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Here’s Why ‘The Walking Dead’s Upcoming Comedy Spinoff Is A No-Brainer

Last week during The Walking Dead holiday special (available on AMC+), Scott Gimple (the architect of The Walking Dead universe) revealed that he was developing a The Walking Dead comedy spin-off. Assuming it gets the greenlight, it would join The Walking Dead universe along with the two existing spin-offs, Fear the Walking Dead and The World Beyond, in addition to the Carol and Daryl spin-off that’s expected to launch at the end of The Walking Dead and The Walking Dead anthology series.

“We are working on a straight Walking Dead comedy right now,” Gimple said on the holiday special. “We’re not making fun of our world,” he assures, “but it’s just more of a comedic take on the world.”

This could absolutely work! As a lifelong fan of the zombie genre, a good zomcom is exactly what The Walking Dead universe needs. They could go in a number of directions. If it’s a roving band of characters, they could go with a Zombieland style comedy led by Jeffrey Dean Morgan’s Negan. If they want to return again to the initial outbreak, they could use Shaun of the Dead as inspiration and use, perhaps, Jerry and Ezekiel as the anchors for a buddy comedy.

What might be most interesting, however, is to set a half-hour sitcom in the world of The Walking Dead along the lines of what WandaVision is doing for Disney+ and the MCU. The TWD world has already established civilizations that operate similarly to our modern world, so there’s no reason AMC could not situate a comedy inside one of those civilizations.

Obviously, a zombie comedy would not be unique to television. Santa Clarita Diet did it best, but that’s not a route that The Walking Dead could take (the undead can operate fairly normally in that world, as long as they are well fed). More likely, Scott Gimple would go the Z Nation route, which is to say: The Walking Dead as a dark, low-key comedy. It’d basically be The Walking Dead but with more one-liners, a lot more elated celebrations after zombie kills, and instead of one Negan, it’d be an entire cast of Negan types.

Now that is a show fans would love to see.

(Via CBR)

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Jrue Holiday Will Donate The Remainder Of His 2020 Salary To Black-Owned Businesses And Charities

When the NBA announced it was heading to the Disney Bubble this summer, Jrue Holiday saw an opportunity to do some good, and decided along with his wife Lauren to donate his entire remaining salary for the season — which was around $5 million — to various Black-owned businesses, charities, and initiatives to provide assistance during the pandemic.

Months later, the 2020-21 NBA season is getting set to begin and Holiday is now in Milwaukee after being traded to the Bucks by the Pelicans, but his move hasn’t changed his desire to do some good. On Saturday, Holiday announced he and Lauren had once again decided to donate the remainder of his salary he’ll receive this year to the same causes, noting that the pandemic continues to impact these businesses and entities.

It is a pretty tremendous gesture from the Holidays, as Jrue gets set to embark on what the Bucks hope will be a championship journey in his first season in Milwaukee alongside Giannis Antetokounmpo and Khris Middleton. His impact on the court will be what has people talking all season in regards to the Bucks’ chances to come out of the East, but it’s the work he and Lauren are doing and have done off of it that is most important and is what will likely endear him to the Milwaukee community even more than his spectacular abilities as a basketball player.

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Colin Jost Got Uncomfortable When He Was Forced To Tell A Scarlett Johansson Joke On ‘SNL’ Weekend Update

Making Colin Jost uncomfortable on Weekend Update is a Saturday Night Live tradition at this point, with Kate McKinnon making it her personal mission to force Jost to break at the Update desk in recent weeks. But the best way to get him uncomfortable, it seems, is to bring up his wife Scarlett Johansson.

But Michael Che may be the new king of making things weird in the Jost household after he made his Weekend Update co-host tell an extremely awkward joke during the final episode of 2020. The moment came during the last segment of the program, where Che and Jost wrote each other jokes to tell with no notice on the broadcast. Jost made Che tell a Jeffery Epstein joke, while he made Jost joke about race relations, as he often does in these sorts of situations.

But in a setup that involved Creed frontman Scott Stapp playing Frank Sinatra in an upcoming movie, Che managed to get Jost to take a shot at his own wife when it comes to awkward casting situations. Here’s the joke isolated, if you need it:

“Creed singer Scott Stapp will play Frank Sinatra in an upcoming movie,” Jost said. “But the good news is Sammy Davis Jr. will be played by Scarlett Johansson.”

It’s the second time Jost was doubled over on the desk during the sketch, and an extremely quick out on the segment that may have been the best of the season. It’s a particularly biting joke because Johansson has been criticized for casting that’s been described as whitewashing in the past, both with playing an asian character in Ghost In The Shell and has a history of comments defending similar casting decisions. It certainly got a good reaction from Jost and in the audience at Studio 8H, but hopefully for Jost’s sake Johansson can handle a joke that certainly hits very close to home.

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Rudy Gobert Agreed To A Five-Year, $205 Million Extension With The Jazz

The single-biggest question facing the Utah Jazz this offseason involved the future of Rudy Gobert. The All-NBA big man was eligible for a supermax extension, but no big man had ever received that sort of money, nor had a player with a profile like Gobert’s, who is the most imposing defensive big man in the league but is limited on the offensive end of the floor.

But despite that, and despite the long-standing rumblings of discontent involving Gobert and Jazz star Donovan Mitchell, Gobert isn’t going anywhere. He told Tim MacMahon of ESPN that he had agreed to an extension with the team, and while it is not a supermax, Gobert’s deal is for five years and will pay him $205 million.

“It means that they believe in me,” Gobert said. “They believe in what we’ve been building over the years with this whole organization, with coach [Quin Snyder] and all the guys. For me, it’s an incredible blessing. It’s a very motivating feeling to know that we all share the same vision and we all share this goal for this state and for this franchise.”

The deal includes a player option for the fifth year. Gobert, who is 28, was picked by Utah with the 27th selection of the 2013 Draft, and since joining the team has served as an indomitable defensive anchor, earning a first-team All-Defense nod four years in a row and being named the NBA’s Defensive Player of the Year twice. Last season, Gobert averaged 15.1 points, a career-high 13.5 rebounds, and two blocks in 34.3 minutes per game.

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‘SNL’ Weekend Update Bid Farewell To A Trump Presidency With A Montage Of His Most Ridiculous Moments

The Weekend Update segment on Saturday Night Live is extremely tied to American politics and the news of the week that was, which is why the final show of 2020 had to acknowledge the dying days of a Donald Trump presidency. Saturday’s episode is also apparently the last that will tape while Trump is in office, which is why the show choose to put together a montage of his weirdest moments over the last four years.

There were no tweets about phantom election fraud or any of the countless weird political moves or his impeachment or anything like that, just the weirdest visual moments of his time in office. And so while Semisonic’s once-seminal “Closing Time” played, scenes like Trump touching The Orb, screaming while pretending to drive a big truck, and cherishing the gentle touch of a slightly-unsettling Easter Bunny were some notable highlights.

It’s admittedly a bit overwhelming to see all those crazy moments lined up back-to-back, but it just goes to show how unorthodox a Trump presidency truly was. Many Americans longed for the days a tan Obama suit drew the ire of a nation, instead we were truly bombarded by Trump weirdness on a daily basis over the last four years.

Weekend Update will undoubtedly outlast a Trump presidency, just as it had already predated it, but it was pretty clear that the show doesn’t seem like it will miss Trump once he’s gone and Joe Biden is in the White House. The news segment made a point to test out some Biden jokes just to get its feet wet, but here’s hoping the four years that follow aren’t worthy of a montage once it’s over.

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‘SNL’ Weekend Update Bid Farewell To A Trump Presidency With A Montage Of His Most Ridiculous Moments

The Weekend Update segment on Saturday Night Live is extremely tied to American politics and the news of the week that was, which is why the final show of 2020 had to acknowledge the dying days of a Donald Trump presidency. Saturday’s episode is also apparently the last that will tape while Trump is in office, which is why the show choose to put together a montage of his weirdest moments over the last four years.

There were no tweets about phantom election fraud or any of the countless weird political moves or his impeachment or anything like that, just the weirdest visual moments of his time in office while Semisonic’s once-seminal “Closing Time” played over scenes like Trump touching The Orb, screaming while pretending to drive a big truck, and cherishing the gentle touch of a slightly-unsettling Easter Bunny.
It’s admittedly a bit overwhelming to see all those crazy moments lined up back-to-back, but it just goes to show how unorthodox a Trump presidency truly was. Many Americans longed for the days a tan Obama suit drew the ire of a nation, instead we were truly bombarded by Trump weirdness on a daily basis over the last four years.

Weekend Update will undoubtedly outlast a Trump presidency, just as it had already predated it, but it was pretty clear that the show doesn’t seem like it will miss Trump once he’s gone and Joe Biden is in the White House. The news segment made a point to test out some Biden jokes just to get its feet wet, but here’s hoping the four years that follow aren’t worthy of a montage once it’s over.

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Amy Poehler’s ‘Smart Girls’ Is The Kind Of Organization Leslie Knope Would Approve Of

In 2009, Amy Poehler introduced us to a television icon. A midlevel bureaucrat with an unflinching sense of optimism, Leslie Knope was the small-town hero of Parks & Rec, one whose bright-eyed belief in the power of local government was surprisingly infectious. She was a feminist, a lover of breakfast foods, and a woman who encouraged others to pursue their passions, who inspired them to support her own.

We might not have known it when those first episodes aired, but Leslie Knope was a lot like Poehler herself.

In 2008, Poehler had just ended her residency on NBC’s sketch-comedy series, Saturday Night Live. She’d spent close to a decade on the show, manning the Weekend Update desk with Seth Meyers and ushering in an era that challenged the boys-club legacy SNL had unintentionally built. Along with comedians like Tina Fey, Rachel Dratch, Maya Rudolph, and later, Kristen Wiig, Poehler wrote skits and created characters with a shelf life built for the new, digital age. When she left, she brought that talent for crafting likable, layered women to Mike Schur’s workplace comedy – spending years honing what would become TV’s most forwardly-feminist mascot.

Leslie Knope was the kind of woman who crafted campaign ads at just 10-years-old. She brunched with Madeline Albright. She prided herself on her organizational binders, she enjoyed hard work, she once overdosed on flu medication to raise money for her town’s Harvest Festival. Leslie Knope taught people, especially young girls, that it was okay to actually care about things. Cool, even.

But she was just a character on a TV show, Poehler was an actress and activist doing that same work off-screen, building an online community whose goal was to empower the next generation.

They call themselves Amy Poehler’s Smart Girls.

The organization was founded by Poehler and her longtime collaborator Meredith Walker back in 2008. The two women had met working on SNL and quickly found they shared a passion for wanting to help young girls find their place in the world.

“The idea came out of us wishing we had a time machine so we could go back to the younger versions of ourselves and let them know it was gonna be ok,” Poehler told Huffington Post. “We wanted to do a show that we would have wanted to watch at that age. And we knew we wanted to have a dance party at the end. We basically started with the dance party and worked backward.”

Smart Girls original began as a Youtube series where Poehler would invite inspiring young women on to talk about their passions. Young archeologists, boxers, skateboard enthusiasts, school mascots, glass blowers … the interests were widespread but the connecting thread was Poehler’s desire to learn about and promote ordinary girls doing extraordinary things. And being proud of it.

“Girls have to fight against a lot of the same stuff we did growing up…peer pressure, exploitation, etc.,” Poehler said. “But what worries me the most is this trend that caring about something isn’t cool. That it’s better to comment on something than to commit to it. That it’s so much cooler to be unmotivated and indifferent. Our culture can get so snarky and ironic sometimes and we kind of wanted Smart Girls to celebrate the opposite of that.”

The show’s popularity helped it to quickly morph into an online community, which has now become Smart Girls. The website features chats with changemakers like Stacey Abrams and civil rights leaders like Susan Burton; campaigns that partner with groups like the Transgender Law Center to raise awareness about issues of inequality and discrimination; and must-reads that meet teens and young adults where they are, regardless of which gender they identify with.

Smart Girls’ leadership team, which includes Walker, takes a hands-on approach in building this community – organizing volunteer days, mentoring local clubs, speaking in schools, and traveling overseas to see how the group can help girls in third-world countries reach their potential. Four years ago, Walker visited Syrian refugee camps, relaying her experience to Smart Girls back home and connecting the young women in the camps with the community she helped foster in the States.

“The women and girls in those camps are not going to school and don’t have much variety in their daily lives,” Walker told Forbes about the trip. “Before I left for Jordan, we asked our community what they’d want to know about the young women with whom I’d be spending time. In-person, I conveyed those messages letting the Syrian girls know that people around the world know about them, are interested in them, and care about them. In turn, I asked what messages they wanted me to take back. I wrote about it on Smart Girls and talked to school groups about the girls when I returned. If we are curious about ourselves as well as perspectives other than our own, the world is better for it.”

It’s that culture of curiosity, learning, and togetherness that feels most in tune with who Poehler – and the character she brought to life on Parks and Rec – is. Smart Girls fosters community, aids in tough discussions on sensitive issues, and promotes advocacy and activism – but they do it with a healthy dose of humor and the guiding principle that this kind of work needs to be tailored to their specific audience.

“We kind of wanted to create something that we would have liked to have joined when we were younger,” Poehler explained. “I think there’s something really special about taking the temperature of young people, listening to what they care about, amplifying their voices. It’s an attempt to do all that.”

Along with raising money for various charity events, including Poehler’s Worldwide Orphans Foundation, Smart Girls makes an impact by inspiring the next generation of leaders to get active about the issues they’re invested in, meaning Poehler and company are creating something that will hopefully outlast them and be the catalyst for long-term, systemic change.

Leslie Knope would be proud.

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The ‘SNL’ Cold Open Introduced Jim Carey’s Replacement As Joe Biden To End Its 2020 Run

The final Saturday Night Live of 2020 once again went political with its cold open, but it more importantly set the trajectory of the show heading into the new year by introducing a new comic spoofing president-elect Joe Biden. Alex Moffat took over on Saturday, introducing the role that Jim Carey had declared he was done playing hours before the new episode aired on NBC.

Saturday’s sketch covered current president Mike Pence getting the COVID-19 vaccine on live TV, but the biggest news was that the show officially introduced a new Biden to its audience in the final episode of 2020. Biden has been played by several guest hosts in 2019 and 2020 before Carey famously signed on to play the eventual president-elect this season. But Saturday morning brought word that Carey was done playing his version of Biden, which admittedly drew mixed reviews of the Delaware politician through its unprecedented run of six straight episodes before and after the 2020 election.

Maya Rudolph, who also quite famously returned to SNL to play vice president-elect Kamala Harris, did return on Saturday to slap Mike Pence for denying the election results and, later, to sing during the show’s opening monologue. It’s clear that Rudolph is here to stay as Harris in future episodes in 2021, but we’ll see if Moffat is supplanted if Harrelson or Suedekis decides to return to the show anytime soon.

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Dua Lipa Performed ‘Levitating’ On ‘Saturday Night Live’ But People Had Questions About Her Outfit

Dua Lipa has been having an epic year with the release of her sophomore album, Future Nostalgia, and the remixed, club-ready version Club Future Nostalgia. After displaying her range as a pop star, Dua is the guest on Saturday Night Live tonight to remind everyone that her live show is great, too. Already performing “Don’t Start Now,” she returned to perform “Levitating,” a hit that she also performed at the AMAs last. After kicking things off with a cute leopard print outfit for “Don’t Start Now,” she had to turn things up a few notches for “Levitating,” and she did that by wearing an outfit that brought only one word to mind: jellyfish.

The all-white, deep cut dress was stunning, but a headpiece with feathery strings that moved while she danced was a dead ringer for the luminous sea creature, and this fashion moment did indeed steal the show. While everyone else has firmly settled into sweatpants and indoor clothes, here’s Dua reminding us what an outfit can be like. She never sounded better and this is the song fans want to hear from her, but add the unexpected clothing item and this is a real pop culture moment. Watch above.

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Dua Lipa Kicks Off Her ‘SNL’ Appearance With A Performance Of ‘Don’t Start Now’

When the end of the pandemic finally comes, one of the first things I want to do after getting my vaccine is go to a Dua Lipa concert. Until then, her live renditions of songs on SNL will just have to do. The rising pop star has outdone herself this year with Future Nostalgia and Club Future Nostalgia releases, and tonight she’s appearing as the musical guest on Saturday Night Live to show fans that her live show is just as spectacular as her records.

Kicking off her first appearance on the show with “Don’t Start Now,” one of the first singles to introduce her Future Nostalgia era, she performed the track in an all-over leopard and black tights, complete with backup dancers and a huge diamond on a gold chain. Dua and her crew turned the stage into a light-up box that mimics a club dancefloor to illustrate the song’s lyrics about running into an ex. Basically, the song’s message say don’t go out if you don’t want to see me happy and moved on, and even if quarantine made it impossible for anyone to really party on a Friday night this year, the message still resonates. Watch the performance above.