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All The Best New Rap Music To Have On Your Radar

Hip-hop is moving as fast as ever. Luckily, we’re doing the work to put the best music in one place for you. This week, there were videos from Earthgang, 50 Cent and Post Malone. There were also new tracks from Playboi Carti, Kid Cudi, Peter Cottontale and Chance The Rapper. Here’s the best of the rest:

Jean Deaux — “Moody” Feat. Saba

From the don’t judge a song by its title files: Jean Deaux and Saba’s “Moody” is an uptempo trap collaboration where the two have fun over a simple-yet-catchy synth melody.

Deante Hitchcock — “I Got Money Now” Feat. J.I.D

Use Atlanta artist Deante Hitchcock’s “I Got Money Now” as your stimulus check anthem. The Atlanta artist collaborated with J.I.D on a nothing to something anthem where he proclaims, “I was havin’ withdrawals now I’m at the bank makin’ deposits.”

Moneybagg Yo — “1 2 3 ” Feat. Blac Youngsta

Moneybagg Yo and Blac Youngsta remind us of brighter days on “1 2 3,” a flashy single from Moneybagg’s Time Served album.

TOBi — “180” Feat. Kemba

Bronx MC Kemba lent an introspective verse to the remix of TOBi’s “180.” He imparts the already reflective track with more weight, rhyming “I was pure as Eve ‘til I showed up in this industry / as the only covered in leaves when I realized these n****s not like me.”

Lil Keed — “No Dealings”

Lil Keed tells the haters “be quiet you a itty bitty” on “No Dealings,” a bare exhibition of his elastic delivery over a melancholy guitar. The track is another single from the forthcoming Trapped On Cleveland 3.

Currensy & Fendi P — “Smokin Potnas”

Currensy and Fendi P get animated on the Pink Panther-flavored visual for the title track of their recent collaborative album, where the ever-prolific Currensy lets us know he’s been “spendin’ that dough since the chirp phones.”

Boosie — “Right Dea” Feat. Dee Rogers

Boosie took time off from wild live streams and upsetting half the world with his bigotry to release “Right Dea,” an ode to ass seemingly tailor-made to be the soundtrack for more debauchery on his NSFW quarantine streams.

Quando Rondo Songs

Like most artists, Quando Rondo is apparently holed up in the house laying down records. He dropped off two earlier this week. Quando’s heartfelt “Nita’s Grandson” is a bluesy stream of consciousness where he pays homage to his Grandmother and culls through his life stresses. “Who Died” is a gritty portrait of the unforgiving Savanah streets.

Skyzoo — “We (Used) To Live In Brooklyn, Baby”

Skyzoo offered up another taste of his upcoming The Bluest Notes project with “We (Used) To Live In Brooklyn, Baby,” where the consummate Brooklynite laments, “sometimes I sit back, reflect on the place that I lived at / and how it was I can’t get back” over dour jazz instrumentation.

Too Short — “Pull Up” Feat. Trae Tha Truth

A pair of OGs unite on “Pull Up,” a piano-driven celebration of nights where they “get f*cked up and don’t know how to act.” Hopefully, we’ll all get to live out the fun vibes expressed on this record sooner than later.

Ambjaay — “Blow The Pickle” Feat. Wiz Khalifa

LA rapper Ambjaay is out to prove his “Uno” single, which blew up on TikTok, was no fluke. He’ll definitely get the attention of many with “Blow The Pickle,” a raunchy track that’s not at all about women putting cucumbers in their mouth. The colorful video for the track showcases him and Wiz in a stadium with a hoard of buxom women.

Tokyo Jetz — “Respect”

Tokyo Jetz isn’t for the games on “Respect,” the first single from her upcoming Stimulus Package EP. She lets her man know, “I ain’t goin’ back and forth, this ain’t The Young And The Restless” and also informs suitors “I need all apologies in blue hundreds and some head.”

Fenix Flexin — “RIP Mac P Dawg”

Shoreline Mafia’s Fenix Flexin paid his respects to fallen friend Mac Dawg, who was tragically killed in a shooting earlier this month. The sentimental track, with lines like, “RIP, know I miss you with a passion,” will resonate with others who are losing their loved ones in this treacherous moment.

Michael Christmas Tracks

Boston’s Michael Christmas dropped off a two-pack of singles early this week. “Lil Bit O’ Weed” is a fun, melodic single about a good time, while he gets analytical about the rap industry over a wailing vocal sample on “Young and Foolish,” where he notes, “If I never get to rich I won’t be bitter cause I got the best fam-a-lam.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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‘Bad Trip,’ Eric Andre’s Prank Movie With Tiffany Haddish, Was Surprise-Released Online

Bad Trip, a hidden-camera prank movie from the co-creator of Jackass starring Eric Andre, Lil Rel Howery, and Tiffany Haddish, was scheduled to come out in theaters today, April 17. But it was pulled from the schedule, like every other movie until July, due to the ongoing coronavirus pandemic with no new release date announced. The bad news: Bad Trip isn’t getting a theatrical release. The good news: you can watch it now.

As spotted by a Redditor, Bad Trip is available for rent on Amazon, where it costs $5.99. “From a producer of Jackass and Bad Grandpa, this hidden-camera comedy follows two best friends (Eric André, Lil Rel Howery) as they go on a cross-country road trip and learn valuable lessons about life, love and friendship along the way,” the official description reads. It’s one of the first films to appear on Amazon through the company’s deal with South by Southwest, where Bad Trip was supposed to premiere.

As the New York Post previously reported:

South by Southwest Film Festival, which was scheduled to kick off March 13, will stream many of its movies on Amazon Prime instead of at the IRL event in Austin, Texas. Films that were slated to premiere at the fest included Judd Apatow and Pete Davidson’s The King of Staten Island, as well as hidden-camera comedy Bad Trip with Eric André, Lil Rel Howery, and Tiffany Haddish. They haven’t yet been confirmed for the virtual film festival, though.

They have now. You can watch Bad Trip here, and watch the trailer below.

(Via the New York Post)

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Stephen Colbert’s Theory About The ‘Fleabag’ Fox Leaves Phoebe Waller-Bridge ‘Completely Blown Away’

Phoebe Waller-Bridge did the pandemic form of a “visit” with Stephen Colbert to promote the charitable streaming of a Fleabag stage performance, and Colbert revealed himself to be the kind of viewer who likes a good fan theory. More specifically, the host revealed that he’s been thinking too much about the Amazon TV show’s second-season fox. You know, the fox who stalked the Hot Priest, and the fox whose meaning was never really explained on the show, but of course, fans have speculated upon its symbolism. Maybe it represented the priest’s anxiety or conflicted state, and some have suggested that the fox chases the priest and brings him back to Fleabag. No one really knows, though!

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Well, Colbert offered his best guess at what the animal signifies — “I think the fox is the Hound of Heaven” (a reference to the Francis Thompson poem) — which led Waller-Bridge’s jaw to drop. She expressed wishing that was her answer, and then Colbert started reciting the poem from memory:

I FLED Him, down the nights and down the days;
I fled Him, down the arches of the years;
I fled Him, down the labyrinthine ways
Of my own mind; and in the mist of tears
I hid from Him, and under running laughter.

Aaaand then he skipped to the ending:

“Ah, fondest, blindest, weakest,
I am He Whom thou seekest!
Thou dravest love from thee, who dravest Me.”

If one embraces what Colbert is suggesting, the poem’s final passage urges people not to run from God. Whether that applies to the Hot Priest or Fleabag, who knows? Fleabag was a professed athiest, and the Hot Priest chose God, so it makes more sense for this poem’s meaning to apply to him. Waller-Bridge seems thrilled to add this context to her work, but it’s not exactly Fleabag canon, just some nerdy fun.

Watch Colbert’s theorizing (and Waller-Bridge’s reaction) after the 5:00 minute mark below.

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Clubber Lang Was The Real Hero Of ‘Rocky III’ And Should Be Brought Back For A ‘Creed’ Movie

Clubber Lang got a raw deal.

Like you, most likely, I’ve had some, uh, extra time on my hands sitting here at home in my New York City apartment. And I’ve been watching a lot of movies. Some of these are movies I’ve never seen before. (For example, I watched the Humphrey Bogart/Lauren Bacall movie Key Largo for the first time. For some reason I thought it would be a leisurely romance set on an island – this is probably because of the Bertie Higgins song of the same name that I hear once an hour on the Yacht Rock station – as opposed to a movie about mobsters. Anyway, way more people get shot in Key Largo then I ever imagined.) But, other times, I watch movies that make me happy. And over this past weekend, I watched Rocky III and Rocky IV back to back.

Before we get to Rocky III, I did want to address Rocky IV for a quick second, which is probably the Rocky film that’s most absurd, and it’s also the most written about because it’s so absurd. Though it is also insanely appealing for a couple of reasons. It’s surprisingly short, clocking in at just 90 minutes. And since Stallone didn’t use Bill Conti’s score, he instead loaded it up with so many songs that would go on to be radio hits, the whole film basically acts as a 90-minute MTV video. The movie is known for basically being one montage after another, which is true, but each montage is set to a great song. There’s one in particular where Rocky is just driving around as we see flashbacks from the previous three Rocky films and the first 20 minutes of Rocky IV set to Robert Tepper belting “No Easy Way Out.” Anyway, yes, Rocky IV: highly recommended!

When Creed 2 came out in 2018, it was remarkable that it was less a direct sequel to Creed and more of a direct sequel to Rocky IV – getting into all the minutia of what happened to Ivan Drago after he was humiliated by losing to Rocky Balboa. At the time, I spoke to Creed 2 director Steven Caple Jr. and inquired if there’s a chance a similar treatment could happen to the antagonist from Rocky III, Clubber Lang, played by Mr. T. He responded, “I’m not going to lie. There was a moment where I got pretty stingy and was thinking about Clubber Lang. I was like, dang, wouldn’t it be cool if we brought in Clubber Lang?”

After rewatching Rocky III, I think this is a fantastic idea because, for some reason, Clubber Lang remains Rocky’s most underrated foe. And there’s a lot of interesting material to mine out of Rocky III because, as I watched, I found myself rooting for Clubber Lang.

Now, for a lot of reasons, 2020 is a lot different than 1982. (This may sound nuts, but back in 1982 humans were allowed to have contact with other humans.) But a big reason is I think we as an audience are more in tune with seeing stories from different angles. At least, with Rocky, in 1982, we rooted for Rocky. Now, this doesn’t seem like such a straightforward point of view. Because in Rocky III, Rocky comes off like a spoiled asshole. Now, this is by design. But the movie expects us to start rooting for Rocky as he’s mourning the loss of his trainer, Mickey, and he starts training with his formal rival, Apollo Creed. This time around, this did not happen for me. I remained fully on Team Clubber Lang. In Rocky III, it’s Clubber who comes from nothing and nowhere and becomes the champion based on pure desire. The theme song to Rocky III is “Eye of the Tiger” by Survivor. This is a song about Clubber Lang, not Rocky Balboa.

There’s one particular line of dialogue that Clubber says that made me like him even more. When he’s being followed by a camera crew, he says, “I live alone. I train alone.” This movie is so weird because it wants us to hate Clubber so much. Oh, he’s mean! He yells at the press! He’s even a jerk to Apollo! (Okay, I’ll concede that maybe Clubber should see a professional about his anger issues. He does seem to have a temper.) And I think that line about him living alone and training alone is supposed to make us think, oh, what a strange guy. But I find it endearing. Rocky Balboa has access to the best trainers on the planet, and now here’s a guy who does it all by himself and becomes the champion of the world. Again, Rocky III bends over backward to try and make us dislike Clubber by basically telling us over and over that he’s a mean guy. But the facts are the facts: Clubber Lang was a self-made fighter and what he did was more impressive than anything Rocky ever did, yet the movie treats him like garbage. Enough! Clubber Lang is the real hero of Rocky III.

“Oh, but he killed Mickey,” you’re probably saying. Again, this movie secretly knows that Clubber is the hero of the story so it has to add in tricks like this to get us, the viewer, to dislike Clubber by insinuating that Clubber killed off a beloved character in Mickey. And I’ve always had it in my head that Clubber basically killed Mickey, but rewatching this again, I believe this is false. First of all, Mickey first has an issue when Rocky is fighting Thunder Lips. Mickey clutches his chest. He’s asked what’s wrong, he says, “Oh, it’s my heart,” then no medical attention is sought whatsoever. On what planet is a heart condition just treated like it’s a bought of indigestion? Mickey should have been taken to a hospital immediately.

Then, before Balboa v. Lang I, Rocky and Clubber get into a pissing match before the fight. Now, it’s Mickey who sort of charges at Clubber yelling, “Get him outta there!” Clubber then deflects Mickey away, who then has a heart attack. Now, here’s the really crazy part: Mickey still doesn’t go to the hospital. He claims he just needs to lie down. They do call for a doctor, but it’s a comically long time before a doctor arrives, which seems almost impossible at a heavyweight fight where doctors would be in abundance. And, somehow, Mickey is still alive after the fight ends. That is a remarkable amount of time that Mickey is just lying there in the locker room, not being taken to a hospital. To blame any of this on Clubber is absolutely insane. There’s no reason Mickey should have died that night and the blame is on Rocky for not calling an ambulance.

During the movie, Clubber often complained that the press wasn’t treating him fairly and that they were all in the bag for Rocky. Clubber is correct. And the movie is indicative of this claim, too. Clubber is clearly the hero of the movie. A boxer who comes out of nowhere. He has no trainer. He lives alone! And then beats the pampered champion who, we find out, had been fighting less-than-worthy challengers and refused to give Clubber his shot. The only reason Clubber got a shot at the title – and won! – is because he became “mean” and finally called Rocky out on all this in person. Clubber realized that the only way he could get what he was due was to become a jerk. If I were Clubber Lang, I’d also be a jerk. Being the obvious hero of a movie, but treated as the villain would make anyone a little ornery.

So, yeah, it’s time for Clubber Lang to get the respect he’s due, and the only way for that to happen is for the character to be resurrected by a Creed movie.

You can contact Mike Ryan directly on Twitter.

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Von Miller Was ‘Shocked’ To Find Out About His Diagnosis Despite Quarantining For Months

Despite physically distancing in Denver for the past four months and leaving the house just four times, Denver Broncos star Von Miller announced this morning that he tested positive for COVID-19.

In an interview on the “Today” show, Miller, who is asthmatic, said his illness began with a simple cough. After a few days, his partner told him that he sounded different when he spoke, so he used his inhaler, figuring it would go away. When that didn’t work, Miller said his assistant encouraged him earlier this week to get tested for COVID-19, at which point he did, and after two days, found out about his positive diagnosis.

Because he is in a risk group for the infectious disease considering his asthma, Miller said in the four times he left the house, he never even got out of the car. Whether in those trips to pick up food or through his contact with workers who have come and gone from his home, Miller ended up becoming infected, showing just how transmittable the disease can be.

Fortunately for Miller, he said on “Today” that he is beginning to feel better and none of the symptoms have been too bad. Miller became the second NFL player to come out publicly regarding a positive diagnosis, after Rams offensive lineman Brian Allen.

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Angela Merkel explained the scientific problem with ‘overconfidence’ in lifting lockdowns

German Chancellor Angela Merkel answered a question about determining how and when to lift the mitigation measures most countries have put into place during the coronavirus pandemic, and her answer shows us what it looks like to have a scientifically competent person leading a country.

Merkel is an honors graduate with a PhD in quantum chemistry, which undoubtedly makes her one of the most qualified heads of government in this pandemic. Germany, despite being hit hard by the virus, has managed to start flattening their curve and has a far lower death rate than most other countries. (This New York Times article explains some reasons for why that might be.)


Merkel explained why lifting lockdowns is a “fragile” situation that requires caution over overconfidence and described how exponential growth works. In clear terms, she showed how even a small increase in the reproduction number—how many infections an infected person causes—makes a huge difference in how taxed the health system will get.


Angela Merkel uses science background in coronavirus explainer

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Even with a translation from German, Merkel Comments on Merkel’s video shared on Reddit show how much people appreciate a smart, educated, well-spoken person in charge—and how stark the contrast is with certain other leaders.

“Well, that’s a Politician that understands basic numbers. Most others will try to deliver a speech they don’t understand and butcher it.”

“I’m flabbergasted seeing a politician explain the effects of exponential growth with cause and effect. This is so refreshing…”

“I don’t understand. Why isn’t she saying how great she is and how high the ratings will be for this clip?”

“Weird right? Also I am massively confused, but it feels like she uses long coherent sentences and I’m not used to that.”

“When you are suddenly proud to be German and don’t know how to deal with it. No, really. By comparison to many other countries, this must be my favorite response. I’m really not a fan of her politics at all, but I’m good with her response to this crisis.”

On the one hand, seeing a leader who not only understands the science but can explain it simply is indeed refreshing. On the other hand, it shines an ugly spotlight on leadership that clearly does not understand the science and can’t explain even the most basic concepts in full, coherent sentences.

And what’s really sad is that no one even has to name a name for people to know who fits that bill.

Well done, Chancellor Merkel. Let us know if other countries can arrange to temporarily adopt you as our leader, please.

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These Nurses Were Suspended For Refusing To Work With Coronavirus Patients Without N95 Masks


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Breaking Down The Award-Winning Bourbons And American Whiskeys From The World Spirits Competition

Finding the “best” bottle of bourbon — or any whiskey for that matter — is a tough task. There’s just so much of it out there. Hell, this year alone I’ve ranked bottles as best under $30 (I also did that with rye, scotch, and Irish whiskeys), best over $30, and best way way over $30. It can all be confusing and frustrating for the uninitiated.

Now the good news, there are reviewers and judges all over the world (and right here on this site!) trying their damndest to help you figure out which whiskeys really are “the best.” Of course, that word itself isn’t easy to define. Judges of big competitions, like the recent San Francisco World Spirits Competition, have specific characteristics they look for but sometimes it still comes down to a special magic something.

To help you understand why some whiskeys get chosen as standouts, we’re breaking down* the 12 top American whiskey picks from the 2020 SF World Spirits Competition. These are the cream of the crop — Double Gold and “Best In Show” winners — as chosen by people who spend their lives sipping the best of the best. These whiskeys are also fairly widely available for delivery. Though, to be fair, there are a couple of bottles that are in a very expensive and very rare category.

*Two bottles that we didn’t have the chance to taste because of the quarantine have been noted.

Best American Blended Whiskey — FEW American Whiskey

ABV: 46.5%
Distillery: FEW Spirits, Evanston, IL
Average Price: $47.49

The Whiskey:

FEW offers a solid grain-to-glass craft whiskey experience. This expression is a blend of their signature bourbon and rye whiskeys cut with whiskey made with cherrywood-smoked barley malt whiskey. There’s no age statement on the bottle but each whiskey is nuanced and well mellowed, creating a fascinatingly unique American whiskey.

Our Tasting Notes:

This is kind of the best of all worlds if you dig on rye and bourbon. There’s a clear sense of apples, cloves and cinnamon, clear vanilla, and wet brown sugar next to a hint of that cherry smoke. Fresh ginger sharpness marries with oak, black pepper, and caramel apples. The spice heats up on the short finish with a slight sense of dark chocolate that leans dry and spicy.

Best Flavored Whiskey — Catskill Provisions New York Honey Rye Whiskey

ABV: 40%
Distillery: Finger Lakes Distilling, Burdett, NY
Average Price: $43.50

The Whiskey:

This flavored whiskey is made from a rye whiskey made by Finger Lakes Distilling. The mash bill of 80 percent rye and 20 percent barley make this one pretty bold on the rye side. The whiskey then makes its way to Catskills Provisions where it’s infused with local, fresh honey from upstate New York.

Tasting Notes (from the blender):

“Indulge in our smooth, rich flavor with hints of toffee, burnt orange peel, and golden raisin.”

Best Bourbon (Best Small Batch Bourbon Aged 6 To 10 Years) — Barrell Bourbon Batch 021 10-Year-Old Cask Strength

ABV: 53.1%
Distillery: Barrell Craft Spirits, Louisville, KY
Average Price: $84.52

The Whiskey:

Not only was this expression deemed the “best small batch bourbon” but the absolute “best bourbon” overall this year. This dram is comprised of 18 barrels chosen for three main attributes: Corn-focused and buttery, the woodiest notes present, and the easiest drinking lower-proof bourbon. The barrels ranged from ten to 14 years old and hailed from distilleries in Indiana, Tennessee, and Kentucky with the final product blended and bottled in Kentucky.

Tasting Notes:

Blackberries touched with a hint of tanginess lead to black tea, light rushes of tobacco, ground cardamon, toasted oak, and a note of fresh peppermint. Fatty and sweet marzipan sits next to dark chocolate nougat while mingling with a minerality, peaches, fresh honey, orange, orchard flowers, and more of that blackberry tang. Finally, the sip reels off with mild spice, bitter cacao, dried roses, anise, and mellow, almost tart warmth.

Best Straight Bourbon — Woodinville Straight Bourbon

ABV: 45%
Distillery: Woodinville Whiskey Co., Woodinville, WA
Average Price: $42.99

The Whiskey:

This Washington state bourbon is another great grain-to-glass craft whiskey experience. The classic mash bill of corn, rye, and barley is all grown in Washington specifically for the distillery. The new oak is aged on-site for 18 months outdoors, rain or shine. The oak is then slowly toasted and then deeply charred before the hot juice goes in for a five-year rest.

Tasting Notes:

Toasted oak and a slight bitterness from the char mingle with a ripe black cherry fruit sense. Dried herbs and fresh mint cut through the heavy hand of oak with doses of vanilla and caramel pushed to the background. The fruit, spice, and herbs come together on an oaky final note, with a wisp of smoke billowing underneath the sip.

Best Small Batch Bourbon Aged Up to 5 Years — Kings County Distillery Bottled-in-Bond Bourbon

ABV: 50%
Distillery: Kings County Distillery, Brooklyn, NY
Average Price: $60.99 (Half Bottle)

The Whiskey:

New York’s Kings County has been a mainstay on the awards circuit since they started. The craft distiller uses New York grown organic corn and English malted barley in its mash bill. The bourbon is then aged in small format oak and bottled at higher proof under federal regulations, hence the “bottled-in-bond” moniker.

Tasting Notes:

Malts create a biscuit-covered-in-butter-and-honey base with a sense of Christmas spices alongside bright and fresh cherries. Those spices carry on as the cherries turn into dried fruit and bitter chocolate comes into play. A rich salted caramel sweetness peaks as dark fruits and spice combine for a big finish.

Best Small Batch Bourbon Aged 11 Years and Older — Eagle Rare 17-Year-Old Kentucky Straight Bourbon

ABV: 50.5%
Distillery: Buffalo Trace Distillery, Frankfort, KY
Average Price: $501.50

The Whiskey:

This is one of the five classics that are part of Buffalo Trace’s yearly “Antique Collection” release. This expression is classic Eagle Rare 10 which is simply aged an additional seven years. The 17-year-old barrels are hand-selected for an exemplary small-batch quality.

Tasting Notes:

Dried tobacco mixes with cedar, old cinnamon sticks, and dried fruit soaked in sugar. The tobacco carries through the palate as a rich sense of vanilla peeks in beside hints of worn leather, spice, and oak char. Rich toffee rises next to cacao bitterness as the spicy final note lingers next to a whisper of tobacco smoke.

Best Single Barrel Bourbon Aged Up To 10 Years — Baker’s Single Barrel Bourbon

ABV: 53.5%
Distillery: Jim Beam, Clermont, KY
Average Price: $249.99

The Whiskey:

Hailing from the Jim Beam rickhouses, Baker’s Single Barrel is a unique and refined bottle of bourbon well-worth seeking out. The juice is aged on the higher floors of the rickhouse and the barrels are hand-selected for exactness in quality.

Tasting Notes:

This is a single barrel, so iterations will vary. Based on my dram, expect an opening of dark blackberries next to bourbon vanilla and caramel. That vanilla carries through as oak helps usher in sharp spice and a hint of licorice and roasted nuts. Expect the vanilla to carry on to a spicy, warm, and velvety end.

Best Special Barrel-Finished Bourbon — Bardstown Bourbon Company Collaborative Series “Phifer Pavitt Reserve” Bourbon

ABV: 53.5%
Distillery: Bardstown Bourbon Company, Bardstown, KY (sourced)
Average Price: $139.99

The Whiskey:

Bardstown Bourbon’s Collaborative Series partners well-made whiskey with unique finishing programs. This expression is a nine-year-old Tennessee straight bourbon that’s transferred to French oak from Napa Valley’s Phifer Pavitt Winery. The whiskey spends an additional 19 months in that oak.

Tasting Notes:

Marzipan, black pepper, and cherries greet you. The black pepper mellows to more of a white pepper and cinnamon spice mix as the marzipan carries through with a clear sense of plummy oak wine barrels. Bourbon vanilla pops in alongside the spice with a long, svelte finish.

Best Tennessee Whiskey — Davidson Reserve Tennessee Straight Sour Mash Whiskey

ABV: 50%
Distillery: Pennington Distilling Co., Nashville, TN
Average Price: $53.99

The Whiskey:

Tennessee whiskey is finally making a comeback and Davidson Reserve is a fine example of that resurgence. The Tennessee whiskey is made from locally grown corn and rye with a touch of barley that’s twice distilled and then filtered through new sugar maple charcoal a la the Lincoln County Process that makes Tennessee whiskey so unique. The juice is then aged for a minimum of four years before going into the bottle.

Tasting Notes:

Crème brûlée infused with real maple syrup creates a base for dried red berries. Malted crackers covered in buttery caramel mingle with the burnt sugars from grilled fruits and a slight marshmallow sweetness and texture. All of that sugar is cut by a rush of fresh mint sprigs that helps usher in a short and, yes, quite sweet finish.

Best Rye Whiskey — Parker’s Heritage Collection 13th Edition Rye Whiskey

ABV: 52.5%
Distillery: Heaven Hill, Bardstown, KY
Average Price: $399.99

The Whiskey:

This rye is all about the nuances. This edition is comprised of a small batch of 75 barrels that are hit with fire twice as long as usual, creating a deep black char and rippling for the juice to rest in. The whiskey is then aged exactly eight years and nine months on a high floor of the Heaven Hill rickhouse.

Tasting Notes:

That char imparts a sense of smoke next to dark chocolate bitterness, pine resin, banana, and vanilla. Dark spices and sharp black pepper arrive with a note of fresh honey as a counterpoint. That woody pine, char, chalky bitterness, and spice combine on a long and warm end.

Best Craft Distiller Whiskey — ASW Distillery Maris Otter Single Varietal Single Malt Whiskey

ABV: 54.2%
Distillery: ASW Distillery at American Spirit Works, Atlanta, GA
Average Price: $53.99

The Whiskey:

This is going to be a tough bottle to get a hold of as only so many were made. This expression comes from the brainchild of homebrewers and has deep roots in beer malts. The whiskey is Scottish whisky distilling meets American bourbon aging. The mash bill is 100 percent English Maris Otter Malt and distilled in Scottish pot stills. Then the juice goes into medium and medium-heavy charred new American oak, adding that bourbon element.

Tasting Notes (from the distiller):

“Black cherry, Cardamom, Fudge, Lemon.”

Best Other Single Malt Whiskey — The Notch Nantucket Island Single Malt Whisky Aged 15 Years

ABV: 48%
Distillery: Cisco Brewers Triple Eight Distillery, Nantucket, MA
Average Price: $350

The Whiskey:

This one is going to be really hard to come by. The dram also hails from brewers turned distillers and also utilizes a 100 percent mash bill of Maris Otter Malts. It’s treated like scotch via pot still distilling and then aging in ex-bourbon barrels (mostly from Buffalo Trace) for 15 long years.

Tasting Notes:

Dried apples and pears lurk alongside bourbon notes of caramel and vanilla. Sweet cherries flutter past as rich pipe tobacco, libraries full of worn leather, oak, and mild spices mingle on the palate. Finally, the dram comes to a close with a flourish fresh green peppercorns, toasted oak, and a final hint of tart fruit.

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John Legend Ushers In A New Era With The Uplifting ‘Bigger Love’

Contrary to his Twitter bio, John Legend is more than just Chrissy Teigen’s husband. He’s also an eleven-time Grammy winner who aims to promote joy through his music. The singer released “Bigger Love” Friday as an anthem for being carefree. The empowering track arrives as the lead single off Legend’s upcoming album, which is slated for a summer release.

Peppered with reggae influences, “Bigger Love” boasts expansive and rhythmic percussion. With his signature soaring vocals, Legend sings of ignoring the negative aspects of the world and focusing on the good. “We ain’t going no place but up / Nothing can stop this, no one can top us / We got a bigger love,” Legend croons.

In a statement, Legend said the track celebrates all things love: “This song is a celebration of love, resilience and hope. I wrote it last year, before any of us could have imagined what 2020 would become. The message of the song is that love can help carry us through these dark times and music can bring us joy and inspiration. I hope it brings some light to people’s day and maybe inspires a dance break!”

Legend will debut “Bigger Love” live on Global Citizen’s televised One World: Together At Home. Curated by Lady Gaga and hosted by late-night talk show favorites, the TV special benefits healthcare workers that are on the front line.

Listen to “Bigger Love” above.

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Darren Aronofsky Wanted Joaquin Phoenix For His Batman Film, But The Studio Desired An Entirely Different Actor

Darren Aronofsky, the director behind cinematic mind-f*cks like Requiem for a Dream and mother!, was hired by Warner Bros. to direct a Batman film. It went as well as you might expect. The film was going to be based on Frank Miller’s legendary Batman: Year One story with some key differences, according to the Batman wiki, including “the Batmobile would have been a Lincoln Continental” and “after Bruce Wayne’s parents are shot, Bruce loses his fortune and becomes homeless.” But the project fell apart when Aronofsky realized he had a different vision for the Dark Knight than the studio.

“The studio wanted Freddie Prinze, Jr. and I wanted Joaquin Phoenix,” he told Empire. “I remember thinking, ‘Uh oh, we’re making two different films here.’ That’s a true story. It was a different time. The Batman I wrote was definitely a way different type of take than they ended up making.” What “they” ended up making Batman Begins, which turned out pretty well for everyone involved, and Phoenix won an Oscar for playing the Joker. Aronofsky, too, has been up for an Academy Award (Best Director for Black Swan), but he has an even rarer distinction: he’s one of the few people who has “shocked” Frank Miller:

Apparently even [Miller] was shocked by how dark Aronofsky was looking to go, with Batman veering into torture territory. “The Batman that was out before me was Batman & Robin, the famous one with the nipples on the Batsuit, so I was trying to undermine that, and reinvent it,” he explains. “That’s where my head went.”

You think that’s dark?

Stayed tuned for Batman v God: The Holy (Year) One.

(Via Empire)