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The Seattle Seahawks weren’t sure who was going to line up under center until the moments right before their Monday Night Football tilt against the Philadelphia Eagles kicked off. With Geno Smith sidelined due to a groin injury, Drew Lock stepped in and looked like a backup quarterback for much of the night.

And then, with 1:52 left and 92 yards between Seattle and the end zone, Lock engineered a game-winning drive to give the Seahawks a 20-17 win that keeps their hopes of earning an NFC Wild Card spot alive. In particular, Lock had a ton of help from star wide receiver D.K. Metcalf on the drive that ended in points, as he reeled in a pair of ridiculous catches — one that somehow did not touch the ground, one that Lock dropped in despite two defenders playing him well — that helped extend things.

But the stake in the Eagles’ heart came from Seattle’s rookie wide receiver, Jaxon Smith-Njigba. Facing a third-and-10, Lock dropped back and saw that the former Ohio State standout had a step on his defender, so he dropped a dime to put his team ahead with 28 seconds remaining.

There was plenty of time left for Philly, though, and the team had all three timeouts. After getting the offense down to their own 45 with 13 seconds remaining, Jalen Hurts opted to go for broke with a deep ball to A.J. Brown. Unfortunately for him, Julian Love picked him off and somehow managed to get two toes down to seal the win.

Seattle moved to 7-7 on the season with the win.

The Seattle Seahawks weren’t sure who was going to line up under center until the moments right before their Monday Night Football tilt against the Philadelphia Eagles kicked off. With Geno Smith sidelined due to a groin injury, Drew Lock stepped in and looked like a backup quarterback for much of the night.

And then, with 1:52 left and 92 yards between Seattle and the end zone, Lock engineered a game-winning drive to give the Seahawks a 20-17 win that keeps their hopes of earning an NFC Wild Card spot alive. In particular, Lock had a ton of help from star wide receiver D.K. Metcalf on the drive that ended in points, as he reeled in a pair of ridiculous catches — one that somehow did not touch the ground, one that Lock dropped in despite two defenders playing him well — that helped extend things.

But the stake in the Eagles’ heart came from Seattle’s rookie wide receiver, Jaxon Smith-Njigba. Facing a third-and-10, Lock dropped back and saw that the former Ohio State standout had a step on his defender, so he dropped a dime to put his team ahead with 28 seconds remaining.

There was plenty of time left for Philly, though, and the team had all three timeouts. After getting the offense down to their own 45 with 13 seconds remaining, Jalen Hurts opted to go for broke with a deep ball to A.J. Brown. Unfortunately for him, Julian Love picked him off and somehow managed to get two toes down to seal the win.

Seattle moved to 7-7 on the season with the win.

Recording artists are no longer limiting themselves to music. Several entertainers like Dua Lipa have jumped head first into different parts of media. For rappers Cam’ron and Mase, their love for sports inspired them to launch their breakout podcast, It Is What It Is.

Since its inception, the show has been a steady fix of viral content. But when do new episodes of Cam’ron and Mase’s podcast come out? According to the official YouTube channel that hosts each episode, as well as the podcast’s Instagram page, It Is What It Is streams at 8 a.m. on Monday through Friday and on Sundays.

Based on Vibe’s reports, the podcast hosted by the duo alongside Treasure Wilson, inked an eight-figure deal with sports betting company Underdog Fantasy. The show has also landed Cam’ron and Mase on Complex Sports’ Top 25 Most Entertaining Sports Media Personalities list.

During an interview with the outlet, Cam’ron spoke about his rise in sports media. “People just like to hear me talk ’cause they know it’s really no filter when I talk,” he said. “So, I’m offered all types of podcasts daily, from being a host to being a guest. I argue when I am on the phone with my n****s, and by the time I look at the phone, it says two hours and seven minutes. I’ll be like, yo, I’m getting the f*ck off the phone with you… So you got people who debate all day about sports. So when I said, “I want to do this sh*t,” I was like, yo, “a professional setting with real n**** dialogue or barbershop talk or beauty salon.”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Over the weekend Donald Trump was at it again, which is to say spouting the kind of things Adolf Hitler used to. At a rally in New Hampshire, the former president told his adoring crowd that migrants are “poisoning the blood” of America. It that blood poisoning line sounds familiar, it’s not just because Trump used it mere weeks ago. It’s also because it was exactly how Adolf Hitler used to describe Jewish people in Mein Kampf. It’s yet another disturbing turn in Trump’s third campaign. But Stephen Colbert tried to find something darkly funny in it.

In his opening monologue for Monday’s The Late Show, Colbert began with familiar Christmas refrain, singing, “It’s beginning to look a lot like fascism.” He then played the clip from Trump’s speech, to which he took a fair amount of umbrage.

“That is absolutely disgusting,” Colbert told the crowd. “Also: Not true. The blood of our country is not being poisoned by immigrants. It’s being poisoned by dipping pizza in Ranch dressing.”

Colbert then pointed out the alarming connection to Mein Kampf, before turning to Trump’s defenders. One of them is a former advisor to Mike Pence, who argued that it’s “highly unlikely” that the famously impatient Trump ever cracked open Mein Kampf.

“Right. ‘Cause it’s a book,” Colbert added. “He probably got the version with pictures, Mein First Kampf.”

Colbert also brought up Lindsey Graham, Trump’s on-again-off-again pal, who brushed off his bud’s whole Hitler thing by saying he could “care less what language people use as long as we get it right.”

“Yeah, what language our leaders use does not and has never mattered,” interjected Colbert. “That’s why the Constitution starts with ‘We da ploo-plees of the Untided Yabba Dabba Doo bawita bawita dang da dang homina homina homina homina homina homina homina.”

As it happens, per Mediaite, on Monday saw an old Vanity Fair piece from 1990 get once again resurfaced, in which Trump’s first wife, Ivana, claimed that “from time to time” he “reads a book of Hitler’s collected speeches, My New Order, which he keeps in a cabinet by his bed.”

If that sounds far-fetched then in the same profile Trump himself half-admitted that he was given a Hitler book by a friend. He thought it was Mein Kampf but it was actually My New Order, a collection of his speeches. (He also claimed the friend who gave it to him was Jewish. He wasn’t.) That said, Trump swore he never read it.

“If I had these speeches, and I am not saying that I do,” Trump said, “ I would never read them.” What a fun guy.

Over the weekend Donald Trump was at it again, which is to say spouting the kind of things Adolf Hitler used to. At a rally in New Hampshire, the former president told his adoring crowd that migrants are “poisoning the blood” of America. It that blood poisoning line sounds familiar, it’s not just because Trump used it mere weeks ago. It’s also because it was exactly how Adolf Hitler used to describe Jewish people in Mein Kampf. It’s yet another disturbing turn in Trump’s third campaign. But Stephen Colbert tried to find something darkly funny in it.

In his opening monologue for Monday’s The Late Show, Colbert began with familiar Christmas refrain, singing, “It’s beginning to look a lot like fascism.” He then played the clip from Trump’s speech, to which he took a fair amount of umbrage.

“That is absolutely disgusting,” Colbert told the crowd. “Also: Not true. The blood of our country is not being poisoned by immigrants. It’s being poisoned by dipping pizza in Ranch dressing.”

Colbert then pointed out the alarming connection to Mein Kampf, before turning to Trump’s defenders. One of them is a former advisor to Mike Pence, who argued that it’s “highly unlikely” that the famously impatient Trump ever cracked open Mein Kampf.

“Right. ‘Cause it’s a book,” Colbert added. “He probably got the version with pictures, Mein First Kampf.”

Colbert also brought up Lindsey Graham, Trump’s on-again-off-again pal, who brushed off his bud’s whole Hitler thing by saying he could “care less what language people use as long as we get it right.”

“Yeah, what language our leaders use does not and has never mattered,” interjected Colbert. “That’s why the Constitution starts with ‘We da ploo-plees of the Untided Yabba Dabba Doo bawita bawita dang da dang homina homina homina homina homina homina homina.”

As it happens, per Mediaite, on Monday saw an old Vanity Fair piece from 1990 get once again resurfaced, in which Trump’s first wife, Ivana, claimed that “from time to time” he “reads a book of Hitler’s collected speeches, My New Order, which he keeps in a cabinet by his bed.”

If that sounds far-fetched then in the same profile Trump himself half-admitted that he was given a Hitler book by a friend. He thought it was Mein Kampf but it was actually My New Order, a collection of his speeches. (He also claimed the friend who gave it to him was Jewish. He wasn’t.) That said, Trump swore he never read it.

“If I had these speeches, and I am not saying that I do,” Trump said, “ I would never read them.” What a fun guy.

The holiday season has brought forth a wave of Yuletide records. One example is the battle between Mariah Carey’s “All I Want For Christmas Is You” and Brenda Lee’s “Rockin’ Around The Christmas Tree” vying for the top spot on the music charts. But on late-night television, musical guests haven’t completely given in to the seasonal mood.

Cameos on Saturday Night Live, The Tonight Show Starring Jimmy Fallon, and Jimmy Kimmel Live included a sprinkle of holiday jams, but original records also received their shine. Check out some of the best live music performances on TV from the past week (December 11 to 17), in alphabetical order below.

Billie Eilish:

Barbie–mania has picked back up now that the record-breaking movie is accessible on streaming services. Billie Eilish’s performance of “What Was I Made For?” on Saturday Night Live revitalized interest in the film’s official soundtrack. Her striking live set shows precisely why the track earned a Grammy nomination.

Gracie Abrams:

Best New Artist Grammy nominee Gracie Abrams’ appearance on The Tonight Show starring Jimmy Fallon was a wake-up call to viewers unfamiliar with the budding star. Abrams’ performance of her single “Should Hate You” displayed the full range of her potential.

Jason Isbell:

Jason Isbell and the 400 Unit’s discography is enough to fill up a night’s worth of programming on its own. But, for the group’s performance on The Late Show with Stephen Colbert, they kept it simple. To celebrate the 10th-anniversary reissue of Southeastern, the band repurposed their track “Cover Me Up.”

Olivia Rodrigo:

With each late-night show stop, Olivia Rodrigo continues to take her sets up a notch. Her performance of “Can’t Catch Me Now” on The Late Show with Stephen Colbert was yet another stand-out to add to her resume.

Queens of the Stone Age:

Due to overwhelming demand, Queens of the Stone Age extended their End Is Nero Tour to appease fans. Just before closing out their West Coast dates, the group stopped by Jimmy Kimmel Live to perform their song “Emotion Sickness.” For those who were unable to catch the band on the road, the in-studio set certainly gave them an intense case of FOMO.

Sleater-Kinney:

The last notable TV performance of the week was again credited to Jimmy Kimmel Live. Sleater-Kinney let it all hang out with a bold set of their record “Say It Like You Mean It.”

The holiday season has brought forth a wave of Yuletide records. One example is the battle between Mariah Carey’s “All I Want For Christmas Is You” and Brenda Lee’s “Rockin’ Around The Christmas Tree” vying for the top spot on the music charts. But on late-night television, musical guests haven’t completely given in to the seasonal mood.

Cameos on Saturday Night Live, The Tonight Show Starring Jimmy Fallon, and Jimmy Kimmel Live included a sprinkle of holiday jams, but original records also received their shine. Check out some of the best live music performances on TV from the past week (December 11 to 17), in alphabetical order below.

Billie Eilish:

Barbie–mania has picked back up now that the record-breaking movie is accessible on streaming services. Billie Eilish’s performance of “What Was I Made For?” on Saturday Night Live revitalized interest in the film’s official soundtrack. Her striking live set shows precisely why the track earned a Grammy nomination.

Gracie Abrams:

Best New Artist Grammy nominee Gracie Abrams’ appearance on The Tonight Show starring Jimmy Fallon was a wake-up call to viewers unfamiliar with the budding star. Abrams’ performance of her single “Should Hate You” displayed the full range of her potential.

Jason Isbell:

Jason Isbell and the 400 Unit’s discography is enough to fill up a night’s worth of programming on its own. But, for the group’s performance on The Late Show with Stephen Colbert, they kept it simple. To celebrate the 10th-anniversary reissue of Southeastern, the band repurposed their track “Cover Me Up.”

Olivia Rodrigo:

With each late-night show stop, Olivia Rodrigo continues to take her sets up a notch. Her performance of “Can’t Catch Me Now” on The Late Show with Stephen Colbert was yet another stand-out to add to her resume.

Queens of the Stone Age:

Due to overwhelming demand, Queens of the Stone Age extended their End Is Nero Tour to appease fans. Just before closing out their West Coast dates, the group stopped by Jimmy Kimmel Live to perform their song “Emotion Sickness.” For those who were unable to catch the band on the road, the in-studio set certainly gave them an intense case of FOMO.

Sleater-Kinney:

The last notable TV performance of the week was again credited to Jimmy Kimmel Live. Sleater-Kinney let it all hang out with a bold set of their record “Say It Like You Mean It.”

Last week a Congressional aide was busted filming a sex act on the floor of a Senate hearing room. Kind of weird! Surely weirder things have happened in the Capitol. For instance, did you know a former president once helped inspire hundreds of his supporters to storm the building in an attempt to overturn an election her lost? To some that would be worse than two people enjoying some afternoon delight. And yet you’re probably not Jesse Watters.

Per The Daily Beast, Monday’s episode of The Five devoted a segment to the sex tape story, which has really outraged the far right. Turns out one of the perpetrators was an aide to Democratic Senator Ben Cardin, who has since fired him. That the pair in question were both men inspired Watters to inevitably rail off some possible gay porn titles, adding that, after learning it was a Democrat’s aide, he “should have seen it coming.”

What did he mean by that? Well, Watters went off.

“I know after they did the fire alarm pulling, the throwing of the elbows, a sex tape was inevitable,” Watters railed, although the second item — the “throwing of the elbows” — actually refers to something done by outgoing Republican House Speaker Kevin McCarthy. “And now it’s a race to the bottom. They’ve been telling us—the Democrats—that they need to keep the government out of the bedroom. Well, they just turned the government into the bedroom!”

Watters then went even further into the ether, saying, “to me, this is worse than Jan. 6—so much worse—because they say they defiled the Congress [on Jan. 6]. What is this!?”

He then downplayed the riot, saying, “We had a couple guys throw their feet up on Nancy’s desk. What is this? They said they obstructed an official government proceeding. They delayed the certification for what, like, two hours?”

Two folks porking in a hearing room, Watters argued, was worse: “They’re not going to be able to have a hearing in this room for weeks! This thing needs to be deep cleaned.”

Of course, it’s not surprising to hear anyone on the right say that sex is worse than violence.

(Via The Daily Beast)

Nathan For You ended six years ago, but Nathan Fielder was far from a one-trick pony. He produced the brilliant How to With John Wilson, one of the best shows about New York City (and wherever else he roamed). Last year’s The Rehearsal was a mind-melting journey through the ethics of documentary filmmaking. Now there’s The Curse, in which he, Emma Stone, and Benny Safdie send up Property Brothers-style home improvement shows.

The Curse began airing in mid-November, with 10 episodes planned. Each episode has dropped on a Sunday. But we’re heading into the holidays, which raises a bit of a pickle: Just because this forthcoming Sunday is Christmas Eve, does that mean The Curse will take a break?

The answer: Absolutely not. Its seventh episode, entitled “Self-Exclusion,” is still set to air that day. Merry Christmas, you filthy animals.

What’s more, The Curse‘s eighth episode is scheduled for December 31, i.e., New Year’s Eve.

On the show, Stone and Fielder play Whitney and Asher Siegel, a newly married couple who are trying to conceive their first child while starring in a new HGTV show. Things go awry after Asher offers a young girl a $100 bill on camera…only to yank it away when the shot is over (but the camera has yet to cut). As a result, she puts a curse on the show, which results in all manner of tomfoolery across the six seasons aired so far. (And has inspired some memorable late night appearances as well.)

What better way to ring in Christmas than to watch The Curse? See y’all Sunday night when the eighth episode airs on Showtime at 9pm.

The 2024 music festival session is nearly here, and as 2023 winds to a halt, some are thinking about what they want to see in 2024. Atop many music fans’ most anticipated events is Coachella, if not for the lineup, the experience alone. Although the official lineup has not yet been confirmed, ticketholders hope that Taylor Swift, Justin Bieber, or Olivia Rodrigo will serve as headliners across the two weekends. So when will the confirmed lineup for Coachella 2024 come out?

Following each year’s event, organizers tend to tease the next installment as early as June (or at least this was the case for Coachella 2023). As for when the subsequent year’s lineup is formally unveiled, it usually goes down in the second week of January.

Coachella 2023’s lineup was rolled out on January 10, 2023. Based on the disappointing and disastrous return of Frank Ocean, the organizers could hold off a few weeks to ensure the headliners for Coachella 2024 are up to par. For now, ticketholders have started counting the days until performers are announced.

Each year, Coachella is held on the Empire Polo Grounds in Indio, California, during the second and third weekends of April.

Coachella 2024 will occur on April 12-14 and April 19-21, 2024. Find more information here.