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Stick with me here: the new Mean Girls movie is based on the Broadway musical that’s based on the hit 2004 feature film that was based on the 2002 teenager self-help book Queen Bees and Wannabes, which is based on the real-life horror of being a teenage girl. So there is a lot riding on this new film, which also happens to be a musical.

To back it up a bit, in 2018, the Mean Girls musical debuted on Broadway to positive reviews, with many critics praising the dialogue adaptation, while noting that the music was a weaker point. Renee Rapp made her debut as Regina George in 2019, while Sabrina Carpenter starred as Cady in only a handful of performances before Broadway was shut down in 2020.

Luckily, Rapp returned as the head plastic Regina George in the 2024 adaptation, which hits theaters this Friday. Tina Fey returned to pen the screenplay, with music by her husband, Jeff Richmond. While many critics are praising Rapp as the Queen Bee, the film seems to fall short in other ways, mostly through the clunky musical numbers and the over-inclusion of social media. Here’s what the critics are saying:

Maureen Lee Lenker, EW:

Despite the marketing campaign’s efforts to hide the fact that this adaptation is a musical, it very much is one. Its score, with music by Fey’s husband, Jeff Richmond, and lyrics by Nell Benjamin (Legally Blonde: The Musical), is middling and largely unremarkable (like a lot of contemporary musical theater). But there are standout numbers, particularly the show’s major earworm, “Revenge Party,” which is framed as a rainbow-colored, glitter-soaked expositional montage as Janis and Damian outline their plot to Cady.

As it did in 2004, Mean Girls is a playground for a melange of fresh, new talent for whom we hope the limit does not exist. Did we really need another film version? No. But it’s pretty grool that the one we got is such fun.

David Rooney, The Hollywood Reporter:

The songs seldom spring organically from the story and more often feel so awkwardly shoehorned in that you come to dread them. What’s worse is that the music is so gratingly over-produced and studio-enhanced you miss the high of characters spontaneously singing. In terms of musical deficiencies, that’s a deal-breaker. The final nail in the coffin is the creative team’s decision wherever possible to frame the songs through social media. The device is used so unrelentingly you start to wonder why the entire movie wasn’t made on TikTok. Maybe it would be less of a garish eyesore on a smartphone.

Even the earlier movie’s savvy take on teen anxiety, social hierarchies, peer pressure, female toxicity and power dynamics feels scarcely warmed over in this lackluster treatment. Perhaps the 20-year-old material is just past its prime?

Tom Gliatto, People:

Compared to [Rapp] everyone else — including Avantika and Bebe Wood as the other Plastics; Fey and Tim Meadows, reprising their roles as faculty members; even Busy Philipps as the “cool mom” played by Amy Poehler in the first film — tumbles down and falls away, like chalk cliffs endlessly battered by a surging sea. The musical numbers are mostly bright, brash and frequently awful. The songs just keep coming at you, noisily whirring with speed and determined to make maximum impact. It’s gym-class dodgeball all over again.

Owen Gleiberman of Variety, on the other hand, praised the film’s faithfulness to the Broadway adaptation:

Will the new movie replace the original film in anyone’s affections? That might depend on how old you are. (For some, the 2004 version will always be sacred; for others, it’s their mom’s “Mean Girls.”) I’ll just say that after you’ve seen the pop singer Renée Rapp, as the head mean girl Regina (Rapp also played the role on stage), make her grand entrance in a black vinyl bodysuit, singing “My name is Regina George, and I am a massive deal…,” as if she were Anita Ekberg crossed with Mata Hari, the scene carries a jolt, and you may wonder for a moment how Rachel McAdams, in the original film, made the impact she did without that song.

While Kate Erbland of IndieWire had other thoughts:

Somewhere, someone who doesn’t even go here is yelling, “This isn’t your mother’s ‘Mean Girls‘!,” but actually, it mostly is, now just with song and dance.

Not every part of the stage musical translates seamlessly to the big screen. Mostly, the hiccups happen in actual transitions, from scene to scene, song to song. A ditty about Gretchen Wieners’ (Bebe Wood) self-loathing is awkwardly played for both laughs and tears, landing neither. Some of the emotion is sucked out of minor subplots and characters (Christopher Briney’s Aaron Samuels, we hardly knew ye!), and a more abrupt ending than from the original film is a head-scratcher. But its overall winking nature — those self-referential narrators, a few well-placed winks to the camera, song-and-dance sequences that know they’re song-and-dance sequences — go a long way.

Lisa Laman, Collider:

Unfortunately, this new iteration of Mean Girls doesn’t justify its existence even when the subpar musical numbers finally cease. Tina Fey has many talents as a writer and performer, but unfortunately, having her write a “modern” version of this story was a mistake. She just can’t seem to get a grasp on how to tap into modern-day technology or 2020’s social norms to make this new Mean Girls its own beast. Instead, she opts to make it the same movie as the 2004 film. Only now, a swarm of TikTok videos fill up the screen (and communicate key narrative points) in brief montage sequences. Without a discernible concept for making Mean Girls feel new again, Fey tragically falls back on fan service to carry the day.

Mean Girls hits theaters on January 12th. It might be fetch!

Americans have suffered from rising rents, mortgages and grocery bills over the past few years and now 60% live paycheck to paycheck. Even people in higher income brackets are feeling the pinch, with over half of Americans earning over $100,000 having little to no money left after expenses.

To help Americans spread out their expenses and get a little financial breathing room, Walmart is now offering buy now, pay later loans through Affirm for the first time at self-checkout kiosks at more than 4,500 locations.

“Eligible shoppers can easily pay over time for their favorite electronics, apparel, toys, and more in simple monthly payments when checking themselves out in-store,” Affirm said in a news release.

Now, shoppers who spend more than $144 at Walmart, excluding groceries, can spread their payments over 3 to 24 months. Loans are capped at $4,000.

Self-Checkout Kiosks At 4,500 Walmarts Now Offer ‘Buy Now, Pay Later’ Loans For Basic ItemsnnAffirm Holdings announced Tuesday that its BNPL service has been expanded to self-checkout kiosks at 4,500 Walmart stores nationwide.nnhttps://t.co/seniTIIPp3nn#adapt2030 #BRICS #africa

— (@)

The process is pretty simple. Customers can enter items at the self-checkout kiosk and then when finished, log on to the Affirm website and enter the last 4 digits of their social security number. Once the customer has input their information and they are approved, they will receive a barcode to complete the payment.

The payment option will also be available in Walmart Vision and Auto Centers. So, if you get a flat tire or break your glasses, you can get them fixed even if you’re strapped for cash.

Affirm says that this new financial option is something that customers have wanted for a while.

“Recent Affirm research revealed that more than half of Americans (54%) are looking for retailers to offer a buy now, pay later option at checkout. Moreover, we’ve found that 76% of consumers would either delay or not make a purchase without Affirm,” Pat Suh, Affirm’s SVP of Revenue, said in a statement. “Expanding our partnership with Walmart and bringing Affirm’s transparent monthly pay-over-time options to their self-checkout kiosks in the U.S. will help even more consumers increase their purchasing power during the holiday shopping season and beyond.”

Buy now, pay later apps such as Affirm, Klarna and Afterpay have surged in popularity recently as Americans are looking for more options to stretch their spending and credit card debt has reached an all-time high. The $309 billion industry is expected to grow by more than 25% by 2026.

“The consumer is incredibly adept at finding ways to stretch their spending and, healthily or not, BNPL has certainly provided that outlet,” Simeon Siegel, an analyst with BMO Capital Markets, told The Washington Post. “It’s not the only way, but I think it has been the easiest way in recent years.”

Even though it’s great for people to have more options to pay for their essentials, some economists worry that buy now, pay later loans will make the average American’s debt problems even worse. “[Buy now, pay later loans] could lead to an increase in consumer debt, as consumers may be more likely to take on additional debt if they know they can spread out the payments,” Tim Quinlan, senior economist at Wells Fargo, told CNBC. “You can bury yourself in low monthly payments.”

Playing pretend isn’t always something that comes as naturally to adults as it does to kids. But as we become more aware of just how important playtime is to a child’s development, more and more parents are rolling up their imaginary sleeves to put in the work.

Of course, some parents have absolutely no problem committing to the bit. Aubrey Sanchez is clearly one of those parents.

On January 1st, Sanchez debuted Rosey, a salty-but-charming grocery cashier created during a bit of play time spent with her daughter, in a video clip that racked up a whopping 61.3 million views on TikTok.

Rest assured, anyone who’s stepped foot into a grocery store has met Rosey, which makes it oh-so hilarious. From her long nails that go clickety-clackety on the keys of her toy cash register, to the blasé way she asks for “clean-up in aisle three” to her signature sarcastic catchphrase, “that’s a blessing,” people simply can’t get enough.

@aubreysanchezx3 🤣🤣 say hi to rosey 🤣🤣🤣 #cashierlife #cashiersbelike #cleanupinaisle3 #funny #momsoftiktok #momsbelike #momsover30 #momtok #momsplaytime #toys #cashier #aubreysanchez #nyc #momlife #fyp #foryou #foryourpage #aubreysanchez #pregnanttiktok #graciecandlco ♬ original sound – Aubreysanchezx3

“Canceling the Netflix and Paramount subscriptions right now for this show,” one person wrote.

Another added, “If you did 45 minutes straight, I’d watch till the end.”

Sanchez has even added several new dimensions to Rosey’s story.

For one thing, she’s a hard worker, as seen by her “Employee of the Month” award hanging in the background of another video. This is especially well earned since she is constantly having to deal with Bobby, her imaginary coworker, never being around when she needs him—not even when there’s a difficult customer.

@aubreysanchezx3 Rosey working o.t 😂😂 #cashierlife #cashiersbelike #cleanupinaisle3 #funny #rosey #momsoftiktok #playtime #momsbelike #momsover30 #momtok #momsplaytime #toys #cashier #aubreysanchez #nyc #momlife #fyp #foryou #foryourpage #pregnanttiktok ♬ original sound – Aubreysanchezx3

Rosey also has multiple interests, including some nice relaxing tea time, doing her own shopping, and of course sharing in some workplace gossip.

@aubreysanchezx3 The customer that’s always so extra 🤣🤣🤌🏽#funny #cashierlife #funnycashier #cashierproblems #inflation #fyp #foryou #foryourpage #rosey #groceryshopping #momsoftiktok #momsbelike #momsover30 #kidsdontcare #playtime #rosey #cashiertok ♬ original sound – Aubreysanchezx3

Clearly everyone is having so much fun with these, including Sanchez’s daughter, who even dons the cashier apron from time to time. Though she does overcharge mom for a reusable bag when she does.

Maybe not everyone can create full blown characters like Rosey, but there are dozens of ways to incorporate play in a way that can satisfy both parents and kids. In her book “Joyful Toddlers and Preschoolers: Create a Life that You and Your Child Both Love,” parenting coach Faith Collins even assures that sharing in household chores together can count. In fact, according to some studies, they might even prefer it to playing pretend.

The point is: playtime is so important for kids. But that doesn’t mean it has to be a drain for adults. And who knows, maybe filming it all on TikTok is the very thing needed in this modern age to make it enjoyable for the whole “fambily,” as Rosey would say.

Losing a child is every parent’s worst nightmare, but losing a child to a preventable accident is a unique kind of grief. Such bereaved parents are often haunted by what ifs, and many choose to channel their grief into helping prevent whatever killed their child from happening to other people.

That’s what David and Jennifer Booth decided to focus on when they lost their 18-year-old son Nicholas in a car accident in April of 2023. Nick and his friend Will had left lacrosse practice and were driving along a treacherous road near Richmond, Virginia, when they lost control of the car around a curve. The car hit a retaining wall, flipped and burst into flames, killing both teens. The Virginia Department of Transportation estimated that the car was traveling in excess of 80 mph when it struck the wall.

After another local teen was killed in a car crash two days before the new year, Booth reflected on how he talks about his son’s death. He took to Facebook Live in January of 2024 to share his thoughts.

After describing the basic details of his son’s accident, Booth shared that Nick and Will’s bodies had to be identified by their dental remains, which took more than 10 days.

“Since that time, in addition to grieving our children, we parents have worked very hard to share the story of our boys and how their death affected us, in hopes that other young people would make better decisions when getting into cars,” he said. “We have focused on love and community and how special those two young men were, and how much they’re going to be missed.”

Booth explained that he woke up the morning December 30, on what would have been Nick’s 19th birthday, to the news that another teen had lost his life in a car accident because of poor decisions. Booth said it felt like he was reading about his own son again—a young man who was “an athlete” with “an unwavering smile and sense of optimism.” At first, Booth felt sad, but then he became angry that another young life had been lost after all they’d done to tell Nick and Will’s story.

“What it made me realize was that we’re telling the story the wrong way,” he said. “Instead of talking about how awesome those boys were when they were alive and how much they were loved and how much they meant to the community, in order to reach the young people we’re trying to reach, we really need to focus on their death. The fact that it’s not cool. It’s not a badge of honor. It’s not ‘neat’ that they have 3-on-3 tournaments named after them and plaques hung up on walls and trees planted for them in other neighborhoods. That all sucks. Because they’re dead.”

“So I will forever change the way I deliver my message,” Booth continued. “Instead of showing pictures of my son and his friends having a good time and loving life, I will show pictures of the crash scene. Or instead of talking about what an amazing kid he was, I will talk about how scared he must’ve been when the car hit that wall. I will talk about the pain associated with the fact that we never even got to see him again in death because he was burned beyond recognition.”

“We are doing this the wrong way,” he reiterated. “We’ve got to do better. Young people do not believe that it can happen to them. They do not believe that when it happens, it’s forever, and they do not understand that in some cases, death may be a better alternative than some of the other things that can happen to them. I am forever changed by my son’s death, but now I am equally changed by the realization that in order to really send the message, you have to use the shock factor and you have to use words that make people uncomfortable.”

Watch Booth’s message here:

It’s heartbreaking that a parent should have to share and relive their son’s death in tragic detail in order to prevent the same thing from happening to other young people, but if that’s what it takes, that’s what it takes. Teens and young adults often see themselves as invincible and, unfortunately, take life-threatening risks in the name of fun, but Booth is on a mission to get people to rethink taking risks behind the wheel.

“I do this for me, I do it for my family, and I do it for my son,” he said.

Here’s hoping that this father’s courage to tell it like it is, even though it’s painful, will help the message sink in so that other families can be spared being put in the same position.

Eating hibachi at a Japanese restaurant is an experience. The hibachi chef wheels out his cart, cleans off the cooking space and the next thing you know there are flames shooting two feet in the air from an onion volcano. Spatulas go flying, eggs spin on end and with each squirt of oil the flame dances wildly while the heat warms your face.

It’s truly a show of skill and entertainment that you simply don’t get with other dinning experiences, so it’s no wonder people enjoy it. But when you add in pregnancy cravings, it takes that enjoyment to a whole new level and this woman’s husband got the memo. The couple, Dan and Sam uploaded a video to their TIkTok channel where it has gone viral with over 1.5 million likes.

In the video, Sam, who is pregnant is laying in the bed craving hibachi when her husband comes to beckon her into the kitchen.

Dan then wheels in a little black cart full of seasonings while wearing a black robe and tall white chef’s hat with cooking utensils holstered on his waist. When your pregnant wife is craving hibachi, you become a hibachi chef complete with a griddle and your best flying spatula tricks.

At one point his reenactment was so accurate that he flipped a hot carrot off the griddle and into his paper hat before being quickly reminded that the carrot was scalding. People in the comments couldn’t get enough of how sweet his accurate performance was.

“That’s so sweet of him. I love how he got all the hibachi restaurant staples down pat,” one person writes.

“This is my favorite video I’ve seen in a long time, give that man some love bc 10/10 for talent, humor, and it looks delicious hello,” another says.

“He’s a keeper. Cooks, cleans and can flip food into his hat!! Yep, a keeper,” a commenter gushes.

@wearedanandsam

But why is all of this so accurate 🤣🤣 #couplehumor #couplecontent #couplecomedy

That performance does take talent and the fact that he even made a heart out of the rice just makes it that much more special. Hopefully homemade hibachi will become a family staple after baby comes.

New York Jets quarterback Aaron Rodgers should have thought twice about making false allegations about late-night host Jimmy Kimmel. It’s probably not a great idea for an NFL quarterback to pick a public fight against a man who spent decades taking shots at people in the news.

It all began when Rodgers speculated that Kimmel would be on the Jeffrey Epstein client list, basically insinuating that he’s a pedophile, on the January 2 episode of ESPN’s “The Pat McAfee Show.” It was a tasteless, baseless accusation that Kimmel denies and he hasn’t appeared in any of the unsealed court documents.

After the accusation, Kimmel noted that Rodgers’ “reckless words put my family in danger.” When he returned to do his monologue on Monday, January 8, Kimmel gave a thoughtful and funny takedown of Rodgers, painting him as a man who is “too arrogant to know he’s ignorant.”

He added that Rodgers probably suffers from the Dunning-Krueger effect. This psychological phenomenon occurs when a person’s lack of knowledge and skill in a particular area causes them to overestimate their own competence.

— (@)

​“He genuinely thinks that because God gave him the ability to throw a ball, he’s smarter than everybody else. The idea that his brain is just average is unfathomable to him. We learned during COVID somehow he knows more about science than scientists,” Kimmel continued.

“And by the way, I’m not one of those people that thinks athletes and members of the sports media should stick to talking about sports,” Kimmel said. “I think Aaron Rodgers has the right to express any opinion he wants. But saying someone is a pedophile isn’t an opinion nor is it trash talk, sorry Pat McAfee.”

Rodgers responded by denying that he accused Kimmel of pedophilia. “I don’t give a s— what he says about me,” Rodgers said. “As long as he understands what I actually said and that I’m not accusing him of being on a list, I’m all for moving forward.”

The rising cost of living in the United States, combined with new technologies that make it easier to work wherever you like, has made it much more attractive for some to live and work in another country. Over 50 countries have made it easier by easing visa restrictions to encourage digital nomads to work within their borders.

Further, many people simply don’t like the rise-and-grind corporate mentality pervasive in the U.S. and prefer places that offer shorter workweeks, more vacation time and robust support systems.

They’re tired of the hustle and bustle of the American work culture and are looking for a life that values personal happiness, family and relaxation.

Jeronimo Noriega is an American expat showing zero interest in returning to his hometown of San Antonio, Texas. The 27-year-old student has been living in Oviedo, Asturias, in Northwest Spain for the past 14 months after his family decided to pack up its bags and explore a new lifestyle.

In a viral TikTok video that has been seen over 5.4 million times, Noriega makes the case for why he has no interest in returning to Texas after falling in love with the Spanish way of life and cost of living.

@jeronimoooo0000

Who needs to be rich anyways give me some culture boiii

The first thing that Noriega admits is that salaries are better in Texas. However, everything balances out when you consider the cost of living. He says that people who make around €30,000 ($33,000) a year in Spain are “middle class” and that if you make €90,000 ($98,000) you can live like a king.

“Listen, if you’re making 90 grand in the north of Spain, where I live right now, you’re going to work in a limo. You’re getting drinks at the Tennis Club after work,” Noriega said in the video. He also enjoys having 3-course meals with wine and coffee for “like 20 bucks.” In an interview with Business Insider, he said he routinely eats “delicious” dinner for just $11.

But what he really doesn’t miss about life back in Texas is the rise-and-grind lifestyle.

“What am I supposed to be in Dallas 2 hours a day and the car to get to work it back and never have time to do anything? No way,” he said in the video.” I love the work culture in Spain,” he told Business Insider. “In America, I felt like my only options were to rise and grind and get beat down by the machine, but everything is different here. In Spain, they seem to value their lives over their work — it’s not even a work-life balance.”

He also says that in America, there is a deep dread within the culture that he doesn’t feel in Spain. “I love the US, but even the mood is different here,” Noriega admits. “In the US, there’s turmoil going on underneath. No thank you.”

So, Noriega has no plans of returning to the U.S. anytime soon.

“Now that I’ve had a taste of what life is like outside the rat race, I’m not eager to get back on the wheel,” he told Business Insider. “Life is long, and you never know what will happen, but I’m staying here for the foreseeable future. All I have to do is take a walk to the coffee shop, have a delicious dinner for $11, or take a break in the middle of a weekday to remind myself why I’m staying.”

“To bee, or not to bee,” is a line of dialogue in The Beekeeper, a movie so delightfully stupid I couldn’t help but kind of love it.

As I write this I saw The Beekeeper five days ago and for the life of me I can’t stop thinking about its absurd plot. A plot so absurd that it kind of overshadows how cheap the movie looks. When I have told people the plot of this movie, I can hear my words coming out and I sound like a crazy person. Once I convince the listener that I am not making any of this up, the response, every time, has been, “I need to see The Beekeeper.” So I am going to do that now because if you thought you didn’t want to see The Beekeeper … well maybe you actually do want to see The Beekeeper?

In David Ayer’s The Beekeeper, Jason Statham plays Clay, also known as The Beekeeper. The Beekeeper is both an actual beekeeper and retired member of some unstoppable super secret government strike force that, according to this movie, makes SEAL Team Six look like “pussies.” The Beekeeper has just delivered some homemade honey from his beehive to his neighbor, Eloise (Phylicia Rashad), right before she falls for an internet phishing scam that not only wipes out her bank account, but the bank account of her employer. So distraught, she shoots herself in the head.

The Beekeeper finds the now-deceased Eloise and vows revenge on the internet scammers. But Eloise’s daughter, Verona (Emmy Raver-Lampman), also happens to be an FBI agent and at first blames The Beekeeper for her mother’s death. Once that’s sorted out, Verona is now tasked with both finding the internet scammers and making sure The Beekeeper doesn’t wage a war of destruction, but also deep down kind of wants him to wage a war of destruction.

So all of this happens in the first 20 minutes of the movie. I just kind of assumed the rest of the movie would be The Beekeeper using any means necessary to find the scammers, resulting in a climatic showdown. That is not what happens. The Beekeeper finds the scammers’ boiler room-type facility fairly quickly (The Beekeeper called in a favor) and burns it down. The Beekeeper literally walks into this office with two large gas cans and sets the place on fire. Apparently, the scammers have offices all over the country, run by a rich tech bro named Derek Danforth (Josh Hutcherson). Derek Danforth and his consigliere, Wallace Westwyld (played by Jeremy Irons, who I can only assume added a new wing to his estate for appearing in The Beekeeper), send their goons after The Beekeeper, which does not go well for the goons. Ending with The Beekeeper telling Derek over the phone that he is going to kill Derek. Derek relays this information to Wallace, mentioning in passing the whole Beekeeper thing, and Wallace gets a hilariously grim look on his face and says something to the effect of, “A beekeeper told you he’s going to kill you. Yeah, you’re dead. There’s nothing that can stop him.” To Wallace Westwyld’s point, nothing does seem to stop The Beekeeper. He’s more efficient than The Terminator. I don’t think there’s one moment in this movie where anyone thinks, “Oh no, The Beekeeper is in trouble now.” Nope, just nothing but success for The Beekeeper.

Okay, here’s the part that I love. The part that separates The Beekeeper from being a dumb January action movie to a hall-of-fame dumb January action movie that, again, I can’t help myself from loving. The whole scamming enterprise is a subsidiary of a larger corporation that Derek is now running. The reason Derek is running the company now is because his mother had to recently step down from the company to become the President of the United States. Yes. Yes! Yes! This is fantastic. You know what that means? This goes all the way to the top! So to get to Derek, The Beekeeper will have to make his way past United States Secret Service. There’s a line Wallace Westwyld delivers that delighted me so much where he explains that the Secret Service is no match for a Beekeeper. So in response to this Derek hires a gang of Scottish mercenaries. This movie, hot damn. It just does not care. I can’t help but respect all of this. Please create an honorary Oscar for The Beekeeper. Dame Judi Dench walks on stage, “And the Oscar for most chutzpah without caring even one time about its audience’s intelligence goes to … The Beekeeper.” Jason Statham then runs up with a big smile and says something like, “Always bee true to your convictions. Bee safe. Bee well. Woo!”

The Beekeeper, as you might expect, is filled with enough bee puns to last a lifetime. You will never need one again. Actually, you may never need to see or want to see a movie again period.

You can contact Mike Ryan directly on Twitter.

The Los Angeles Clippers have been on a tear of late, moving into fourth in the West as they’ve hit their stride with James Harden alongside Kawhi Leonard and Paul George — with Russell Westbrook coming off the bench.

What made the Clippers so interesting this season is it had the potential to be the last year of this current era of stars, as Kawhi Leonard and Paul George both have player options this summer and James Harden is set to be a free agent. However, a big chunk of that possible offseason pressure was alleviated on Wednesday when, suddenly and with no notice from the usual suspects on Twitter, the team posted that Kawhi had signed an extension.

“We’re thrilled to continue our relationship with Kawhi. He is an elite player, a terrific partner and a relentless worker who knows how to win and makes it his first priority,” Lawrence Frank said in a statement. “He elevated our franchise from the moment he arrived. We feel fortunate that Kawhi chose to join the Clippers five years ago, and excited to keep building with him.”

It was an extremely rare major signing where the team got to break the news themselves, and none of the NBA’s big newsbreakers had a clue it was happening or what the details were. Adrian Wojnarowski, Marc Stein, Shams Charania, Chris Haynes, and everyone else who is plugged in to every agency and front office in the league was left in the dark, only able to tweet some form of “Kawhi Leonard has signed an extension, the team says,” without any details on length or how much money it was for.

It’s really incredible for this to happen in the current media climate, but if there was ever a star capable of pulling it off, it’s Kawhi Leonard, who rather famously moves in silence. There is also progress on a Paul George extension to line up with Leonard’s, as Woj reported after Kawhi’s signing.

About half an hour after the Clippers announced the extension, Shams finally tracked down the details on it, which is a 3-year, $152 million contract that is fully guaranteed — which is obviously a big detail given Leonard’s injury history.

Has Donald Trump eaten his last Big Mac? No, of course not, what a ridiculous question to even ask. But the former president, who once claimed that a White House doctor told him that he’s “the healthiest president that’s ever lived” (even though he doesn’t believe in exercise), has recently lost some weight.

A source told Page Six that Trump is “staying away from the Mar-a-Lago buffet” with help from his wife, Melania. The insider added that he’s “allegedly ‘dropped at least 30 pounds,’ and that ‘people at the club say he’s eating healthier,’ and less from the buffet.” He hasn’t been seen “scarfing down ice cream sundaes or chocolate cake with two scoops of vanilla ice cream on it.”

Trump has the palate of an eight-year-old. It’s honestly the most enjoyable thing about him.

In November, his personal physician, New Jersey’s Dr. Bruce Aronwald, wrote, “I am pleased to report that President Trump’s overall health is excellent.” He added, “Trump has reduced his weight through an improved diet and continued daily physical activity while maintaining a rigorous schedule.” Trump’s weight was reportedly listed as 215 pounds [in August] when he surrendered to Georgia authorities on charges related to his alleged efforts to overturn 2020 election results there.

Weight-loss drugs like Ozempic are popular in Florida, where Mar-a-Lago is based, but Trump is supposedly shedding the pounds the ol’ fashioned way. “He does lots of sport,” a source said. It’s true: he spent nearly a year of his presidency doing one sport in particular.

(Via Page Six)