Even though Sonic is known to go fast, he will definitely be sticking around for the foreseeable future.
The speedy hedgehog has two movies and one spinoff show already under his metaphorical belt, and the upcoming third installment is set to pack an even bigger punch. Thanks, Knuckles!
Sonic The Hedgehog was released in 2020 and its follow-up, Sonic The Hedgehog 2 hit theaters in 2022, so naturally, a third installment is on the way. Luckily for fans, the upcoming threequel is set to bring in some iconic characters from the original game series, in addition to Jim Carrey and his giant mustache. There’s something for everyone! Here is what we know so far.
Plot
Producer Toby Ascher told GamesRadar+ that the upcoming movie will be “this giant, fun, incredible movie that obviously takes a lot from Sonic Adventure 2 and some of the games that I know the core Sonic Team grew up loving,” Ascher said.
While the official plot has not yet been released, the end of Sonic 2 hinted at the future of the series. In a post-credits scene, military personnel are searching for any sign of Dr. Robotnik(Carrey) who is presumed dead. The commander is also given information about the discovery of Project Shadow, hinting the appearance of Shadow in the upcoming film.
In the games, Shadow was created by Dr. Robotnik as Sonic’s edgier counterpart with access to firearms who sets out for revenge when his human friend Maria is killed. Much like the John Wick of the Sega universe. Which is why his casting is perfect.
Cast
Keanu Reeves will make his debut as Shadow after the fan-favorite character made a brief cameo during in the previous installment. Idris Elba will return as Knuckles, fresh off his very own miniseries. Of Reeves’ casting, Elba could not confirm nor deny, but he was excited about the possibility. “I heard the rumors. Yeah, I know nothing,” Elba told GamesRadar+ during a recent interview for the Knuckles series. “But wow, Keanu, yeah? Big tings.”
Ben Schwartz will once again portray Sonic, while Colleen O’Shaughnessey will reprise her role of Miles. As for the live-action folks, Jim Carrey is set to return as the evil Dr. Robotnik, so odds are good his character survived the big blast. James Marsden will also appear as Tom Wachowski, the adopted father to the hedgehog gang.
Release Date
Marsden confirmed that filming wrapped last month, and it’s set to speed into theaters on December 20th 2024. Because it is being distributed by Paramount, the flick will land on Paramount+ at some point in 2025.
Trailer
An official trailer has yet to be released, but you can check in with our pal Knuckles for now. Knuckles is currently streaming on Paramount+ and takes place in between the second and third films.
The California-based resort is hosting Pixar Fest from April 26 – August 4. Highlights include Disneyland Park’s “A Journey of Friendship,” a nightmare spectacular show featuring characters from every Pixar film, and “Better Together: A Pixar Pals Celebration,” a daytime parade in Disney California Adventure that includes an appearance from Turning Red‘s 4*Town, the fictional boy band with a real song from Billie Eilish and Finneas.
After riding The Incredicoaster and Radiator Springs Racers in Disney California Adventure, stick around for Club Pixar, “a nighttime party, inspired by the amazing stories from Pixar Animation Studios. Your whole group can enjoy an interactive DJ dance party, live performances, exciting games, photo opportunities, themed food, specially crafted beverages, and more.” Something tells me a lot of people are going to ask Mrs. Incredible for a dance.
There’s also limited-time Pixar-themed food and drink options. Some of my favorites are the Pixar Fest Cake at Plaza Inn; the Italian “Silenzio Bruno!” Sandwich at Jolly Holiday Bakery Cafe (Luca, a very good movie, does not get enough love); and the Mike Wazowski-shaped Eye Scream Cone at Gibson Girl Ice Cream Parlor. Beginning next month, on May 10, Disney California Adventure Park will debut six Pixar-themed food and beverage marketplaces.
The Philadelphia 76ers picked up a win on Thursday night in Game 3 of their first round series against the New York Knicks. As is usually the case, the Sixers were led by Joel Embiid, who was nothing short of brilliant in what might go down as the best game of his playoff career. Despite dealing with Bell’s palsy, Embiid went for 50 points on 13-for-19 shooting with eight rebounds and four assists in a 125-114 win that cut the Knicks’s lead in the series to 2-1.
The game did feature a bit of controversy, as Embiid received a Flagrant 1 for a foul on Mitchell Robinson that looked like it could have been more. While Embiid was laying on the ground, he wrapped his arms around Robinson’s ankles as he went up for a shot.
Embiid came under a ton of scrutiny for the foul, with Donte DiVincenzo telling the media after the game “It was dirty. It was dirty.” While Josh Hart didn’t go quite as far, he was still unhappy with Embiid for the foul.
“I mean, we’re just happy Mitch didn’t get a serious injury on that,” Hart said, per Tim Bontemps of ESPN. “I’m all for tough fouls, tough playoff fouls, but that’s something that can put a guy out for a significant amount of time. So we’re lucky he didn’t get seriously hurt during that time.”
Embiid defended himself by saying he was trying to make sure Robinson didn’t land on him while he was on the ground, saying “It was unfortunate. I didn’t mean to hurt anybody. I just … in those situations I gotta protect myself, because I’ve been in way too many situations where I’m always the recipient of the bad end of it.”
Robinson, who has been dealing with ankle issues this year and needed surgery that kept him sidelined for a spell, tried to remain in the game, but was eventually ruled out with an ankle sprain after going into the locker room for halftime. His status for Game 4 is unclear.
Coi Leray keeps working — and works out — in the new video for “Can’t Come Back,” her second single of 2024. The video finds the New Jersey rapper in a penthouse gym, lifting weights and showing off her dance moves in front of some impressive floor-to-ceiling windows overlooking an awesome view of the city outside. Her delivery in the song ranges from a whispery rant reminiscent of her “Playboi Carti” delivery and a crooning vocal. Half Flashdance, half workout video, the visual continues Coi’s campaign to follow up her 2023 self-titled album. “Can’t Come Back” follows “Wanna Come Thru” as Coi’s second single of 2024.
By now, the former Uproxx cover star‘s work ethic should be indisputable. Shortly after dropping Coi, the second-generation rapper released an EP, Blue Moon, along with videos for standout tracks “Isabel Mirant” and “Playboy,” teamed up with Busta Rhymes for the single “Luxury Life,” and contributed to G-Eazy’s comeback single “Femme Fatale” alongside Kaliii.
She’s also one of four artists billed to join Jhené Aiko on her upcoming tour, The Magic Hour. Both Aiko and Coi were recently on the lineup for Coachella 2024, where Coi debuted a few new tracks during her set. Whether they’ll appear on a new album this year remains to be seen, but she has certainly shown a propensity toward productivity, so it’s almost certain she’ll be putting something out sooner or later. For now, you can watch the video for “Can’t Come Back” above.
Doja Cat frequently raps and sings about explicit topics in her music. At the same time, “Say So” was one of the biggest pop hits of 2020 and is a song that listeners of all ages can get into. So, this could create an issue where a younger fan wanting to see Doja live could be exposed to material their parents would find objectionable and problematic.
It would seem Doja has encountered criticism about this recently or has at least been thinking about the topic: Late last night/early this morning (April 26), she wrote in a trio of tweets, “idk what the f*ck you think this is but i don’t make music for children so leave your kids at home motherf*cker,” “im rapping about c*m why are you bringing your offspring to my show,” and “rappin about eatin dick and pissin on his v-cut, leave your mistake at home*.”
idk what the fuck you think this is but i don’t make music for children so leave your kids at home motherfucker
Meanwhile, she recently had a more laissez-faire reaction to the deluxe edition of Scarlet leaking, tweeting, “its definitely messed up cuz i wanted to put it out myself but theres nothing i can do about it!! thats just how its gonna be but at least i can just keep being creative and look forward to the awesome things i have coming up!!”
Before George R.R. Martin’s Westeros endured the Game of Thrones, Aegon the Conquerer set up his House of Targaryen to rule the Seven Kingdoms. Now, HBO is gearing up to show us the mayhem that happened when this house splintered into two sides that each claimed the Iron Throne. In one corner, Rhaenyra Targaryen had been named rightful heir by her father. On the other side, Aegon Targaryen II had been erroneously elevated to king after his wife, Alicent Hightower, mistakenly interpreted King Viserys’ deathbed ramblings.
Let’s get real though — Alicent was headed in this direction regardless of whether it happened by mistake or by plan.
With that said, House Of The Dragon‘s second season shall soon arrive to continue filling in the gaps before the A Knight of the Seven Kingdoms: The Hedge Night debuts (supposedly in 2025) to bridge the Westeros timeline before GoT. Much ground will be followed, but the HBO streaming service, Max, will take the story to the skies. Let’s get down to business on how to brace ourselves for more of the Fire and Blood book moving from mere “historical” account to a fully realized wall of fire in our living rooms.
Plot
HBO
Obviously, the show will continue to track the Targaryen lineage about 300 years prior to near-extinction level on Game of Thrones. Yet whereas the first season charted the mistakes that were made (mainly by King Viserys, RIP) that led to the dominoes being lined up, this season pits the two teams — Black (Targaryen) and Green (Hightower) — against each other atop dragons. So, we’ll see the “Dance of the Dragons,” so nicknamed by the civilians of Westeros, take place with mass casualties as a result.
Sure, that’s a bummer, but on the bright side, we will definitely meet new dragons following the first-season debuts of many air-bound creatures. Also, more dragon riders will be needed to fill those seats, and in Martin’s lore, Targaryens do look outside the family for those who are worthy to take those rides. It’s sad to realize that so many lives will be lost after the catalyst of Luc Targaryen’s death, which sparked vengeance from Rhaenyra, but then there’s this ridiculous question: Will there be time for any icky foot-thing scenes? We can only hope.
With that said, this series has been plotted out for four seasons, and that plan could change, but it’s unlikely that we will see the entire war take place in Season 2. Hopefully, we will at least see the inevitable showdown between Daemon and (Mini-Me) Aemond, and if that plot point follows the Fire and Blood book, both men should be very afraid.
During this Targaryen Civil War, George R.R. Martin killed off half the population of Westeros and, as noted previously, nearly every member of the blondest family. However, the HBO series has already tweaked parts of the book, so there’s no reason to believe that everything will go down as Martin wrote in the lore. Queen Alicent and Otto Hightower will definitely begin to see consequences of their long game, and Rhaenyra will be coming for the Iron Throne with Blood and Cheese (wait for them, oh boy) paving the way.
HBO
First, Daemon must zoom around Westeros to gather as many houses as possible for that fight. The Hightower side will do their recruiting, too. I suspect that the strategy set-up will take up much of this second season, but unlike with the book, Rhaenyra might even leave Dragonstone to participate. And we will literally see fire rain down from the sky when the two sides have to force allegiance from reluctant settlements.
Cast
The stage is set for repeat turns by Emma D’Arcy (Rhaenyra Targaryen), Matt Smith (Daemon Targaryen), Olivia Cooke (Alicent Hightower), Matthew Needham (Larys Strong), Fabien Frankel (Ser Criston Cole the terrible), Steve Toussaint (Corlys “Sea Snake” Valaryon), Eve Best (Rhaenys Targaryen), Rhys Ifans (Otto Hightower), Ewan Mitchell (Aemond Targaryen), Tom Glynn-Carney (Aegon Targaryen II), Phia Saban (Helaena Targaryen), Harry Collett (Jacaerys Velaryon), Phoebe Campbell (Rhaena Targaryen), Bethany Antonia (Baela Targaryen), and Sonoya Mizuno (Mysaria/that White Worm).
Millie Alcock and the rest of the first-generation Targaryens and Hightowers will, as far as HBO has indicated, not be returning this season in flashbacks. That doesn’t mean that we won’t see them again someday, but at least Paddy Considine does not have to jeopardize his own health for another stunning performance that the awards circuit decides to ignore.
We shall also meet an endless stream of new character including Alys Rivers (Gayle Rankin), a mysterious healer from Harrenhal, who plays a pivotal role in the book. Ser Simon Strong (Simon Russell Beale) will step up as Castellan of Harrenhal, Ser Gwayne Hightower (Freddie Fox) will surface as Otto Hightower’s son, and Alyn of Hull (Abubakar Salim) will follow up on his work in the Stepstones campaign.
Release Date
June 16! Hold onto your wigs.
Trailer
HBO delivered both Black and Green versions:
‘House of the Dragon’s first season can be streamed on Max.
The latest single from Saba’s long-awaited project with No ID is “Head.Rap,” an introspective look at the Chicago rapper’s hair journey. In its verses, Saba unravels the complicated politics surrounding Black folks’ hair — particularly locs (you might call them dreadlocks) — and how each inch holds years worth of memories, hurt, growth, and glory.
The duo is joined on the track by a trio of vocalists including Madison McFerrin, who dropped her independent debut album I Hope You Can Forgive Me last May; Nigerian-American singer-songwriter Ogi Ifediora, who has worked extensively with No ID; and Jordan Ward, fresh off his breakout with “White Crocs” last year.
Saba and No ID gave fans the first inkling of their collaboration last year with the release of “Back In Office,” a confident display of the Windy City MC’s lyrical skill. Then, in June, they revealed the title and nature of their collaboration: A joint album titled From The Private Collection Of Saba & No ID. Originally billed for a summer 2023 release, the duo held back as Saba continued recording.
According to Saba himself, who appeared at an open Mic held by longtime collaborator Noname’s Book Club in Los Angeles attended by Uproxx, he’s still recording new verses for the project, but a release date should be expected soon. For now, you can check out the video for “Head.Rap” above.
I’ll call Microwave’s fourth album by its actual name just once and honor frontman Nathan Hardy’s desire to have everyone else just use the acronym going forward. “We just love drugs,” he deadpans without irony or scandal, as to be expected from someone who slipped a fairly straightforward cover of “Santeria” onto Let’s Start Degeneracy as a hidden bonus track. But really, acid is notably one of the substances that didn’t go into the making of LSD – inspired by an ayahuasca retreat in Peru, written with the help of Adderall, nootropics, and opening the subconscious with a really, really good shit. “A good probiotic goes a long way,” drummer Timothy “Tito” Pittard jokes.
Besides, drugs are one of the few throughlines in the Atlanta band’s strange, slow trajectory towards the upper-middle class of…whatever we’re calling this overlap of emo, pop-punk, and alt-rock nowadays. The core trio of Hardy, Pittard, and bassist Tyler Hill initially toughed it out in the southern DIY circuit playing a sort of skramz/twinkle hybrid – “Cap’n Jazz to American Football to Saetia and Pg. 99-type stuff” Hardy explains. In other words, they were a quintessential, early-2010s emo revival band. By 2014’s Stovall, Hardy mostly dropped the screaming and Microwave took on a more robust, accessible sound that wed spiritual turmoil to occasional arena-emo grandeur; a promising prospect for Manchester Orchestra and Brand New fans who still sorta missed the way those bands sounded in 2009.
Stovall had some good hooks, none better than Hardy’s story of leaving Mormonism in his early 20s and making up for lost time. “These drugs will be the death of us/at least whatever’s left of us,” he sang on the title track, while two of the best songs on the follow-up Much Love were titled “Roaches” and “Vomit.” That alone should give you a sense of the subject matter, though “Wrong” is actually the one about chain-smoking blunts.
Microwave spent Much Love getting even deeper their vices while leveling up, part of a bumper SideOneDummy class of 2016 that included PUP, Jeff Rosenstock, AJJ, and Chris Farren. Even if they got to play Warped Tour and open for Jimmy Eat World, two straight years of running through songs like “Dull,” “Wrong,” “Whimper” and “Drown” every night still left Hardy nearly broke and totally broken – the medical bills were piling up, the drugs weren’t working, the sex wasn’t working, and Microwave’s once tightly-knit scene was turning on each other. It seems like the only thing Hardy could look forward to was the sweet release of the afterlife and all of that got channeled into 2019’s Death Is A Warm Blanket. “Hate TKO”? That’s a good song right there.
Hardy envisioned a follow-up that went in an even darker direction, but found himself too depressed by his own music to find inspiration for lyrics. “During the pandemic, we had played around with doing even heavier songs than the last record, and those songs weren’t really getting completed,” Hardy sighs. But in shifting their focus towards a more wavy, R&B-influenced tone equally by Frank Ocean’s Blonde and Foxing’s Blonde-indebted masterpiece Nearer My God, Microwave knocked out singles “Circling the Drain” and “Straw Hat” in short order – both of which quickly became live staples and fan favorites. “Everything felt like it was falling into place,” Hardy recalls. “Like, ‘‘I think this is what we’re meant to do at this time.’”
Nearly five years after Death Is A Warm Blanket, Microwave launched LSD with “Bored Of Being Sad” – though perhaps a bit shinier than their past work, it’s a sound and sentiment that could’ve fit on Much Love or Death Is A Warm Blanket. But on those albums, people who were bored of cursing the dark were more likely to spark a blunt than light the proverbial candle. Hardy had experimented with nearly all of the best-known narcotic acronyms, but never PMA. “People who are happy often just make a conscious choice to be happy,” Hardy muses. “And a lot of that is, ‘fake it till you make it,’ the things you say out loud just becomes your reality.”
Microwave had been releasing standalone singles for nearly two years before Let’s Start Degeneracy was announced, was there a point where you questioned whether you’d put out a full-length album again?
Nathan Hardy: We had actually talked about just releasing singles, but I think that people in this realm of music like albums and it gives an opportunity for a PR push and narrative surrounding a larger release. We had one album left on our deal with Pure Noise, plus we had also publicly implied that we were gonna be doing a whole record, so we were just like, “let’s hash it out.” But if “Circling The Drain” hadn’t done as well as it did – it became a crowd favorite live and it streamed really well – we may have been reconsidering whether we should just put out more singles. Instead, it was, “let this be the blueprint of a general direction.”
The general tone of Death Is A Warm Blanket also made me wonder if the band had discussed whether continuing at all would be possible, even before the pandemic.
Hardy: I think there was definitely an underlying sentiment of that, especially during the initial part of 2020. I feel like everyone was like, “will any band ever tour again?” We’re not an essential business. And we definitely gather people into groups for a living. Is this irresponsible at this point? I had started to rig at my work and then in 2022, I dislocated my shoulder, so I was on workers comp, which also fed into [working on the record]. I literally can’t work with my shoulder while I’m going to the doctors for the next six months, all I can do is sit at home. So I might as well hash this record out.
Tyler Hill: I definitely felt the sense of impending doom the whole time, it was hard to focus on music when I’m just worried about all my loved ones dying. We did eventually start getting back together – I don’t even want to say, “when it started to clear up” – but once vaccines started rolling out, we started jamming together and rehearsed Death Is A Warm Blanket all the way through. The first tour was mid-2021 and even then, tours were still getting shut down halfway through and bands were having to drop off stuff. Everyone’s trying, but it’s really, really challenging right now.
Despite not releasing much new music or touring all that much over the past five years, it seems like Microwave experienced a surge in popularity, Much Love became kind of a sleeper hit all over again.
Hill:Much Love seems to have gotten a third wind. When an album first comes out, it gets a little bit of attention and that trickles off. And then after Warped Tour [in 2017], it got a little second wind. And then right around the time we did the Story So Far tours [in 2022], it started getting attention again. Which is crazy, because at that time, the record was six years old. Maybe that has to do with the TikTok stuff and how old songs can blow up again, but I don’t know if we had anything on there.
Hardy: I don’t think we’ve ever had a viral TikTok or anything.
Timothy “Tito” Pittard: I think our most viewed TikTok is the one of all of us in the green room and we’re listening to JPEGMAFIA.
Hardy: I feel like we also benefited from bands in our scene like Hot Mulligan and Mom Jeans really taking off, that culminated around the time of that Story So Far tour. There was a lot of hype about that particular lineup and it became a thing where if someone listened to Mom Jeans or Hot Mulligan or something, people would be like, oh, “Hot Mulligan and Mom Jeans tour with Microwave, you ever listen to that band?” That gave Much Love a second wind also, because the first Mom Jeans record that really popped off was also from 2016 and that’s the era with Modern Baseball and Pinegrove, we’re adjacent to the bands that did well on TikTok.
Two days ago, I saw one of my brother’s friends post a reel where he and his daughter are at the Fall Out Boy/Jimmy Eat World show at Madison Square Garden and Hot Mulligan opened. It’s wild to think of them playing a venue like that. You guys also got to open for Jimmy Eat World back in 2018 with the Hotelier and I spoke to them recently about how a lot of bands in their wave would hit these career milestones and expect things to continue on an upward trajectory but it ends up being the peak.
Hardy: We had talked the other day about when we got dropped by [our booking agents] after the Jimmy Eat World tour. Or they said they were “restructuring.” I feel like when Much Love came out, there was the hype from the initial release and everyone was kind of expecting it to do a Modern Baseball or Pinegrove-type thing. We were able to get on that sick tour with the Hotelier and Jimmy Eat World, but it hadn’t really gained that much traction at that point. But we assumed that [our agents] were like, “I don’t know if this is happening for this band.” And that was right before we put out Death Is A Warm Blanket and then the pandemic. So somewhere in that 2018 to 2020 space, I would say, there was “how much bigger is this going to get?” Because it sure wasn’t providing income that was going to be sustainable without having a job.
It feels like Death Is A Warm Blanket really reflected that mindstate and even in the interviews from that time, a lot of the conversation was about the feeling of being in your late 20s without health insurance or any kind of monetary safety net. I wouldn’t go so far as to call this a “positive” album, but there does seem to be a greater willingness to fight through the negativity.
Hardy: I would say that the theme of Death Is A Warm Blanket was the line, “it doesn’t really get better, that’s just something they say.” Everything just keeps getting worse and everything is awful and sucks and that’s life. But being in that headspace and continuing to work on the doomier songs, I just wasn’t completing lyrics. When you’re in that position of lacking optimism, some of your creative juices and dopamine get sucked out. I would have to take Adderall to work on music, I needed artificial dopamine to keep going. I’m definitely more hopeful than I was, but in 2022, I dislocated my shoulder, had another surgery, and then it just dislocated again last fucking November when we were on tour with Menzingers. A lot of the issues are still there, I was trying to find more hopeful, optimistic stances.
How do you find those optimistic stances?
Hardy: Honestly, a lot of the natural dopamine that went into this record came around when we did the Story So Far tour, and “Circling the Drain” was doing well. We did the headline tour at the end of 2021, which was one of our first things back, and there was some growth, but it wasn’t super substantial. Then after the Story So Far tour, it was like two times everything – two times the size in streaming and people at shows and selling merch and everything. And that really gave us a kick of “it’s working,” which fed into the optimism. When you have a sold-out headline show and everyone’s screaming your words and stuff, something’s going good.
It also appears that the ayahuasca ceremony you attended in Peru was a major factor. Was the intention “we need to do an ayahuasca trip” or “we went to South America and there just so happened to be an ayahuasca ceremony we could attend”?
Pittard: It was both, after we did the ayahuasca for 10 days, we had no cell phones and stuff. And then we went to Machu Picchu and Cusco. I do recommend if you’re doing ayahuasca, you go to Peru or somewhere in the rainforest because there’s just more of a connection when you’re listening to the wildlife and separate from the world. I went to Orlando to do ayahuasca at Soul Quest and it was bogus.
I can’t believe Orlando didn’t provide you with this authentic cultural experience.
Pittard: There was like 130 people there and you’re just hearing so much trauma in that room. It was just crazy.
I do empathize with people who are seeking alternatives to Western medicine, given the average experience with our healthcare system. And also, I get a sense that LSD is inspired by a greater mistrust of assumed societal truths, the lyrics that stand out to me are ones like “the sequel to politics” and “I love you because of the things you do for me” on “Straw Hat.”
Hardy: Yeah, that song is kind of a commentary – I’m polyamorous now, and I have spent a lot of time the last handful of years questioning the general incentives and the culture behind monogamy and questioning my own intentions in a reflective way. Do I love you or do I love you because of the things you provide me with, like the oxytocin and dopamine and the tangible benefits that come from relationships. [“Straw Hat”] was a cheeky sort of prodding at that. Because people have those notions of what love means, and a lot of it will be in a monogamous context where you can’t love more than one person. Ever since I left Mormonism, I’ve questioned a lot of the societal standards like, “if people don’t go to hell for having sex outside of marriage, why do people get married?” All these constructs got thrown out, I’d really internalized the fact that a lot of the basic foundational cultural habits or practices that we have are maybe not universally true.
She’s in two of the most acclaimed movies of the year. He’s starring in a much-anticipated West End production of Romeo & Juliet. How will Zendaya and Tom Holland celebrate their big 2024? By getting married, possibly.
“There has been talk of marriage, and that is a reality,” a source told People. “They are not the kind of stars who put their lives together out there on social media for the most part.” Both Zendaya and Holland, who met while making 2017’s Spider-Man: Homecoming, prefer to keep their private life, well, private, and “work is important to both and that keeps them busy now.”
Zendaya — who gives a career-best performance in Luca Guadagnino’s sexy tennis movie Challengers — talked to Vogue about her and Holland’s lives changed once they joined the Marvel Cinematic Universe. “We were both very, very young, but my career was already kind of going, and his changed overnight. One day you’re a kid and you’re at the pub with your friends, and then the next day you’re Spider-Man,” she said. “I definitely watched his life kind of change in front of him. But he handled it really beautifully.”
Maybe if / when they get married, people will stop referring to Zendaya as “Spider-Man’s girlfriend.” Actually, let’s cut that out now.
After his solid collaborative release with fellow Compton rapper Tyga, YG returns to his solo grind with a raucous new single, “Knocka.” Tapping into a similar turnt-up vein as prior releases like “Left, Right,” and “BPT,” “Knocka” opens with one of YG’s signature banda samples but quickly turns into a hard-hitting street banger.
The track constitutes YG’s first solo output since 2022’s I Got Issues, which featured the fan-favorite single “Scared Money” with J. Cole and Moneybagg Yo.
Speaking of Saweetie, the Bay Area rapper figured heavily into YG’s ubiquity in 2023 when they seemingly confirmed their relationship last spring. However, their low-key stance made them the subject of fan speculation, with some wondering whether they’d broken up as recently as this January — rumors they seemingly refuted at Rolling Loud California this year when Saweetie joined YG and Tyga onstage for some PDA.
The possibility that YG might have a new solo album on the way has already excited his fans on Twitter, who seem very ready for him to make his comeback — even though he never really left.
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