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All The Best New Pop Music From This Week

As the quarantine persists, musicians are offering loads of the best new pop music to cure the isolation blues. Global superstars Ariana Grande and Justin Bieber collaborated for a soulful anthem, Kehlani dropped her highly-anticipated sophomore record, and Charli XCX shared the third single from her unconventional upcoming album.

Each week, Uproxx rounds up the best new pop music. Listen up.

Ariana Grande & Justin Bieber — “Stuck With U”

A collaboration from two of today’s biggest pop powerhouses like “Stuck With U” is sure to make the best new pop list. Ariana Grande and Justin Bieber shared their single this week as an anthem for fans to hold on hope in quarantine. A driving guitar provides the instrumentation’s focal point as Grande and Bieber’s enthralling vocal ranges swell in line with the ardent riff.

Kehlani — “Change Your Life” Feat. Jhene Aiko

Kehlani didn’t give fans much warning before dropping her sophomore record It Was Good Until It Wasn’t. But the 15-track’s solid effort makes up for its abrupt release. Collaborating with Jhene Aiko, Kehlani’s “Change Your Life” sets the tone for the album as a whole, with a pounding beat that pushes the two singers’ far-reaching vocals forward.

Charli XCX — “I Finally Understand”

Charli XCX’s quarantine album How I’m Feeling Now is well underway and the singer has shared its third preview with “I Finally Understand.” The groove-driven single was produced and co-written by Palmistry, who Charli says is “somebody who I’ve to work with for a really long time.”

Jessie Ware — “Save A Kiss”

With her latest singles, Jessie Ware is pivoting to ’80s-inspired pop, and “Save A Kiss” is her latest disco-tinged effort. In a statement about the track, Jessie Ware says it has taken on a newfound meaning in quarantine: “‘Save A Kiss’ has taken on a new meaning during these weird times and it seems like the right time to put it out. This track is an optimistic one for me, I hope it resonates with people wherever they are right now.”

Kim Petras — “Malibu”

Kim Petras aims to usher in the warm rays of summer with her carefree single “Malibu.” In an interview with Uproxx, Petras said she wrote the song before ever having actually stepped foot in Malibu: “I actually wrote it when I had never really been to anything else but the beach in Malibu. And my imagination of it was so great, but then I was like, ‘Wait, it’s just a bunch of rich people living by the ocean.’ I wanted to write a song about my imagination of it and how I wanted it to feel.”

Nylo — “New Normal”

Nylo returned this week with her first EP since 2013, A Brief History Of Sorry. A convergence of R&B and electronica, “New Normal” boasts impressively-intricate production, Nylo’s resonating vocals, and a spellbinding electric guitar solo.

Yebba — “Distance”

Produced by Mark Ronson and recorded with The Roots, Yebba’s “Distance” flows with a distinguished groove. About the single, Yebba says she was inspired by the feeling of knowing that a relationship’s end is imminent. “Emotionally, physically, and spiritually we were trying, but the only thing that came naturally was the distance,” Yebba said in a statement. “So I wrote a goodbye before we ever got the chance to fight.”

Peter Manos — “Tennessee”

Watery reverb previews Peter Manos’ opulent production on his latest effort “Tennessee.” With his auto-tune on overdrive, Manos’ throbbing single captures the bewilderment of a friendship that has begun slipping without explanation.

Wet — “Come To You”

“Come To You” is the second single Brooklyn-based trio Wet has released this year without fanfare. Opening with moody synths and bursting percussion, Wet’s latest effort could arrive as a preview for an upcoming era of music.

G Flip — “Hyperfine”

Australian singer G Flip returns with “Hyperfine,” her first new single the release of her 2019 debut record. Droning synths provide a temperamental hook before an eruptive chorus opens space for G Flip’s earnest musings. “In relationships, it’s so common to say ‘it’s fine’ when it’s really not fine,” G Flip said about the track. “If you care about someone, talk to them.”

Some of the artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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Francesca From “Too Hot To Handle” Opened Up About Whether She’s Actually Engaged To Harry


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Lin-Manuel Miranda’s ‘Hamilton’ Will Arrive On Disney+ Much Sooner Than Expected

Back in February, Hamilton fans were thrilled to hear that Disney+ would stream a cinematic version of Lin-Manuel Miranda’s original Broadway production, which nearly broke the Tony Award record and fetched a Pulitzer Prize, a Grammy, and an Olivier Award as well. The on-and-off Broadway tours proved to be outrageously successful, and Disney+ reportedly paid $75 million to acquire the film version for streaming. The catch, at the time, was that the project wouldn’t arrive until October 2021, but the world is much different now, and Disney+ has bumped up the streaming date to July 3, 2020.

A Disney+ press release details now this film will bring the excitement of a theater (something that we can’t experience right now for an obvious reason) into living rooms, right in time for the Independence Day weekend. The movie version promises to bring “live capture” to viewers in an artistic way, which will harness the power of streaming in an intimate manner, for something that Hamilton fans have never experienced until now:

“No other artistic work in the last decade has had the cultural impact of ‘Hamilton’—an inspiring and captivating tale told and performed in a powerfully creative way. In light of the extraordinary challenges facing our world, this story about leadership, tenacity, hope, love and the power of people to unite against the forces of adversity is both relevant and impactful,” said Robert A. Iger, Executive Chairman of The Walt Disney Company. “We are thrilled to bring this phenomenon to Disney+ on the eve of Independence Day, and we have the brilliant Lin-Manuel Miranda and the team behind ‘Hamilton’ to thank for allowing us to do so more than a year before planned.

For his part, Miranda has expressed gratitude to Disney for bumping up the release date, “in light of the world turning upside down.” He’s thrilled to make this viewing experience happen for fans at all, and in a speedier way now, which might provide a beacon of light during these ominous times. Pull out your wigs and get your Founding Father cosplay ready.

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The Beths Unveil A Stop-Motion Video For The Raucous Rocker ‘I’m Not Getting Excited’

Jump Rope Gazers, the upcoming album from The Beths, was announced in April. The album is a couple months away now, so in the meantime, the group has shared another preview of it via a video for “I’m Not Getting Excited,” an energetic indie-rocker that’s accompanied by a stop-motion video.

The band’s Elizabeth Stokes says of the song:

“People always ask ‘are you excited!?’ and it’s a fair question, because exciting things do happen to us sometimes. Support slots, overseas tours, music releases. Stuff we’ve dreamed about for years. So the correct answer is always ‘yes.’ But the truth is that deep down there’s a tiny Liz saying, ‘don’t get excited.’ She is certain that anything good that could happen will most likely not happen, because of a freak accident. Or because somebody finally realizes that we aren’t worthy, shouts ‘phony!’ and takes everything away. I wrote ‘I’m Not Getting Excited’ last year, well before everything really did get taken away. From everyone. It feels like the song has a new context, but we don’t know what it is yet. And now we all share a blurry, uncertain future.”

Directors Callum Devlin and Annabel Kean (collectively known as Sports Team) also said that while making the video, they “turned our laundry into a film studio and spent our inside time mastering the art of stop-motion animation. We animated old towels, all the cardboard in the house and The Beths themselves… frame by bloody frame. There’s a lot of scary imagery in the song that we wanted to play on. There’s a madness too, in the contradiction between what the song is about and its frenetic energy. It has defined the lockdown for us — being locked indoors but furiously busy.”

Watch the “I’m Not Getting Excited” video above.

Jump Rope Gazers is out 7/10 via Carpark Records. Pre-order it here.

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All The Best New Music From This Week That You Need To Hear

Keeping up with best new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.

This week saw a link-in between two of pop’s biggest stars and a hilarious new one from The Weeknd. Yeah, it was a great week for new music. Check out the best new music this week below.

Justin Bieber and Ariana Grande — “Stuck With U”

Headlining the best new music this week is a collaboration between two of the most significant pop stars of the past decade. The video features even more big-timers, but not Carole Baskin.

Kehlani — It Was Good Until It Wasn’t

Kehlani has followed-up her 2017 debut album with her sophomore effort, and she’s not alone on It Was Good Until It Wasn’t. It features contributions from Jhené Aiko, The Neptunes, James Blake, Masego, and others.

Nav — Good Intentions

It’s been a huge 2020 for Nav thanks to “Turks,” and now the single’s album home, Good Intentions, is out. The album also includes one of a pair of Pop Smoke features to surface this week. The other Pop Smoke guest spot…

Lil Tjay — State Of Emergency

…comes on Lil Tjay’s State Of Emergency. The mixtape also has a pair of features from Fivio Foreign, but Lil Tjay goes at it mostly solo on this thematically relevant project.

Kim Petras — “Malibu”

Petras told Uproxx of her new single, “I really feel like it’s going to make people feel like they’ve just been to the beach, and make people forget about the bad things that are happening for like three and a half minutes. I couldn’t ask for better timing for this to come out.”

Hayley Williams — Petals For Armor

The former Paramore leader has been omnipresent during the lead-up to her debut solo album, and now Petals For Armor is finally out. It’s a deeply personal record, and it even includes a mini Boygenius reunion.

RMR — “Dealer” Feat. Future and Lil Baby

RMR’s star has been rising following his emergence as a peculiar oddball country/trap star. Now his ascent has gotten some powerful co-signs via Future and Lil Baby, who hop on a new remix of “Dealer.”

Charli XCX — “I Finally Understand”

Not only is Charli XCX making a DIY album with real-time input from her fans, but she’s making it look really easy (even though it surely isn’t). She dropped “I Finally Understand,” yet another new track, and it’s stylistically diverse from its predecessors, showing off Charli’s ability to craft experimental-but-still-catchy pop in a number of ways.

Wet — “Come To You”

After a strong two-album run to kick off their discography, Wet appears to have a third record on the way. That was evidenced last week by “Come To You,” a synthy track that’s a promising sign of things hopefully to come.

The Weeknd — “I’m A Virgin”

The Weeknd had a dream come true this week when he guest-starred in an episode of American Dad (which he also co-wrote). For the episode, he teamed up with Electric Guest leader Asa Taccone to pen an original tune, which features lyrics like, “I’m a virgin / Never got close enough / Cell phone blowin’ up, but I’m waiting / For the right person / Tryna act super tough / But inside I’m a twelve-year old boy.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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The ‘Savage’ Producer Confirms Why Beyonce’s Reported Collaboration With Cardi B 2017 Was Canceled

When Megan Thee Stallion received a guest verse from Beyonce on her viral hit “Savage,” she was understandably awestruck and ecstatic. That’s because not only is a co-sign from her hometown hero an almost instant pass to upper echelon stardom, but it’s also incredibly rare. Only one other female rapper has received that honor: Nicki Minaj, with whom Beyonce collaborated in 2014 for “Feelin’ Myself.” However, there was almost one other rapper the Queen Bey collaborated with, who like both Megan and Nicki, was the breakout star of the year: Cardi B.

In a clip from a recently-surfaced interview that appeared on an Instagram fan page, producer J. White Did It — the beat maker behind Cardi B’s No. 1 hits “Bodak Yellow” and “I Like It,” as well the original version of “Savage” — revealed that a rumored 2017 collaboration between Beyonce and Cardi was almost a reality. He shares his reaction, demonstrating how dumbstruck he was upon hearing the complete version, as he also details the reason the collaboration “went sour”: Unfortunately, the song was leaked and considering how tightly both stars try to control their output and image, it was eventually scrapped.

It isn’t like Cardi needed the help to pump up her sales — she’s the first female rapper to reach No. 1 on the Billboard Hot 100 multiple times — but it would have been cool for her to be one member of a trifecta of rap superstars to have a song out with Beyonce.

Watch the excerpt of J White Did It’s interview above.

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Post Malone Relaunches His Shaboink Brand To Make A Huge Face Mask Donation

About a year ago, it was revealed that Post Malone was starting his own cannabis company, Shaboink. In recent days, Malone planned to relaunch the entity as a lifestyle brand, but in light of the ongoing coronavirus pandemic, he decided to do something different. Now, Shaboink is back, and they’re partnering with Direct Relief to provide personal protective equipment (PPE) to doctors and nurses, with 40,000 N95 face masks being donated to healthcare workers across the country.

Malone told Rolling Stone, “I’ve been working with my team on a number of unreleased products that fit into my lifestyle that I can’t wait to share with my fans, [but] when faced with COVID-19, I knew it was important to pivot to products that could help us stay clean now, so we can get back to shaboink’ing later. […] I just wanted to make something that’s fun, and Shaboink is about having fun at all times. We’re all in a pretty sh*tty time right now but we’ll get through it; let’s keep clean and kick this thing’s ass.”

On top of that, the Shaboink website offers “Clean Kits,” boxes that include things like face masks, hand soap, hand sanitizer, disposable gloves, disinfectant wipes, and more, so check that out here.

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Alison Roman Has Apologised And Ended Her Feud With Chrissy Teigen And Marie Kondo


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Hannah Gadsby Jokes About Her One ‘Nanette’ Regret In Netflix’s ‘Douglas’ Trailer

Hannah Gadsby released one of the most-discussed comedy specials in recent memory with the Emmy-winning Nanette, leading to headlines like, “The Comedy-Destroying, Soul-Affirming Art of Hannah Gadsby.” The Australian comedy is about to release her follow-up, Douglas, and in the trailer above, she reveals her one regret about Nanette.

“Had I known just how wildly popular trauma was going to be in the context of comedy, I might have budgeted my sh*t a bit better. But I went and put all my trauma eggs in one basket like a f*cking idiot and now here we are,” Gadsby jokes. She also riffs on “Americanizing” her language, including her love of the gender-neutral word “y’all.”

Here’s more on the special:

Having given herself her very own tough act to follow, Gadsby decided to name her difficult second album after one of her dogs in the hopes he could inspire comedy obedience. Did it work? Fortunately, you can make up your own mind because after taking her metaphorical muse off for a world tour of a walk she filmed the fucker in Los Angeles.

Hannah Gadsby: Douglas is a grand tour of guffaw that takes you from the dog park to the High Renaissance and back into an unnamed box. With one of comedy’s most sparkling and surprising minds as your guide of honor, you can expect your expectations to be set and then met in the most unexpected ways. Woof.

Douglas premieres on Netflix on May 26.

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How To Easily Unlock More Of The ‘Unbreakable Kimmy Schmidt’ Theme Song In The Interactive Special

Netflix’s Unbreakable Kimmy Schmidt puts a bow on its four-season run on Tuesday, May 12 with an interactive special called Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend. Yep, this madcap group of characters is going out Bandersnatch-style, yet not in a dystopian, terror-filled way at all. Granted, there are moments of darkness to be had if one selects the corresponding options in this choose-your-own-adventure installment. As fans know, however, even the most potentially bleak subjects on this show are treated in the most resoundingly light manner. It’s a carefully achieved balance, and it’s certainly not unwelcome or depressing news to learn that there’s an option to see/hear an extended version of the show’s relentlessly catchy theme song.

There’s actually an easy (and guaranteed) way to make this happen. When the choice — and this one will be familiar to all Netflix users — to “Skip Intro” pops up after the first handful of minutes in this special, don’t do what you assume that you should do to hear the song. Go ahead and choose to skip that intro, and comedian Mike Britt (he portrays Walter Bankston, who witnessed the Mole Women being freed from their bunker at the start of this series) will immediately pop in with a mini-lecture. In a fourth-wall-breaking way, Bankston will tell you that if you’re gonna cut his part, then prepare for his vengeance. In other words, you’ll receive the extended version, complete with visuals.

Enjoy!

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As it turns out, this extended version of the song isn’t exactly new. It actually surfaced a few years ago on YouTube, but now, one can feel the full effect by enjoying it within an Unbreakable Kimmy episode. It’s a nice way for the show to troll anyone who doesn’t appreciate what’s perhaps the last great theme song on TV, and given the power of Netflix (and the fact that they don’t have to make time for commercials), one has been able to enjoy getting this tune stuck in their had for years.

The extended version of the tune is even more catchy, I think, especially since Walter Bankston gives a little speech at the end about all the great theme songs disappearing. He’s not wrong, and there’s no better way to begin Unbreakable Kimmy Schmidt: Kimmy Vs. The Reverend, which is playing on Netflix now. Of course, you can also choose not to skip that intro and see the regular version of the theme song. It’s up to you, and that’s the beauty of an interactive special, Kimmy Schmidt style.