Categories
News Trending Viral Worldwide

Ship captain has some fun with sexist troll after his grammatically challenged attack sinks

When most people hear the name captain, they immediately assume the person being referred to is a man. Kate McCue, the first American woman to command a mega cruise ship, has shattered that stereotype.

In 2015, she became captain of Celerity Cruise Lines “Celebrity Equinox” a 122,000-ton, 1041-foot ship, and last year, she was named the captain of the “Celebrity Edge” a billion-dollar ship designed by women.

The first thing you hear when arriving on her ship is, “This is Captain Kate, but you can call me Captain because it took me 19 years to earn this title.”

“People don’t have a tendency to call men captains by their first name,” she told the New York Times.


She’s a popular figure online with over 173,000 followers on Instagram.

She’s also known for taking her hairless cat on every voyage.

Given her popularity and the fact it’s rare for a woman to be a captain of a mega-ship, she runs into the occasional sexist comment online. Captain McCue normally avoids interacting with trolls, but she gave a perfect response when someone asked her, “How can you be a captain? Your only a woman.”

She posted a video on TikTok addressing the sexist comment while dressed in her captain’s uniform, standing on the bridge of her ship.

“Normally as I’m scrolling through comments and see something like this, I totally ignore it and move on with my life,” she said.

“But I think it’s about high time that I address this, because it’s 2020,” she said before the big twist, “and in this day and age I’m shocked that someone still doesn’t know the difference between ‘you’re’ and ‘your’.”

“Just a quick reference: ‘you’re’, as in ‘you are’, as in ‘you are sexist,'” she explained.

“Don’t worry, I’m here for you,” she says. “If you need any more clarification, you can find me here – in my captain’s chair.”

While most people would have just shut down the troll for being sexist, Captain McCue found a way to point out he’s stupid in two ways. She also provided a grammar lesson that folks still need desperately. Mistaking “your” for “you’re” has to be one of the most common grammar infractions one sees on social media.

Captain McCue credits the cruise industry’s innate diversity for making it easy for a woman to become captain of a mega-ship.

“I don’t have war stories. I know that’s not the case for everyone, but I’ve been really blessed in my career,” she told The New York Times.

“I have only worked on international flagships where everyone is a minority of some sort. Most of us have a different religion, sexual orientation, nationality,” she continued. “When I was promoted I never got negative judgment from the crew, and I think the secret is that I was always surrounded by diversity.”

Categories
News Trending Viral Worldwide

Expression Session — Tasting The (Very Pricey) Buffalo Trace 2020 Antique Collection

On last week’s episode of Expression Session on @UPROXXLife IGTV, we covered one of the most coveted lines in the bourbon and rye-loving universe. Yes, folks — we had the chance to taste the new release of Buffalo Trace’s 2020 Antique Collection. A yearly drop that greatly contributes to the enormous mythology around the famed Buffalo Trace Distillery.

Each year, Buffalo Trace releases the oldest (and, in their opinion, best) iterations of their Eagle Rare, Weller, and George T. Stagg expressions, along with two Sazerac ryes, . The bottles are very hard to find, even when they first hit the market. If you do find them, you’re going to pay dearly for each bottle — hundreds of dollars, at the very least.

But are they really that good? Are they worth the hype and price?

Well, we sat down with Bourbon Pursuit’s Kenny Coleman — beloved bourbon podcast and YouTube host — to answer just that. And also to dive into what’s really going on in the taste of these ultra-rare, complex whiskeys.

The whole episode is below. In the meantime, here’s what I thought of Buffalo Trace’s 2020 Antique Collection.

George T. Stagg

Buffalo Trace

ABV: 65.2%
Average Price: $500

The Whiskey:

We started off with the biggest whiskey of the line-up. This juice is distilled from Kentucky corn, Minnesota rye, and a touch of malted barley from North Dakota. The whiskey then spends 15 years and four months in oak in three different warehouses on three different floors. O

ver that time 59 percent of the whiskey is lost to the angels, leaving a high-proof bourbon.

Tasting Notes:

Wow, this is bold. Spicy cinnamon and oakiness dominate on the nose. The sip leans into the oak with a smoky edge as the spice really warms your senses. This is an eye-opener of a sip with an underbelly of rich and creamy vanilla to mellow the dram out. A little water reveals light cherry and a note of bitterness.

The sip lingers. The fade is warming, soft, and long.

Bottom Line:

This bourbon is not for the faint of heart. The boldness really demands a little water to open up the softer and fruitier nature of the sip. Overall, this is the bourbon to give someone a taste of as an example of the heights the style can achieve while still feeling familiar.

Sazerac Kentucky Straight Rye Whiskey 18 Years Old

Buffalo Trace

ABV: 45%
Average Price: $800

The Whiskey:

This iconic rye pulls the focus from the Kentucky corn and places it on that Minnesota rye. The juice then spends 18 long years mellowing in heavily charred oak on one floor of one warehouse at Buffalo Trace. 76.9 percent of the whiskey is lost to evaporation over that time, leaving a concentrate that’s then filtered down to 90 proof.

Tasting Notes:

The sip greets you with a note of apples nestled in dry straw. The dryness carries on through sip with a nice echo of the oak adding warmth and a touch of mustiness. A little water brings about a dark chocolate bitterness that accentuates the straw and fruit.

The finish pops — with a hint of black pepper, more fruit, and a final note of that dry grass.

Bottom Line:

This year’s Sazerac is probably the most surprising of the whole Collection. It’s shockingly easy to drink with a few drops of water and that’s dangerous at this price point.

Thomas H. Handy Sazerac Straight Rye Whiskey

Buffalo Trace

ABV: 64.5%
Average Price: $650

The Whiskey:

This is the youngest release in this year’s line up. The juice only spends six years and two months in the barrel. The difference from the bottle above is also that those barrels live in three warehouses on three different floors. The final blend is unfiltered and bottled at cask strength.

Tasting Notes:

This is floral from the top, with stone fruit and cherry lightness. A velvet nature greets you on the sip as classic rye spices — cinnamon, anise — warm your senses with a slight honey sweetness lurking in the background. The end is brief and full of those floral touches with peppery rye and final flourish of pine resin.

Bottom Line:

This tasted like rye through and through. It was great but hard to justify at this price point beyond a single tasting. It’s also the bottle I’ll likely go back to least.

It’s still great, don’t get me wrong… It just didn’t grab me like the others.

William Larue Weller

Buffalo Trace

ABV: 67.25%
Average Price: $700

The Whiskey:

This wheated whiskey from 2008, eschews the more common rye and adds in North Dakota wheat. The juice is then barreled and stored in two warehouses where 73 percent of the whiskey is lost. The juice is then bottled untouched and unfiltered.

Tasting Notes:

There’s a welcoming nature to the nose here as hints of creamy bourbon vanilla mingle with caramel, oak, and a concentrated nuttiness. The palate opens up with an almost coffee bitterness next to that vanilla as hints of cherry arrive with the addition of water. The oak kicks in late as the sip slowly warms your senses on the fade with a little hit of dark chocolate on the very end.

Bottom Line:

This is just freaking great. Speaking personally, this is probably the only bottle on the list that I would consider buying outright for my collection and enjoy a dram every year or so throughout the next decade or so.

Eagle Rare 17 Year Old

Buffalo Trace

ABV: 50.5%
Average Price: $600

The Whiskey:

We kind of come full circle with this whiskey. It’s largely the same juice as George T. Stagg. Except these barrels spend 18 years and three months in Warehouse P on the first floor, where the juice loses 59 percent of its volume. The bourbon is then blended, filtered, and bottled at a very accessible 101 proof.

Tasting Notes:

There’s a matrix of cherries, vanilla, and oak up front. The sip delivers on those promises with the addition of caramel sweetness, oaky spice, and a touch of bitterness with the application of a few drops of water. A slight pepper warmth arrives late as the oak lingers on the slow and gentle fade.

Bottom Line:

This is solid all around. Though as someone who enjoys a nice dram of Eagle Rare 10, the price difference is just too massive to make it worth it unless money is no object to you. I’m fine with Eagle Rare 10. Yes, this is superior… but not by too much.

You can check out the whole episode below!

Categories
News Trending Viral Worldwide

‘Price is Right’ Is Returning To Production With All 77 Games But A Very Different Vibe

Trying to return to work amidst an ongoing pandemic has forced businesses to be creative, from restaurants establishing outdoor dining to soap operas filming love scenes with air dolls. Many talk shows and even SNL have come back with limited or no audiences. Still, it’s hard to imagine one program, the longtime game show The Price is Right, without its hooting and hollering audience, any of who could wind up the episode’s winner. But they’re going to try doing that exact thing all the same.

As per Deadline, the team behind the show, which has been on hiatus since March, has struggled find a way to bring it back while ensuring that everyone, including host Drew Carey, obeying all COVID-era laws. One of the first things to go was most of the people.

“We quickly realized we were not going to be able to have 300 people on the show sitting close together,” showrunner Evelyn Warfel. “We decided that we were going to come back without an audience to maintain the safety as best we could for our talent, for the contestants, for our staff and crew.”

But that part was tricky, she said:

“That was the hardest part of all of this; the audience is such a core part of that show, and so, for the first time in 48 years we’ve had to look at it and go okay, we’re bringing the show back and it’s going to be different and we have to hope and know that everyone understands what’s going on and how serious it is and that we want to bring back this show for everyone, but it has to look different. If we want to come back, we have to do it safely.”

They did briefly consider having virtual participants, but then they realized they could Google the prices of certain items — a fixture of many of the show’s 77 games. Instead they’ll have a much smaller audience, as well as a new set, which is much smaller and eliminates the iconic staircase, as, Warfel said, “it felt weird to me for him to be talking down to four people and then having it empty behind them.”

At least all the games will be back. And honestly, once you pair the participants with their individual games, it’s always been a mostly socially distancing show anyway. Of course, there was one matter not addressed: Surely those end game prizes will no longer feature lavish trips to countries that currently won’t allow entrance to potentially infected Americans.

(Via Deadline)

Categories
News Trending Viral Worldwide

Cardi B Responds To Accusations Of Supporting Terrorism After Posting About Armenia

Cardi B has found herself on the wrong end of some internet ire after posting about Armenia, and she has offered a response to her critics.

Some background: Since the dissolution of the Soviet Union, Armenia and Azerbaijan have been embroiled in border disputes. The countries are currently feuding over Nagorno-Karabakh, a disputed territory to which both nations lay claim. Internationally, the territory is recognized as part of Azerbaijan. Tensions have been particularly high over the past week, as fights between the countries have resulted in dozens of deaths and hundreds of injuries. There are concerns that the situation could escalate.

Meanwhile, on her Instagram Story, Cardi posted a flyer for a televised virtual fundraiser supporting Armenia, which rubbed some people the wrong way. Using the hashtag #cardibsupportsterrorism, Twitter users laid into Cardi, accusing her of succumbing to misinformation and encouraging her to do some research before posting.

In response to one user, Cardi wrote, “Stfu I don’t support terrorism.I literally posted it for my friend with out doing no research on what’s going on .Im sorry about that .I don’t like war .I don’t like conflicts between two countries period cause I hate innocent people being affected by it.”

Before that post, she shared a two-part audio tweet in which she explained her situation, which she captioned, “I’m so sorry .We did not do our research.” She talked about how she’s trying to sell a property in Atlanta, and how a consultant helping her in the process is Armenian. The consultant asked her to post something positive about Armenia, which Cardi did before waking up to backlash. She then said she didn’t know about the international dispute, praised both countries, and wished for Armenia and Azerbaijan to find peace and a resolution to their disputes.

Listen to Cardi’s explanation below.

Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

Bam Adebayo Reportedly Plans To Play In Game 4 Against The Lakers

The Miami Heat will be getting closer to full strength in Game 4 of the NBA Finals after an improbable Game 3 win that saw Jimmy Butler explode for a 40-point triple-double to make the Lakers advantage in the series just 2-1. That the Heat picked up a win in one of the two games they didn’t have Bam Adebayo or Goran Dragic was critical for their chances, and while it seems unlikely they’ll get their starting point guard back soon, it appears their All-Star center will be returning to the lineup on Tuesday night.

Adebayo has been a critical part of the Heat’s run to the Finals, owning the biggest on/off court net rating difference of anyone on the Miami roster. He exited Game 1 with an apparent shoulder injury, with an MRI revealing a neck strain that has kept him off the court for the past two games, but he was upgraded to questionable on Monday and it appears he’s been able to continue improving to the point that he’ll be cleared to play.

One would assume he will be making his return to the starting five, which likely means the Meyers Leonard minutes in Game 4 will be limited to erased completely, as Kelly Olynyk emerged as a weapon for Miami in Game 3 and figures to get ample time again to spell Adebayo. In any case, Adebayo’s presence is a welcome addition to this series as Miami looks to even things up and make this Finals suddenly far more interesting than most anticipated we’d get going into Sunday.

Categories
News Trending Viral Worldwide

What’s On Tonight: Two ‘Welcome To The Blumhouse’ Movies Launch On Amazon

If nothing below suits your sensibilities, check out our guide to What You Should Watch On Streaming Right Now.

Welcome To The Blumhouse (Amazon Prime flms) — Blumhouse rarely swings and misses, so this is promising news for those Saturday nights when big Halloween gatherings won’t be such a good idea in 2020. Stay safe everyone, and pop some popcorn for a few double features (with a few more selections to come this month):

The Lie — Joey King stars as a teenage daughter who confesses to killing her best friend. This, naturally, results in even more lies and deception.

Black Box — Phylicia Rashad and Mamoudou Athie star in this story about a single father involved in a tragic car accident agrees to an experimental treatment that results in a terrifying identity crisis.

Kal Penn Approves This Message (Freeform, 10:30pm EST) — Actor turned Obama administration member turned actor Kal Penn (House, the Harold and Kumar trilogy) is here to celebrate the changes that young voters can make. This promises to be a non-partisan approach with comedic sketches and in-depth interviews that will help Gen Z be even more impactful than they already are. This week, Kal discusses the subject (judges) that frequently, on the state side, confronts voters by way of unfamiliar names on the ballot. Then there are the federal positions who don’t even come up for a vote.

Late Show With Stephen Colbert — Jerry Seinfeld, Ella Mai

Jimmy Kimmel Live — Armie Hammer, Marlon Wayans, Jaden Smith

Late Night With Seth Meyers — Timothy Olyphant, Bob Woodward

Categories
News Trending Viral Worldwide

Eddie Van Halen’s ‘Bad-Ass’ Patent Is Going Viral In The Wake Of His Death

Eddie Van Halen, who died today at 65 after a battle with cancer, was well-known for being the leader of the band named after him, Van Halen, and an electrifying guitarist who set a standard for generations of rock players who came after him. Lesser-known is the fact that he actually held a patent for a device that let him play the instrument without having to hold it up with his hands. The idea of the supporting device was to “permit total freedom of the player’s hands to play the instrument in a completely new way.”

With the guitar god’s passing, though, a tweet recognizing the invention and the illustration of its use from the patent application is going viral, bringing light to not just Eddie’s innovation of the instrument, but also to how cool it looked even in theory. News producer Timothy Burke tweeted a link to the patent from Google’s archive of such things (yes, I too am just finding out about this today) with the caption, “Many more eloquent than me will discuss his musical achievements, so I’ll just note that he was owner and inventor of the patent with the baddest-ass diagram in the history of the U.S. Patent & Trademark Office.”

The device itself was described in its abstract as:

A supporting device for stringed musical instruments, for example, guitars, banjos, mandolins and the like, is disclosed. The supporting device is constructed and arranged for supporting the musical instrument on the player to permit total freedom of the player’s hands to play the instrument in a completely new way, thus allowing the player to create new techniques and sounds previously unknown to any player. The device, when in its operational position, has a plate which rests upon the player’s leg leaving both hands free to explore the musical instrument as never before. Because the musical instrument is arranged perpendicular to the player’s body, the player has maximum visibility of the instrument’s entire playing surface.

The patent application was submitted in 1985, approved two years later, and expired in 2005. The device itself was profiled by The Atlantic in 2011 and by Popular Mechanics in 2015. You can see the full patent information here.

Categories
News Trending Viral Worldwide

Omar Apollo Unveils The Tracklist To His Debut Album ‘Apolonio’ And It Features Kali Uchis

With his latest singles, Omar Apollo has proven himself a powerful voice in pop. With two EPs now under his belt, Apollo has officially announced his forthcoming debut album, Apolonio.

The announcement arrives on the heels of his recent single “Dos Uno Nueve (219),” which stood as a tribute to both his Indianan and Mexican roots. Before that, Apollo debuted “Stayback” as a reflection on navigating a post-breakup relationship as well as “Kamikaze,” a lovelorn ballad. Now, Apollo has shared his Apolonio cover art and tracklist, which boasts exciting features from Ruel and Kali Uchis.

Along with offering details around his impending LP, Apollo has another exciting announcement. The singer will give a behind-the-scenes look at his recent Paisley Park performance through the documentary Live From Paisley Park. According to press assets, the documentary will depict “Apollo and his band as they record and rehearse around the legendary estate alongside their performance live from the Park.”

Check out Omar Apollo’s Apolonio cover art and tracklist below.

Warner Music

1. “I’m Amazing”
2. “Kamikaze”
3. “Want U Around” Feat. Ruel
4. “Stayback”
5. “Hey Boy” Feat. Kali Uchis
6. “Dos Uno Nueve (219)”
7. “Useless”
8. “Bi Fren”
9. “The Two Of Us”

Apolonio is out 10/16 via Warner Music. Pre-order it here.

Live From Paisley Park premieres 10/28. Get tickets here.

Omar Apollo is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

Categories
News Trending Viral Worldwide

The Heat Have Embraced All Of Jimmy Butler And Are Reaping The Rewards

Imagine a horizon, pre-dawn. Now imagine a sun slowly lifting up from behind, its fingers of light reaching up toward the sky, a bright eventuality. The sun’s Jimmy Butler, flashing a smile over his shoulder, lifting for a pull-up jumper while his whole body curves to follow. Now picture the moon, still high in the clean dawn sky, blanching with the sun’s rising but hanging stubbornly around, unmistakeable. The moon’s Jimmy Butler, too. While we’re at it, so’s the horizon. A steady, spanning progression impossible to gain on, tapering where the human eye gets hazy looking back or squints in limited future sight.

He’s the scudding clouds, any birds lazily looping by, and the shadows soon stretching away from whatever’s in the sun’s way. By now you’re beginning to see the nature of this analogy much in the same way you’ve seen, as Butler proliferates in the playoffs, what’s been there all along. As a player his is not one role over another, by necessity he’s run the gamut of fits that have given his game an entirely environmental feel. He’s become every day only in the way we tend to relegate with familiarity the habits and landscape of routine, but now, in the light of a particularly dazzling morning, an emphatic 40-point, 11 rebound, 13 assist NBA Finals triple-double, the everyday becomes surprising enough to snatch the breath from you.

Butler has spent a career getting here. The same ten years his draft contemporaries — Kawhi Leonard, Kyrie Irving, Klay Thompson — did, who ascended faster, maybe brighter for a time, throttled our gazes away from the league’s more rhythmic landscape shifting with its regular seasons where Butler was working to become not just the life-giving star to a franchise, not its necessary longevity, or the keeper of its history, handed off to him whole so that he might realize its future, but all of it, the entire ecosystem.

In a media scrum between Games 3 and 4 of the Finals, Butler looked languid as he offered a glimpse into this full scope of his game as an ideal through what “winning basketball” looks like.

“I think they know what buttons to press to get me to play the way that they want me to play,” he said. “I don’t think that’s winning basketball all the time. I don’t. I think winning basketball is Duncan’s [Robinson] going to go off for six or seven threes, Tyler [Herro] can do that, K [Kendrick] Nunn can do that, Jae’s [Crowder] going to have a big night, we’re all locked in defensively. To me those are the best wins. We celebrate every win, but when somebody else has a great night that nobody expected,” he gives a small shrug, almost apologetic in what it acknowledges, that the record win he’d given the Heat counts less than the idealistic team win he’s just then imagining, “I love it.”

In ten years he’s toured the NBA, his moves not proof of a problem but a honed determination enforced with every shift to find the perfect fit. Not all players are afforded the autonomy needed to be this exacting, to not settle in a profession when there’s no guarantee of what, if anything, is next. In the time and ground he’s covered moving from Chicago to Minnesota to Philadelphia to Miami, Butler has grown exceptional at gauging scope, playing a much longer game. But in tracking every potential move, whether in the scope of his career or in 48 minutes on the floor, Butler less readily assigns himself the self-importance that his contemporaries in NBA stardom do. It isn’t a matter of modesty as much as it is the symptom of the inherent restlessness that has pushed his game to evolve incredibly evenly. In his first regular season with Miami, Butler was averaging the most consistent points per game since he played in Chicago and recording career-high rebounds and assists, yet his game was regularly described as “quiet.” In the postseason it came as a surprise to some, even those calling the games, that Butler was not only shooting well but shooting at all. That he was elevating himself as a singular entity, a shooter, instead of everything, all at once.

Catching his breath on court after Miami’s Game 3 win Butler was asked how the Heat reset the series, “I think we realized that we belong,” he said, adding, “that they can be beat.” The Lakers fallibility had been something the Heat did not seem aware of through the first two games of the series, and while crucial, it was the bit on belonging that Butler circled back to the next day.

Asked if there was a moment he could remember where he changed his own expectations of himself, Butler recalled his time in Chicago alongside Luol Deng and Ronnie Brewer who assured him he would make his mark on the league. “You deserve to be here, you belong here,” he remembered them telling him, “And that’s when I really started to be like, you know what? If these guys are telling me that, they’ve been here longer than I have, they know what it takes, that’s when I started thinking you know what, maybe you can become a decent player in this league.”

A part of his reticence to really see himself in the singular has been the necessary patience in waiting and maintaining hope that his next step would be the right one, but in Butler’s head he’s always differentiated himself. Set aside the bravado, the blowing kisses on court and pulling on worn in cowboy boots off it, and Butler’s lone-wolf-no-club characterization has been, most often, enforced by him — there is no one he wants to prove it to more.

Where Butler’s ended up, the center of a restless, occasionally detrimentally encompassing system, where his own panoramic view, to his detriment, can skip over him as a key part of it, may finally strike the necessary balance between two extremes. With the Heat his scope narrows, the system demands it. “We stay focused on ourselves,” Butler repeated throughout his post-game. It’s this necessary zeroing in, the permission to play his way in a system that is so well-suited to it, that has given his roaming experience and bedrock of work the boost that’s elevated him as standalone player. He gets to be selfish, unselfishly.

To call what Butler has been doing in the Finals a breakout performance is to discount the steady work it took him to get here. Unrecruited out of high school, working his way from junior college to an athletic scholarship at Marquette, being picked 30th overall and playing as many minutes as he could get his hands on in his rookie year, a clipped lockout season. He oscillated between injuries and season-highs with the Bulls to show them he was someone to build around but he was traded for fresher legs on paper over proof on the floor. He went to Minnesota prepared to lead a promising young team but it turned out the Wolves did not want for a leader as much as a stabilizing proxy against mercurial bouts of effort by Andrew Wiggins and Karl-Anthony Townes. But Butler was too good and too physically laconic to play a convalescing buffer and curtly, crucially, opted out. It was the same with the Sixers in as much as there was already a plan for two. As a third he was free to fill the gaps but by then Butler had worked for eight seasons to make work what he was comfortable with, and in Philly, there just wasn’t enough of it for him. His persona has distilled along the way and he’s leaned into it with verve, but for the only true thing that’s hounded him throughout it all to be the perception of high standards, there needed to have been something consistently backing it all up. For Butler, that bedrock has always been work.

“He’s a throwback,” Heat coach Erik Spoelstra said of Butler after Game 3, “It’s about how he impacts winning, how he impacts your team, your locker room, your culture, your franchise. He does that in a remarkable way.”

The Heat weren’t tailor made for Butler but it feels a damn near perfect fit. Still, like anything that looks destined, the legwork was a marathon. Butler fit so well into an already formed team because he’d familiarized himself with so many roles across stylistically different groups that grew increasingly ruptured. He’s been the hands-on, keyed up rookie so has no trouble with the intensity of Herro and Robinson. He’s played the mercenary so he doesn’t diminish the singular role of Crowder and he’s also seen a team as its premature veteran, a role he did not relish, and respects Goran Dragic, Andre Iguodala and Udonis Haslem all the more for holding. For the Heat, all they ever wanted was for Butler to be himself, something he’d long wanted but potentially never expected to get. That it took him a season to settle into it is not strange, it’s only strange it took this long for a team to want all of him, singularly, in this way.

That he has the stage now, its lights and keen attention, is a catalyst of timing, luck and opportunity. No one understands the rarity of this convergence better than Butler, who has seen this end as what he wanted from so many different vantage points. It’s why he can be calculating with his career and still turn its tensest moments of a high stakes game into collisions he laughs off while flat on the ground and offer winking volleys, like telling LeBron James that he’s the one in trouble with a minute thirteen left to go and nothing the Lakers could do about it.

The day after gaining one on the Lakers, Butler had just finished explaining with a smirk the relative speed of his rest and recovery given that Spoelstra likes to remind him in the middle of games that he’s not tired when, shifting back in his chair and into second person, he said, “These guys need you,” the smile that was playing across his face for ten minutes finally spread, “they see you. That’s how they’re gonna be.”

Whatever happens down the last stretch of these Finals, this prolonged, almost existential season, one of the brightest points has been Butler. Like seeing spots after glimpsing at the sun, he’s leaving his mark by playing a singular, starring role on a team that asked him to do it. It isn’t that Butler is only now being seen, it’s that there’s no one who isn’t watching, who wants to tear their eyes away.

Categories
News Trending Viral Worldwide

The Music World Reacts To The Death Of Rock Icon Eddie Van Halen

Less than an hour ago, the world learned about the tragic passing of music legend Eddie Van Halen, who died this morning at 65 years old after a years-long battle with throat cancer. Van Halen has influenced generations of musicians, rock and beyond, so as news of his death spread, the music world reacted to the terrible news.

The most heartbreaking reaction came from Van Halen’s son and bandmate Wolfgang Van Halen, who confirmed the news of his father’s passing and wrote, “I can’t believe I’m having to write this, but my father, Edward Lodewijk Van Halen, has lost his long and arduous battle with cancer this morning. He was the best father I could ever ask for. Every moment I’ve shared with him on and off stage was a gift. My heart is broken and I don’t think I’ll ever fully recover from this loss. I love you so much, Pop.”

Red Hot Chili Peppers bassist Flea shared some words as well, writing, “Oh man, bless his beautiful creative heart. I love you Eddie Van Halen, an LA boy, a true rocker. I hope you jam with Jimi tonight. Break through to the other side my brother.” Gene Simmons also noted, “My heart is broken. Eddie was not only a Guitar God, but a genuinely beautiful soul. Rest in peace, Eddie!”

Check out some more reactions below.