Today (February 20), Lightning Bug shared “December Song,” a vulnerable-but-dreamy single that serves to announce their new album, No Paradise. The song pulled inspiration from Greek mythology, as the lead singer Audrey Kang details her struggle with depression, or feeling like there’s a “deep personal winter in the midst of high summer.”
Along with the song’s release, Kang wrote, directed, and filmed the beautiful visuals on a Greek island — as the track was originally inspired by the aftermath of another trip she took.
“I’d just gotten back to New York City after spending every last droplet of energy I had on riding a motorcycle from Nayarit to NYC,” Kang added about the rest of the album’s inspiration.
“When the trip was over, I fell into the lowest low I’ve known,” she continued. “‘December Song’ was my way of giving my life some meaning again, by thinking of my sadness as part of a story, a season. In the song, I retell the myth of Persephone from the perspective of Demeter as she awaits her daughter’s return to a land made barren with grief.”
Check out “December Song” above. Below, find the tracklist and cover art for No Paradise.
Lightning Bug’s No Paradise Album Cover Artwork
Lightning Bug
Lightning Bug’s No Paradise Album Tracklist
1. “On Paradise”
2. “The Quickening”
3. “The Flowering”
4. “The Withering”
5. “Opus”
6. “December Song”
7. “Serenade”
8. “Lullaby For Love”
9. “I Feel…”
10. “Morrow Song”
11. “Just Above My Head”
12. “No Paradise”
No Paradise is out 5/2. Find more information here.
Loss and an awareness of our own mortality will visit us all, even iconic, laconic detectives guided by a strictly defined set of morals and codes. If we’re lucky, love will also come around to dazzle and confuse us as well. That’s the journey of Sam Spade on AMC’s Monsieur Spade, a limited series (with the door left open for more) that takes Humphrey Bogart’s character from the 1941 classic The Maltese Falcon and puts him on a new path that, at times, requires him to lean on a few mothballed instincts and that trusty moral compass.
Dexterously crafted by Scott Frank (The Queen’s Gambit) and Tom Fontana (Oz), Monsieur Spade is more than an excuse for Bogart superfan Clive Owen to play the now widowed ex-PI in the French countryside while being pulled into a twisty case involving a precocious girl, a mysterious boy, the church, spying neighbors, and of course, murder. What Frank, Fontana, and Owen have done is explore and expand a character who has been, for more than 80 years, an archetype for masculinity and cool.
In the below interview, which is running following the (season?) finale of the show, we spoke with Owen about finding the right amount of Bogart to bring to that endeavor, what other noir-inspired projects get wrong, whether it’s humbling to play older characters, the appeal of playing toward stoicism, and more.
When we spoke last time, you that you like to push yourself to uncomfortable places when you take on roles. What was uncomfortable about taking this on?
It’s a big challenge when you take a part on that’s very well-known. You’re following in the great Humphrey Bogart’s footsteps and you’re there to be shot at and compared to, so there is a challenge in that. Rather than do what probably I should have done, which is go, “I’m going to put my own spin on it and forget the original,” I did the opposite and leaned into the original because I was such a fan of it and I love the genre and that style. I went the other way and said, “I want to feel the origins of Spade. I want to feel the origins of The Maltese Falcon in this project.”
Is there risk with this one because you care so much about the source material and the character? Is it almost like the challenge of not letting yourself down?
Yeah, but then to be challenged and put yourself in that place is always a good thing. To be a little scared and to have that, is a healthy thing. And when I got the scripts off Scott (Frank), my big thing was, “Okay, I’ve got the language here,” because he’s such a great writer of dialogue, “It’s now about me living up to that.” That’s not always the case. That’s often not the case. You’re often doing stuff where you’re trying to breathe life into something, and here’s the situation where you go, “It’s all there for you. Now don’t mess it up.”
How do you decide what to add, what to subtract, how to make sure you’re not playing just a Humphrey Bogart impression, but still making it your own?
What I did is I really looked at him vocally of what he does, his rhythms, his intonations. I wasn’t trying to sound the same as him, but I wanted to understand how he shaped dialogue when he does his things. And I learned some key things that I applied, and when I talked to Scott, I told him what I was doing and I said, “Don’t freak out. It’s not going to be an impersonation, but I’m really leaning into the rhythms and intonations and I want to get… not only because it’s good for noir and the origins of the part,” but luckily Scott really, really nailed the style of speech.
And I discovered some key things about Bogart. I discovered that he actually speaks super-fast and you think he’s laconic and laid back, but actually he’s super nimble with dialogue and can really rip through it at some speed, and in actual fact, if the dialogue’s good enough, that’s when it works best. And I remember calling Scott when I realized this and said, “A lot of the big speeches, a lot of the scenes with a lot of dialogue, it feels like it will really sing and play when we put pace on it.” And that also is very period, because we’re currently living in a time where everyone’s talking about their feelings, wanting to express their feelings. It’s very important that everyone has that. Characters like Sam Spade, they didn’t do that. And ultimately, it really plays and sings when you don’t hang about and you don’t overindulge and you don’t over-emote.
Is that something that resonates with you personally, being more stoic, less open about emotion? Are you the type of person who shares your emotions more or are you more laconic, laid-back?
It certainly appeals to me in an acting sense. That’s the kind of acting I’m a fan of, where you’re discovering things. For me, acting’s all about subtext, and you’re saying or appearing to be something but you’re feeling something else. That, to me, is when acting’s fun, when you’ve got the two things going on at the same time.
Root one emotion in acting for me is never that attractive. I don’t like watching it, I don’t like doing it. All of us are much more complicated than that. The joy of acting is when you can be playing both things all the time, so there’s always something else going on. And I think characters like Sam Spade, they’re not unfeeling people. They do have deep feelings, but it’s just not over-expressed, and the joy is to try to show it without overdoing it.
Where you’re playing him at this point in his life, obviously this is a man who’s being made aware of his mortality. He’s feeling the power of loss and the power of love. Can you tell me a little about the appeal of playing a character at this point in his life as opposed to right after The Maltese Falcon?
Well, I think the most interesting thing in this series that you wouldn’t expect from him is that he’s been opened up because he fell in love, and we discover how he ended up staying in France, and it was because he fell in love with somebody and then lost that person.
And so we instantly are meeting him in a more sensitive, opened-up state than is usually the case with someone like Spade. And gradually, during the show, he’s brought back to his old ways and he’s brought out of his quiet life because ultimately, these characters, when they discover wrongdoing, they have a very strong moral compass and they’ve got to get in there and do the right thing. And that’s where we find it.
And there’s great fun to be played with the fact that he’s aging and the fact that he’s got to give up smoking and the fact that he’s put the gun away, he’s put the hat away. He’s trying to live a different life, but you still feel the origins of Dashiell Hammett’s character.
You’ve played many dynamic characters. Is it humbling at all to play a character who is in his older years and who’s not necessarily considering himself a man of action anymore? Obviously, there’s still action in this — he throws a few wonderful punches and some great kicks. I love the interrogation scene. But is it humbling and does it make you feel older?
No, no. It’s not humbling at all. No. It is a reality. I am getting older, but also that was the spin we were always doing. The interrogation scene you’re talking about, which I adored doing because the writing was so sharp and incisive, I relished playing those scenes, and they’re the times where you see the old Sam Spade. And I’m not going to lie; when Scott gave me the opportunity to do those kinds of scenes, I relished them.
Could you ever envision a life for yourself, like what Sam’s going through; you go live in another country, divorce yourself completely from your career and your life, retire like that? Is that a bucket list item for you?
Now and again, for sure, but no, I couldn’t do that all the time. I enjoy what I do too much. I think a bit of that is great, and I certainly would welcome some time doing that, but I couldn’t live a full life like that, no. It energizes me to work. It keeps me alive and active and interested.
Why it is that you think that this character and this film have endured for, at this point, almost 85 years?
I think it’s something to do with what we’ve talked about before about the restraint and the not overdoing it, not being sentimental, not over-explaining it. I think it’s something to do with that. I think it has something to do with a very strong morality, in terms of however hard-boiled he is, however tough he is, we know that he’s trying to do the right thing. And if something’s wronged around him, he’s got to get involved and try and help because these characters, they have a strong moral compass and they’re trying to do the right thing, even though on the surface, it looks like they’re tough and acerbic, they have big hearts and they do feel things and want to do the right thing.
You’ve been involved with a few noir-ish projects. Of the ones outside of those — films that other people make that take a stab at this noir-ish world and try to take the influence of this film, what do you think they get wrong? Without naming other films, obviously.
I think you’ve got to approach it in a fresh, alive way, and to be too much of a pastiche, and just to hit all the cliches isn’t enough. You’ve got to breathe life into it. You’ve got to feel that what is happening is happening now for these characters, and that we’re not stuck in some respectful, historical, pale imitation. You’ve got to make it feel, it’s happening as you’re watching it.
You have said before that you have a Maltese Falcon poster on your wall. I’m curious what other posters you have on your wall from movies. What other movies mean that much to you?
I used to collect movie posters and then I stopped and sort of drifted into something else. But what I still have, I have a brilliant original, French original, of The Big Sleep, which is half of Bogart’s face, half of Bacall’s face, which is one of my favorites. I’ve got a small Casablanca, and I’ve actually got, I think, a pretty rare original of Buster Keaton’s The Cameraman.
All episodes of ‘Monsieur Spade’ are available to stream now on AMC+.
Last year, Gunna dipped his toe back into performing live after spending six months in jail. He tuned up his live show pair of concerts in Los Angeles and New York, shaking off the rust of the past year spent out of the spotlight while highlighting songs from his new album, A Gift And A Curse.
Now, as he appears to be rolling out a new album, he is jumping into the deep end for his Bittersweet Tour. The tour seems to take its title from his latest single, which looks like it may also be the title of next album. He’ll be joined on tour by Flo Milli, who opened at his LA and New York shows last year, hitting the road in early May and running through mid-June, where he’ll conclude the tour in his hometown, Atlanta.
Citi cardholders will have access to presale tickets beginning Wednesday, February 21 at 10 AM local time. General sale starts Friday, February 23 at 10 AM local time at livenation.com.
Gunna’s Bittersweet Tour Dates
05/04 — Columbus, OH @ Schottenstein Center
05/06 — Detroit, MI @ Fox Theatre
05/08 — Chicago, IL @ Byline Bank Aragon Ballroom
05/10 — Minneapolis, MN @ The Armory
05/12 — Denver, CO @ Fillmore Auditorium
05/16 — Seattle, WA @ WAMU Theater
05/18 — San Francisco, CA @ Bill Graham Civic Auditorium
05/21 — Phoenix, AZ @ Arizona Financial Theatre
05/24 — Irving, TX @ The Pavilion at Toyota Music Factory
05/25 — Houston, TX @ 713 Music Hall
05/28 — Nashville, TN @ Nashville Municipal Auditorium
05/29 — Charlotte, NC @ Bojangles’ Coliseum
06/01 — Boston, MA @ MGM Music Hall at Fenway
06/02 — Philadelphia, PA @ Roots Picnic Festival *
06/06 — Miami, FL @ Kaseya Center
06/09 — Orlando, FL @ Kia Center
06/11 — Atlanta, GA @ State Farm Arena
* festival date, without Flo Milli
Live Nation
Gunna is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
While everyone was being mesmerized by Timothee Chalamet’s swoopy hair and defined cheekbones in the first Dune installment, director Denis Villeneuve was quietly preparing what would be the hardest task of his life: crafting a giant worm.
The sandworms appear in the first film, but Villeneuve said they needed to have a clear vision of how the characters would interact with the giant creatures for Dune Part Two. In the original text, there is not much to go on. “In the book, it’s just written, ‘and then Paul rides the worm,’” Villeneuve told EW, “With no real clues of how a Fremen will actually jump onto a sandworm, this great beast with high speed and tremendous power.”
Due to the lack of wormy details, the director had to decide how the slimy guys would be portrayed on screen with the actors. “So from the worm behavior that we had created in Part One, I had to figure out how a human being could approach that: What is the Fremen technique? What do the maker hooks like? How do you use them? It required a tremendous amount of [research and development],” he added.
That research and development turned into what became The Worm Unit. Despite its name, it is not a unit of measurement categorized by giant worms, but it was a whole team dedicated to just the worm sequences in the film. Chalamet described the process: “You go to the Worm Unit, and you go up this ladder onto a platform. You get on a little slab of worm — I hope that’s never taken out of context — that they practically built, like a scale. And then you get two gripping devices.” He didn’t explain what the “gripping devices” are but it’s good for the actor to learn how to get a grip every once in a while.
As far as Villeneuve is concerned, the Worm Unit saved the movie. “If it were not for the Worm Unit, I would still be shooting the movie right now,” Villeneuve says. “Some of those shots took weeks to do. It was technically very intense because I wanted a level of realism that has not been seen before, and I wanted to make sure that the audience would absolutely believe in Paul’s journey. That was by far the most complex sequence I have ever done in my life.” In reality, Villeneuve could have saved a lot of time researching by just watching the Alaskan Bull Worm episode of Spongebob Squarepants and mimicking those moves, but maybe he needed to figure that out on his own.
So now you know how to craft your very own Worm Unit. All you need is a Worm Slab and two “gripping devices.” These should not be hard to find!!
Every week, Billboard unveils the top 10 songs on the latest Hot 100 chart. The most recent rankings, for the chart dated February 24, are out now, so let’s run down who had this week’s biggest hits.
10. Noah Kahan — “Stick Season”
Stick Season was Kahan’s first top-10 album (top-3, actually) on the Billboard 200, and now he has reached another milestone on the Hot 100: Rising from No. 11 to No. 10 this week, the album’s title track is Kahan’s first top-10 single.
9. Tate McRae — “Greedy”
Aside from hanging around in the top 10 this week, “Greedy” is now McRae’s first No. 1 on the Adult Pop Airplay chart, meaning it’s a hit on radio.
While the Bryan/Musgraves collab is sliding down the Hot 100 a bit, it’s still No. 1 on the Hot Rock & Alternative Songs and Hot Rock Songs charts, for a 25th week each.
7. SZA — “Snooze”
Similarly, “Snooze” is also faltering on the Hot 100 some, but it leads the Hot R&B Songs chart for a 29th week.
Swims’ breakout hit previously peaked at No. 2 last week, but it still holds strong in the top 5 this week.
4. Benson Boone — “Beautiful Things”
Again, similar story with Boone: His favorite was No. 3 last week and now it has slightly backtracked to No. 4, thanks in part to two noteworthy debuts ahead of it.
Last week, Kanye West caught wind of a Swiftie campaign to stream and buy “Texas Hold ‘Em” so the Beyoncé song would debut above him on the new chart. Who knows how much impact that actually had, but whatever the case, the desired outcome was reached as the song enters the Hot 100 at No. 2.
1. Jack Harlow — “Lovin On Me”
The whole Kanye-vs.-Beyoncé situation was beneath Jack Harlow this week, though, as “Lovin On Me” is No. 1 for its sixth nonconsecutive week.
This week’s #Hot100 top 10 (chart dated Feb. 24, 2024)
Nicki Minaj is just weeks away from beginning her <Pink Friday 2 tour and while she had yet to announce openers as recently as last month, during a holiday live stream with fans this past weekend, Nicki proposed a fascinating opener: comedian Katt Williams.
On Instagram, Nicki made her case for having Williams on her tour. Noting that Katt’s “the busiest man in show business” (questionable), she asked her fans, “Can y’all hit up Katt Williams and ask him what would be his price … to be a part of the Pink Friday 2Gag City Tour?”
While bringing a standup comic on a rap tour might seem unconventional, some parallels could make it a good idea. Like Nicki, Williams has experienced something of a resurgence due to a wave of attention from some controversial comments that have generated conflict with him among his peers. And he’s long been a hip-hop favorite, often having rappers as openers on his own tours and frequently using his connections with rappers as material for his standup.
It seems unlikely that Nicki will be able to secure Williams for her tour, as he is currently on his own tour which has dates across the US running concurrently with her own. Unfortunately for her, it doesn’t look like Katt will be moving to Ga City for the foreseeable future.
This summer, Peso will embark on his second North American performance lap by way of his Exodo tour. So, how can fans get their hands on one of the 37 show dates? Below, you will find all the details for the tour, including how to purchase, the complete schedule, and the official poster.
How To Buy Tickets For Peso Pluma’s Exodo Tour
While the shows are sure to sell out quickly, to avoid price hikes on the secondary market, your best bet is to purchase directly through Live Nation. On Wednesday, February 21, Citi members are invited to join the company’s presale. While each featured venue, Live Nation and TikTok’s presales aren’t set to kick off until Thursday, February 22. If you aren’t lucky enough to access any of these offers, the general on-sale is scheduled to launch on Friday, February 23, at 10 a.m. local time. Find more information here.
Peso Pluma’s Exodo Tour Dates
05/26 — Chicago, IL @ Sueños Festival
05/28 — Minneapolis, MN @ Target Center
05/30 — Milwaukee, WI @ Fiserv Forum
05/31 — Indianapolis, IN @ Gainbridge Fieldhouse
06/01 — Detroit, MI @ Little Caesars Arena
06/03 — Toronto, ON @ Scotiabank Arena
06/04 — Montreal, QC @ Bell Centre
06/07 — Philadelphia, PA @ Wells Fargo Center
06/09 — New York, NY @ Governor’s Ball**
06/10 — Washington, DC @ Capital One Arena
06/12 — Greensboro, NC @ Greensboro Coliseum
06/21 — Tampa, FL @ Amalie Arena
06/23 — Miami, FL @ Kaseya Center
06/26 — New Orleans, LA @ Smoothie King Center
06/28 — Dallas, TX @ American Airlines Center
06/30 — Fort Worth, TX @ Dickies Arena
07/17 — San Antonio, TX @ Frost Bank Center
07/19 — Austin, TX @ Moody Center
07/23 — Oklahoma City, OK @ Paycom Arena
07/26 — Houston, TX @ Toyota Center
07/30 — Nashville, TN @ Bridgestone Arena
07/31 — Atlanta, GA @ State Farm Arena
08/03 — Tulsa, OK @ BOK Center
08/05 — Kansas City, MO @ T-Mobile Center
08/06 — Omaha, NE @ CHI Health Center
08/09 — Denver, CO @ Ball Arena
08/10 — Rosarito, MX @ Baja Beach Fest
08/11 — Salt Lake City, UT @ Delta Center
08/13 — Portland, OR @ Moda Center
08/16 — Seattle, WA @ Climate Pledge Arena
08/27 — San Francisco, CA @ Chase Center
08/28 — San Jose, CA @ SAP Center
09/03 — Palm Desert, CA @ Acrisure Arena
09/07 — Fresno, CA @ Save Mart Center at Fresno State
09/17 — San Diego, CA @ Pechanga Arena
09/12 — Las Vegas, NV @ T-Mobile Arena
09/23 — Phoenix, AZ @ Footprint Center
10/06 — Chicago, IL @ United Center
10/09 — Cleveland, OH @ Rocket Mortgage FieldHouse
10/11 — Montville, CT @ Mohegan Sun Arena
Peso Pluma announced his new Exodo Tour, and fans are very excited. He will be playing shows across North America starting in May, along with stops on the festival circuit, including Chicago’s Sueños Festival, NYC’s Governor’s Ball, Mexico’s Baja Beach Fest, and more.
For those who are looking to catch him at one of the upcoming shows, here’s what to know about ticket prices.
How Much Are Tickets For Peso Pluma’s Exodo Tour?
Right now, it’s still unclear about how much the tickets to Peso Pluma’s Exodo Tour will be. Presales will open tomorrow, February 21 at noon local time, which will give fans a better idea of what to expect. On SeatGeek, the prices listed are only for his festival appearances right now, which run between $300-400 depending on where you go — but this includes a ton of other artists during the full weekend.
Compared to Peso Pluma’s last tour, the New York Post shared the average prices, with the lowest on Vivid Seats going for $35 and increasing from there. However, this really depends on the city and venue, as major cities will likely be more expensive.
To find additional information about Peso Pluma’s Exodo Tour, visit here. Below, find a complete list of upcoming dates.
Peso Pluma’s 2024 Tour Dates: Exodo
05/26 — Chicago, IL @ Sueños Festival
05/28 — Minneapolis, MN @ Target Center
05/30 — Milwaukee, WI @ Fiserv Forum
05/31 — Indianapolis, IN @ Gainbridge Fieldhouse
06/01 — Detroit, MI @ Little Caesars Arena
06/03 — Toronto, ON @ Scotiabank Arena
06/04 — Montreal, QC @ Bell Centre
06/07 — Philadelphia, PA @ Wells Fargo Center
06/09 — New York, NY @ Governor’s Ball**
06/10 — Washington, DC @ Capital One Arena
06/12 — Greensboro, NC @ Greensboro Coliseum
06/21 — Tampa, FL @ Amalie Arena
06/23 — Miami, FL @ Kaseya Center
06/26 — New Orleans, LA @ Smoothie King Center
06/28 -– Dallas, TX @ American Airlines Center
06/30 -– Fort Worth, TX @ Dickies Arena
07/17 -– San Antonio, TX @ Frost Bank Center
07/19 -– Austin, TX @ Moody Center
07/23 -– Oklahoma City, OK @ Paycom Arena
07/26 -– Houston, TX @ Toyota Center
07/30 — Nashville, TN @ Bridgestone Arena
07/31 -– Atlanta, GA @ State Farm Arena
08/03 -– Tulsa, OK @ BOK Center
08/05 -– Kansas City, MO @ T-Mobile Center
08/06 –- Omaha, NE @ CHI Health Center
08/09 -– Denver, CO @ Ball Arena
08/10 -– Rosarito, MX @ Baja Beach Fest
08/11 -– Salt Lake City, UT @ Delta Center
08/16 -– Seattle, WA @ Climate Pledge Arena
08/28 -– San Jose, CA @ SAP Center
09/03 –- Palm Desert, CA @ Acrisure Arena
09/07 -– Fresno, CA @ Save Mart Center at Fresno State
09/17 -– San Diego, CA @ Pechanga Arena
09/12 –- Las Vegas, NV @ T-Mobile Arena
09/23 –- Phoenix, AZ @ Footprint Center
10/06 –- Chicago, IL @ United Center
10/09 –- Cleveland, OH @ Rocket Mortgage FieldHouse
10/11 –- Montville, CT @ Mohegan Sun Arena
With the actor’s strike now over and Hollywood back in full swing, Michael Keaton finally had a chance to open up about returning to one of his most iconic roles for director Tim Burton. And this time we’re not talking about Batman.
Later this year, Keaton will reprise his role as Beetlejuice in Beetlejuice Beetlejuice, a new sequel to the 1988 classic. The actor has been reluctant to come back as the demented demon, but he and Burton finally realized the challenge was worth it.
“We thought, ‘You got to get this right. Otherwise, just don’t do it. Let’s just go on with our lives and do other things.’ So I was hesitant and cautious, and he was probably equally as hesitant and cautious over all these years,” Keaton told PEOPLE. “Once we got there, I said, ‘Okay, let’s just go for it. Let’s just see if we can do it, if we can pull this off.’”
One thing both director and star agreed on, the sequel had to go light on the CGI and green screens. “It had to feel handmade,” Keaton said.
“It’s the most exciting thing,” says Keaton. “When you get to do that again after years of standing in front of a giant screen, pretending somebody’s across the way from you, this is just enormous fun.”
After starring in Spider-Man: Homecoming and The Flash, Keaton got a taste of modern CGI filmmaking, and he definitely prefers the old-school methods.
“It’s the most fun I’ve had on set in a long time,” Keaton said about the Beetlejuice sequel. “On one hand, you’d go, ‘Well, of course it’s the most fun. It looks like fun.’ As you know, it doesn’t always work like that.”
Beetlejuice Beetlejuice arrives in theaters on September 6, 2024.
The Cobra Kai cast is currently filming the sixth and final season of the runaway Netflix series. The streaming service chose to reveal that Martin Kove’s Kreese will return because you don’t let a character bust out of prison in this heightened universe and not follow up on that. Additionally, Billy Zabka (Johnny) will be in fighting form again, and most of the rest of the ensemble cast has been confirmed to appear for this last karate hurrah (as far as this series goes).
A few weeks ago, Netflix also revealed this behind-the-scenes image of cameras beginning to roll, and it looked like most of the gang was present.
Or not?
Devotees of Jacob Bertrand’s Hawk, however, were quick to realize that he wasn’t pictured. This, of course, caused some alarm and might have caused people to fear the worst (Hawk being kidnapped and having his head shaved again, perhaps).
Well, never fear. Xolo Maridueña (Miguel) stepped up to answer that question and provide proof that not only does Eli “Hawk” Moskowitz make his presence known, but he grew back that mohawk in blue.
It’s a good color for him. Now, why didn’t Bertrand appear in the full cast photo? Perhaps Bertrand was — as with the table read — running a wee bit late. It’s all good, though, as long as we see the rest of Cobra Kai this year.
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