April 19 marks the 30th anniversary of Nas’ iconic Illmatic album, and Nas is celebrating in a few different ways. First, he and DJ Premiere — who produced “NY State Of Mind,” “Represent,” and “Memory Lane (Sittin’ In Da Park)” from Illmatic shared a new song, “Define My Name.” The song, it turns out, is a preview of a collaborative album the pair is planning to release later this year.
Beyond that, Nas also announced the Illmatic 30 Year Anniversary Tour, which is set to hit Europe and the UK in October and November.
Listen to “Define My Name” above and find Nas’ upcoming tour dates below.
Nas 2024 Tour Dates: Illmatic 30 Year Anniversary Tour
10/22 @ Helsinki, Finland @ House of Culture
10/24 @ Stockholm, Sweden @ B-K
10/25 @ Copenhagen, Denmark @ Kb Hallen
10/27 @ Cologne, Germany @ Palladium
10/30 @ Milan, Italy @ Fabrique
10/31 @ Zurich, Switzerland @ Halle 622
11/02 @ Vienna, Austria @ Gasometer
11/03 @ Berlin, Germany @ Uber Eats Music Hall
11/05 @ Amsterdam, Netherlands @ AFAS Live
11/07 @ Paris, France @ Le Zenith
11/08 @ Offenbach, Germany @ Stadthalle Offenbach
11/10 @ Manchester, UK @ Victoria Warehouse
11/11 @ Edinburgh, UK @ Usher Hall
11/14 @ Wolverhampton, UK @ Civic Hall
11/15 @ London, UK @ Royal Albert Hall
As George Miller prepares to unleash his highly-anticipated prequel, Furiosa: A Mad Max Saga, some fans have been concerned that the new film starring Anya Taylor-Joy might not match the same technical level as Mad Max: Fury Road.
Well, worry no more.
According to the latest issue of Total Film, Furiosa reportedly includes a 15-minute action sequence called the “Stairway to Nowhere” that took 78 days to shoot. That’s over two months, and much like the wildly intricate stunt work on Fury Road, the sequence involved the use of nearly 200 stunt people every single day.
“George and I would have these big conversations about why this particular set-piece was so long,” Taylor-Joy told Total Film. “It’s because you see an accumulation of skills over the course of a battle, and that’s very important for understanding how resourceful Furiosa is, but also her grit. It’s the longest sequence any of us have ever shot. On the day we finished, everybody got a ‘Stairway To Nowhere’ wine!”
Here’s the official synopsis for Furiosa: A Mad Max Saga:
As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.
Furiosa: A Mad Max Saga rides into theaters on May 24.
Natasha Bedingfield got a Kate Bush on Stranger Things-like bump in popularity when her 2004 adult contemporary classic “Unwritten” was played in Anyone But You. Not just once, either, but multiple times, including over the end credits. (Cast sing-alongs as the credits roll? Rom-coms are back.) “Unwritten” still must mean a lot to Anyone But You star Sydney Sweeney, as she recently sang it at karaoke while dressed as a pirate.
“what’s a pirates favorite letter?” the actress wrote on Instagram, along with photos where she’s at sea with a bunch of other people dressed as buccaneers (and one plastic skeleton). She also included the video where she’s singing “Unwritten.” Is she auditioning for the next Pirates of the Caribbean? Cue the conservative outrage over pirates being woke now.
Earlier this year, Bedingfield told British GQ about how “Unwritten” ended up in Anyone But You. “I get a lot of requests for my different songs to go in movies, but I love when it’s a rom-com because I really am a rom-com fan. My publishers [said] it’s being used a lot, and I’m like, ‘Yeah, yeah,’ and then I watched it and wow. They told me they actually sang the song in every single scene,” she said. It was a bop then, and it’s still a bop now.
There are few things as frightening to a parent than losing your child in a crowded place like a shopping mall, zoo, or stadium. The moment you realize your child is missing, it’s impossible not to consider the terrifying idea they may have been kidnapped.
A woman in New Zealand recently lost her son in a Kmart but was able to locate him because of a potentially life-saving parenting hack she saw on TikTok a few months ago.
The woman was shopping at the retailer when she realized her two-year-old son Nathan was missing. She immediately told a friend to alert the staff to ensure he didn’t leave through the store’s front exit.
“Another friend searched the area he was last seen,” the mom wrote in a Facebook post.
The mother began looking for him by rummaging through clothes racks and running through the aisles.
It was the “scariest 10 minutes of my life” she later wrote.
But then she remembered a parenting hack she saw on TikTok by blogger Jess Martini. “If your child goes missing, screw the stares and start calling out their description,” the mother recalled.
“I’m missing a little boy, he’s wearing a yellow shirt and has brown hair. He’s two years old and his name is Nathan!” she called out to the rest of the store while reminding herself not to “break down” in tears.
“You need people to understand you loud and clear,” she said.
The mother’s calls immediately deputized everyone who heard them to begin looking for the child. It was like multiplying the search by a factor of 10. “I turned an aisle and heard ‘He’s here!'” she wrote. “I turned back the way I came and there he was. A man had walked past him after hearing me calling out.”
She immediately thanked the man, realizing that if she hadn’t called out he may have never known the child was missing. “Nate would have walked past him and he wouldn’t have blinked,” she said.
In November, parenting blogger Jess Martini posted a video sharing the best way for parents to locate a missing child. It’s great advice because the knee-jerk response is usually to just call out their name or silently run around looking.
“To all parents out there, if your child goes missing, do not search in silence or just call out their name,’ Martini says in the video. “Shout out loud and clear. Say they’re missing, give a description and repeat, repeat, repeat!”
“Everyone will be on alert, and if someone is trying to take off with your kid, it will decrease the chances of them getting away,” she added.
The advice is a great reminder to make a mental note of what your child is wearing when you go out, so if they go missing, you can easily provide a description. It also proof that when a parent needs help, most people are more than willing to lend a hand.
Have you ever ridden in an Uber or a Lyft and had the driver talk a lot when you felt like being quiet? Or not say a word when you tried to make conversation? Or play music you found annoying?
When you hop into a driver’s car, it’s a crapshoot what kind of ride you’re going to have. But at least one Lyft driver is removing the mystery a bit by letting passengers choose.
Facebook user Eric Alper shared a post that showed a photo of a piece of paper stuck on the back of a car’s headrest that read:
“Welcome to Cameron’s car!!!”
“To ensure the best ride possible for you, I have prepared a menu of the various types of rides I offer. Just choose one (or don’t, that’s an option too) then sit back, relax and enjoy the ride. :)”
Then it listed the 10 ride options Cameron offers:
1. The Awkward Ride – You ignore this menu completely, then we will sit in silence for the remainder of the ride.
2. The Funny Ride – I tell you jokes or entertaining stories from my life.
3. The Silent Ride –
4. The Creepy Ride – I don’t say anything but I keep staring at you in the rearview mirror.
5. The Karaoke Ride – We rock out to hits from the 80s, early 2000s or literally whatever you want.
6. The Bubbles Ride – We blow bubbles the whole time.
7. The Small Talk Ride – We talk about how crazy the weather’s been lately and I ask if you caught the game last night.
8. The Therapy Ride – You vent to me about your problems and I listen.
9. The Drunk Ride – You throw up in my car.
10. The Cliche Ride – You ask me how long I’ve been driving for Lyft.”
OK, the Bubbles Ride sounds fun, but also maybe a little dangerous. And the Drunk Ride is the main reason I’ve never wanted to be a Lyft or Uber driver. I may have unintentionally taken a both a Therapy Ride and a Creepy Ride before.
But seriously, the concept is fabulous. People often want something different in a ride depending on their mood, so the idea of having options to choose from is brilliant. The list also directly addresses the awkwardness that is often present when you’re getting a ride from someone, so it makes a natural icebreaker and conversation starter—particularly helpful for folks who struggle with social anxiety.
People in the comments loved it.
“I’m sure this wasn’t the intention but this is a great example of disability accommodations that everyone can enjoy,” wrote one person. “Being able to choose how much energy I expend is so helpful.”
“There should be a feature on both Uber and Lyft indicating what type of ride a rider wants or expects,” wrote another. “I usually don’t talk, but sometimes the driver keeps persisting and I feel awkward at times.”
“It clears the air, takes the awkwardness out of it, and establishes expectations for the ride, on both sides,” wrote another. “Great idea.”
There are some more options I’d love to see added, though:
The Pep Talk Ride – You need encouragement? I’ll give you everything I’ve got to pump you up.
The Tour Guide Ride – I share interesting details about places we pass and offer advice on cool things to do around the area.
The Life Story Ride – We estimate how long your ride will be, set a timer, and each of us shares our life story for half the ride. (No questions, unless the ride goes longer.)
The Deep Questions Ride – We skip the small talk and get right to the big stuff—meaning of life, existence of God, our place in the universe, etc.
The High School Debate Ride – We pick a controversy, flip a coin to decide who will take which side, and debate regardless of our own personal views.
The Pretend Persona Ride – We each make up totally fake names and personas and converse as them so we can chat without actually getting personal at all.
So many possibilities. What kind of ride would you want to take?
A recent study by the National Center for Education Statistics found that 87% of public schools say the COVID-19 pandemic has negatively impacted students’ socio-emotional development. Respondents have also said there has been a significant increase in student misconduct.
However, a teacher with 24 years of experience in the U.S. and abroad believes we are misplacing blame for this rise in misconduct. In a viral TikTok video with over 480,000 views, Lisa Conselatore claims that the big problem isn’t the pandemic but modern parenting.
“The problem is cultural,” Conselatore says. “We have raised children to think that they are absolutely the most important person in any room. They are so special that whatever they want to do, or whatever they think, or whatever they say is the most important thing in that moment.”
“I know your children are special to you. I know that my children are special to me,” she continues. “But none of them are the most special person ever in the room at any time. They’re not. Nobody is because we live in a society and we all have to get along and we all have to respect one another and part of respecting one another is recognizing when you have a contribution to make and when you need to sit there and open your ears. … We don’t have that down. We’ve missed it.”
In the video, Conselatore lays some pretty big blame on America’s parents, but she also offers some simple solutions to improve the situation.
“Teach them when to listen, taking a turn to speak. Speak when it’s appropriate. When you have something to say and. It’s your turn,” she says. “Let’s reevaluate our family cultures, our community cultures, and our larger society cultures. Because of this is not working, not working.”
Molly, an adorable, affectionate 10-year-old pit bull, found herself tied to a tree after her owners had abandoned her.
According to The Dodo, Molly had “always been a loyal dog, but, unfortunately, her first family couldn’t reciprocate that same love back,” and so when the house was sold, neither Molly nor the family’s cat was chosen to move with them. While the cat was allowed to free roam outside, all Molly could do was sit and wait. Alone.
Luckily, the young couple that bought the house agreed to take the animals in as part of their closing agreement, and as soon as the papers were signed, they rushed over to check in.
In a TikTok video, April Parker, the new homeowner, walks up to Molly, who is visibly crestfallen with teary eyes. But as soon as Parker begins cooing, “Baby girl…you’re gonna get a new home,” the pitty instantly perks up—all smiles and tail wagging.
“We are going to make her life so good,” Parker wrote in the video’s caption. “She will never be left all alone tied to a tree.”
@geaux75 The people that sold our house to us left behind their 10yr old dog they had since it was a puppy. I was so stressed we wouldnt get the house and something bad would happeb to her. We are going to maje her life so good. She will never be left all alone tied to a tree. 😭😢@roodytoots ♬ Running Up That Hill (A Deal With God) [2018 Remaster] – Kate Bush
The video has been seen upwards of 4 million times. Countless people commented on how enraging it was to see a dog treated so carelessly.
“I’ve had my dog since she was 7 weeks old. She just turned 10 a few days ago. I literally cannot imagine doing this,” one person wrote.”
Another added: “The tears in her eyes…she doesn’t understand why they could just leave her, it breaks my heart. People like that shouldn’t be allowed to be pet owners.”
Subsequent videos show Parker freeing Molly from her leash and introducing the sweet pup to her husband, with whom she was instantly smitten. It’s clear that this doggo was both relieved and elated to be taken in by her new family.
Since being rescued, Molly has accompanied her new mom and dad everywhere.
“She’s sticking to our side,” Parker wrote. “She won’t stop following us around. It’s so sweet.”
Parker has created an entire TikTok channel documenting her newfound pet’s journey, aptly named “Molly’s New Life,” showing Molly enjoying warm baths, plenty of treats, cuddles…all the finer things in life.
But what Molly seems to enjoy most of all is car rides:
Molly also has two indoor cat siblings who instantly welcomed her into the family. The video below shows one of them, Joofus, comforting a trembling Molly with kisses during a thunderstorm.
@geaux75 We had a big storm this morning and Molly was having a hard time. Joofus got on the bed and started comforting her. It was the sweetest thing. They got snuggled up and Molly went to sleep. Animals are amazing. #mollysnewlife#petsarefamily♬ I Won’t Let Go – Rascal Flatts
It seems that Molly has gotten the safe, loving home she’s deserved all along.
We know that animal abandonment is fairly common. According to The Zebra, almost 4 million dogs are either given up to shelters or abandoned each year. And still, it’s really hard to fathom how humans can treat such innocent creatures with such blatant disregard when they provide so much pure joy.
Thankfully, there are folks out there like the Parkers who know that taking care of animals like Molly is one of life’s most precious offerings.
Stay up-to-date with the rest of Molly’s journey by following her on TikTok.
Nineteen-sixty-nine was a pivotal year in American culture. The hippies and the counterculture were ascendant, and everything that came before in entertainment was as square as can be.
In cinema, there was the world before and after 1969’s “Easy Rider.” In music, the Woodstock Music and Arts Fair was a defining moment for the new era, and on television, the anti-establishment “Smothers Brothers Comedy Hour” divided households over its anti-war stance.
In September of that year, Crosby, Stills, Nash and Young (CSN&Y) were asked to play a duet with Welsh singer Tom Jones on his television show and the pairing was a perfect example of the culture clash. Jones was famous for his hit songs “It’s Not Unusual” and “What’s New Pussycat?” and was adept at dodging panties being thrown at him by the adoring ladies in the audience.
CSN&Y had just played Woodstock and were known for the anti-war anthem “Wooden Ships” and “Long Time Gone” about the assassination of Robert Kennedy.
For the performance, Jones and CSN&Y played a rendition of “Long Time Gone,” and what’s impressive is that Jones does not hold back and forced the rest of the band to keep up. Steven Stills, on electric piano, tries his best to match Jones’ bravado on his lines but falls short.
David Crosby has a look on his face of pure awe when he looks at Jones (although he was known for being in “awe” quite often in the days).
Throughout the performance, the hard-to-impress Neil Young seemingly goes from a look of pure disdain to “This rocks.” The performance is an excellent example of music’s ability to bridge cultural divides and bring people together.
Tom Jones & Crosby, Stills, Nash & Young – Long Time Gone – This is Tom Jones TV Show
All in all, there are a whopping 31 new songs here, so let’s take a look at who is credited with working on the album, track by track.
1. “Fortnight” Feat. Post Malone
Producer: Jack Antonoff, Taylor Swift Composer: Austin Post, Jack Antonoff, Taylor Swift Lyricist: Austin Post, Jack Antonoff, Taylor Swift Acoustic Guitar: Jack Antonoff Associated Performer: Jack Antonoff, Louis Bell, Post Malone, Sean Hutchinson, Taylor Swift Asst. Recording Engineer: Jack Manning, Jon Sher, Lauren Marquez Drums: Jack Antonoff, Sean Hutchinson Electric Guitar: Jack Antonoff Featured Artist: Post Malone Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Jack Antonoff Programming: Jack Antonoff Recording Engineer: Laura Sisk, Michael Riddleberger, Oli Jacobs, Sean Hutchinson Studio Personnel: Bryce Bordone, Jack Manning, Jon Sher, Laura Sisk, Lauren Marquez, Louis Bell, Michael Riddleberger, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea Synthesizer: Jack Antonoff Vocal Engineer: Louis Bell Vocal Producer: Louis Bell Vocals: Post Malone, Taylor Swift
2. “The Tortured Poets Department”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Acoustic Guitar: Mikey Freedom Hart Associated Performer: Evan Smith, Jack Antonoff, Michael Riddleberger, Mikey Freedom Hart, Taylor Swift, Zem Audu Asst. Recording Engineer: Jack Manning, Jon Sher Background Vocalist: Jack Antonoff Bass: Mikey Freedom Hart Cello: Jack Antonoff Drums: Michael Riddleberger Electric Guitar: Mikey Freedom Hart Hammond B3: Mikey Freedom Hart Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Piano: Jack Antonoff, Mikey Freedom Hart Programming: Jack Antonoff Recording Engineer: David Hart, Evan Smith, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Sean Hutchinson, Zem Audu Studio Personnel: Bryce Bordone, David Hart, Evan Smith, Jack Manning, Jon Sher, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea, Zem Audu Synthesizer: Evan Smith, Jack Antonoff, Zem Audu Vocals: Taylor Swift
3. “My Boy Only Breaks His Favorite Toys”
Producer: Jack Antonoff, Taylor Swift Composer: Taylor Swift Lyricist: Taylor Swift Associated Performer: Jack Antonoff, Taylor Swift Asst. Recording Engineer: Jack Manning, Jon Sher Bass: Jack Antonoff Drums: Jack Antonoff Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Piano: Taylor Swift Programming: Jack Antonoff Recording Engineer: Laura Sisk, Oli Jacobs Studio Personnel: Bryce Bordone, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea Synthesizer: Jack Antonoff Vocals: Taylor Swift
4. “Down Bad”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Associated Performer: Evan Smith, Jack Antonoff, Mikey Freedom Hart, Sean Hutchinson, Taylor Swift, Zem Audu Asst. Recording Engineer: Jack Manning, Jon Sher Drums: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mellotron: Mikey Freedom Hart Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Jack Antonoff, Sean Hutchinson Piano: Jack Antonoff Programming: Jack Antonoff Recording Engineer: Jack Manning, Laura Sisk, Michael Riddleberger, Oli Jacobs, Sean Hutchinson
5. “So Long, London”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Associated Performer: Aaron Dessner, Benjamin Lanz, Taylor Swift Drum Programming: Aaron Dessner Electric Guitar: Aaron Dessner Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Piano: Aaron Dessner Recording Engineer: Aaron Dessner, Bella Blasko, Benjamin Lanz, Jonathan Low Studio Personnel: Aaron Dessner, Bella Blasko, Benjamin Lanz, Bryce Bordon, Jonathan Low, Randy Merrill, Ryan Smith, Serban Ghenea Synthesizer: Aaron Dessner, Benjamin Lanz Vocals: Taylor Swift
6. “But Daddy I Love Him”
Producer: Aaron Dessner, Jack Antonoff, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Acoustic Guitar: Aaron Dessner, Jack Antonoff Associated Performer: Aaron Dessner, Bobby Hawk, Evan Smith, Jack Antonoff, Mikey Freedom Hart, Sean Hutchinson, Taylor Swift, Zem Audu Asst. Recording Engineer: Jack Manning, Jon Sher Background Vocalist: Jack Antonoff Bass: Jack Antonoff Cello: Jack Antonoff Drums: Sean Hutchinson Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mellotron: Jack Antonoff Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Programming: Jack Antonoff Recording Engineer: Bella Blasko, David Hart, Evan Smith, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Sean Hutchinson, Zem Audu Strings: Bobby Hawk Studio Personnel: Bella Blasko, Bryce Bordone, David Hart, Evan Smith, Jack Manning, Jon Sher, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea, Zem Audu Synthesizer: Evan Smith, Jack Antonoff, Mikey Freedom Hart, Zem Audu Vocals: Taylor Swift
7. “Fresh Out The Slammer”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Acoustic Guitar: Jack Antonoff Associated Performer: Jack Antonoff, Taylor Swift Asst. Recording Engineer: Jack Manning, James Snider, Jon Sher Drums: Jack Antonoff Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Organ: Jack Antonoff Percussion: Jack Antonoff Programming: Jack Antonoff Recording Engineer: Laura Sisk, Oli Jacobs Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jesse Snider, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea Synthesizer: Jack Antonoff Vocal Engineer: Christopher Rowe, Laura Sisk Vocals: Taylor Swift
8. “Florida!!!” Feat. Florence + The Machine
Producer: Jack Antonoff, Taylor Swift Composer: Florence Welch, Taylor Swift Lyricist: Florence Welch, Taylor Swift Acoustic Guitar: Jack Antonoff Associated Performer: Florence Welch, Jack Antonoff, Taylor Swift Asst. Recording Engineer: Jack Manning, James Snider, Jon Sher Bass: Jack Antonoff Cello: Jack Antonoff Drums: Florence Welch, Jack Antonoff Electric Guitar: Jack Antonoff Featured Artist: Florence and the Machine Mastering Engineer: Randy Merrill, Ryan Smith Mellotron: Jack Antonoff Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Florence Welch Piano: Florence Welch, Jack Antonoff Programming: Jack Antonoff Recording Engineer: Ben Loveland, Laura Sisk, Oli Jacobs Studio Personnel: Ben Loveland, Bryce Bordone, Jack Manning, Jesse Snider, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea Synthesizer: Jack Antonoff Vocals: Florence Welch, Taylor Swift
9. “Guilty As Sin?”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Acoustic Guitar: Jack Antonoff Associated Performer: Bobby Hawk, Jack Antonoff, Taylor Swift Asst. Recording Engineer: Jack Manning, Jon Sher Bass: Jack Antonoff Drums: Jack Antonoff Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Jack Antonoff Programming: Jack Antonoff Recoding Engineer: Laura Sisk, Oli Jacobs Strings: Bobby Hawk Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea Synthesizer: Jack Antonoff Vocal Engineer: Christopher Rowe, Laura Sisk Vocals: Taylor Swift
10. “Who’s Afraid Of Little Old Me?”
Producer: Jack Antonoff, Taylor Swift Composer: Taylor Swift Lyricist: Taylor Swift Associated Performer: Aaron Dessner, Evan Smith, Jack Antonoff, Michael Riddleberger, Mikey Freedom Hart, Sean Hutchinson, Taylor Swift, Zem Audu Asst. Recording Engineer: Jack Manning, Jesse Snider, Joe Caldwell, Jon Sher Bass: Jack Antonoff Cello: Jack Antonoff Drums: Jack Antonoff, Sean Hutchinson Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mellotron: Jack Antonoff Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Michael Riddleberger Piano: Aaron Dessner, Jack Antonoff Programming: Jack Antonoff Recording Engineer: Bella Blasko, David Hart, Evan Smith, Jack Manning, Joey Miller, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Sean Hutchinson, Zem Audu Studio Personnel: Bella Blasko, Bryce Bordone, David Hart, Evan Smith, Jack Manning, Jesse Snider, Joe Caldwell, Joey Miller, Jon Sher, Jonathan Low, Laura Sisk, Michael Riddleberger, Mikey Freedom Hart, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea, Zem Audu Synthesizer: Evan Smith, Jack Antonoff, Mikey Freedom Hart, Zem Audu Vocals: Taylor Swift
11. “I Can Fix Him (No Really I Can)”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Acoustic Guitar: Jack Antonoff Associated Performer: Jack Antonoff, Taylor Swift Asst. Recording Engineer: Jack Manning, Jon Sher, Rémy Dumelz Bass: Jack Antonoff Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mellotron: Jack Antonoff Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Jack Antonoff Piano: Jack Antonoff Programming: Jack Antonoff Recording Engineer: Laura Sisk, Oli Jacobs Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Rémy Dumelz, Serban Ghenea Synthesizer: Jack Antonoff Vocal Engineer: Christopher Rowe, Laura Sisk Vocals: Taylor Swift
12. “Loml”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Associated Performer: Aaron Dessner, Glenn Kotche, Taylor Swift Drums: Glenn Kotche Keyboards: Aaron Dessner Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Glenn Kotche Piano: Aaron Dessner Recording Engineer: Bella Blasko, Jonathan Low Studio Personnel: Bella Blasko, Bryce Bordone, Christopher Rowe, Jonathan Low, Laura Sisk, Randy Merrill, Ryan Smith, Serbsn Ghenea Synthesizer: Aaron Dessner Vocal Engineer: Christopher Rowe, Laura Sisk Vocals: Taylor Swift
13. “I Can Do It With A Broken Heart”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Associated Performer: Jack Antonoff, Oli Jacobs, Taylor Swift Asst. Recording Engineer: Jack Manning, Joe Caldwell, Joey Miller, Jon Sher, Lauren Marquez Background Vocalist: Oli Jacobs Drums: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Jack Antonoff, Oli Jacobs Piano: Jack Antonoff Programming: Jack Antonoff, Oli Jacobs Recording Engineer: Laura Sisk, Oli Jacobs Spoken Word: Oli Jacobs Studio Personnel: Bryce Bordone, Jack Manning, Joe Caldwell, Joey Miller, Jon Sher, Laura Sisk, Lauren Marquez, Oli Jacobs, Randy Merrill, Ryan Smith, Serban Ghenea Synthesizer: Jack Antonoff Vocals: Taylor Swift
14. “The Smallest Man Who Ever Lived”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Additional Engineer: Beau Sorenson Associated Performer: Aaron Dessner, James McAlister, Jason Slota, Rob Moose, Taylor Swift Bass Guitar: Aaron Dessner Drum Programming: Aaron Dessner Drums: James McAlister Electric Guitar: Aaron Dessner, James McAlister Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: James McAlister, Jason Slota Piano: Aaron Dessner Recording Arranger: Rob Moose Recording Engineer: Aaron Dessner, Beau Sorenson, Bella Blasko, James McAlister, Rob Moose Studio Personnel: Aaron Dessner, Beau Sorenson, Bella Blasko, Bryce Bordone, James McAlister, Laura Sisk, Randy Merrill, Rob Moose, Ryan Smith, Serban Ghenea Synthesizer: Aaron Dessner, James McAlister Viola: Rob Moose Violin: Rob Moose Vocal Engineer: Laura Sisk Vocals: Taylor Swift
15. “The Alchemy”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Associated Performer: Jack Antonoff, Sean Hutchinson, Taylor Swift Asst. Recording Engineer: Jack Manning, Jon Sher Background Vocalist: Jack Antonoff Cello: Jack Antonoff Drums: Jack Antonoff, Sean Hutchinson Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Jack Antonoff Programming: Jack Antonoff Recording Engineer: Laura Sisk, Oli Jacobs, Sean Hutchinson Studio Personnel: Bryce Bordone, Christopher Rowe, Jack Manning, Jon Sher, Laura Sisk, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea Synthesizer: Jack Antonoff Vocal Engineer: Christopher Rowe, Laura Sisk Vocals: Taylor Swift
16. “Clara Bow”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abi Hyde-Smith, Agata Daraskaite, Akiko Ishikawa, Amy Swain, Anna de Bruin, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, Glenn Kotche, Iona Allan, JT Bates, James McAlister, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Ruisi, Morgan Goff, Nicholas Bootiman, Nicole Crespo O’Donoghue, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett Asst. Recording Engineer: Laura Beck Bass Guitar: Aaron Dessner Cello: Abi Hyde-Smith Brian O’Kane, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Aaron Dessner Drums: Glenn Kotche, JT Bates Keyboards: James McAlister, Thomas Bartlett Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner, Glenn Kotche, James McAlister Piano: Aaron Dessner, Thomas Bartlett Recording Arranger: Aaron Dessner Recording Engineer: Bella Blasko, James McAlister, Jeremy Murphy, Jonathan Low, Thomas Bartlett Studio Personnel: Bella Blasko, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Randy Merrill, Ryan Smith, Serban Ghenea, Thomas Bartlett Synthesizer: Aaron Dessner, James McAlister, Thomas Bartlett Viola: Amy Swain, Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Bootiman Violin: Agata Daraskaite, Akiko Ishikawa, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, Iona Allan, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
17. “The Black Dog”
Producer: Jack Antonoff, Taylor Swift Composer: Taylor Swift Lyricist: Taylor Swift Acoustic Guitar: Jack Antonoff Associated Performer: Bobby Hawk, Jack Antonoff, Sean Hutchinson, Taylor Swift Asst. Recording Engineer: Jack Manning, Jon Sher Background Vocalist: Taylor Swift Bass: Jack Antonoff Cello: Jack Antonoff Drums: Jack Antonoff, Sean Hutchinson Electric Guitar: Jack Antonoff Mastering Engineer: Randy Merrill, Ryan Smith Mellotron: Jack Antonoff Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Piano: Jack Antonoff, Taylor Swift Programming: Jack Antonoff Recording Engineer: Jack Manning, Laura Sisk, Michael Riddleberger, Oli Jacobs, Sean Hutchinson Rhodes: Jack Antonoff Strings: Bobby Hawk Studio Personnel: Bryce Bordone, Jack Manning, Jon Sher, Laura Sisk, Michael Riddleberger, Oli Jacobs, Randy Merrill, Ryan Smith, Sean Hutchinson, Serban Ghenea Synthesizer: Jack Antonoff Vocals: Taylor Swift
18. “ImGonnaGetYouBack”
Producer: Jack Antonoff, Taylor Swift Composer: Jack Antonoff, Taylor Swift Lyricist: Jack Antonoff, Taylor Swift Acoustic Guitar: Jack Antonoff Associated Performer: Jack Antonoff, Jack Manning, Taylor Swift Asst. Recording Engineer: Jack Manning, Joey Miller, Jozef Caldwell Drums: Jack Antonoff Keyboards: Jack Antonoff Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Jack Antonoff Piano: Jack Antonoff, Jack Manning Programming: Jack Antonoff Recording Engineer: Laura Sisk, Oli Jacobs Studio Personnel: Bryce Bordone, Jack Manning, Joey Miller, Jozef Caldwell, Laura Sisk, Oli Jacobs, Randy Merrill, Serban Ghenea Synthesizer: Jack Antonoff Vocals: Taylor Swift
19. “The Albatross”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Acoustic Guitar: Aaron Dessner Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abi Hyde-Smith, Agata Daraskaite, Akiko Ishikawa, Amy Swain, Anna de Bruin, Benjamin Lanz, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, George Barton, Glenn Kotche, lona Allan, James McAlister, Julian Azkoul, Kirsty Mangan, Matthew Kettle, Max Rulsi, Morgan Goff, Nicholas Bootman, Nicole Crespo O’Donoghue, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift Asst. Recording Engineer: Laura Beck Bass Guitar: Aaron Dessner Cello: Abi Hyde-Smith, Brian O’Kane, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Aaron Dessner, James McAlister Drums: Glenn Kotche Electric Guitar: Aaron Dessner Guitar: Aaron Dessner Keyboards: Aaron Dessner Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner, George Barton, Glenn Kotche Piano: Aaron Dessner Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, Benjamin Lanz, James McAllister, Jeremy Murphy, Jonathan Low Studio Personnel: Bella Blasko, Benjamin Lanz, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Randy Merrill, Ryan Smith, Serban Ghenea Synthesizer: Aaron Dessner, Benjamin Lanz Viola: Amy Swain, Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Boothman Violin: Agata Daraskaite, Akiko Ishikawa, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, lona Allan, Julian Azkoul, Kirsty Mangan, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
20. “Chloe Or Sam Or Sophia Or Marcus”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Acoustic Guitar: Aaron Dessner Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Benjamin Lanz, Glenn Kotche, JT Bates, Rob Moose, Taylor Swift Bass Guitar: Aaron Dessner Drum Programming: Aaron Dessner Drums: Glenn Kotche, JT Bates Electric Guitar: Aaron Dessner Keyboards: Aaron Dessner Mandolin: Aaron Dessner Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Glenn Kotche Piano: Aaron Dessner Recording Engineer: Bella Blasko, Benjamin Lanz, Jonathan Low, Maryam Qudus Studio Personnel: Bella Blasko, Benjamin Lanz, Bryce Bordone, Christopher Rowe, Jonathan Low, Maryam Gudus, Randy Merrill, Serban Ghenea Synthesizer: Aaron Dessner, Benjamin Lanz Trombone: Benjamin Lanz Viola: Rob Moose Violin: Rob Moose Vocal Engineer: Christopher Rowe Vocals: Taylor Swift
21. “How Did It End?”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abi Hyde-Smith, Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, David McQueen, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, Glenn Kotche, lona Allan, JT Bates, James McAlister, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Ruisi, Morgan Goff, Nicholas Bootiman, Nicole Crespo O’Donoghue, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett Asst. Recording Engineer: Laura Beck Cello: Abi Hyde-Smith, Brian O’Kane, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum: James McAlister Drum Programming: Aaron Dessner Drums: Glenn Kotche, JT Bates Electric Guitar: Aaron Dessner French Horn: David McQueen Keyboards: Aaron Dessner, James McAllister, Thomas Barten Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Glenn Kotche Piano: Aaron Dessner, Thomas Bartlett Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, James McAlister, Jeremy Murphy, Jonathan Low, Thomas Bartlett Studio Personnel: Bella Blasko, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Randy Merrill, Serban Ghenea, Thomas Bartlett Synth Bass: Aaron Dessner Synthesizer: Aaron Dessner, James McAlister, Thomas Bartlett Viola: Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Bootiman Violin: Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, lona Allan, Kirsty Mangan, Marianne Haynes, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
22. “So High School”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Benjamin Lanz, James McAlister, Taylor Swift Bass Guitar: Aaron Dessner Drum Programming: Aaron Dessner, James McAllister Drums: James McAlister Electric Guitar: Aaron Dessner, James McAlister Keyboards: Aaron Dessner Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner Piano: Aaron Dessner Recording Engineer: Bella Blasko, Benjamin Lanz, James McAlister, Jonathan Low Sequencer: Benjamin Lanz Studio Personnel: Bella Blasko, Benjamin Lanz, Bryce Bordone, James McAlister, Jonathan Low, Randy Merrill, Serban Ghenea Synth Bass: Aaron Dessner Synthesizer: Aaron Dessner, Benjamin Lanz, James McAlister Trombone: Benjamin Lanz Vocals: Taylor Swift
23. “I Hate It Here”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Acoustic Guitar: Aaron Dessner, James McAlister Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abi Hyde-Smith, Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Benjamin Lanz, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, David McQueen, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, George Barton, Glenn Kotche, lona Allan, James McAlister, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Ruisi, Meghan Cassidy, Morgan Goff, Natasha Humphries, Nicholas Bootiman, Nicole Crespo O’Donoghue, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett Asst. Recording Engineer: Laura Beck Banjo: Aaron Dessner Bass Guitar: Aaron Dessner, James McAlister Cello: Abi Hyde-Smith, Brian O’Kane, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Aaron Dessner Drums: Glenn Kotche Electric Guitar: Aaron Dessner French Horn: David McQueen Keyboards: Thomas Bartlett Mandolin: Aaron Dessner Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner, George Barton, Glenn Kotche, James McAlister Piano: Aaron Dessner, Thomas Bartlett Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, Benjamin Lanz, James McAlister, Jeremy Murphy, Jonathan Low, Maryam Qudus, Thomas Bartlett Studio Personnel: Bella Blasko, Benjamin Lanz, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Maryam Qudus, Randy Merrill, Serban Ghenea, Thomas Bartlett Synth Bass: James McAlister Synthesizer: Aaron Dessner, Benjamin Lanz, James McAlister, Thomas Bartlett Viola: Elisa Bergersen, Matthew Kettle, Meghan Cassidy, Morgan Goff, Nicholas Bootiman Violin: Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, lona Allan, Kirsty Mangan, Marianne Haynes, Natasha Humphries, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
24. “Thank You Aimee”
Producer: Aaron Dessner, Jack Antonoff, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Acoustic Guitar: Aaron Dessner Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abi Hyde-Smith, Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, David McQueen, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, George Barton, Glenn Kotche, lona Allan, Jack Antonoff, Jonathan Farey, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Ruisi, Morgan Goff, Nicholas Bootiman, Nicole Crespo O’Donoghue, Paul Cott, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett Asst. Recording Engineer: Jozef Caldwell, Laura Beck Background Vocalist: Jack Antonoff Banjo: Aaron Dessner Cello: Abi Hyde-Smith, Brian O’Kane, Jack Antonoff, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Aaron Dessner Drums: Glenn Kotche, Jack Antonoff Electric Guitar: Jack Antonoff French Horn: David McQueen, Jonathan Farey, Paul Cott Keyboards: Aaron Dessner, Thomas Bartlett Mandolin: Aaron Dessner Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner, George Barton, Glenn Kotche, Jack Antonoff Piano: Thomas Bartlet Programming: Jack Antonoff Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, Jack Antonoff, Jeremy Murphy, Jonathan Low, Laura Sisk, Maryam Qudus, Oll Jacobs, Thomas Bartlett Studio Personnel: Bella Blasko, Bryce Bordone, Jack Antonoff, Jeremy Murphy, Jonathan Low, Jozef Caldwell, Laura Beck, Laura Sisk, Maryam Qudus, Oll Jacobs, Randy Merrill, Serban Ghenea, Thomas Bartlett Synth Bass: Aaron Dessner Synthesizer: Aaron Dessner, Thomas Bartlett Viola: Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Boothman Violin: Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, lona Allan, Kirsty Mangan, Marianne Haynes, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
25. “I Look In People’s Windows”
Producer: Jack Antonoff, Patrik Berger, Taylor Swift Composer: Jack Antonoff, Patrik Berger, Taylor Swift Lyricist: Jack Antonoff, Patrik Berger, Taylor Swift Acoustic Guitar: Jack Antonoff, Patrik Berger Associated Performer: Jack Antonoff, Patrik Berger, Taylor Swift Asst. Recording Engineer: Jack Manning, Jon Sher Cello: Jack Antonoff Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Programming: Jack Antonoff Recording Engineer: Laura Sisk, Oll Jacobs Studio Personnel: Bryce Bordone, Jack Manning, Jon Sher, Laura Sisk, Oll Jacobs, Randy Merrill, Serban Ghenea Synthesizer: Jack Antonoff Vocals: Taylor Swift
26. “The Prophecy”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Acoustic Guitar: Aaron Dessner Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abi Hyde-Smith, Agata Daraskalite, Akiko Ishikawa, Amy Swain, Anna de Bruin, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, George Barton, Glenn Kotche, lona Allan, JT Bates, James McAlister, Julian Azkoul, Kirsty Mangan, Matthew Kettle, Max Rulsi, Max Welford, Morgan Goff, Nicholas Bootman, Nicole Crespo O’Donoghue, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett Asst. Recording Engineer: Laura Beck Bass Clarinet: Max Welford Cello: Abi Hyde-Smith, Brian O’Kane, Max Rulsi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Aaron Dessner, James McAlister Drums: Glenn Kotche, JT Bates Electric Guitar: Aaron Dessner Keyboards: Thomas Bartle Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: George Barton, Glenn Kotche, James McAlister Piano: Thomas Bartlet Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, James McAlister, Jeremy Murphy, Jonathan Low, Thomas Bartlett Studio Personnel: Bella Blasko, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Randy Merrill, Serban Ghenea, Thomas Bartlett Synthesizer: James McAlister, Thomas Bartlett Viola: Amy Swain, Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Boothman Violin: Agata Daraskaite, Akiko Ishikawa, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, lona Allan, Julian Azkoul, Kirsty Mangan, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift Zither: James McAlister
27. “Cassandra”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Associated Performer: Aaron Dessner, Abl Hyde-Smith, Agata Daraskaite, Akiko Ishikawa, Amy Swain, Anna de Bruin, Benjamin Lanz, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, David McQueen, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, George Barton, Glenn Kotche, lona Allan, James McAlister, Jonathan Farey, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Ruisi, Morgan Goff, Nicholas Bootiman, Nicole Crespo O’Donoghue, Paul Cott, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift Asst. Recording Engineer: Laura Beck Cello: Abi Hyde-Smith, Brian O’Kane, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: James McAlister Electric Guitar: Aaron Dessner French Horn: David McQueen, Jonathan Farey, Paul Cott Keyboards: Aaron Dessner, James McAlister Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner, George Barton, James McAlister Piano: Aaron Dessner Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, Benjamin Lanz, James McAlister, Jeremy Murphy, Jonathan Low, Pat Burns Snare Drum: Glenn Kotche Studio Personnel: Bella Blasko, Benjamin Lanz, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Pat Burns, Randy Merrill, Serban Ghenea Synth Bass: Aaron Dessner Synthesizer: Aaron Dessner, Benjamin Lanz, James McAlister Trombone: Benjamin Lanz Vibraphone: Glenn Kotche Viola: Amy Swain, Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Bootiman Violin: Agata Daraskaite, Akiko Ishikawa, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, lona Allan, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
28. “Peter”
Producer: Aaron Dessner, Taylor Swift Composer: Taylor Swift Lyricist: Taylor Swift Associated Performer: Aaron Dessner, Taylor Swift Bass Guitar: Aaron Dessner Drum Programming: Aaron Dessner Keyboards: Aaron Dessner Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Piano: Aaron Dessner Recording Engineer: Bella Blasko, Jonathan Low Studio Personnel: Bella Blasko, Bryce Bordone, Jonathan Low, Randy Merrill, Serban Ghenea Synthesizer: Aaron Dessner Vocals: Taylor Swift
29. “The Bolter”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Acoustic Guitar: Aaron Dessner Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abi Hyde-Smith, Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, David McQueen, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Glenn Kotche, lona Allan, James McAlister, Jonathan Farey, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Rulsi, Max Welford, Meghan Cassidy, Morgan Goff, Natasha Humphries, Nicholas Bootiman, Nicole Crespo O’Donoghue, Paul Cott, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett Asst. Recording Engineer: Laura Beck Bass Clarinet: Max Welford Bass Guitar: Aaron Dessner Cello: Abi Hyde-Smith, Brian O’Kane, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Aaron Dessner Drums: Glenn Kotche Electric Guitar: Aaron Dessner French Horn: David McQueen, Jonathan Farey, Paul Cott Keyboards: Thomas Bartlett Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner, Glenn Kotche, James McAlister Piano: Aaron Dessner, Thomas Bartlett Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, James McAlister, Jeremy Murphy, Jonathan Low, Thomas Bartlett Studio Personnel: Bella Blasko, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Randy Merrill, Ryan Smith, Serban Ghenea, Thomas Bartlett Synthesizer: Aaron Dessner, James McAlister, Thomas Bartlett Viola: Elisa Bergersen, Matthew Kettle, Meghan Cassidy, Morgan Goff, Nicholas Bootiman Violin: Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, lona Allan, Kirsty Mangan, Marianne Haynes, Natasha Humphries, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
30. “Robin”
Producer: Aaron Dessner, Taylor Swift Composer: Aaron Dessner, Taylor Swift Lyricist: Aaron Dessner, Taylor Swift Additional Engineer: Bella Blasko Associated Performer: Aaron Dessner, Abl Hyde-Smith, Agata Daraskaite, Akiko Ishikawa, Alicia Berendse, Amy Swain, Anna de Bruin, Benjamin Lanz, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, David McQueen, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, George Barton, Glenn Kotche, lona Allan, James McAlister, Jonathan Farey, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Ruisi, Morgan Goff, Nicholas Bootiman, Nicole Crespo O’Donoghue, Paul Cott, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett, Vicky Lester Asst. Recording Engineer: Laura Beck Bass Guitar: Aaron Dessner Cello: Abi Hyde-Smith, Brian O’Kane, Max Ruisi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Aaron Dessner Drums: Aaron Dessner, Glenn Kotche Electric Guitar: Aaron Dessner French Horn: David McQueen, Jonathan Farey, Paul Cott Harp: Vicky Lester Keyboards: Aaron Dessner, Thomas Bartlett Mastering Engineer: Randy Merrill Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: Aaron Dessner, George Barton, Glenn Kotche, James McAlister Piano: Aaron Dessner, Thomas Bartlett Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, Benjamin Lanz, James McAlister, Jeremy Murphy, Jonathan Low, Maryam Qudus, Thomas Bartlett Studio Personnel: Bella Blasko, Benjamin Lanz, Bryce Bordone, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Maryam Qudus, Randy Merrill, Serban Ghenea, Thomas Bartlett Synthesizer: Aaron Dessner, Benjamin Lanz, James McAlister, Thomas Bartlett Timpani: George Barton Viola: Amy Swain, Elisa Bergersen, Matthew Kettle, Morgan Goff, Nicholas Boothman Violin: Agata Daraskaite, Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, Galya Bisengalieva, lona Allan, Julian Azkoul, Kirsty Mangan, Marianne Haynes, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
31. “The Manuscript”
Producer: Aaron Dessner, Taylor Swift Composer: Taylor Swift Lyricist: Taylor Swift Associated Performer: Aaron Dessner, Abl Hyde-Smith, Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Brian O’Kane, Bryce Dessner, Cara Laskaris, Chris Kelly, Dan Oates, Dave Brown, David McQueen, Elisa Bergersen, Eloisa-Fleur Thom, Emily Holland, George Barton, lona Allan, James McAlister, Jonathan Farey, Kirsty Mangan, Marianne Haynes, Matthew Kettle, Max Rulsi, Meghan Cassidy, Morgan Goff, Natasha Humphries, Nicholas Bootiman, Nicole Crespo O’Donoghue, Paul Cott, Reinoud Ford, Ronald Long, Sophie Mather, Sophie Roper, Taylor Swift, Thomas Bartlett Asst. Recording Engineer: Laura Beck Cello: Abi Hyde-Smith, Brian O’Kane, Max Rulsi, Reinoud Ford Conductor: Robert Ames Double Bass: Chris Kelly, Dave Brown, Sophie Roper Drum Programming: Bryce Dessner, James McAlister French Horn: David McQueen, Jonathan Farey, Paul Cott Mastering Engineer: Randy Merrill, Ryan Smith Mix Engineer: Bryce Bordone Mixer: Serban Ghenea Percussion: George Barton Piano: Aaron Dessner, Bryce Dessner Recording Arranger: Bryce Dessner Recording Engineer: Bella Blasko, Bryce Dessner, James McAllister, Jeremy Murphy, Jonathan Low, Thomas Bartlett Studio Personnel: Bella Blasko, Bryce Bordone, Bryce Dessner, James McAlister, Jeremy Murphy, Jonathan Low, Laura Beck, Randy Merrill, Ryan Smith, Serban Ghenea, Thomas Bartlett Synth Bass: Aaron Dessner Synthesizer: Aaron Dessner, Bryce Dessner, James McAlister, Thomas Bartlett Viola: Elisa Bergersen, Matthew Kettle, Meghan Cassidy, Morgan Goff, Nicholas Bootiman Violin: Akiko Ishikawa, Alicia Berendse, Anna de Bruin, Cara Laskaris, Dan Oates, Eloisa-Fleur Thom, Emily Holland, lona Allan, Kirsty Mangan, Marianne Haynes, Natasha Humphries, Nicole Crespo O’Donoghue, Ronald Long, Sophie Mather Vocals: Taylor Swift
The Tortured Poets Department is out now via Republic. Find more information here.
After meeting on the set of the recent batch of Spider-Man films, Zendaya and Tom Holland mostly kept their relationship under wraps despite occasionally being photographed in public together. That still didn’t stop a rampant bout of engagement rumors, but more recently, the two have been less clandestine about being together.
Case in point, Zendaya stopped by Jimmy Kimmel Live! on Thursday night where the actress opened up about a brush with the law while she and Holland were out and about. However, if you’re not a fan of celebrities getting special treatment from the police, you might want to look away.
“Tom and I were rushing to a spin class… with my mother,” she said. “I was not going to do the spin class. He was going to do the spin class ’cause I don’t do that. But we were going a little fast ’cause we were running late.”
However, when they were pulled over for speeding, they were able to circumvent the ticket. “They recognized that he was Spider-Man, and we were fine,” she explained, with a laugh. “We got a warning, and everything was OK.”
Despite this tactic working pretty well for Tom Holland, we’re going to highly recommend that you don’t try to get out of a ticket by telling the police that you’re Spider-Man. Probably don’t do that.
You can watch Zendaya’s appearance on Jimmy Kimmel Live! below:
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish. Cookie settingsACCEPT
Privacy & Cookies Policy
Privacy Overview
This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.
