Relationships are as old as time itself. And nearly all of them have awkward beginnings. For men, there is often the expectation of taking action. You can’t go too far without crossing ethical boundaries but if you’re not assertive enough, good luck waiting to be swept off your feet. And for women, well, let’s not even get started. As simple as love and attraction may appear on the surface, in practice they are anything but.
If it’s a man approaching a woman, oftentimes the woman is unsure how the interaction will end should she not be interested. There are all sorts of reasons for apprehension on the woman’s part that some men looking to court may not fully understand. But one woman has taken to social media to share her excitement over a “new way of hitting on women,” which may help ease concerns. The woman goes by the name Tee Rex on Instagram and eagerly tells viewers from her car about an experience she just had.
“I just got hit on and I hate getting hit on but the way that this person hit on me was immaculate and I want to share because I feel like men are doing a tough, there’s a lot of hate going towards men who are literally just trying to find love,” the woman says.
She explains that he did “the normal thing” when men hit on women but immediately after asking for her phone number, the man says, “I am safe to reject.”
“Just taking the extra steps to make a woman feel safe and respected goes a long way (sadly) so I’m glad you had this experience vs the far too common unsafe experience,” one commenter said in response.
“Wow impressive and I would be even more impressed because he’s also demonstrating he has self worth enough not to lose it if he is rejected. Good quality,” another woman praises.
“I thought this was going to be another bullsh*t tip… but I’m definitely adding this to my arsenal,” one man writes.
Some men took the time to explain the concept to other men who are skeptical.
“Fellas if you haven’t heard numbers of stories about how dudes be aggressive and retaliatory when getting rejected, you’re living under a rock. A woman was recently murdered for this (not the first). The problem is we take this personally and it might seem ludicrous because some of us ourselves know that we’re not like that. That still doesn’t dismiss the fact that it happens A LOT to the point women have to plot ways of avoiding it. But this is social media, we gotta be contrary lol,” one man explains.
“Crazy the number of dudes who see this as self-deprecating vs a reflection of both his social awareness and self-confidence. And for those who see this as defeatist – is it really a win if she’s only not saying no because she’s AFRAID,” another man asks.
While saying the exact phrase, “I am safe to reject” may not be everyone’s ideal line, if a man knows he wouldn’t pose a risk to women after being rejected, it wouldn’t hurt to put that out front.
Several men in the comments shared that they say things like, “It’s cool if you say no” or “No pressure to say yes.” These small phrases give women who may be feeling afraid from past experiences a sense of relief and the room to give an honest answer.
In early February 2024, Beyoncé rocked the music world by releasing a surprise new album of country tunes. The album, Renaissance: Act II, includes a song called “Texas Hold ‘Em,” which shot up the country charts—with a few bumps along the way—and landed Queen Bey at the No.1 spot.
As the first Black female artist to have a song hit No. 1 on Billboard’s country music charts, Beyoncé once again proved her popularity, versatility and ability to break barriers without missing a beat. In one fell swoop, she got people who had zero interest in country music to give it a second look, forced country music fans to broaden their own ideas about what country music looks like and prompted conversations about bending and blending musical genres and styles.
And she inspired the Gardiner Brothers to add yet another element to the mix—Irish stepdance.
Michael and Matthew Gardiner are professional Irish-American stepdancers and choreographers who have gained international fame with their award-winning performances. They’ve also built a following of millions on social media with videos like this one, where they dance to popular songs, usually in an outdoor environment.
People are loving the blending of genres and culture that the TikTok exemplifies.
“Never thought I’d see Irish step dancing while Beyoncé sings country,” wrote on commenter. “My life is complete. ♥️”
“So happy Beyoncé dropped this song and exposed my timeline to diversified talent 👏🏽👏🏽,” wrote another.
“Beyoncé brought the world together with this song 😭,” offered another person.
“Ayeeee Irish Dancing has entered the BeyHive chatroom… WELCOME!! 🔥🔥🔥” exclaimed another.
“I don’t think I can explain how many of my interests are intersecting here,” wrote one commenter, reflecting what several others shared as well.
The Beyoncé/Gardiner Brothers combo and the reactions to it are a good reminder that none of us fit into one box of interest or identity. We’re all an eclectic mix of tastes and styles, so we can almost always find a way to connect with others over something we enjoy. What better way to be reminded of that fact than through an unexpected mashup that blends the magic of music with the delight of dance? Truly, the arts are a powerful uniting force we should utilize more often.
And for an extra bit of fun, the Gardiner Brothers also shared their bloopers from filming the video. Turns out stepping in the rain isn’t as easy as they make it look.
If given the opportunity to remake their own movie, most actors would pick one of their bad films, not a beloved Oscar winner. But Ryan Gosling has proven time and time again that he is not like most actors, he’s a Nice Guy. And a Fall Guy.
But the actor gave a surprising answer when The Wall Street Journal asked which of his films he would like to “do over.” You would think he would pick something from his early days before he was an established actor, but he landed on one of his biggest projects.
“La La Land. There is a moment that haunts me,” Gosling told the outlet. “We’re dancing, Emma [Stone] and I, and I didn’t know this would become the poster for the movie. We were supposed to have our hands up, and I thought it would be cool to put my hand [more flat] even though everyone told me it wasn’t cool. I was sure it was cooler.”
Gosling said that the choice haunts him to this day; it’s been immortalized on the poster. “Now when I look at it, and I have to see it all the time, you know what would’ve been cooler… [the intended pose],” he admitted. “It just killed the energy that way. I call it La La Hand.”
The interviewer noted that in the dance world, the pose is called “hamburger hands” to which Gosling replied, “Hamburger hands Gosling over here.” Maybe next he’ll work on Hamburger Helper’s newest ad campaign.
What if a distraction starts to become a destination? What is real and unreal? Is our destiny to be who we are or someone else? Someone more? I Saw The TV Glow, a new A24-produced suburban horror film (with an outstanding soundtrack) from writer/director Jane Schoenbrun explores those questions, teenage loneliness, the draw of screens, and the unifying power of art and thrill of finding someone to share it with.
The film, which is now in limited theaters now before going wide on May 17, is also a deeply personal story from an openly trans filmmaker who tapped into a very specific time in their life to to tell this story, with Schoenbrun telling Deadline that they wrote the film early on in their transition.
“The beginning of transition, I think for a lot of trans folks, is a really bewildering time where everything you’ve come to accept as reality is sort of being thrown into flux, and it’s both this incredibly beautiful and courageous leap of faith, and at times can feel completely uncharted, like you have no roadmap for what your life is and where you’re going.”
As one of the stars of the film, Justice Smith plays Owen, a teenager in the ‘90s who finds comfort in a monster-of-the-week style supernatural TV show (ala Buffy) called The Pink Opaque. Owen shares that interest with a friend in Maddy (Brigette Lundy-Paine), but when she disappears, questions surface about whether the world of the show is actually real. To say much more would spoil a film that our Josh Kurp called, “one of the most original, thought provoking, and The Adventures of Pete & Pete-referencing films you’ll see all year” (the ’90s reverence is far beyond surface here). I will say, however, that the film does span a large swath of Owen’s life and it does focus on the choices we make and the question of whether it’s worse to give in to our imagination or give up on it.
Below, we spoke with Smith in a loose interview that we both agreed felt more like a vibe-y conversation about philosophy than a typical junket chat. ‘90s nostalgia is touched upon as is SpongeBob, but also the nature of making art in an age of disposability and the value of finding things to geek out over at a time when everything is chaos.
It feels like it’s the ’90s moment, where people are very reflective of it, very nostalgic for it. So what does that mean for you as someone who was experiencing it at the tail end?
Yeah, I remember there was this big wave of kids my age being like, “I’m a ’90s kid.” I’m like, we were five in the year 2000.
That’s how I feel about the ’80s, I remember parts, but it’s not really the same experience (as living through all of it).
I will say, the first five years of the aughts had so much bleedover from the ’90s that it wasn’t fully immersive ’90s like culture, but it was the transition period, which I think is why people my age identify with it so much. Or maybe it’s just that the ’90s has a cool factor. When I think of the ’80s, I don’t think cool. I think loud. I think expressive. The ’70s, I think of chill. I think of groovy, I think of weed. But the ’90s, I feel like it’s like the aesthetic was admirable. ’90s fashion is coming back. I mean, I’m wearing a COOGI sweater right now. ’90s fashion has a grip on us right now, and ’90s movies were incredible. ’90s hip-hop was the best era of hip-hop. So I think the ’90s just did a lot of things right.
It also feels like the last era that you can get your hands around. Things were a little bit more, not in control, but it was before the explosion of content, before the internet really took full bloom and we kind of had an expanded view of the universe. Maybe there’s a kind of nostalgia for that, when things were simpler, like we all have with childhood.
Yeah, I think that’s definitely it. Yeah. The internet has made these decades less defined. Everything is more gradual and less succinct, and I think there are pros and cons, obviously to having access to so much information all the time. But I think one of the cons is that culture is almost shifting too quickly. Every week there’s something trending, and it’s hard to define a period of 10 years with a certain aesthetic. Although the year 2000 to 2010 has a specific aesthetic, and the 2010s, I watch a lot of influencers who reflect on what the 2010s actually felt like and looked like. I never defined it for myself, but it was really specific. I mean, a lot of that culture was online culture. It was like when the internet was defining itself as a culture, you know what I mean?
Yeah, because it feels so co-opted now, the space is so polluted now by every corporation having its own personality and everything like that.
Yeah, capitalism is crazy right now. Everything is kind of bleak and recycled.
Obviously, you don’t have the experience of what it was like to drop a movie in 1995, but knowing how things work, and knowing how quickly culture moves now, to your point, is there a longing for something that you’ve never known? Do these things feel disposable to you in a way that feels unfair? I know, like me personally, when I do an interview, 15, 20 years ago, if I did an interview with you, it would be in a magazine, and it would be on a stand for a month, and people would read it for a while. And now it’s on a website, and then there’s another post, and another post, and another post on Twitter, and it’s gone.
Yeah. People click on it and then they forget about it.
Yeah, and to be honest, it bothers me. But that’s an interview. When you’re putting months and months of time into a movie that’s going to go up, and in a week there’ll be another movie, and another movie. Does that disposability of culture bother you?
Yeah, it was a hard thing to adjust to. I really thought in my young 20s, I still believed this idea that if you work hard, you reap the benefits, and that’s just not really true. It’s like, we live in a day and age where it’s like you work hard, you finish something, and then it’s onto the next thing. It’s not about finished product. It’s about resume. It’s about how many products are on the shelf. It’s about quantity, more than it is quality. And again, it’s the internet. There’s so much fucking content.
It’s just an engine that constantly needs to be fueled.
Yeah. Everything can’t really have a spotlight, because if everything has a spotlight, then nothing does.
It’s an engine that needs to constantly be fueled but sometimes you wonder if it’s a hunger that exists in the market, or is it just a hunger that exists in the C-suite.
Yeah, I think it’s in the C-suite. No, I think it’s a hunger of the C-suite. I think it’s driven by money, as is everything. And I think that it’s also that our attention spans have been shortened and shortened gradually over time with social media, and I think that ultimately makes the market hungry for more and more content. So I think it’s all feeding each other. They’re all cogs in this larger machine.
With this and the focus that this character has on the importance of this show to him, I am curious about whether you had a show that you really attached to when you were younger, and also curious if you feel in general that maybe we’re sometimes too hard on ourselves for the shows that we loved when we were younger?
I liked a lot of darker fare, like Goosebumps, Are You Afraid of the Dark, and Don’t Look Under the Bed. And even lighter, darker fare like Grim Adventures Of Billy And Mandy, or Nightmare Before Christmas. It’s like children’s goth, children’s horror – I was always drawn to that kind of stuff. At the same time, I had this unhealthy obsession with SpongeBob Squarepants, where my whole room was decorated with SpongeBob paraphernalia. And I mean now you’re seeing so many millennials reflect on how SpongeBob is the basis of their humor.
It really defined humor for a generation. And I mean, it still holds up. I watch those fucking first three seasons, the ones I grew up with, to this day from time to time, and I’m like, this shit is still funny to me. And that’s not always the case when you watch your old childhood favorites. A lot of times, just like in the movie, a lot of times you revisit and it’s not what you remember. It doesn’t evoke the same feelings, but SpongeBob holds up. And as a kid, it’s like liking SpongeBob was gay, liking SpongeBob wasn’t cool. And then it is so amazing to see how many people my age on TikTok, and Instagram, and stuff, all their reference points are SpongeBob quotes. I love that. It’s like we were all watching it. It’s unifying.
Does this movie provoke any kind of existential question within yourself about… I don’t want to give too much away, but the question of whether it’s worse to lose yourself to your imagination or lose your imagination is explored in the film.
I realize I didn’t answer the second part of your last question, but I feel like that kind of has to do with this, where I don’t actually think there’s anything wrong with obsessing over media, obsessing over a show, or a movie, or a book that just calls you, that you really connect to. Because I think that a lot of times as people, when we’re shaping our identities, specifically in our youth, we need reference points. And there’s a reason why we’re attracted to things that we’re attracted to. And we don’t always live in safe environments to explore all that our identities can be. And media can be a lightning rod of experimentation. It can expedite the process of identity.
And connection.
Sure, yeah, connection as well. But I think that the power of art is seeing yourself represented. It doesn’t even have to be literally, it can be in a cartoon sponge or whatever. It could be in a vampire slayer, like Buffy or something, or whatever it is. But you find elements of that character, of that world that just ring out parts of you, authentic parts of you. And I think that’s really important to self-formation.
If I turn this camera around, it’s just a whole wall of stuff that I’m sparing you from having to see – Batman statues, Indiana Jones, Thundercats. So obviously, I’m very much in line with the things that I grew up with, things that I love, but I’m also conscious that there is a danger sometimes in falling too far down that rabbit hole, and closing yourself off to other art, and new things, and new experiences, and new characters, and new worlds. Is that ever a concern: finding too much comfort, too much comfort food in the media that we love? Is that ever a concern, in your opinion?
I think that’s a really good question. I think that anything in excess can be dangerous, but I don’t know why I’m leaning towards the solace of fantasy. The solace of escapism.
I think sometimes it’s that it’s a chaotic world and whatever gets you through the night, to quote an old song.
Exactly. Whatever helps you. I don’t think the world is that safe of a place. And so, it is all of our individual journeys to parent ourselves and to find our safe spaces, and find the things that regulate us. That is our responsibility as individuals. And so, if that for you is Batman, or if that for you is a film, or a TV show, or a movie, then so be it. If that calms you, if that helps you get through the day, helps you get through life, I think that is the beauty of art. That is why people have been making art since the beginning of time. I think the imagination is a beautiful thing. I don’t think there’s anything wrong with living in it.
‘I Saw The TV Glow’ is in limited theaters right now and goes wide release on May 17.
Back in February, we saw genre-hopping rising star Audrey Nuna team up with Teezo Touchdown on “Starving,” kicking off the singer-songwriter’s 2024 with a bang. She continues to delve into that spacey sound on her latest single, “Jokes On Me,” which dropped today with a video that finds her donning an astronaut-chic outfit and doing some soul-searching in the desert.
Nuna explained the song in the press release as being “about going through ups and downs with someone to realize in the end that the irony is pointing right back at you.” She also detailed its origins, recalling, “I wrote this song in Joshua Tree around close friends. The melody and words were inspired by the guitar chords that were playing. We were all sitting around in a dark home studio set-up and the melody was a one-take. Being around people that I could feel vulnerable with allowed the song to happen naturally.”
In addition to dropping new music, Audrey Nuna has also been exploring her love of fashion with the SYKY platform. The result, “Glamour as Armour,” is available for purchase now exclusively on SYKY.com and appears on the cover art for “Jokes On Me.” You can watch Audrey Nuna’s “Jokes On Me” video above.
The NBA is going to take a look at everything that went on with Patrick Beverley in the aftermath of the Milwaukee Bucks’ season coming to an end on Thursday night in Indiana after a loss to the Pacers. Beverley threw a basketball twice at a fan in the stands — allegedly because the fan screamed “Cancun on 3” — and in the locker room after the game, he refused to speak with ESPN producer Malinda Adams because she does not subscribe to his podcast.
Emotions run really high after you get eliminated from the playoffs, but it’s pretty universally believed that Beverley crossed a line here — he presumably did not know about the later incident at the time, but Charles Barkley called for a suspension due to the run-in with the fan. And on the most recent episode of his podcast, Draymond Green expressed his belief that this is going to be a tough situation for Adam Silver to navigate.
“Adam is going to have a problem on his hands… that is forbidden for us”
“Pat keeps having these instances after they lose in these playoff games — that one might’ve been crazier than the [Chris Paul] push,” Green said. “Because it opens up an entirely different can of worms. Adam’s gonna have a problem on his hands with this one, because it’s about as close as you can get to going in the stands. That is forbidden for us.”
Green then expressed his belief that Beverley handled the situation with Adams poorly, in large part because he wants to try and take the opposite approach because he appreciates the way the NBA supports podcasts within its ecosystem. He then addressed Beverley directly and essentially told him to chill out.
“Pat, you can’t keep having these moments, man, at the end of these losses,” Green said. “You’re starting to look like the kid that’s gonna grab the ball and say, ‘I’m going home, I can’t play, we’re outta here, we’re leaving the park, it’s my ball.’ Come on, Pat.”
What do Trix, Cookie Crisp, Cinnamon Toast Crunch, Lucky Charms, Honey Nut Cheerios, and Reese’s Puffs have in common? A handful of things: They’re all types of breakfast cereal (duh), they’re all made by General Mills, and now, they all have K-pop titans Tomorrow X Together on their boxes.
How To Buy Tomorrow X Together’s Limited-Edition General Mills Cereal Boxes
Some of the group’s members shared comments about the partnership. Soobin, who will grace the Trix box, says, “What I love about the collaboration with General Mills is the unique and adorable characters of each cereal. My favorite is the Silly Rabbit from Trix. I think it’s a great match for me!” Hueningkai, who landed on the Cinnamon Toast Crunch box, says, “I think MOA will be delighted to see us featured in the General Mills packages on the store shelves! I hope everyone starts their day energetically with TXT limited edition cereals.” Lastly, Yeonjun, who’s on the Cookie Crisp Box, says, “I’m excited about the collaboration because General Mills is a brand that everyone can enjoy together. I hope many people will like the TXT limited edition, too!”
Beyond that, Beomgyu is featured on Lucky Charms, Taehyun on Honey Nut Cheerios, and a TXT group photo can be found on Reese’s Puffs boxes exclusively in Walmart stores. The boxes feature cutout standees, and all group members are represented across the various cereals.
The limited-edition boxes are in stores now, as is the group’s latest EP, Minisode 3: Tomorrow.
It’s no secret that JJ Redick has NBA coaching aspirations. The current top game analyst for ESPN and host of various podcasts interviewed for the Charlotte Hornets vacancy this offseason and has made it known that he wants to be a head coach at some point, following the player to broadcaster to coaching pipeline that others like Steve Kerr and Mark Jackson have taken.
The question, of course, is what team would be willing to bring in a young coach with little experience on the bench, but clearly has a strong understanding of the game. It would be almost a necessity for Redick to go into a situation where he had the respect and co-sign of the best player on the team, as that would go a long way into getting buy-in from the rest of the squad since he does not have a past track record to point to in order to command that kind of immediate respect.
One of Redick’s current podcasts is “Mind the Game”, in which he and LeBron James sip wine and discuss the finer points of basketball. It just so happens that the Lakers head coaching job has come open after the team fired Darvin Ham on Friday, and Redick was immediately listed as one of the top candidates for the vacancy.
The Los Angeles Lakers have parted ways with coach Darvin Ham, and sources tell me and @jovanbuha an extensive search will commence soon, with candidates such as Mike Budenholzer, Kenny Atkinson, JJ Redick and, if he becomes available, Ty Lue among others.
We’ll see if the Lakers are willing to make that leap with Redick, but it would be pretty incredible if he parlayed a podcast with James talking about X’s and O’s into the Lakers head coaching job. That’s not to say it couldn’t work, Redick is clearly a very smart basketball guy, but it would be a very 2024 way to get a highly coveted coaching job.
For someone with a refined comedic palate, Jerry Seinfeld sure knows how to pick movies. He’s starred in classic films like Bee Movie and The Adventures of Rocky and Bullwinkle, so he knows what’s funny and what’s not funny. Unfortunately, most critics believe his latest flick Unfrosted is simply Not Funny.
The movie, both starring and directed by Seinfeld, follows the riveting origin story of Pop-Tarts, the preferred breakfast snack to eat with one hand. Making movies about breakfast products might seem like a good idea to marketing execs and enemies of oatmeal, but not to people who enjoy good movies.
Unfrosted has been panned by critics, with some calling it “one of the decade’s worst movies.” Keep in mind that Bee Movie was released in 2007. Here’s what other critics are saying about the movie, which is now available on Netflix.
Considering we’re in a world where Barbie can make $1.4 billion and become a commentary on feminism and the patriarchy, or Tetris, Air Jordans, and Flamin’ Hot Cheetos can get their own halfway decent biopics, it’s a shame Unfrosted doesn’t try a bit harder. Again, even a film like Weird managed to make its jokes and cameos work as part of a larger story, whereas Unfrosted always puts the story itself on the back burner.
The Wrap‘s William Bibbiani called the film “unfilling:”
If you thought Jerry Seinfeld’s funniest moments were in his American Express ads, then Unfrosted is the film for you. The detached and generic jokes all play out with a bright, rhythmless conformity. There’s a non-stop cavalcade of celebrity cameos which aren’t funny because for the most part, the whole joke is that they’re celebrity cameos. The humor is thuddingly blunt and the punchlines constantly call attention to themselves, which robs them of their punch. There’s a scene where Jerry Seinfeld’s bathrobe is accidentally blown off but apparently the gag wasn’t obvious enough so there’s also a reaction shot from a plastic squirrel. Please laugh.
The Guardian‘s Peter Bradshaw was a little kinder:
There’s a steady stream of excellent gags, creating a rising crescendo of silliness similar in effect to Seinfeld’s own distinctive falsetto-hysterical declamation at the moment of ultimate joke-awareness… As a whole, it’s not exactly a masterpiece, but amiable and funny in a way that’s much harder to achieve than it looks.”
IndieWire‘ David Ehrlich called Unfrosted “painfully stale:”
Seinfeld used to say in his standup that Pop-Tarts can’t go stale because they were never fresh to begin with. As a one-liner, that was kinda funny. As the entire comedic ethos behind a 90-minute film, not so much.
[Unfrosted] is one of the decade’s worst movies. I’m surprised … Seinfeld, one of the sharpest and most observant comedic minds of his generation, didn’t halt production halfway through, call time of death and apologize to everyone for wasting their time. Unfrosted is so consistently awful it makes the aforementioned Flamin’ Hot seem like The Social Network. If there was a thing called the IMDB Witness Protection Program whereby you could get your name taken off the credits of a particular project, this would be that project.”
With no inspired perspective on its subject matter, the film proves a soggy attempt at deriving humor from a breakfast-wars premise that seems better fit for a five-minute Saturday Night Live sketch—and doesn’t come close to matching the genuine madness of the Pop-Tarts Bowl’s death-by-consumption showstopper.
All in all, please remember: the best Pop Tart flavor is brown sugar cinnamon.
It has been five years since Rapsody released Eve and her fans were getting antsy for a new album. Fortunately, she announced in March that her fourth studio album, Please Don’t Cry, is coming soon. She began the rollout with the single “Stand Tall” and an intimate conversation with actress Sanaa Lathan, demonstrating just what kind of inspirational and vulnerable material would appear on the album. Today, she continues the rollout with another new single, “3:AM,” a romantic late-night jam featuring none other than neo-soul godmother Erykah Badu.
In addition to releasing the usual set of lyrics videos and visualizers, Rap also shared a live performance video taken from Erykah Badu’s annual birthday bash concert in Dallas. The lyrics find the North Carolina native addressing a longtime lover and how he helps make her feel safe. “Not afraid to show my insecurities like Issa / Love makin’, booty clappin’ like Netty and Ceile / Netflix askin’ if we still watchin’ TV,” she rhymes. Meanwhile, on the chorus, Ms. Badu croons, “I remember late nights with you / What you like in the mornin’?”
Watch Rapsody’s ‘3:AM’ live performance video with Erykah Badu above.
Please Don’t Cry is due on 5/17 through We Each Other / Jamla Records / Roc Nation Records.
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