Categories
News Trending Viral Worldwide

Sharon Van Etten And Angel Olsen Perform A Moving, Acoustic Rendition Of ‘Like I Used To’ On ‘Kimmel’

Back in May, two great singer-songwriters, Sharon Van Etten and Angel Olsen, teamed up for a gorgeous joint single, “Like I Used To.” So far, they’ve taken the track to The Tonight Show, and they’ve even found fans in Jeff Tweedy, who recently covered it. Now, the pair have brought “Like I Used To” to Jimmy Kimmel Live, where they sat for a stripped-down, all-acoustic performance taking place at Los Angeles’ Zebulon.

When the track first came out, Van Etten said of working with Olsen, “Even though we weren’t super close, I always felt supported by Angel and considered her a peer in this weird world of touring. We highway high-fived many times along the way…. I finally got the courage in June of 2020 to reach out to see if she would want to sing together. I got greedy and quickly sent her a track I had been working on.”

Olsen added, “I’ve met with Sharon here and there throughout the years and have always felt too shy to ask her what she’s been up to or working on. The song reminded me immediately of getting back to where I started, before music was expected of me, or much was expected of me, a time that remains pure and real in my heart.”

“Like I Used To (Acoustic)” is out now on Jagjaguwar. Get it here. Likewise, Olsen’s new ’80s-covers EP Aisles arrives digitally 8/20 and physically 9/24 on somethingscosmic. Pre-order it here.

Categories
News Trending Viral Worldwide

Jennifer Coolidge Is Giving A Career-Best Performance On ‘The White Lotus,’ But She Almost Turned Down The Role

There are no bad performances on The White Lotus. The entire cast, including Murray Bartlett (Armond), Connie Britton (Connie), Steve Zahn (Mark), Alexandra Daddario (Rachel), and Sydney Sweeney and Brittany O’Grady (Olivia and Paula), is great. But there’s one performance on the HBO series that stands above the rest — it’s the Pineapple Suite to everyone else’s still-incredible Palm Suite. That would be Jennifer Coolidge as Tanya, who travels to the White Lotus to spread her mom’s ashes. To say someone is giving a “career-best performance” is a cliché at this point, especially for someone who shined in Legally Blonde, Best in Show, and A Mighty Wind, but in this case, it’s absolutely true: Jennifer Coolidge is giving a career-best performance.

The thing is, she almost turned down the role.

“I was really affected by the pandemic. It was an incredibly sad time. I was reading tragic news stories on a daily basis, had a fatalistic approach and assumed the virus was going to win. I knew people who lost their lives and was convinced we wouldn’t make it through. I wasn’t thinking about work, because I didn’t think we’d be alive,” Coolidge told the Guardian about being initially reluctant to take the role. “But then [The White Lotus creator] Mike White called. His show about rich people on vacation had been picked up by HBO and he’d written a role with me in mind.” She continued:

“I said, ‘OK, when are we doing it?’ He said, ‘What do you mean? We just got green-lit. We’re doing it now. You need to get on a plane to Hawaii.’ That was an impossibility to my mind. I’d been gorging and self-destructing at home for months, eating pizza all day. There was no way I wanted to be on film unless they shot me from the neck up. I’m sort of vain, so there was no fucking way.”

But after a close friend told her to “own my mess,” Coolidge accepted White’s offer. “I can’t tell you how close I came to ruining this whole thing for myself. It’s such a great lesson in life. I’d never have forgiven myself,” she added. To Jennifer Coolidge’s close friend, I say: thank you.

(Via the Guardian)

Categories
News Trending Viral Worldwide

NBA Summer League Day 3 Schedule: Cade Cunningham And Jalen Green Square Off

NBA Summer League is now, officially, in full swing after two days of action in Las Vegas. Day 3 of Summer League brings fewer games (just six on the schedule), but it provides us with the marquee matchup of the entire 10-day event, as the top two picks in this year’s NBA Draft go head-to-head.

Cade Cunningham and the Pistons will take on Jalen Green and the Rockets on Tuesday evening in what has become an annual tradition of the first two picks being scheduled against each other. Both have already gone up against other top picks, with Cunningham facing Josh Giddey and the Thunder in the opener (albeit only briefly before Giddey’s day ended after five minutes with an ankle sprain) and Green taking on Evan Mobley and the Cavs. This matchup, though, figures to create much more buzz and will be the most anticipated game of the tournament for most fans who aren’t invested heavily in one team or another.

Green scored 23 in the Rockets opener, doing what he does best, carving up the Cavs defense to get to his spot and getting buckets. Cunningham got off to a hot start in his debut as well, showcasing the two-way talent that has had him penciled in as a top pick for years, but cooled off from there and will be looking to improve upon his 12 points and six rebounds from Sunday.

While that maintains the marquee spot (and the lone game on ESPN proper for the night) there are five other games around it, with rookies like Jalen Johnson and Sharife Cooper (Hawks), Chris Duarte (Pacers), Josh Primo (Spurs), Davion Mitchell (Kings), Corey Kispert (Wizards), and Keon Johnson (Clippers) all also on display.

Here is the full TV schedule for Tuesday’s Summer League action:

Tuesday, August 10

Hawks vs. Pacers, Cox Pavilion (6:00 p.m. ET, NBA TV)
Celtics vs. Nuggets, Thomas & Mack (7:00 p.m. ET, ESPNU)
Bulls vs. Spurs, Cox Pavilion (8:00 p.m. ET, NBA TV)
Pistons vs. Rockets, Thomas & Mack (9:00 p.m. ET, ESPN)
Kings vs. Wizards, Cox Pavilion (10:00 p.m. ET, NBA TV)
Clippers vs. Blazers, Thomas & Mack (11 p.m. ET, ESPNU)

Categories
News Trending Viral Worldwide

Chromatics Announce They Have Broken Up After 20 Years As A Band

Chromatics became one of the more revered electronic/synth-pop groups of the 2000s thanks to their 2007 album Night Drive, and subsequent releases have also earned critical acclaim. Now, though, the band — consisting of Johnny Jewel, Ruth Radelet, Adam Miller, and Nat Walker — has announced that it has broken up, 20 years after its formation.

The news was shared today on Instagram by Radalet and Miller, the latter of whom was the only remaining original member of the group. A message from the band reads:

“After a long period of reflection, the three of us have made the difficult decision to end Chromatics. We would like to thank all of our fans and the friends we have made along the way — we are eternally grateful for your love and support. This has been a truly unforgettable chapter in our lives, and we couldn’t have done it without you. We are very excited for the future, and look forward to sharing our new projects with you soon.

With love,

Ruth Radelet, Adam Miller and Nat Walker.”

Based on the phrasing of the message and the fact that Jewel is not mentioned, it would seem he actually left the band before this announcement. Jewel is credited on the band’s most recent single, 2020’s “Teacher,” so it would seem his departure came at some point between that song’s release and now.

While the band has shared beloved albums over the years, perhaps their defining project of the past decade is the one they haven’t yet managed to release: Dear Tommy was announced back in 2014, and after numerous delays, the band revealed a new tracklist for the album last year. Now that the band has dissolved, though, the project’s fate remains uncertain.

Categories
News Trending Viral Worldwide

Big Thief Share Two Striking New Tracks, ‘Little Things’ And ‘Sparrow’

It’s a big day for Big Thief: The celebrated indie-rock collective have dropped two new songs to follow up their 2019 album Two Hands. “Little Things” is a sprawling, upbeat track led by strong, jangling guitar. The more toned-down “Sparrow,” meanwhile, is a contemplative listen. Both were produced by drummer James Krivchenia and recorded at Five Star Studios in Topanga, California, and Flying Cloud Recordings in the Catskills.

Of “Little Things,” Krivchenia said, “It’s in this sort of evolving free time signature where the beat is always changing, so Max [Oleartchik, bassist] and I were just flowing with it and guessing where the downbeats were – which gives the groove a really cool light feeling.” Adding about “Sparrow,” Krivchenia followed up: “We all just scattered about the room without headphones, focused and in the music — you could feel that something special was happening. It was a funny instrumentation that had a really cool natural arrangement chemistry — Max on piano, Buck [Meek, guitarist/vocalist] providing this dark ambience, me on floor tom and snare and Adrianne [Lenker] in the middle of it with the acoustic and singing.”

Big Thief, who released both critically acclaimed albums Two Hands and U.F.O.F. in 2019, have been working on their fifth album over the past year. Meek, who is also working on a solo album to follow 2021’s Two Saviors, told Guitar.com, “Lockdown was a well-needed respite, I needed a break. And then Big Thief ended up making new music for nearly six months, which was really nice because we’ve been touring so hard we’ve had little chance to record in the last couple of years.”

Listen to both “Little Things” and “Sparrow” above.

Categories
News Trending Viral Worldwide

Rudy Giuliani Is On Cameo Now, And Of Course He Made A Middle-Of-The-Night Announcement

In yet another sign that things aren’t exactly going great for Rudy Giuliani, “America’s Mayor” is now taking Cameo requests. For the low price of $199, Giuliani will record a personalized video message for you or a friend because who doesn’t want to see the erratic face of Donald Trump’s Big Lie wishing you a happy birthday? Giuliani announced his Cameo venture just shy of 3:00 am Tuesday morning on the east coast, which should really tamp down those rumors about his drinking problem. Nothing concerning here!

It should go without saying at this point, but Giuliani is in deep financial trouble. Thanks to his post-election work for Trump, which he reportedly hasn’t been paid for, Giuliani is drowning in legal fees after being sued by voting software companies for his attempts to discredit the results of the 2020 presidential election. In early June, Giuliani’s few remaining allies tried to raise money for his legal defense fund, but it was such a colossal failure that the whole thing was shuttered in less than a month.

Adding insult to injury, Giuliani can no longer practice law in the state of the New York after having his license suspended by the Appellate Division of the New York Supreme Court who deemed Giuliani a threat to the public for his role in undermining that election. The New York decision allowed the D.C. Court of Appeals to also suspend Giuliani’s license, which means he can no longer act as an attorney in the nation’s capitol either.

In short, it’s going to take a lot more than Cameo videos to Giuliani out of this mess.

(Via Rudy Giuliani on Twitter)

Categories
News Trending Viral Worldwide

Austin City Limits Adds Tyler The Creator To Its 2021 Festival Lineup After Dropping DaBaby

Days after dropping DaBaby from its 2021 lineup, Austin City Limits Music Festival announced today that it would be adding a set from Tyler The Creator. Set times haven’t been announced yet, but the fest said they were imminent.

DaBaby was dropped by ACL earlier in August after the rapper delivered a bizarre rant during his Rolling Loud set that included homophobic comments and attacks towards those with HIV/AIDS. DaBaby then issued — and subsequently deleted — an apology for his words on social media. “I want to apologize to the LGBTQ+ community for the hurtful and triggering comments I made,” he wrote. “Again, I apologize for my misinformed comments about HIV/AIDS and I know education on this is important.” His (now-deleted) apology was swiftly deemed insincere, with a number of high-profile artists such as Madonna, Elton John, Questlove, and Dua Lipa condemning him for the rant.

In addition to ACL, DaBaby has been dropped by a handful of prominent music festivals; Lollapalooza, Governors Ball, Day N Vegas, and more have all removed him from the lineups to their festivals this year.

As for Tyler, the Call Me If You Get Lost rapper recently offered his thoughts around what it means to be “canceled” (around 2014-2015, Tyler was banned from Australia, the UK, and New Zealand for his lyrics that were deemed to be promoting violence and homophobia). In a particularly relevant-seeming conversation, he told Hot 97’s Ebro In The Morning crew:

“People just go back to stuff and go ‘look what he used to do.’ And it’s like yeah, but I’m not on that no more. So what’s your end goal? When people go back and dig up old stuff from someone who’s here now, it’s like hey, what’s your end goal? Accountable… what does that mean? Is the goal, you shouldn’t do that, you should change and be a better person? Not even me, but to whoever they’re saying it to… I’ve been a better person for the last nine years. That was ten years ago. But I think people like doing that to make themselves feel better about themselves.”

The 2021 Austin City Limits Music Festival takes place October 1-3 and 8-10 at Zilker Park. Get more info here.

Dua Lipa is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

Marc Maron Shared The Best Advice He’s Ever Received, And We Could Probably All Take Note

Marc Maron, stand-up comic, GLOW star and more, has been podcasting since before, well, everyone was podcasting. He’s racked up over 1,200 episodes with no signs of slowing down while often digging up the most unexpected of details from his guests. To name a few recent snippets: David Duchovny broke my heart while telling Maron the reason why he signed onto Californication; Katey Sagal filled him in on a Married… With Children secret; and Maron and Seth Rogen ruffled a few feathers over in Israel. One never knows what shall happen when one gets loose in a podcast, and Maron’s got the standing to take a swing at Joe Rogan and the “human centipede in Austin,” too.

Well, Maron allowed the Wall Street Journal to turn the tables on him with a handful of questions, and one answer in particular resonates. Here’s what the WTF host had to say about the advice he’s followed for decades:

“There was something that was told to me during a fairly unpredictable journey on hallucinogens when I was a younger man. Some weirdo looked in my eyes and could tell I was freaking out. And he said, Just hang on, man. I think that’s pretty good advice in general.”

You can’t beat advice like that; it’s right along the lines of a Matthew McConaughey quote, “just keep livin,” which actually transformed into the name of his foundation. Maron’s shared advice works, though. Oftentimes, the biggest struggle in the world can be to stop controlling everything around you. It’s a pretty 12-Step principle, too, but it’s real. Once one realizes that it’s alright to just let go, things can really fall into place, as they likely inevitably would already without the illusion of control. Man, now I feel like I’ve taken a hallucinogen simply by witnessing this advice.

The rest of the WSJ. Magazine interview with Maron is well worth reading here. He’s a fan of Mare of Easttown, I May Destroy You, and John Oliver, so you’re in good hands over there.

(Via WSJ. Magazine)

Categories
News Trending Viral Worldwide

All The Best New R&B From This Week That You Need To Hear

Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm-and-blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they really love in its true form, we’ll be offering a digest of the best new R&B songs that fans of the genre should hear every Friday.

This week, The Weeknd leads the way with the arrival of his new single, “Take My Breath.” The track kicks off a new era for the singer, one that sees him ditching the red suit and battle scars that his After Hours project featured. On the album side of things, Tinashe touches down with her fifth album 333, a project that stands out brightly in her catalog. Lastly, Victoria Monet blesses us once again with her brand new single, “Coastin.’”

The Weeknd – “Take My Breath”

Months after The Weeknd concluded his After Hours era, the singer is also back in action with a “new dawn” for his loyal fan base. It comes in the form of his new single, “Take My Breath.” Arriving as a blend of his Starboy and After Hours sounds. The new song also comes with a video that sees the singer in pursuit of a woman who literally takes his breath away.

Tinashe – 333

Two years after impressing the world with Songs For You, Tinashe takes another level upward with her artistry with her fifth album, 333 Backed by help from Jeremih, Kaytranada, Buddy, Kaash Paige, Wax Motif, Absolutely, Quiet Child, and KUDZA, Tinashe beautifully showcases her vocals and versatility towards an array of sounds throughout the project’s 16 songs.

Victoria Monet – “Coastin’”

Victoria Monet is not one to sleep and her phenomenal 2020 project Jaguar is absolutely evidence of that. Nearly a year to the date of that project’s arrival, the singer returns with “Coastin,’” a funky tune that captures her feelings for a new partner as well as that for her home state of California. “It’s made for people with that good, chill energy and the bassline instantly puts you in a certain feel,” she said in a press release about The Stereotypes-produced single. She added, “We wanted this song to represent that freedom to finally go outside.”

India Shawn – “Don’t Play With My Heart”

Joining a trio of singles that she’s shared over the last year, India Shawn returns with yet another song that’s absolutely worth listening to. “Don’t Play With My Heart” arrives as a stern warning to a companion she’s slowly falling in love with. “Don’t play with my heart,” she sings with soaring vocals. “Before we let this go too far.” In a statement about the song, Shawn said the video for the new single “pays homage to the original and iconic queens of soul, like Donna Summer and Diana Ross.” She adds that her intention is to “serve a fresh and nostalgic take on their legacies.”

Jorja Smith – “All Of This”

After a two-year wait that followed the release of her impressive debut album Lost & Found, Jorja Smith returned with her Be Right Back this past spring. The 8-track effort was showed the singer did not lose a step in her progress in the two years since her debut. Now, she’s back with “All Of This,” a track produced by Grammy-nominated producer DJ Guilty Beatz. It sees dive into the Amapiano genre, a style of house music that was birth in South Africa.

Zacari – “Rainy Day” Feat. Isaiah Rashad & Buddy

It’s been a while since Zacari, one of the newer acts on TDE’s vast roster of talent, delivered music to the world. His last project came in 2019 with Run Wild Run Free while his last singles arrived during TDE’s Appreciation Week in 2020. At long last, the Bakersfield, California-bred act returns with his first single of the year, “Rainy Day.” The track features Buddy and labelmate Isaiah Rashad and arrives as a gritty tune that emphasizes staying ready for life’s inconviences.

Reggie Becton – “Issues”

After impressing with his 2020 EP, Thank You For Listenin’, PG County’s own Reggie Becton is back with new content and it comes in the form of a new visual for his latest single, “Issues.” The video captures the rise and fall of love for the singer. High moments between Becton and his lover are quickly succeeded by turbulent times that make a future together appear more and more unlikely.

Ayra Starr – 19 & Dangerous

Earlier this year, Afropop singer Ayra Starr arrived with her self-titled debut project and just six months removed from its release, Starr graces the world with her second body of work. 19 & Dangerous blends R&B soul, and Afropop for a tale of growth that arrives as the singer prepares to exit the teenager status for adulthood. Across its 11 songs, the young singer calls on Foushee and Ckay to help her detail her transition out of adolescence.

Lion Babe – Rainbow Child

Two years after they released their sophomore album, R&B duo Lion Babe is back in action with their third body of work, Rainbow Child. Singer Jillian Hervey and producer Lucas Goodman deliver nine new songs with contributions from Ghostface Killah, Siimbiie Lakew, Oshun, and Trinidad James for a project they say was created “in response to the heightened pain and injustice Black lives have been experiencing.”

Rikki — “Is It Over?” Feat. Moneybagg Yo

New Rochelle, New York singer Rikki delivers another bright moment for her career thanks to a brand new visual with Moneybagg Yo for her single, “Is It Over?” The song itself personifies the questions one has around love while searching for the truth through it all. The single comes after the Murder Inc. singer was accompanied by Ja Rule for a remix of her previous track, “Heartbreaker.”

Amon, PJ Morton & Smooth Blaq – “All My Life”

San Diego act Amon has seen plenty of success after early struggles in his career. He’s served as an opening act for DJ Khalid, Amine, and A Boogie Wit Da Hoodie while gaining popularity for his viral track, “Lately.” Now, he finds himself contributing to City Of Ali, a documentary about Muhammad Ali, with his latest song, “All My Life” with PJ Morton and Smooth Blaq.

Vedo — “Yesterday”

Eight years ago, Vedo was taken under Usher’s wing during the fourth season of NBC’s The Voice. Since then he’s written for the legendary singer, attained a platinum single of his own, and worked with other artists as well. All of this occurs as he continues to progress upward in his own career as his latest single, “Yesterday,” is proof of that. On the soulful track, Vedo seeks to move from the past failures with an old lover despite their insistence on remaining stuck in the past.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

Rennia Davis’ Bright Future Is A Testament To Her Adaptability

No draft goes according to plan, and the 2021 WNBA Draft was no different for rookie small forward Rennia Davis and Cheryl Reeve, head coach and GM of the Minnesota Lynx. Davis had been projected as a top-5 pick in nearly every mock draft leading up to the night of April 15. Reeve and her war room didn’t plan for her, if only because they didn’t fathom the former Tennessee Volunteers standout sticking around long enough for Minnesota to take her with the ninth overall pick. But as luck would have it, Davis slipped toward the end of the first round and Minnesota got the player it considered the best on the board.

Davis believes in things happening for a reason. She believed it when she heard her name called, which caused her to jump up from the couch alongside her mom, the both of them screaming, and she believes it now, in the long process of recovery from a sudden stress fracture in her left foot that has sidelined her indefinitely.

“I’m still trying to understand. I don’t really understand, but I feel like I try to understand,” Davis says with certainty over the phone from the Lynx’s practice facility. “We don’t know why this happened, but I know it happened for a reason.”

Three days after the mid-April draft, Davis relocated to Minnesota. It was there, during training camp, that she realized the extent of her injury, finding that it hurt her “more and more” to walk. She soon realized she was going to need surgery.

“I’ll basically be reteaching myself how to walk here for the next month,” Davis says. “Regaining strength over in that foot. My leg’s extremely skinny. I’m not the biggest anyways, but it’s extremely small in this cast. So it’s going to be a process.”

Injuries are always an unfortunate possibility for professional athletes, but the recovery process is often deceptively invisible to people on the outside. The event of the injury itself flows into a person’s rehabilitation, well out of the spotlight, so that their return to play can seem linear, the timeline eventually condensing altogether. The real process is absolutely nothing like that, especially in cases like Davis, whose timeline for recovery extends with each new step.

“I knew I would have to be out for a little bit, about the third day of training camp. I knew that. But I did not know I would be out the whole season,” Davis says. “Once I found that out, that was an even bigger blow, because you know, you’re prepared for the season and then, okay, cool, I can’t play for a minute. So I’m preparing to not play for a minute and then, okay, cool, now I’m preparing to not play for a whole season.”

Rather than looking at it as the loss of her inaugural season, Davis has stayed steady in the mental and emotional approach to her recovery, taking it just as slow as the physical part. She keeps herself grounded in her faith as well as the people around her, making sure they’re as level headed as she is.

“It helps being on a team full of vets because most of them have been through this process. Obviously not all of them have had a stress fracture, but something that set them down for a minute,” Davis says. “This is my first time having to be without basketball for an extended period of time. So just being around this group, it just helps.

“If I’m like, I’m not going, because I’ve become a hassle at this point, they’re like ‘No, you’re going, you’re going. It’s cool, it’s good. You’re going,’” she continues. “Sometimes the scooter and the crutches can become a hassle for me, so I don’t want to be a hassle for other people. But they’ve been very adamant about making sure I’m still included. That’s been helping me mentally too, that I’m on a team with people that want me around. That’s huge. And they haven’t played with me yet, so they want me around for more than just basketball reasons, so, that feels good to me.”

If you’ve done yourself a favor and watched Davis’s film from her time at Tennessee, you’ll understand quickly through the fluid, intuitive way that she plays that basketball is something that centers her, and to be without it as a daily rhythm is a struggle. She says she’s always been “naturally intuitive,” both on and off the floor.

She shifts between being a rebounding wraith, moving with blink-and-you’ll-miss-it quickness out to the wings or cutting under the basket. It seems as if she’s magnetically pulled to wherever the ball is without hands to claim it, and a crafty catch-and-shoot player, picking her spots with timing that feels hardwired.

Davis is demure when it comes to talking about the explosiveness of her game, crediting athleticism and a propensity to outwork other players for being why she’s able to get there and back. She especially enjoys picking second chance points before her opponents realize what happened.

”I pride myself in rebounding in general, but offensive rebounds, I feel like I have an advantage, especially with a lot of guards because I’m 6’2, and in transition, like, people get tired,” Davis laughs. “You just take off and that’s two easy points. I used to only be able to know how shoot, which is weird, because my percentages would probably make you think different, but I could only really shoot at one point. Now, it’s just been great to see myself grow into a basketball player and not just stand out catch and shoot player, or somebody that just jumped over people — ‘cause I can.”

Davis left Tennessee as one of just four Lady Vols players to wind up top-10 in points and rebounds per game (15.4 and eight, respectively) as well as career points and rebounds (1,815 and 947, respectively). The other three: WNBA legends Candace Parker, Tamika Catchings, and Chamique Holdsclaw. Her four-year college career with the team was marked by upsets, with an abrupt coaching change in her second year that saw some of her teammates transfer out of the program. She also signed on to play for Tennessee anticipating that she’d have a year under Diamond DeShields to learn from, but DeShield ended up going overseas, thrusting Davis into a much larger role than expected from the start.

“So as a freshman I had to get in, play, compete, produce, be a big part of the team,” Davis says.

But Davis credits the pressure and upsets as tools that became essential in winnowing her focus in on what she really wanted.

“Obviously those coaches, in my first two years, they were the coaches that recruited me. And I definitely appreciate them for getting me to Tennessee, but being at Tennessee I realized that’s more so where I wanted to be,” she recalls. “And that might sound, well, I don’t know how it sounds, but it’s the truth. I was loyal to the university, the school. I liked the changes that I was being forced into outside of basketball.”

More than a place where she developed her game, Davis credits Tennessee as a place where she grew, quickly, as a person. She entered college with an Associate of Arts degree from Florida State College, skipping ahead of freshman classes — “I was in classes with all juniors and seniors and I was so lost,” she recalls. ” It was just a mess, but even through the mess, I was forced to grow.”

Though Davis considers herself an introvert, it’s clear through her easy and direct voice that she’s faced the kind of accelerated growth that forces a person to reconcile their natural comfort level with the understanding that challenges, setbacks, and difficult stretches can have a chrysalis effect, pushing them several evolutions ahead of where they otherwise might be. While her priority remains getting back on the floor, Davis has also had time to reflect and foster other goals — some short term and others in the future — once she’s fulfilled her basketball career.

Davis has been working diligently with her agency to create a logo for her brand, which she’d like to expand into fashion and wants to be as instantly visually impactful and recognizable as the Jumpman. She has a keen interest in branching out into the media space, where more and more athletes are building their own direct to audience platforms, either with a podcast or occasional livestream. She admits the production side of things could be “a mess,” but is willing to learn.

Her long term dreams — opening a restaurant and traveling — are tied together. Davis calls her restaurant her “biggest thing,” something she’s reached out to Black entrepreneurs for help with in planning and, eventually, executing. But before that, she’d like to see more of the world.

“It might sound weird because yes, as a basketball player, I’ve been traveling pretty much my whole life, but I want to travel without basketball. I want to travel and not have to worry about getting up the next morning for a game or practice,” she says. “Sometimes you just want to just be.”

The tricky thing with plans that don’t go as anticipated is working up the courage to make more. For Davis, the setback she suffered on the heels of one of her most hopeful moments only means her future stands to be that much brighter. As for finding a reason why that happened, the way that her future taking shape so broadly without restraint feels like reason enough.