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The very real story of how one woman prevented a national tragedy by doing her job

Dr. Frances Oldham Kelsey had only been with the Food and Drug Administration for about a month when she was tasked with reviewing a drug named thalidomide for distribution in America.

Marketed as a sedative for pregnant women, thalidomide was already available in Canada, Germany, and several African countries.


It could have been a very simple approval. But for Kelsey, something didn’t sit right. There were no tests showing thalidomide was safe for human use, particularly during pregnancy.

thalidomide, wonder drug, public health

When Chemie Grünenthal released thalidomide in West Germany years earlier, they called it a “wonder drug” for pregnant women. They promised it would treat anxiety, insomnia, tension, and morning sickness and help pregnant women sleep.

What they didn’t advertise were its side effects.

Because it crosses the placental barrier between fetus and mother, thalidomide causes devastating — often fatal — physical defects. During the five years it was on the market, an estimated 10,000 babies globally were born with thalidomide-caused defects. Only about 60% lived past their first birthday.

In 1961, the health effects of thalidomide weren’t well-known. Only a few studies in the U.K. and Germany were starting to connect the dots between babies born with physical defects and the medication their mothers had taken while pregnant.

At the outset, that wasn’t what concerned Kelsey. She’d looked at the testimonials in the submission and found them “too glowing for the support in the way of clinical back up.” She pressed the American manufacturer, Cincinnati’s William S. Merrell Company, to share research on how their drug affected human patients. They refused. Instead, they complained to her superiors for holding up the approval. Still, she refused to back down.

drugs, medication, medicine

A sample pack of thalidomide sent to doctors in the U.K. While more than 10,000 babies worldwide were born with thalidomide-related birth defects, FDA historian John Swann credits Dr. Kelsey with limiting the number of American babies affected to just 17.

Over the next year, the manufacturer would resubmit its application to sell thalidomide six times. Each time, Kelsey asked for more research. Each time, they refused.

By 1961, thousands of mothers were giving birth to babies with shocking and heartbreaking birth defects. Taking thalidomide early in their pregnancy was the one thing connecting them. The drug was quickly pulled from shelves, vanishing mostly by 1962.

Through dogged persistence, Kelsey and her team had prevented a national tragedy.

government, FDA, bureaucracy, community

In 1962, President John F. Kennedy honored Kelsey with the Federal Civilian Service Medal. He thanked her for her exceptional judgment and for preventing a major tragedy of birth deformities in the United States:

“I know that we are all most indebted to Dr. Kelsey. The relationship and the hopes that all of us have for our children, I think, indicate to Dr. Kelsey, I am sure, how important her work is and those who labor with her to protect our families. So, Doctor, I know you know how much the country appreciates what you have done.”

But, she wasn’t done yet. Later that year, the FDA approved new, tougher regulations for companies seeking drug approval, inspired in large part by Kelsey’s work on thalidomide.

Reached via email, FDA historian John Swann said this about Kelsey’s legacy: “[Her] actions also made abundantly clear to the nation the important public health role that drug regulation and FDA itself play in public health. The revelation of the global experience with that drug and America’s close call indeed provided impetus to secure passage of a comprehensive drug regulation bill that had been more or less floundering during the time FDA was considering the application.”

Kelsey continued to work for the FDA until 2005. She died in 2015, aged 101, just days after receiving the Order of Canada for her work on thalidomide.

Bureaucratic approval work is rarely thrilling and not often celebrated. That’s a shame because it’s so critical.

People like Kelsey, who place public health and safety above all else — including their career — deserve every ounce of our collective respect and admiration.

This story originally appeared on 05.20.16

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8 changes that were made to a classic Richard Scarry book to keep up with the times. Progress!


Remember those beloved Richard Scarry books?

Books from when you were a kid?


Like a lot of people, I grew up reading them.

And now, I read them to my kids.

books, education, philosophy

If that doesn’t ring a bell, perhaps this character from the “Busytown” series will. Classic!

evolution, gender roles, equality

Scarry was an incredibly prolific children’s author and illustrator. He created over 250 books during his career. His books were loved across the world — over 100 million were sold in many languages.

But here’s something you may not have known about these classics: They’ve been slowly changing over the years.

Don’t panic! They’ve been changing in a good way.

Scarry started publishing books in the 1950s, when times were, well, a little different. So some of the details were quietly updated.

Alan Taylor, a senior editor for the photo section of The Atlantic, noticed differences back in 2005 and decided to photograph them. From his Flickr album:

“The 1963 edition is my own, bought for me in the late 60’s when I was a toddler, and read to tatters. The 1991 edition belongs to my kids today. I was so familiar with the older one that I immediately started noticing a few differences, and so have catalogued 14 of the more interesting differences here in this collection.”

Taylor found 14 pages with differences between the original and updated versions.

Here are eight changes that reflect some of the progress society has made:

1. First up: The cover got a makeover. It might seem subtle at first glance, but look closely.

words, growth, creative

The original has a woman (bunny) in the kitchen, while the updated cover has both a man and a woman (still bunnies) in the kitchen. Also: The “policeman” bear changed to a woman, and the label changed to “police officer.” The word “mailman” became “letter carrier,” and a female farmer was added. Oh, and we went from a cat-mom pushing the stroller to cat-dad! Progress!

(The bunny brushing its teeth in the house was changed from a boy to a girl, but I’m not gonna read into that because hopefully all bunny-kids brush their teeth, right? I mean, for the sake of their little bunny teefs!)

2. Men can be flight attendants and women can be pilots. And, you know, they don’t have to be hot.

jobs, career, fairness

While the gender of each role remained the same in the newer version (which is, unfortunately, pretty legit, given the glaring lack of female pilots in real life), the stereotyping was eliminated by making the “handsome pilot” more of an everyday “pilot” (raccoon?) and by turning the “pretty stewardess” into a regular flight attendant.

3. Christmas isn’t the only holiday people celebrate.

inclusive, menorah, bears

Shhhh: Don’t tell the Starbucks Christmas cup haters this, but there are a lot more winter holidays than just Christmas. The newer version of the book included a menorah in the blank space to recognize those who celebrate Hanukkah.

4. Mommy Bears are no longer expected to have breakfast prepared for Daddy Bears…

mommy bears, daddy bears, best word book ever

…and the subtle change from “called to breakfast” to “goes to the kitchen to eat his breakfast” reflects that.

(Side note: Do Daddy Bears realllllly want to be treated like Kid Bears by being called to a meal, where they must promptly appear? I’m thinking not.)

5. Because guess what?! Dads can cook, too! (Even Dad Bunnies.)

professionals, professions, 20th century

And Richard Scarry’s book was updated to reflect the late-20th-century realization that everyone belongs in the kitchen!

6. Helping professions aren’t just for men.

cowboys, grown ups, characters

The updated version recognized that fact by changing “policeman” to “police officer” and “fireman” to “fire fighter.” The ever-important job of cowboy was eliminated ( sigh … how many career hopes and dreams were squashed?), replaced with a gardener and a scientist, both of which are filled by female characters. Three cheers for women in STEM! Also: The milkman was replaced by a taxi driver, but I’m pretty sure that was had to do with the fact that milkman (or woman) isn’t a growing occupation any longer.

7. Regular people need rescuing, too.

firemen, danger, hopes

The newer version did away with the “beautiful screaming lady” (sigh… how many career hopes and dreams … oh, wait — none) and replaced her with a regular “cat in danger.” The “jumping gentleman” label was removed altogether, and the “fireman” became a “fire fighter” again.

8. “I” is for “ice cream” — and not stereotypical depictions of Native Americans.

dreams, updates, Florida State University

We’re still waiting for our football teams to get with the times, but the folks behind the Richard Scarry book update eliminated the “Indian” character that was wearing stereotypical clothing.

Yay, progress! And before you shrug and say “It’s just a book,” listen to this:

Florida State University recently led “the most comprehensive study of 20th century children’s books ever undertaken in the United States.” As you can surely guess, they found a gender bias toward male lead characters, even in books about animals — books like those by Richard Scarry.

Janice McCabe, the assistant professor of sociology who led the study, wrote:

“The widespread pattern of underrepresentation of females that we find supports the belief that female characters are less important and interesting than male characters. This may contribute to a sense of unimportance among girls and privilege among boys. The gender inequalities we found may be particularly powerful because they are reinforced by patterns of male-dominated characters in many other aspects of children’s media, including cartoons, G-rated films, video games and even coloring books.”

It’s kind of cool to think these changes were made at least two and a half decades ago! That’s something.

And we need changes to keep happening! Kids should be able to read books with same-sex couples and characters who have disabilities, for example, because those are everyday occurrences and books are a great intro to the world for kids.

Anyone else up for modernizing other classic kids’ books so we can feel good about sharing them with our kids?

This article was writen by Laura Willard and originally appeared on 11.11.15

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Josh Levi Returns To ‘UPROXX Sessions’ With A Swaggering Performance Of ‘She Keeps Comin’

Josh Levi is back again for another smooth performance on UPROXX Sessions. Earlier this week, he helped kick off the latest season of Uproxx’s one-take performance show with his single “Birthday Dance,” and today, the multitalented Texan returns to perform another standout from his 2022 project DISC TWO, “She Keeps Coming.”

In contrast to the upbeat “Birthday Dance,” “She Keeps Coming” is a chest-beating ballad (an amusing combination) in which he boasts to a romantic rival that their mutual interest is choosing Levi. Naturally, there’s a bit of a double entendre with the title, explaining exactly why Josh is the superior man. “He’s gotta be high, he can’t be sober,” he sings, “Can’t blame the next guy who has your old girl.” In this performance, he also nods to one of his inspirations, slipping in some lyrics from Beyoncé’s 2003 solo breakout hit “Crazy In Love.”

You can watch Josh Levi’s performance of “She Keeps Comin’” for UPROXX Sessions above.

UPROXX Sessions is Uproxx’s performance show featuring the hottest up-and-coming acts you should keep an eye on. Featuring creative direction from LA promotion collective, Ham On Everything, and taking place on our “bathroom” set designed and painted by Julian Gross, UPROXX Sessions is a showcase of some of our favorite performers, who just might soon be yours, too.

Josh Levi is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

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Amen Dunes Taps Into The Psychedelic Chaos Of His New ‘Boys’ Video, From His Album ‘Death Jokes’

Amen Dunes, the project of Damon McMahon, is releasing a new album Death Jokes, which is set to drop in May. McMahon has now provided fans with a glimpse of the project by putting out a song called “Boys.”

The record marks his first full release since 2018’s Freedom. “‘Boys’ is another interstitial character portrait, this time about outcasts, ‘bad kids,’ and seeing things from their side: ‘Everything you’ve done, it’s been done to you too,’” McMahon shared about the song in a statement.

Overall, “Boys” is propelled by an indie rock instrumental that layers the drums and vocals to create an eerie and psychedelic effect.

There was also a music video released with the song, which was directed by Steven Brahms. This taps into the same mysterious aspects that grab the listeners’ attention. Throughout the video, chaos starts as the boys tear the living room apart.

“We only had one shot to destroy the room,” says Brahms. “The guys in the video gave us such an authentic look and flow. Everyone on the crew was buzzing after the shoot and we knew we had something special. Destruction can be very cathartic.”

Check out “Boys” above.

Death Jokes is out 5/10 via Sub Pop. Find more information here.

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It’s Up To Nic Cage To Save Humanity From Extinction In The Wild And Creepy ‘Arcadian’ Trailer

Nicolas Cage is back with a new film, and if you’ve ever wanted to see the eclectic actor have a knife fight with aliens (Or at least we think they’re aliens?), boy, are you in luck.

In the first trailer for Arcadian, Cage and his twin sons live in a dystopian future where pollution has ravaged the Earth. More pressingly, that pollution opened the door for some sort of horrifying creatures to begin wiping out humanity. However, the creatures only move at night, and they are aggressive in trying to reach their prey.

Pushed to the brink, Cage and his sons decided to finally fight back as they take the fight to the terrifying invaders, who are not about to go down easy.

Here’s the official synopsis:

In a near future, normal life on Earth has been decimated. Paul and his two sons, Thomas and Joseph, have been living a half-life – tranquility by day and torment by night. Every night, after the sun sets, they face the unrelenting attacks of a mysterious and violent evil. One day, when Thomas doesn’t return home before sundown, Paul must leave the safety of their fortified farm to find him. A nightmarish battle ensues that forces the family to execute a desperate plan to survive.

Arcadian opens in theaters on April 12.

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Sting Can Finally Walk Away With The End To A Perfect Story

Sting
AEW

GREENSBORO — With a career spanning nearly 40 years, everyone has their own Sting story. My introduction to wrestling came when I was three years old in Worcester, Massachusetts, when my brother escaped our father’s grasp, climbed under the guard rail, and tried to fight Rick Rude, who was mercilessly beating the WCW star in front of us. I have very few memories with my father, but we always had wrestling. And we always had Sting.

Sunday night in Greensboro, North Carolina, 16,000 fans (per WrestleTix) packed into the Greensboro Coliseum — an arena of historical significance, where Sting had his breakout moment against Ric Flair in 1988 — to see him ride off into the sunset. Hundreds of similar stories carried throughout the arena, with attire ranging the many eras of Sting from surfer blonde, NWO stints, Crow, the Joker, and modern-day Sting.

Some fans saw him as part of the Blade Runners, tagging with the man who’d eventually become the Ultimate Warrior. Others were introduced by chance, whether they watched him main event a house show, played as him in a video game, or saw him sitting in the rafters and were captivated by his presence. The stories of how fans came to love Sting are endless.

But until Sunday, it never felt like Sting had his perfect story. The man who was the ultimate team player in an industry that can be cutthroat has overcome his fair share of booking missteps along the way — RoboCop, Starrcade 1997, and his loss to Triple H at WrestleMania stand out in particular.

Unceremoniously, Sting’s career wrapped up early in September 2015, just four matches into his lone WWE stint. A buckle powerbomb led to temporary paralysis, a realization that he had cervical spinal stenosis, and it put an unexpected end to his iconic professional wrestling career.

A little over five years later, Sting set the wheels in motion for arguably his greatest run in wrestling as part of AEW. He joined the company unsure if he could still go in the ring, so he agreed to a cinematic match with Darby Allin against Brian Cage and Ricky Starks.

For the next three years, AEW founder and CEO Tony Khan did everything he could to honor the legend, the icon, Sting.

“Sting stepped away from pro wrestling for several years and by all indications, he was going to retire. He felt he had a great run in him alongside his tag team partner, Darby Allin. He’s had some of the most exciting and memorable matches in AEW in the last several years and Sting has accumulated an undefeated record where Sting is, in many ways, the most successful wrestler in AEW,” Khan told Uproxx Sports ahead of All In last year.

“Every time he steps in the ring we try to pay tribute to his great career and how honored we are to have Sting with us.”

Sting has held up his end of the bargain as well. He put on matches that showed he could still go. And he also showed how much fun he was having being back in (and around) the ring — Sting exchanging “strikes” with Orange Cassidy remains one of my favorite moments of this entire run.

He jumped off of almost everything, performed spots that defied his 64-year-old body, and created memories alongside budding and current stars that redefine how his legacy will be remembered.

“I think it’s amazing that he came in during the pandemic when there were barely any fans and took a chance considering he never had to get back in the ring again. And then to be rewarded at Wembley and setting the all-time attendance record in wrestling. And then to have pretty much the whole pay-per-view, Revolution, be based around this and the proper send off with his sons and everything that went into it,” Darby Allin said.

“This was all his baby. And it’s amazing that we, at the end of the night, can be like, we did it. And not have any regrets — wake up, oh man, we shit the bed last night. There’s no regrets. Like, this was amazing. Thank you, Sting.”

At the end of the day, the story of Sting was concluded in a way legends are sure to take notice of. He was paid the proper respect. He finally got his big moment in front of more than 80,000 fans at Wembley Stadium along the way. And when it came time to sign off for one last time, he was booked on a show that was built around paying tribute to him in an arena that meant a great deal to his career.

Sting
AEW

You could see how meaningful it was for Sting to be flanked by his sons, who were dressed in original surfer Sting and NWO Wolfpack Sting gear after being attacked by the Bucks a few weeks ago. Khan and the Bucks refused to let Sting go out on his back, per Justin Barrasso from SI, another move away the sometimes archaic ways of professional wrestling’s past. Instead they celebrated his career with a stellar match that paid tribute to the eras of Sting in a unique way, beautifully blending the past with modern day wrestling.

Khan called it the “greatest comeback ever” and the best sendoff in professional wrestling history. Sting said he felt like his final match against the Young Bucks was one of the top three matches of his entire career.

“That’s a big statement,” Sting added. “I really do mean that. And what a way to end it with AEW. So kudos to the Bucks. And of course, Darby. Of course, Tony. The whole thing could not have been any better.”

And now, nearly 40 years after he started his career, Sting can sign off with his perfect story.

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Vampire Weekend Are Officially Podcasters, As They Just Launched ‘Vampire Campfire’ Ahead Of ‘Only God Was Above Us’

Vampire Weekend broke their five-year silence with “Capricorn” and “Gen-X Cops,” two singles that Uproxx’s Steven Hyden listed among his “Favorite Music Of February 2024.” Only God Was Above Us, the band’s first album since 2019’s Grammy winner Father Of The Bride, will be released on April 5, but Vampire Weekend gave fans a podcast to tide them over until then. The first episode of Vampire Campfire dropped this morning, March 7.

A press release provided a thorough synopsis of the podcast, as excerpted below:

“Hosted by Ezra Koenig, Chris Baio, and Chris Tomson and captured on a trio of Ikegami ITC-730AP cameras, the podcast will be released semi-regularly for the foreseeable future. Fans who tune in will be invited behind the scenes into a longstanding and formerly private Vampire Weekend ritual: the frequent campfire chats where Baio, CT and Koenig convene to discuss and brainstorm all things VW — and so much more.

Observant listeners will spot the occasional Easter egg, while all will be treated to advance insights into the upcoming Only God Was Above Us album and tour — and will be invited to witness as the band members reminisce about the past and discuss important matters in the present, ranging from tour openers, set lists and the potential of a future album called The 40-Year-Old Email, to such controversial topics as the dominant type of taco shell and The Real World vs Road Rules. Future episodes will see the band delve deeper into the new album and will feature some very special guests.”

Watch the first episode above, and check out information about Vampire Weekend’s forthcoming 2024 tour in support of Only God Was Above Us below.

Vampire Weekend 2024 Tour Dates: Only God Was Above Us Tour

04/08 — Austin, TX @ Moody Amphitheater
04/27 — New Orleans, LA @ New Orleans Jazz & Heritage Festival
05/10 — Salt Lake City, UT @ Kilby Block Party
05/30 — Barcelona, Spain @ Primavera Sound Barcelona
06/06 — Houston, TX @ 713 Music Hall =
06/07 — Irving, TX @ The Pavilion at Toyota Music Factory =
06/09 — Phoenix, AZ @ Arizona Financial Theatre =
06/10 — San Diego, CA @ Cal Coast Credit Union Open Air Theatre =
06/12 — Los Angeles, CA @ Hollywood Bowl %&
06/15 — Berkeley, CA @ William Randolph Hearst Greek Theatre >
06/16 — Berkeley, CA @ William Randolph Hearst Greek Theatre >
06/18 — Burnaby, British Columbia @ Deer Lake Park >
06/19 — Bend, OR @ Hayden Homes Amphitheater >
06/20 — Seattle, WA @ Climate Pledge Arena >
06/22 — Bonner, MT @ KettleHouse Amphitheater
06/23 — Bonner, MT @ KettleHouse Amphitheater
07/19 — Morrison, CO @ Red Rocks Amphitheatre
07/22 — Kansas City, MO @ Starlight Theatre +
07/23 — Lincoln, NE @ Pinewood Bowl Theater +
07/25 — Maryland Heights, MO @ Saint Louis Music Park +
07/26 — Chicago, IL @ Huntington Bank Pavilion at Northerly Island *+
07/27 — Chicago, IL @ Huntington Bank Pavilion at Northerly Island *+
07/30 — Minneapolis, MN @ The Armory +
08/01 — Milwaukee, WI @ BMO Pavilion +
08/03 — St. Charles, IA @ Hinterland Music Festival
09/19 — Cuyahoga Falls, OH @ Blossom Music Center !
09/20 — Cincinnati, OH @ The Icon Festival Stage at Smale Park !
09/21 — Indianapolis, IN @ Everwise Amphitheater at White River State Park !
09/23 — Rochester Hills, MI @ Meadow Brook Amphitheatre !
09/24 — Toronto, Ontario @ Budweiser Stage !
09/25 — Laval, Quebec @ Place Bell !
09/27 — Boston, MA @ TD Garden !
09/28 — Philadelphia, PA @ TD Pavilion at The Mann !
09/30 — Washington, D.C. @ The Anthem !
10/02 — Charlottesville, VA @ Ting Pavilion !
10/05 — New York, NY @ Madison Square Garden ^~
10/06 — New York, NY @ Madison Square Garden #~
10/08 — Wilmington, NC @ Live Oak Bank Pavilion !
10/09 — Raleigh, NC @ Red Hat Amphitheater !
10/11 — Nashville, TN @ Ascend Amphitheater !
10/12 — Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park !
10/13 — Asheville, NC @ Rabbit Rabbit !
10/15 — St. Augustine, FL @ St. Augustine Amphitheatre !
10/17 — Austin, TX @ Moody Center !

= with LA LOM
% with The English Beat
& with Voodoo Glow Skull
> with Mike Gordon
< with Christone “Kingfish” Ingram
+ with Ra Ra Riot
* with Princess
! with Cults
^ with Mark Ronson
~ with Turnstiles
# with The Brothers Macklovitch

Vampire Weekend’s Only God Was Above Us Tour Poster

vampire weekend tour poster
Columbia

Only God Was Above Us is out 4/5 via Columbia. Find more information here.

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When Will ‘Abbott Elementary’ Season 3, Episode 6 Be On Hulu?

abbott
abc

This season of Abbott Elementary has proven that there is nothing Quinta Brunson cannot do. If she wants to implement a time jump, she can. If she wants to give her character a better job, then she can! If she wants her show to air twice in one week, then who is ABC to tell her, an Emmy and Golden Globe-winning actress/writer that she cannot? So she is!

You might have noticed that there was no new episode of Abbott Elementary this week, and it’s for a good reason. Episode 6 will air directly after the Oscars this Sunday evening after all of those shiny statues are handed out and Ryan Gosling has sung the final act of “I’m Just Ken.” Like previous Abbott episodes, it will land on Hulu around 3 am EST Monday morning. But don’t stay up, it’s a school night.

Here is the synopsis for episode six: “Abbott Elementary is deemed a Philadelphia historical landmark, much to Ava and Janine’s delight; the school plans a celebration in honor of its namesake, but not everything goes as planned.” The episode will also feature Brady Bunch icon, Jennifer Elise Cox.

How could it possibly get better? Episode 7, titled “The Librarian” will air Wednesday before arriving on Hulu on Thursday. So that’s two new Abbott episodes next week.

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Robert Downey Jr. Will Probably, Finally Win An Oscar This Weekend And That’s Great

robert downey jr
universal

By most accounts, Robert Downey Jr. is the odds-on favorite this weekend to win his first Oscar for Best Supporting Actor – something that, unless there’s a huge upset, will most likely happen. He’s been nominated twice before: a Best Actor nomination for Chaplin* (having no real chance in a stacked year, up against Denzel Washington for Malcolm X, Clint Eastwood for Unforgiven, and winner Al Pacino for Scent of a Woman) and a Supporting Actor nomination for playing Kirk Lazarus in Tropic Thunder (again having no real chance against posthumous winner Heath Ledger for The Dark Knight.)

(*Speaking of Chaplin, I had somehow never seen it and decided I should probably watch it before writing this piece. I had always avoided it because I had a good idea what it would be like. Here’s the thing about a lot of movies: they are never quite what you think they are going to be. Except Chaplin. It’s exactly what you think it’s going to be. It’s a movie genetically engineered in an early 1990s lab to get a Best Picture Oscar nomination, which it failed to do. Though, Downey is really good.)

Downey is one of those actors where it just kind of feels like he’s won one before, even though he most certainly hasn’t. Maybe it’s the inevitability of it all? Maybe it’s the whole Marvel thing? (We’ll get to that.) But there doesn’t seem to be the usual excitement surrounding one of the best actors of our time finally winning his first Oscar. In fact, it’s strangely the opposite. At least in my social media feeds I see a lot of, “Wouldn’t it be cool if Gosling pulled an upset?” I mean, sure, who doesn’t like Ryan Gosling? But Downey has been at this for, somehow, over 40 years now with the ups and the well-documented downs. To put it bluntly: the guy is due.

I rewatched Oppenheimer before I wrote this – a movie I think is well made, but also didn’t like as much as most people seem to like it – trying to really pay attention to what made Downey click so well in this movie. The thing is, I’ve rewatched a lot of Robert Downey Jr. movies recently. Everything from Less Than Zero (he’s truly fantastic), to The Pick-up Artist, to Chances Are, to Only You.* Downey is an actor who has a true baseline for how he approaches almost every scene and it’s served him well over the years and it’s a large reason why he’s so good as Tony Stark. In Oppenheimer, Downey seems to eschew all of that and do the opposite. There are literally scenes where you can tell he’s about to let the Downey charm/smarm fly, but still manages to stop himself. It’s like he’s pulling a George Costanza here and going against every natural impulse he has as an actor – but the difference here is Downey’s natural impulses have made him one of the most successful and wealthy actors in the world. It takes a lot of willpower to tell yourself, “Why don’t we not do that this time?”

(*A quick aside here about Chances Are and Only You, two movies starring Robert Downey Jr. with its title taken from hit pop songs from the 1950s. The plot of Chances Are (oh goodness this plot), Downey plays the reincarnated husband of Cybil Shepherd who is dating their daughter (yep). After a bump on the head, he realizes who he is and is now reunited with the love of his life. In Only You, Marisa Tomei plays a woman who was told by a psychic that her soul mate is a man named Damon Bradley. While vacationing in Europe, she meets a man played by Downey who says his name is Damon Bradley. My point here: these two movies should switch titles.)

The other thing I noticed rewatching Oppenheimer … the character of Lewis Strauss kind of sucks. I mean this as a compliment to Downey, because why on Earth should we care at all about this character one way or another, even as a villain? Here’s a movie about the making of the atomic bomb, but the entire third act is focused on Lewis Strauss’s failed confirmation hearing for Commerce Secretary and Strauss’s role in J. Robert Oppenheimer losing his security clearance, something he didn’t really even need at the time. The only reason we care is because of Downey. With almost any other actor, we’d be sitting there thinking, Wait, what’s this about again? But Downey is so enigmatic and interesting as Strauss, it’s captivating despite itself. Downey holds that whole third act together by sheer willpower. (With an assist from Alden Ehrenreich, who should have gotten more attention for his part here.)

Oh, right, the Marvel part. I do wonder if “being the face of the Marvel Cinematic Universe” for over a decade made it a little less, for lack of a better term, “exciting” for the rooting interests that Downey will most likely win an Oscar. “Oh this guy who has everything? Welp, he’s getting more.” I’ll admit, I have mixed feelings about his role in Marvel, too. On the one hand, well, he’s terrific as Tony Stark. Every MCU movie he appeared in just has something the others don’t. And we can tell today that the current iteration of the MCU feels pretty lost without him. And, in 2008, Downey was an actor who was on the comeback with both Zodiac and Tropic Thunder, but Iron Man was the ultimate breakthrough that cemented his legacy. Also, it made him very rich. These are all good things.

But, selfishly, it was kind of annoying the kind of performances that we saw in Zodiac went away until … well, now. Basically 15 full years. Between the first Iron Man being released (so this doesn’t include his other two already filmed 2008 movies) and Oppenheimer, Downey starred in a grand total of five movies that were not as Tony Stark: Two Sherlock Holmes movies (in retrospect, it’s kind of wild a successful sort-of franchise was made out of Sherlock Holmes), the Todd Phillips comedy, Due Date, The Judge, and Doolittle – which, as also executive producer, seemed like Downey’s attempt at a new franchise. Even though that movie somehow grossed a quarter of a billion dollars, it’s currently sitting at 15 percent on Rotten Tomatoes and most definitely it will not be a new franchise.

However, I can’t help but wonder what would have happened if Doolittle had been a huge success. (What a weird sentence.) Was that the kick Downey needed to give this performance? For him to remember, Oh, yeah, I’m not just a movie star, I’m one hell of an actor. In reality, nothing is ever that simple and binary, but that’s the way I’ve decided it all went down … Tony Stark had to die and Dr. John Dolittle had to be almost universally hated so Rear Admiral Lewis Strauss could win Downey his first Oscar. Honestly, we should be celebrating all of this. (Especially those last two things.)

You can contact Mike Ryan directly on Twitter.

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The Marías Unveil The Groovy Single ‘Run Your Mouth’ And Announce Their New Album, ‘Submarine’

After The Marías previously teased their new album with a cryptic underwater video, the band has now announced their next album titled Submarine. They also had another surprise for fans today, as they have shared a new single from it called “Run Your Mouth.”

“All the sh*t you put me through put me through / And now you’re talking bout me too and I know / That I could never get away from you / I’ll wait for you to turn around and talk it through but we won’t,” lead singer María Zardoya sings over a chill and groovy instrumental.

Directed by Bethany Vargas, the entertaining music video leans into the album’s color palette of blue, as the band performs in a few futuristic-looking spaces. It also creatively plays with doubles of the band members appearing throughout.

“This was one of the first songs Josh and I wrote on Submarine,” Zardoya added in a statement. “I was conflict-avoidant at the time and whenever someone wanted to talk about something serious, I’d run and hide. I learned that was a protective mechanism and I didn’t have the capacity to open up. There’s no other song on the album like it, hope you dance to this one.”

Check out “Run Your Mouth” above.

Submarine is out 5/31 via Nice Life Recording Company/Atlantic Records. Find more information here.

The Marías are a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.