After two years away from the road, Uproxx cover star Russ announced a 10-city, headlining tour, It Was You All Along. The tour will begin at the end of May and run through the end of June, with support from 6lack and Melii. In the announcement video, Russ pokes fun at YouTube personalities who negatively critique artists for attention, subtly suggesting that they might not always be genuine with their criticisms.
Tickets will go on sale this Friday, March 15 at 10 am local. They are currently on artist presale, with additional presales throughout the week. You can buy tickets and get more information at livenation.com.
In the comments for his announcement video, Russ addressed the “anxiety” of announcing such a short tour, explaining that, “I HATE disappointing people,” but that he “just wanted to do an arena tour for progress purposes.”
“I didn’t wanna be on the road for too long,” he continued, “So I know some of yall are mad bout your city not bein on here but I love all of you. Hope to see a bunch of you!!” However, after the prospect of a long haul away from home prompted him to pull the plug on his last tour in 2022, it seems he’s prioritizing mental health over forcing himself to fulfill arbitrary obligations.
See below for the tour dates.
05/31 –- Seattle, WA @ Climate Pledge Arena
06/02 –- Oakland, CA @ Oakland Arena
06/06 –- Inglewood, CA @ Kia Forum
06/08 –- Phoenix, AZ @ Footprint Center
06/13 –- Dallas, TX @ American Airlines Center
06/15 –- Denver, CO @ Ball Arena
06/21 –- St. Paul, MN @ Xcel Energy Center
06/23 –- Chicago, IL @ United Center
06/25 –- Toronto, ON @ Scotiabank Arena
06/28 –- Brooklyn, NY @ Barclays Center
Moore voices Miles Morales in the Spider-Verse films, and he did not react well to the sequel missing out on Oscar gold. The actor initially tweeted “robed” before correcting himself and writing “robbed” in a follow-up tweet.
However, Moore quickly backtracked and apologized after fans began calling him out for the outburst.
“Respect to the winners. It’s true, I’m definitely a sore loser,” Moore tweeted. “But we didn’t lose, Spiderverse has impacted ALOT of lives, we may not have been acknowledged tonight but life goes on, and BEYOND….. yea get ready.”
Respect to the winners. It’s true, I’m definitely a sore loser, but we didn’t lose, Spiderverse has impacted ALOT of lives, we may not have been acknowledged tonight but life goes on, and BEYOND….. yea get ready
Moore also agreed with a fan who noted that Spider-Verse producer Christopher Miller had the correct reaction to losing to the Hiyao Miyazaki film: “Well, if you’re gonna lose, might as well lose to the GOAT.”
“Your right, honestly the whole Spiderverse team are such good sports,” Moore wrote. “Very professional and I’m excited to see what comes of this. I’m young, and a fighter, so forgive my nature. Congrats to the winners.”
Your right, honestly the whole Spiderverse team are such good sports. Very professional and I’m excited to see what comes of this. I’m young, and a fighter, so forgive my nature. Congrats to the winners https://t.co/b4IRRrl9h4
Across the Spider-Verse was one of the few critically acclaimed superhero movies in 2023, which was a rough year for the comic book genre. Ant-Man and the Wasp: Quantumania, Shazam: Fury of the Gods, The Flash, The Marvels, and Aquaman and the Lost Kingdom all failed at the box office while the Spider-Verse was a bonafide hit.
Unfortunately, fans will be waiting a while. In the midst of the actors and writers’ strike, the third film, Beyond the Spider-Verse was delayed indefinitely. It currently does not have a release date, but the film isn’t canceled. It’s just going to take a little longer than expected before arriving in theaters.
The Oscars can mean many things to many people — a celebration of movies, a sport, a trigger, a communal experience. Beyond all those things, it is a increasingly uneasy mash-up of classic and new Hollywood with the latter winning out more often than not, most likely in pursuit of greater relevancy with younger viewers. As such, we see Lifetime Achievement awards get shuffled off to the Governor’s Awards (depriving audiences of seeing a loving tribute and speech to Mel Brooks) and In Memoriam segments that get botched in ever new and depressing ways.
One continuing way the ceremony does honor cinema lore is with its presenters and the four acting awards; esteemed actors across the generational spectrum (but more in the 90s and 2000s relevant class than the 70s and 80s) offering testimonials about this year’s honorees. There’s also the Best Picture category, where traditionally one or multiple legends give out the biggest award of the night. This despite Warren Beaty presiding over the most epic whoopsy daisy in awards show history when he announced the wrong winner that one time.
This year, Al Pacino got the honor, and while he didn’t give the award to the wrong film, he did stray from the norm of reading the nominees, rolling into the main event of the main event with little of the expected buildup and breathlessness that might be expected of such a moment. Anticlimactic? Yeah. A little weird? Sure, and it pissed some people off, as well. But, and I say this with all due respect to the Oscars, that category, those nominees, and all offended: who cares?
First, it’s not like the nominees weren’t a running theme of the night. Hearing them read again would have been nice, but I don’t think anyone was unaware of which films were in the mix and pretty much nobody expected a different result (going into the show and certainly as the night went on and Oppenheimer showed clear signs of momentum).
Also, it’s Al Pacino. Let’s define that. This is an actor whose expressive on-screen nature and swagger helped to further the cause of using nervous energy, human explosivity, and confidence to propel certain roles (for him, Dog Day Afternoon, Scarface, And Justice For All). This is also someone who could brood and built tension through quiet when the moment called for it (The Godfather, Heat, Insomnia). To a lot of the people in that room last night, Pacino is a foundational figure.
And sure, to a lot of people, in general, he’s a bit of a caricature of himself (something he has had fun with, as in the Jack And Jill Dunkacino bit) with the unmistakable vibe of an old man who used to be the young dude that everyone wanted to be or be with. Add it all together and he is a true character, so of course he was going to make the assignment his own and, maybe a little weird. This is a good thing. Everyone takes the Oscars so seriously, expecting narrative and execution perfection.
The best parts from last night – The Godzilla Minus One team having to juggle Godzilla action figures and trophies, Gosling’s “I’m Just Ken” performance, the nude John Cena “costumes…” bit, Mulaney on Field Of Dreams, and amazing speeches from Cord Jefferson, Emma Stone, Mstyslav Chernov, and others – were all, to varying degrees, fresh and unexpected. I’d add Pacino being either unaware or indifferent to the details of his assignment to that list. Besides, based on Pacino’s own account of his first time at the Oscars in the ’70s, when he thought the show was an hour long and popped valium like candy, things could have been worse. Or better, depending on your appetite for chaos.
Again, in that the Oscars has moved further and further away from celebrating cinema’s past in all but surface ways, we should embrace what little we get and the potential for something interesting to happen. Al Pacino is a singular talent who won’t always be around to remind us of that. If you honor him with this task and then try to put him in a little box and expect him to be a prop, then you’re not really honoring him or fans who come to the Oscars for the spectacle and history as much as for the glam or the results. At least that’s what my eyes see.
After canceling his last tour in 2022, former Uproxx cover star Russ has got his head on straight and is heading back out on the road for the It Was You All Along tour with 6lack and Melii. The Atlanta/New Jersey rapper announced the tour with a tongue-in-cheek trailer making fun of the toxic culture on YouTube.
In it, he makes subtle references to the reasons he might have canceled that last tour, reasons he’s apparently addressed, judging from his recent musical output. So, getting tickets to this tour seems like it’ll be a safe bet — when are those tickets available to purchase?
Tickets for the It Was You All Along Tour are curently on presale, with the general sale scheduled to begin on Friday, March 15, at 10 am local time. There will be additional presales throughout the week, as well. You can find more information here.
See below for the tour dates and watch the cheeky trailer above.
05/31 –- Seattle, WA @ Climate Pledge Arena
06/02 –- Oakland, CA @ Oakland Arena
06/06 –- Inglewood, CA @ Kia Forum
06/08 –- Phoenix, AZ @ Footprint Center
06/13 –- Dallas, TX @ American Airlines Center
06/15 –- Denver, CO @ Ball Arena
06/21 –- St. Paul, MN @ Xcel Energy Center
06/23 –- Chicago, IL @ United Center
06/25 –- Toronto, ON @ Scotiabank Arena
06/28 –- Brooklyn, NY @ Barclays Center
In her Instagram post announcing the collection, Lenker explains:
“Everything I think to say feels like it is less than a micro-fraction of the power that is needed to convey the message. I can’t express how sad and angry I am about this ongoing violence towards Palestinians. The killing must stop. The need for a ceasefire is beyond urgent. Permanent Ceasefire Now!
Today I’m releasing a new collection of songs I cherish, which were recorded in the moments they were written. You can purchase this record on Bandcamp, and 100% of the proceeds will go towards the Palestine Children’s Relief Fund.”
This comes after Big Thief had an Israel-related controversy in 2022, when they announced (and later canceled) concerts in the country, which is where band member Max Oleartchik is from. Lenker addressed that situation in a new New York Times profile published today: As Stereogum notes, Lenker acknowledged it was “naïve and not thought out” to announce concerts in Israel and expect to not face criticism.
Mitch Morales has never seen a total solar eclipse. But that hasn’t stopped him from planning one of the world’s most anticipated parties of the year to spot one — the Texas Eclipse Festival.
“I remember I was sitting at the computer and I looked up when the next total solar eclipse would be, not knowing that it was going to be in Texas,” Morales told Uproxx. “The last time there was a total solar eclipse in central Texas was in the 1300s.”
As if witnessing a solar eclipse wasn’t exciting enough, Morales has layered on a once-in-a-lifetime experience — where creativity, music, art, space, and technology converge in one massive celebration. His Texas Eclipse Festival is slated for April 5th-9th, just 45 minutes North of Austin, Texas.
With 40,000 attendees expected, Reveille Peak Ranch will turn into a mini city for five days as it welcomes in a highly curated crew featuring visionary pioneers, leading space and technology experts, science and wellness thought leaders, renowned visual and interactive artists, and of course, global music icons. Serving as a global community hub, the event will feature over 300 programs spanning captivating experiential art installations, mesmerizing music performances, space exploration, cutting-edge technology, futurism workshops with pioneers in web3 and AI, and more.
“It’s probably one of the most memorable things that you’ll ever experience, this natural phenomena….I wanted to make sure that the location was perfect for this type of event,” Morales said. “[Reveille Peak Ranch] is an incredible property. It spans over 1,300 acres, 60 miles of hiking trails, and elevated hilltops for optimal viewing of the eclipse. The local community is super supportive and the owner is amazing. The property is right on the center line, within the overall path of totality. If you’re going to have the most magical moment in your life, would you rather watch it for a minute or would you rather extend it for as long as possible to over four minutes?”
TEXAS ECLIPSE
Spanning seven music environments – SKY, EARTH, MOON, SUN, LONE STAR, ECLIPSE, and ETHER – Texas Eclipse will be soundtracked by an eclectic mix of the world’s most prominent artists, including Barclay Crenshaw, Big Gigantic, Bob Moses, CloZee, The String Cheese Incident, All:Lo Collective (Park Breezy, Pheel, Tf Marz, Thought Process), Treavor Moontribe, Lee Burridge, Subtronics, Tipper, Tycho, Vulfpeck, Desert Hearts, LP Giobbi, Tiga, Desert Dwellers, Mark Farina, Vincent Antone, Hamdi, Ivy Lab, Of The Trees, Zeds Dead, and many more. The stages are designed and built by the festival’s network of global partners: Symbiosis (repping California), Re:birth (Japan), Strawberry Fields (Australia), Earth Frequency (Australia), Bachstelzen (Germany), Beloved (Oregon), Origin (South Africa), Meadows in the Mountains (Bulgaria), Bass Coast (Canada), Ometeotl (Mexico), DisQo PereZoso (Costa Rica), and Cosmic Convergence (Guatemala).
On the space and technology side of things, Texas Eclipse will host 11 astronauts to talk about the wonders of space and the achievements of human exploration, representing every flight provider –NASA, SpaceX, Blue Origin, Virgin Galactic, and Space Perspective. They’ll be joined by Dr. Peter Diamandis, Dr. Bruce Damer, Cosmic Perspective, and more.
TEXAS ECLIPSE
Texas Eclipse will also explore the depths of human consciousness with an impressive lineup of thought leaders and visionaries. The festival will celebrate the 38th anniversary of the Multidisciplinary Association for Psychedelic Studies (MAPS) with a collaborative and immersive educational experience. Additionally, mycology expert Paul Staments, integrative medicine leader Andrew Weil, environmentalist Adrian Grenier, and more will host curated workshops and panels onsite.
Concluding with yoga, movement, and immersive visual programming, the festival has enlisted the likes of transformative artist Amanda Sage, renowned visual artists Alex and Allyson Grey, futuristic creator Android Jones, immersive art collective Meow Wolf, visionary artist and storyteller Hannah Muse, breathwork specialist Michael Brian Baker, and more.
We had the opportunity to talk with the man behind Texas Eclipse’s cosmic vision on his inspiration and ethos behind the event. Read the full conversation below.
TEXAS ECLIPSE
What is your recipe for creating an incredible festival centered around a celestial event?
There’s been a long history of these gatherings. They’ve been happening all over the world, specifically because they are so rare. Every couple of years you’ve got this occurring on a different continent so there’s this community that’s built up. That’s been probably one of the cooler parts is trying to continue on that tradition and tapping into those networks. That’s why we have our ‘global collaborators’ to cultivate a global curation of this event.
Can you speak on your own individual inspiration and ethos behind Texas Eclipse?
It’s so weird that we haven’t been to the moon or we haven’t landed and stepped foot on the moon since the ‘70s. You look back at the ‘60s and ‘70s and the geopolitical climate and what’s happening in our country, and there’s a lot of similarities between then and now. It feels like this spirit of exploration and expansion of possibilities into a new age for all of us. A new age of opportunity and excitement and working together.
This is very much about celebrating where we’ve come from and bringing a bunch of people together in this current moment, even if it’s only for four minutes. It’s about sharing a collective human experience together within the cosmos. We’ll all looking up to the stars and these celestial bodies together, evoking the idea of, “Where are we going?”
TEXAS ECLIPSE
So… where are we going?
We are going to space, we are going to the moon and Mars, and furthermore, we’re going into these digital worlds that we’ve built ourselves. And so it’s going to be an incredibly interesting and dynamic time over the next couple of decades. It’s my belief that if we’re going to succeed and overcome these huge challenges that we are going to face as a civilization then we have to figure out a way to work together more and not be so divided. The idea of bringing these people together to celebrate all of this and the amazing things that we’ve been able to build is, I hope, an inflection point for more of that same thing.
What will the eclipse experience be like for attendees?
The sky starts getting dark around noon when just barely the moon goes in front of the sun until first contact. Fourth contact is where it fully departs, around 3 pm. The entire totality experience is about three hours long. Since there’s so much diverse programming happening throughout the weekend, we’re really trying to reserve the space for people to just appreciate it the eclipse. We want to make sure that people have outlets for the energy and the observation process that they’re going to be within. There will be a big group meditation and an indigenous elder from the area to hold and call upon ancient wisdom and traditions during the eclipse.
TEXAS ECLIPSE
The programming for Texas Eclipse is unlike anything the world has ever seen. What are some of your favorite highlights that attendees shouldn’t miss?
We’re programming an extremely diverse music lineup spanning rock, jam, electronic, spiritual folk, world, and more. What I’m most excited about is the space programming. I think we’re putting together one of the most diverse lineup of speakers that any event has seen, especially outside of a space conference. We’ll have 11 astronauts who have been to space, with the majority of our space program being female-owned.
We’ll have representatives from NASA, SpaceX, Blue Origin, Virgin Galactic, and Space Perspective to hold educational workshops. I’m excited to get a glimpse and learn from them on what is going to happen over the next couple of decades and the timeline for us being a multi-planetary species. It’ll be pretty cool to see people walking around in spacesuit costumes and then people walking around in actual space suits that they’ve worn to space.
Don’t just go for the music. Go to learn, to explore, to be a human, and connect with other humans.
A limited amount of ticket packages are still on sale for Texas Eclipse, including general admission, VIP, glamping, and hotel packages. For tickets and additional information, visit the Texas Eclipse website.
At the 2024 Academy Awards show, Ryan Gosling managed a pretty incredible feat—winning the entire Oscars without taking home a single award with his performance of “I’m Just Ken.”
Throughout the show, the songs that were nominated for Best Original Song were performed, with two songs from “Barbie” bookending the night. Billie Eilish and her brother Finneas performed first, making everyone cry with the hauntingly gorgeous “What Was I Made For.” But it was Gosling’s “I’m Just Ken” spectacle that had everyone laughing, singing along and wondering how on Earth we got to this iconic cultural moment.
Let’s face it—the entire idea of Ryan Gosling playing a classic Ken doll in a movie about Barbie sounded pretty goofy from the start. And yet the combined genius of the movie’s creators and Gosling’s abject refusal to phone in anything not only made it work, but earned the actor widespread praise and a nomination from the Academy for Best Supporting Actor. Throw in some cheesy-on-purpose songwriting and an over-the-top embrace of its own absurdity, and we get one of the greatest Oscar moments ever.
Naturally, the standing ovation performance got people asking questions about “the man behind the tan,” and we’ve got answers:
Q: Who was the woman Ryan Gosling was sitting with, the one he put the cowboy hat on?
Gosling is married to actor Eva Mendes, but that woman sitting next to him definitely wasn’t her. It was actually Gosling’s sister, Mandi Gosling. Gosling and Mendes keep their relationship much more private than most celebrities and rarely make appearances together, even at major events like the Academy Awards. Gosling often brings his sister, with whom he has a close relationship, to accompany him on the red carpet.
(Mendes was there to support Gosling, however. She posted an Instagram standing outside his dressing room with the caption, “Always by my man.” But she wasn’t dressed in a designer gown and didn’t sit on the main floor with the other Hollywood stars. For some, their arrangement might seem strange, but it seems to work for them.)
Q: What’s the necklace that Gosling kissed during a camera close-up?
A: All signs point to the necklace he kissed being an “E” for his wife, Eva. (See? all good.) He wore a necklace that looked like the Barbie “B” but with an “E” instead at the “Barbie” movie premiere. A sweet little shout-out to his wife of 13 years and their two kids during the performance.
Q: Why did the staging of “I’m Just Ken” look familiar?
A: The pink sparkly suit, pink gloves and tuxedoed backup dancers wasn’t just a “Barbie” thing. The whole performance was an homage to Marilyn Monroe’s performance of “Diamonds are a Girl’s Best Friend” in “Gentlemen Prefer Blondes.” We could talk about the metaness of this staging choice for days, but suffice it to say it worked.
Ryan Gosling appeared to channel his inner Marilyn Monroe with a live performance of “I’m Just Ken” at the #Oscars that nodded to Monroe’s iconic “Diamonds Are a Girls Best Friend” number in “Gentlemen Prefer Blondes.”nnWatch the performance here: https://t.co/Ti89Xvjxnm
— (@)
Q: Was Ryan Gosling really singing or did he lip sync?
A: Oh, that was all him. You can tell by the minor imperfections here and there, which simply made it real and didn’t take away from the impressiveness of it all. Gosling’s easy charm, charisma and comfort on stage are really something to witness, and frankly he put on a better performance than a lot of actual singers do when they perform live.
Q: Has Ryan Gosling always been this engaging as a stage performer?
A: Well, yeah, pretty much. The Canadian actor got his start young, being recruited by Disney as a Mouseketeer all the way back in 1993. Enjoy this little historical tidbit of adorable little Ryan Gosling from the CBC:
Some people are born with the gift to entertain, and that certainly seems to be the case with Ryan Gosling. Not to take anything away from his hard work, of course, but it’s the dedication to craft combined with that all-elusive X factor that makes a genuine superstar, and Gosling just keep on proving that he’s got it all.
The devil may have gone down to Georgia, but it appears he took a detour to a bar in Nashville and possessed a middle-aged mom on his way down there.
In a TikTok video that’s been viewed 5.5 million times, Olivia Reeth’s daughter shared that her family had gone to the Whiskey Bent Saloon in Nashville and was watching the Moonshine Outlaw Band perform. Her mom told the band she played the fiddle, and mid-song, the fiddle player decided to hand his instrument over to her.
You kind of have to wonder what the guy was thinking. Did he imagine she’d be able to keep up with the band? Did he figure she’d play a few bars and then hand it back?
Whatever he was picturing, it almost certainly wasn’t what she ended up laying down.
Mom might as well have said, “I’ll bet a fiddle of gold against your soul, dude” because she came prepared. In hindsight, her whipping off of her scarf was the sign it was all over, but who’d have known?
Watch her shred that man’s fiddle and see how he reacts:
The best part is when the guy pretends to boot the band’s fiddler out of the bar. And then Mama got sassy with it! Absolute legend, making her skills appear effortless as she walked around the room. Didn’t even take her coat off. Looking like she walked in off the street, which she basically did.
The woman’s daughter shared that her mom is classically trained and that her dad was the one who introduced her to country and bluegrass music. They both play in two bands, Coconut Radio Band and Barney’s Bullet.
Seriously impressive talent. And you gotta love the respect the band’s fiddle player gave her, despite her basically stealing his soul. What a fun exchange between musicians who clearly love what they do and love to share it with others.
In a world where one-size-fits-all is the norm, imagine haircare and skincare products crafted not just for ‘someone’ but specifically for you. That’s the magic Prose brings to the table with their revolutionary approach to beauty. They provide a personalized beauty experience that’s as unique as you are.
As more and more people seek products that not only deliver results, but also tread lightly on the earth, Prose’s commitment to sustainability is not just changing the way we look at beauty products; it’s reshaping our entire beauty routine, one custom formula at a time. Welcome to the personalized beauty revolution, where your individual needs meet eco-conscious care.
At Prose, the promise goes beyond just making you look good; it’s about finall finding a product that understands your one-of-a-kind needs. This isn’t your run-of-the-mill beauty brand. Prose takes pride in its meticulous approach to customization.
The secret? With a deep understanding of your unique hair and skin needs, they create formulas that are as individual as you are. It’s not just about addressing the usual beauty concerns; it’s about creating a product that truly understands how your lifestyle, environment, and daily life impacts your hair and skin.
But what really sets Prose apart is its commitment to ethical beauty. Every Prose product is cruelty-free and made with zero parabens, sulfates, phthalates, mineral oils, or GMOs. What’s more, they’re the first and only carbon-neutral custom beauty brand.planet. This level of dedication to sustainability is rare in the beauty industry.
The Prose Approach
Prose’s unique process always begins with understanding you – yes, the real you. It all starts with an in-depth consultation that goes beyond surface-level questions. Prose doesn’t just ask about your hair type or skin concerns; they delve deeper. What’s your daily routine? Are you living in a city or the countryside? Even your stress levels and dietary habits come into play. This isn’t just a quiz; it’s a comprehensive analysis to understand every factor that could influence your hair and skin.
Using over 80 factors from your consultation, Prose crafts formulas that are tailored just for you. It’s not just about addressing dry skin or curly hair; it’s about creating a product that addresses multiple concerns and goals in one unique formula. This personalized approach ensures that what you apply is not just effective but also perfectly suited to your lifestyle and environment. Whether it’s the humidity in your area or the stress of your daily commute, Prose’s products are designed to adapt and respond continually-improving results.
A Range to Cover Every Need: Exploring Prose’s Products
With Prose you’re never simply choosing from a list of shampoos and conditioners. You get a fully personalized recommendation based on an in-depth analysis of your needs. Like other products, Prose shampoos and conditioners are designed to address some specific concerns, such as volume, hydration, or scalp health. However, with Prose you can address multiple concerns in a single customized formula,. And it doesn’t stop there. Prose knows that healthy hair begins at the root, so they offer supplements designed to nurture your hair from the inside out.
But Prose isn’t just about lush locks. They’ve extended their expertise to skincare, offering a range that includes cleansers, serums, and moisturizers. Each skincare product is a result of careful consideration of your skin type, concerns, and the environment you live in. This means that whether you’re battling dryness in a cold climate or oiliness in a humid one, Prose has you covered.
Sustainability at the Heart of Prose
Prose isn’t just about making you look and feel good; it’s about doing good for the planet too. In a world where environmental concerns are more pressing than ever, their commitment goes beyond the superficial, integrating eco-conscious practices into every aspect of their production.
From sourcing ingredients ethically to ensuring that their company is carbon-neutral, Prose is dedicated to reducing its ecological footprint. This isn’t just about meeting standards; it’s about setting them.
This dedication to the planet and its people is exemplified by Prose’s proud status as a certified B-corporation. This isn’t a title they take lightly. It’s a promise—a promise to make products that are better for customers and better for the planet.
Backed by Science, Loved by Customers
Prose’s beauty philosophy is grounded in a potent blend of science and customer satisfaction. Behind each personalized product lies a world of rigorous research and development. Their team of research and development scientists and cosmetic chemists don’t just follow trends; they pioneer them.
Utilizing advanced clinically-backed technology and analysis, Prose translates scientific insights into tangible beauty solutions. Their formulas aren’t just mixed; they’re engineered with precision to meet your specific needs, ensuring that every drop of shampoo or dollop of cream is packed with purpose.
Join the Beauty Movement
Ready to embark on your personalized beauty journey with Prose? Start by visiting the Prose website and get a free online consultation. Once you complete the consultation, the Prose team gets to work, crafting products that are uniquely yours. From shampoos to moisturizers, each product is formulated based on your specific feedback and preferences.
So, why wait? Join the Prose movement today and transform the way you think about beauty. It’s more than just a product; it’s a journey towards embracing your individuality and treating yourself to the care you truly deserve.
According to NPR—and the ABBA blaring from my young adult daughter’s headphones—we’re in the midst of an 80s music revival. As a Gen Xer who came of age in the 80s, I think most of that decade should stay locked in a time capsule, but there are a few songs that have managed to remain timeless despite the synthesizers and bad hair.
A-ha’s “Take On Me” is one of them. Despite its consummately-80s sound, the song with the famous sketch animated video is still enjoyable (if not a little earwormy—good luck once it gets stuck in your head).
But a lesser-known 2017 arrangement of the song is actually, miraculusly, even better. A-ha performed “Take On Me” for an MTV Unplugged Summer Solstice album, and it’s significantly different than the original. The Norwegian band filmed the performance live on the island of Giske, dropping the electric piano as well as the tempo for a stripped-down version that has become a fan favorite. As of this writing, the video has 97 million views on YouTube.
“Take On Me” is one of 17 songs in the unplugged performance, but naturally the most popular.
“We’ve talked about this idea for so many years,” guitarist Paul Waaktaar-Savoy said. “And in many of our concerts we’ve also played some acoustic songs. But if you consider that we don’t use much technology at all when we write the songs, the idea of an entirely acoustic show makes total sense. Playing all these songs now in their acoustic versions is like returning to their origins.”
Watch and see how the slower tempo and simple instrumentation creates a sadder, more haunting version of their biggest hit.
“The fact he’s still got such a good voice after decades is incredible,” wrote one fan.
This is music at its purest form. No light show, distortion pedals, autotune and massive audiences. Spotless,” wrote another.
“By far the best version of this song that I have ever heard. It totally transforms the song when performed like this,” shared another.
Another commenter made a poignant observation:
“The original version is like a soundtrack for a man living in the fast-paced life in the 80’s all cool and hip. This one is like when the same man grows old and saying farewell to the fun memories of his youth.”
And another summed up what most people feel seeing this:
“One version makes you dance and the other version makes you cry.”
This article originally appeared on 9.26.23
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