a real life #Peacemaker I think this would be a great time to do so,” Cena tweeted on Thursday morning. People were definitely not feeling it.

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Jack Black Shared The Footage Of His Real Injury While He Was Pretending To Be Fake Injured For The Final Episode Of ‘Conan’

In 2019 and 2020, Jack Black’s YouTube channel was frequently updated with new videos of the School of Rock legend making nachos, or playing Red Dead Redemption, or washing his car in a wetsuit. But he only shared two videos in 2021: one where he pretended to be both Obi-Wan Kenobi and General Grievous in Star Wars: Revenge of the Sith, and another where he and Tenacious D bandmate Kyle Gass covered “You Never Give Me Your Money” and “The End” by the Beatles. Where has he been?

Black explained his absence in a new video, “what happened to jables??” (you can watch it above). He’s been recovering from a sprained ankle that he suffered while pretending to have a fake injury during the final episode of Conan.

“My [doctor] was like, ‘Yeah, you’re gonna want to take six months off because you could risk reaggravating this injury.’ And truth be told, I sprained my ankle like 15 years ago on King Kong running towards the lifeboat when I was running away from King Kong,” he said. The video also shows the moment Black hurts his ankle, and how no one on the Conan set was sure whether he was actually injured or just messing around.

Black wrapped things up by saying that although he loves his long-time buddy Conan O’Brien, “I still will be suing you, Conan, because I missed out on a lot of activity this last year. Maybe to the tune of about $100 million, OK? So, I’m coming for you.”

Not even moving to HBO Max can protect Conan from the wrath of Black.

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Baby Keem’s Artful ’16’ Video Is Both Eerie And Mundane

If you haven’t been keeping up with Baby Keem, now’s the time to start. The young rapper was part of Kendrick Lamar’s launch of PgLang, Lamar’s own company and a departure from Top Dawg Entertainment. Kendrick’s next album will be his last on TDE, and it looks like he’ll be releasing his own music after that via Pglang. So far, Baby Keem has been one of the other exemplary artists involved with the label, and the fact that he’s Kendrick’s cousin hasn’t hurt his profile any. Today the rising rapper has released a new music video today, called “16.”

Keem is older than 16, though not by much, and the 21-year-old LA rapper is focused on his love life in the artful clip. Directed by Jonas Lindstroem, the stark visual runs through different locations, following Keem and the object of his affection through backdrops both eerie and mundane. Keem’s debut album, The Melodic Blue, dropped last fall, and his subsequent tour was a solid showing, too. It’s not clear if “16” is the beginning of a new album cycle for Keem, but if it is, this is definitely a great start. Check out the video above and keep an ear out for more new music coming from Keem this year.

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Troye Sivan And Gordi ‘Wait’ In Love On Their Dreamy New Collaboration

On the heels of his new movie Three Months, which premiered Wednesday on Paramount+, Troye Sivan has released a new song. On “Wait,” taken from the movie’s soundtrack, Sivan teams up with fellow Australian singer-songwriter Gordi as they reel over the joys and woes of growing in love.

“One thing I am sure of, for you I’ll wait,” the two sing over dreamy synths and drums.

Three Months tells the story of Caleb (Sivan), a South Florida boy who learns he has been exposed to HIV on the night before his high school graduation. In the three months he waits to receive his results, Caleb finds love in an unlikely place.

Sivan and Gordi first collaborated on “Postcard,” a cut from Sivan’s sophomore album, Bloom. Gordi said of “Wait” in a statement, “”I love collaborating with Troye. He has this unique way of speaking in images that we then try and translate into melody and lyrics. Our instincts with songwriting really seem to align and after our work on ‘Postcard’, I was excited to have another chance to work together. He told me all about [Three Months] and said he wanted to write an original song for it. As a proud member of the queer community, I felt a deep connection to the film. We wanted to write a song that was worthy of the story.”

Check out “Wait” above.

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The Husband Of ‘Rust’ Cinematographer Halyna Hutchins Blasts Alex Baldwin For Positioning Himself ‘Like He Was The Victim’

The husband of Halyna Hutchins has spoken out about the tragic events that took Hutchins’ life last fall on the set of Alec Baldwin’s movie, Rust. Matt Hutchins spoke to TODAY’s Hoda Kotb about the fatal shooting that happened this past October in New Mexico. Baldwin was holding a prop gun that inevitably fired actual live rounds, though he insists he is innocent in the matter. The stray bullets wounded director Joel Souza, and killed Halyna, the set’s cinematographer. Baldwin has since insisted he didn’t pull the trigger.

Matt Hutchins is rightfully upset. When he saw Baldwin’s recent sit-down interview with ABC News, Hutchins was enraged. “Watching him I just felt so angry. I was just so angry to see him talk about her death so publicly in such a detailed way and then to not accept any responsibility after having just described killing her.”

Throughout the entire situation, Baldwin, also a producer on the film, has been refusing to take any responsibility for the incident. The shooting has brought to light just how unsafe certain movie sets can be for cast and crew. Hutchins is calling out Baldwin to own up to his responsibility, instead of shifting the blame on others. Baldwin told ABC News that Halyna had instructed him to point the prop gun towards her moments before it went off.

“Almost sounds like he was the victim. And hearing him blame Halyna in the interview and shift responsibility to others and seeing him cry about it,” Hutchins said. “I just feel — are we really supposed to feel bad about you, Mr. Baldwin?”

Hutchins has called the shooting “totally preventable” and aims to get justice for Halyna. He added, “But in the end, justice won’t bring Halyna back but maybe the memory of her can help keep people safe and prevent something like this from ever happening again.”

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Kehlani Shared The Second Single From ‘Blue Water Road,’ With the Black And White ‘Little Story’ Video

Following up their second album, It Was Good Until It Wasn’t, from 2020, Kehlani is already prepping a new project, Blue Water Road. After sharing a trailer for the album back in September, the R&B star released the “Altar” video shortly after, but has been quiet on the subject of their own new music for the last few months, though they did collaborate with Young Bleu on “Beautiful Lies” and appeared in his video. They did confirm to fans that moving forward, Kehlani prefers “they/them” as a pronoun and identifies as gender neutral. “I don’t mind when people say ‘she’ at all, but something feels really affirming when people say ‘they,’ Kehlani said in an interview. “It feels like… you really see me.”

Today, Kehlani is back in album mode and shared another preview from Blue Water Road, this one called “Little Story.” In the black and white clip, Kehlani moves through a formal backstage setup, and into a more tumultuous position where she’s hanging upside down on monkey bars. After the song begins with a more fluid verse, she gets a little more staccato on the chorus, as the song opens up with heavier percussion and closes out with an epic swell of violins. Check it out above.

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These Are The Rookies Who Have Made The Biggest Impact On The First Half Of The NBA Season

There have been few brighter spots across the NBA this season than the 2021 rookie class. Future stars like Evan Mobley and Franz Wagner are emerging throughout the lottery. Second-round picks like Herbert Jones and Ayo Dosunmu are carving out key rotation minutes on playoff contenders. Undrafted players like Austin Reaves have found roles.

Whether a team is searching for a franchise centerpiece or something less lofty, this year’s crop of rookies has provided plenty of optimism and hope. As the final stretch of the regular season nears, now feels like an apt time to highlight those first-year players shining most prominently and examine what’s made their NBA transition so positive.

Evan Mobley

From Day 1, when he dropped 17-9-6-1-1 in his debut, Mobley has staked a boisterous claim to the Rookie of the Year trophy. He’s already an All-Defensive Team candidate, seamlessly functioning as a switchy big, altering shots with textbook verticality around the rim, denying plays off the ball and rarely fouling (2.1 fouls per 36 minutes).

His processing as a passer is incredibly quick, particularly on the short roll, where he and Jarrett Allen have harmonized comfortably. Shooting 71 percent at the rim, he’s a dynamite finisher, which pairs well with Darius Garland’s skillful pick-and-roll game.

Despite a few quieter games recently, he capped off his first half with 22-10-4-4-1 last week. He’s been the league’s top rookie all season and appears en route to many All-Star honors. The Cleveland Cavaliers drafted a special big man, one who’s been key in their ascent up the Eastern Conference mountain.

Cade Cunningham

Among all the 2021 lottery picks, none have a worse context than Cunningham. He operates in a bland offensive scheme with poor floor spacing and an absence of play-finishers to simplify his job in ball-screens. Even after the Pistons acquired Marvin Bagley III, the two’s minutes are rarely aligned. But Cunningham has still impressed in a multitude of ways this season.

He’ll spray live dribble, laser-like skip passes to the corners, fit laydown reads through keyholes inside, and has showcased tantalizing off-the-dribble shooting. While he’s a bit jumpy against ball fakes and is prone to the occasional breakdown, his defense has popped. He excels at cutting off driving angles on closeouts, has swift hands to spark loose balls and often seems to quarterback possessions as a defensive communicator. His body control is superb too.

Cunningham is going to be really, really good. The numbers don’t rival Mobley’s, but catch a game or two and the reasons why are evident. He’s a good player having a good rookie season, simply awaiting an opportunity to truly thrive. And that’s why he’s the runner-up to this point.

Franz Wagner

The second of the Orlando Magic’s two lottery picks from this summer, Wagner has been a revelation in year one. With a savvy slashing cadence and 6’9 frame he applies effectively, he’s shown consistent ability to generate paint touches, whether it’s via pick-and-rolls or attacking off the catch.

Orlando has leaned on him as a primary creator for long stretches at times and he’s performed admirably. He’s exhibited a bevy of shot-making moves, both inside and beyond the arc, and sets up others well as a passer, particularly Wendell Carter Jr., with whom he’s developed fun chemistry. When the Magic station him off the ball, he’s a heady cutter, can knock down spot-up triples, and knows when to drive the lane.

He plays angles well defensively and can regularly guard a few positions. Wagner looks like a future star who provides plus defensive impact and offensive versatility as a scorer and passer. The dude is a stud.

Scottie Barnes

Continuing the trend of future stars is Barnes, the effervescent, rangy, skilled Toronto Raptors rookie. Barnes’ creation aptitude has surpassed what almost anyone expected pre-draft. He’s capable of posting up mismatches (of which there are many for him) and patiently playing through contact to score from totally unorthodox angles.

His intermediate touch is pristine and he uses his 7’2 wingspan for extension finishes over or around defenders. Off the ball, he floats into open space for easy scoring chances. Although the three-ball isn’t there yet (31.3 percent), he’s much more willing and confident now than early in the season.

Toronto’s active, chaotic defense has proven overwhelming at times for him, especially off the ball, but stretches of menacing point-of-attack offerings and timely help rotations exist. He touts dexterous hands and has given ball-handlers of different sizes issues this season. The Raptors made an excellent decision with the fourth pick. Barnes’ wide-ranging flashes and persistent contributions are rather promising.

Herb Jones

Various factors are at play for the New Orleans’ Pelicans righting the ship after a 3-16 start to remain in contention for a play-in berth. Chief among them is tabbing Jones as a permanent starter. Since Jones joined the opening unit, New Orleans is 20-20 and just two games back of the 10th seed on the year.

Jones is a brilliant defender, on and off the ball. He always plays with high, active hands to deter shots or passes, guards the top perimeter options every game and is a sharp team defender. Screen navigation and timely rotations are his strong suits. His lateral quickness is uncommon for a 6’8 wing.

Unlike many masterful defenders, Jones augments his one-way chops with complementary offense. He’s shooting 35.8 percent from deep, is an elite cutter and delivers welcomed connective playmaking. The Pelicans even entrust him to create out of ball-screens or dribble handoffs occasionally. He’s a gem of a second-round pick with a glowingly encouraging future and present.

Josh Giddey

From a single-season perspective, Jones and Giddey could be interchangeable, if you wish. I definitely prefer Jones, but can understand otherwise. Both have been wonderful.

Anyhow, Giddey has immediately asserted himself as one of the NBA’s top passers. He’s both zealous and accurate, attempting to set up scoring chances through narrow windows, and firing passes on the money. His skip pass is matched by only a select few (Nikola Jokic and Luka Doncic come to mind).

The Oklahoma City Thunder’s offensive talent is, uh, pretty lackluster, so Giddey’s playmaking is probably undersold by raw assist totals. Pair him with a credible roll man in ball-screens and the impact of his interior passing will multiply.

Giddey’s scoring is rough (12.4 points, 47.8 percent true shooting), but there are many instances of him wielding craft and his 6’8 frame to create advantages. Defensively, he’s been rather encouraging. He navigates screens fairly well, has flashed off-ball instincts and is clearly better than what his NBL tape suggested. Becoming a reliable scorer — likely via shooting and finishing growth — is his swing skill. Either way, his rookie year has been an overwhelming success.

Ayo Dosunmu

The theme of Dosunmu’s first season is adaptability. Early on, he was a niche role player earning minutes. His job was to pester opponents on the ball, drill spot-up threes and attack off the catch.

Lengthy runs and lots of dribbling were not part of the job description. Soon, he became a mainstay in the rotation. Amid the Chicago Bulls’ flurry of injuries, he’s started the last 18 games, playing 38 minutes per night, averaging 12-7-4-1 on a 53/40/83 slash line.

He slithers over screens to hound ball-handlers at the point of attack. He buries threes or frequents his go-to pull-up off the catch. His playmaking as a downhill attacker has flourished. The Bulls keep asking more of him and he answers every time.

Chris Duarte

Similar to his Central Division running foe in Mobley, Duarte’s NBA debut helped announce his intentions to leave a mark. That day, he dropped 27-5-1-1, dazzling with interior playmaking chops, versatile shooting, and off-ball defense.

Although every game hasn’t been as smooth as that, Duarte continues to win as a secondary creator and malleable shooter. Primary initiator reps tend to be a bridge too far, but give him a sliver of an advantage and he can cook. He toys with defenders inside to pry open passing windows, knows how to generate space off the bounce for jumpers with start-stop moves and has authored witty off-ball sequences defensively.

As the Indiana Pacers wave goodbye to one era and enter another, Duarte should sit central to any newfound success.

Alperen Sengun

Despite a January lull, Sengun has bounced back in February to carry onward a promising rookie campaign. His flexibility and comfort playing through contact empower him as a post scorer, and his passing creativity is unmistakable (his .497 free-throw rate is also pretty bonkers for a rookie playing substantial minutes).

Defensively, he brandishes quick hands and better foot speed than anticipated, both of which are vital in the aggressive ball-screen coverage that optimizes him. On both ends, his size and athletic limitations have manifested against better, bigger centers or elite ball-handlers, but Sengun has put together some awesome stretches this season.

How he goes about problem-solving these next set of issues is fascinating and quite challenging. Even so, it’s hard not to be excited about him right now. The scoring, passing, and defensive mobility are delightful.

Davion Mitchell

For the second straight season, the Sacramento Kings selected a guard from the Big 12 in the second half of the lottery. And for the second straight season, that guard has enjoyed a profitable rookie season (of course, to different degrees).

Mitchell’s a legitimately terrorizing point-of-attack stopper. His combination of strength and lateral quickness flummox opponents. Often, it’s as though teams underestimate him and are shocked upon initial confrontation. He may be 6’2, but he justifiably garnered the nickname “Off Night” back in college.

Offensively, the going was a bit slower. For months, he struggled to score all over the floor. Despite explosiveness to drive the paint, his size was a hindrance around the rim, and his three-ball wasn’t falling.

Over the past month, though, the outside shot has come around and he’s fashioned more counters, both with his handle and changes of pace, to thrive inside the arc. His passing vision has also improved, likely a result of finding more space to work.

Wherever the offense levels out long-term will determine his viability in any rotation. The defense, however, well, it’s around for good, much to the chagrin of ball-handlers across the league.

Jalen Green

Green’s shot-making and driving flashes, and interior passing have popped. At times, the off-ball defense has looked better. Houston’s lack of offensive structure does him no favors. Scoring consistency, improved screen navigation, off-ball defense, and better stability around him are vital. There’s a lot of good takeaways prevalent in his first season nonetheless.

Jalen Suggs

Compare Suggs from October to February and you’ll see clear growth in his approach and impact. He’s better at recognizing how to leverage his advanced feel for advantages as a scorer, a trait that’s been tough to nail down for him (46.2 percent true shooting). His pick-and-roll passing and holistic defense (on-ball stops and off-ball event creation) are keystones as well.

He’s been playing pretty well since returning from injury, but his jumper has abandoned him. If that comes around, expect the efficiency to soon follow.

Quentin Grimes

The encore to New York’s playoff return has been, uh, disappointing. Grimes doesn’t fall into that category. He’s converting nearly 40 percent of his long balls and is feisty and physical at the point-of-attack. His play fits beautifully around high-level stars.

Austin Reaves

Reaves is yet another rookie making the most of his time in a big market for a disappointing team. He’s become indispensable to the Lakers’ rotation, thanks to smart off-ball movement, quick decision-making, and versatile defense. He can contain guys on the ball (though is prone to being bullied by stronger scorers), chase around off-ball shooters, and muck up actions in help. He’s just good.

Jonathan Kuminga

Playing alongside some excellent shooters who constantly occupy defenses, Kuminga has been superb as a play-finisher and cutter. He’s incredibly bouncy around the rim and times his cuts supremely well. The Warriors don’t have an above-the-rim threat like him anywhere else on the roster and his minutes as a small-ball 5 have been tenable. He’s even shown some ability to exploit mismatches with a couple dribbles as a scorer, though the handle needs work. Still, he’s provided a welcomed dimension offensively in year one.

Tre Mann

His handle and space creation for step-backs are already exquisite. He’s displayed some big-time scoring chops and is a decent interior passer when defenses collapse on him. Refining his two-point scoring and ability to operate downhill are paramount. His package of skills is alluring and worth monitoring.

Bones Hyland

Much like Mann, Hyland’s early scoring profile is encouraging. He’s shifty with a tight handle and can bomb from well beyond the arc. Denver has trusted him to lead bench units, though to divergent results. Streamlining his decision-making and defensive wherewithal will help him establish more consistency. The intersection of off-ball shooting, pull-up juice and advantage creation earn him a mention.