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Billie Eilish will return to Saturday Night Live as the final musical guest of the year on Saturday, December 16. She’ll probably perform “What Was I Made For?,” her Grammy-nominated song for the Barbie soundtrack, and she might even wear her newest Nike sneakers.

On Friday morning, December 1, Eilish announced her next colorway and silhouette with an Instagram carousel. The photos show Eilish wearing all-red Nike Air Alpha Force Lows with an all-camouflage outfit. “My newwwww @nike air alpha force lows [heart exclamation emoji] available december 5th on my website & december 8th on the SNKRS app [!!]” she captioned the post.

Eilish has been relatively inactive musically this year — outside of “What Was I Made For?” — but she’s kept fans fed on the sneaker front. In March, Eilish debuted her “low in white” Nike Air Force 1 silhouette. By August, she unleashed her unique touch on Nike Alpha Force Lows in black and white as well as the “White/University Red-Black” colorway made famous by Michael Jordan in 1988 (as pointed out by Complex).

Eilish has been collaborating with Nike since 2021, beginning with two Air Jordan designs made from 100-percent vegan and sustainable materials. In April 2022, she dropped the Air Force 1 Billie “Mushroom.”

Ahead of the newest Billie Eilish x Nike release next Tuesday, December 5, peruse past styles on Eilish’s official store here.

For live music lovers based in Southern California, tonight (December 1), iHeartRadio’s Jingle Ball LA is the hottest ticket in town. Well, that’s if you aren’t to the theaters for Renaissance: A Film By Beyoncé. The annual holiday tour kicked off over the weekend with a stop in Tampa, Florida. On Tuesday, November 28, Dallas/Fort Worth, Texas, concertgoers were treated to a special night. Now, it’s the greater Los Angeles area’s turn. So, who is performing at iHeartRadio Jingle Ball LA tonight?

So far, the confirmed performers for iHeartRadio Jingle 2023 are Olivia Rodrigo, Niall Horan, AJR, Sabrina Carpenter, Miguel, Doechii, Flo Rida, (G)I-DLE, and P1Harmony. The show, which is presented by Capital One, will bring pop, R&B, and rap fans together to the Kia Forum. Given the history of the evening, it wouldn’t be odd if a few hometown heroes made a surprise cameo on stage.

The remaining 2023 iHeartRadio Jingle Ball Tour stops this month include Chicago, Detroit, New York, Boston, Washington DC, Philadelphia, Atlanta, and Fort Lauderdale. Find more information here.

But if you cannot snag tickets to any of the concerts listed above, thanks to the series’ backing by ABC, you can watch the television broadcast on the network on Thursday, December 21, at 8 p.m. ET. The day after, the program will be available to enjoy on Hulu.

Mr. Skin, the long-time chronicler of nude scenes in TV shows and movies, has an entire page dedicated to “Boobs Covered in Whipped Cream.” The most famous example is Ali Larter in 1999’s Varsity Blues (shaving cream was used as a stand-in for whipped cream), but there’s also Chris Evans in Not Another Teen Movie, which I contend is one of the funniest comedies of the early 2000s, and, somehow, Lucy Lawless in Xena: Warrior Princess. (Mel Magazine looked into the history of the whipped cream bikini — it’s an informative read.)

A recent entry in the canon is on Obliterated, a new Netflix show from Cobra Kai creators Jon Hurwitz, Hayden Schlossberg, and Josh Heald. The show is about an elite special forces team who thwart a deadly threat to Las Vegas — only to learn the bomb was a fake, so they have to find the real one before it’s too late. But when they think it’s mission accomplished, they celebrate with booze, sex, and a food-based swimsuits. In the pilot episode, NSA agent Maya, played by Kimi Rutledge, learns that the dream girl of her crush, Chad (Nick Zano), is Ali Larter in Varsity Blues, and, well, I’ll let Decider take it from here.

Dressed in dessert, Maya enters McKnight’s hotel room and says, “Hey, cowboy. I think I’ve got a cure for your Varsity Blues.” But [her] sexy declaration is immediately followed by a “what the fuck?!” as she discovers that [Chad] just hooked up. The cherry on top of this embarrassingly sexy sundae? One of her cherries falls off.

Captain America still did it best. You can watch Obliterated on Netflix.

(Via Decider)

Anthony Edwards has established himself as one of the most magnetic stars in all of basketball, both on and off the court. This usually leads to guys getting rewarded with big opportunities away from the game, which Edwards is going to get a little later this month when adidas drops his first signature sneaker, the AE1.

It’s a really cool opportunity for Edwards, who as part of the rollout of the new shoe identified the one guy he wants to see wear the AE1 during a game: Kevin Durant. The problem, as Edwards acknowledged, is that Durant is a Nike athlete, but he still hopes to see the Phoenix Suns star throw them on one time.

Durant got wind of this and decided to have a little fun, making clear that he’s Nike for life.

As it turns out, the people at adidas figured that this was a perfect opportunity to get a few jokes off at KD’s expense. First, they made the decision to talk some sh*t to the future Hall of Fame inductee before bringing up the fact that Durant famously has admitted to using burner accounts on whatever we’re calling Twitter this month.

Just one man’s opinion, but I think this is going to make it less likely that Durant will ever wear Edwards’ sneakers in a game.

If you’ve been on social media today (the Taylor Swift-related sides of it, specifically), you’ve seen beef brewing between celebrity gossip account Deuxmoi and Tree Paine, Swift’s longtime publicist, over a rumor about one of Swift’s past relationships. So, what’s going on here?

Why are Taylor Swift’s publicist Tree Paine and celebrity gossip social media account Deuxmoi beefing?

First, a bit of context: Deuxmoi has spread some Swift rumors that turned out to be inaccurate before. There were a couple dating ones from earlier this year, for example, like suggestions that Swift was romantically involved with Jason Sudeikis and Formula 1 driver Fernando Alonso. They haven’t always been wrong, though. Deuxmoi claimed in August 2022 that Swift was planning a tour, then The Eras Tour was announced that November. Then, this past September, they claimed Swift and Travis Kelce went on a date, and sure enough, Swift went to her first Chiefs game later that month. So, Deuxmoi isn’t always incorrect, but some might argue there’s a bit of a “you miss 100 percent of the shots you don’t take” approach to the rumors and gossip on their platform.

Now, let’s fast-forward to present day.

What did Deuxmoi say about Taylor Swift and Joe Alwyn?

This week, Deuxmoi, reiterating a claim it has made before, wrote in an Instagram Story, “She DID have a ceremony in either 2020 or 2021 in the UK and it was described to me as a ‘marriage’ by more than one person. It was NEVER made legal. I will die on this hill! Put it on my tombstone! I have no reason to lie, I could give a sh*t what she does!!!!! I’m sorry she didn’t tell you guys about it in a song but just because she doesn’t sing about something doesn’t mean it didn’t happen!!!”

What did Tree Paine say about Deuxmoi’s Taylor Swift and Joe Alwyn marriage rumor?

Paine saw the Deuxmoi post and was compelled to respond, tweeting on November 30, “Enough is enough with these fabricated lies about Taylor from Deuxmoi. There was NEVER a marriage or ceremony of ANY kind. This is an insane thing to post. It’s time for you to be held accountable for the pain and trauma you cause with posts like these.”

How did Deuxmoi respond to Tree Paine?

On their Instagram Story, Deuxmoi shared some messages from others in support of their Swift gossip. One person, for example, wrote, “‘pain and trauma’… are very strong words. I understand why they’d be bothered, but Tree (and Taylor) are livid. Of all things, why are they so angry about this particular claim that they felt the need to respond?”

Deuxmoi themselves wrote in another Story, “Well I make zero dollars from lying… can publicists say the same [shrugging emoji]. Also, to relate something that is in reference to something that happened years ago to ‘pain & trauma’ after what just happened seems like a poor choice of words. Either way, I apologize to Taylor.”

What are Swifties saying about Deuxmoi after the Joe Alwyn marriage rumor?

Deuxmoi is facing some online criticism over the Swift/Alwyn rumors. One person tweeted, “Not sure why anyone takes anything DeuxMoi, a source who posted that they’d heard those submarine people were still alive and shared that Woody Allen was hosting SNL last season, says seriously.” Somebody else shared, “I want to know what deuxmoi’s idea of ‘I make zero dollars’ from lying looks like… those subs are not free & neither is that book,that’s before we even get into the merch, podcast & ads. Salacious gossip sells even if not true. She is making a tonne of income off of all of this.”

Paine has not responded to Deuxmoi’s retort, and neither Swift nor Alwyn have publicly addressed the situation.

Beyoncé’s new movie Renaissance: A Film By Beyoncé is out and with it, came a new song, “My House,” which appears in the credits. “My House” finds Beyoncé in “full rap mogul” mode, barking aggressive, boastful rhymes asserting her dominance. While it’s a bit of a departure from many of the dance-centric cuts that appear on her latest album Renaissance, it’s not the first time Beyoncé has shown off some impressive rap skills in addition to her always awesome singing abilities.

Here are 10 more of Beyoncé’s best rapping songs.

“No, No, No Part 2” With Destiny’s Child (1998)

While there are some who wouldn’t consider Beyoncé’s early work with Destiny’s Child to exemplify traditional rap structure, Beyoncé’s playful blending of R&B vocals with hip-hop delivery could be seen even then. It also turned out to be prescient; these days, the line between rap and R&B is blurrier than ever thanks to artists like Drake and those he’s inspired. Just look at SZA’s “Kill Bill” and “Snooze” — without Beyoncé, who’s to say there’d have been space for that style to flourish on the charts the way it has this year?

“Temptation” With Destiny’s Child (1999)

Although “Say My Name” is often considered the moment when Beyoncé perfected her rap-like, staccato singing style, another song from the same album, The Writing’s On The Wall, features a much more direct rapping delivery. hip-hop history has a proud tradition of storytelling tracks running through it, and with a bit of contextualization, “Temptations” fits right in.

“If Looks Could Kill You’d Be Dead”

Okay, go with me here. In 2001, MTV launched a made-for-TV film called Carmen: A Hip Hopera. It is exactly what it sounds like: a rap-ified version of the 1875 opera Carmen (or at least of Carmen Jones a 1954 musical loosely based on it). As the titular character, Beyoncé has two jobs: Looking gorgeous enough to prompt half the male cast to try to kill each other (check), and keep up with Mos Def, which she does admirably on her introductory number.

“Diva” (2008)

In 2008, producer Bangladesh had two of the biggest bangers of the year: “A Milli” by Lil Wayne and “Diva” by Beyoncé. While they employ a similar production style, the two performers used completely different rap approaches. Rather than using one to discount the other, the correct way to read this is acknowledging
just how versatile rap can be at its best.

“Partition” (2013)

On this standout from Beyoncé’s self-titled album, she leans fully into a swaggy rapper persona — the one she’ll end up using right to today. Her signature Houston drawl elongates the rhymes, harkening back to one of her home state’s most iconic bar-spitters, Pimp C.

“7/11” (2014)

“But she’s just repeating the same words over and over!” you may protest.

Ahem… No one questioned this when Lil Uzi Vert did it on “Do What I Want” (sure, some folks hated it but no one tried to take the rapper title away from him). If you think about it this way, Beyoncé kind of opened the door for Playboi Cart. He should send her a note.

“Feeling Myself” Nicki Minaj Feat. Beyoncé (2014)

On one of the first songs where Beyoncé went bar-for-bar with an actual rap peer, she not only kept up with Ms. Minaj — she darn near stole the whole show.

“Top Off” DJ Khaled Feat. Jay-Z, Future & Beyoncé (2018)

Beyoncé had collaborated with her husband Jay-Z a number of times in the prior decade but on DJ Khaled’s Father Of Asahd, for the first time, she endeavored to actually out-rap him. Whether or not she accomplished that mission is up to the listener’s taste but it wouldn’t be too hard to argue that that’s exactly what she did.

“Apesh*t” As The Carters With Jay-Z(2018)

Apparently, Bey and Jay had so much fun trading bars on “Top Off,” they decided to do it for a whole project on their group album Everything Is Love as The Carters. Once again, she arguably gets the best of him on the lead single, rattling off some of the most memorable punchlines on track.

“Savage (Remix)” With Megan Thee Stallion (2020)

In 2020, at the height of the pandemic, Beyoncé almost single-handedly gave fans the blueprint for survival, making OnlyFans a household name in the process.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

It’s not the holiday season until Mariah Carey resuscitates “All I Want For Christmas Is You” and the iHeartRadio Jingle Ball festivities begin. We’ve officially crossed both thresholds, as the 2023 iHeartRadio Jingle Ball Tour kicked off on Sunday, November 26, in Tampa, Florida, continued on Tuesday, November 28, in the Dallas/Fort Worth, Texas area, and will next hit Kia Forum in Los Angeles, California on Friday night, December 1.

Each city will have a slightly different variation of the headlining lineup, with iHeartRadio 102.7 KIIS FM’s Jingle Ball 2023’s bringing Olivia Rodrigo, Niall Horan, AJR, Sabrina Carpenter, Miguel, Doechii, Flo Rida, (G)I-DLE, and P1Harmony to LA.

What Time Does iHeartRadio Jingle Ball LA Start?

According to iHeart’s official announcement on September 29, iHeartRadio 102.7 KIIS FM’s Jingle Ball 2023 Presented By Capitol One is scheduled to begin at 7:30 p.m. PST. Actually, every iHeartRadio Jingle Ball show will begin at 7:30 p.m. local time.

What Other Cities Will The 2023 iHeartRadio Jingle Ball Tour Visit?

The next show is scheduled for Monday, December 4, at Allstate Arena in Chicago, Illinois. That show will stage Nicki Minaj, Jelly Roll, Big Time Rush, Doechii, (G)I-DLE, and former Uproxx cover star Kaliii.

See the rest of the remaining schedule below, as relayed by iHeart.

Friday, December 8: iHeartRadio Z100’s Jingle Ball 2023 Presented by Capital One at Madison Square Garden in New York City featuring Olivia Rodrigo, SZA, OneRepublic, Sabrina Carpenter, Jelly Roll, Big Time Rush, Doechii, Pentatonix, David Kushner, and Melanie Martinez.

Sunday, December 10: iHeartRadio KISS 108’s Jingle Ball 2023 Presented by Capital One at TD Garden in Boston, Massachusetts featuring SZA, Sabrina Carpenter, OneRepublic, Flo Rida, David Kushner, Melanie Martinez, NCT DREAM, and (G)I-DLE.

Monday, December 11: iHeartRadio Hot 99.5’s Jingle Ball 2023 Presented by Capital One at Capital One Arena in Washington, DC featuring OneRepublic, Jelly Roll, Big Time Rush, Doechii, Flo Rida, Melanie Martinez, David Kushner, NCT DREAM, and (G)I-DLE.

Tuesday, December 12: iHeartRadio Q102’s Jingle Ball 2023 Presented by Capital One at Wells Fargo Center in Philadelphia, Pennsylvania featuring Usher, OneRepublic, Jelly Roll, Big Time Rush, Doechii, David Kushner, and (G)I-DLE.

Thursday, December 14: iHeartRadio Power 96.1’s Jingle Ball 2023 Presented by Capital One at State Farm Arena in Atlanta, Georgia featuring Nicki Minaj, Ice Spice, Sabrina Carpenter, Flo Rida, David Kushner, Kaliii, and NCT DREAM.

Saturday, December 16: iHeartRadio Y100’s Jingle Ball 2023 Presented by Capital One at Amerant Bank Arena, Ft. Lauderdale in Fort Lauderdale/Miami, Florida featuring Marshmello, AJR, Flo Rida, Ludacris, LANY, David Kushner, Kaliii, and Paul Russell.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Warning: Spoilers ahead for The Golden Bachelor finale. Do not — I repeat do NOT — move forward if you don’t want to know which woman the 72-year-old retired restaurateur picked to marry.

The season finale of America’s new favorite pastime, The Golden Bachelor, aired on ABC last night, though not everyone has seen it yet, thanks to Hulu‘s waiting game.

Those who have seen it know that Gerry picked 70-year-old Theresa from New Jersey, leaving fan-favorite Leslie without a golden husband-to-be, though fans have been speculating that Leslie would make the perfect first Golden Bachelorette.

There was a lot of drama surrounding both the finale and its protagonist Gerry, whose past dating life was recently meticulously mapped out in The Hollywood Reporter. The outlet reported that Gerry was not entirely truthful with his past, and has been dishonest about his journey. Everything in BachelorNation is a “journey,” by the way, so keep that in mind.

Despite the Hulu delay and overall disappointment with Gerry, viewers still enjoyed The Golden Bachelor, if not for what it is, for what it could be now that ABC has given it a chance. Here’s what the fans had to say about the messy finale:

We need reality shows with more old people with regrettable tattoos and fewer influencers looking for Instagram brand deals, honestly. This is the future of TV.

When you hear the names Tegan and Sara, many different things might spring to mind: identical twin sisters, queer indie rock icons, several pivotal scenes from Grey’s Anatomy, etc. All of these would be correct, but they only scratch the surface of a much bigger story. For the majority of Tegan and Sara Quin’s career they’ve strived to maintain control, whether that be within their music, their image, or even in their relationship with one another. To boil them down to a few key words for the sake of packaging would be doing them a grave injustice. Their new Audible Original, aptly titled Under My Control, seeks to tell their truth, as they provide an in-depth look into the band and sisterhood that is Tegan and Sara.

Before even becoming a band, the sisters, who grew up in Calgary, were familiar with being looked at. Being identical has that effect. Towards the beginning of their Audible Original, the two talk about this sensation as Sara recounts a story from their childhood, in which they attempted to leave a bank, without their mother, because they were tired of people looking at them. Though Tegan also points out that, “It made us feel special and famous, before we were famous.” When I chat with them over Zoom, they express a similar sentiment, adding that it became more enjoyable to be recognized for their music. “You know in some ways there was a pleasure in knowing that being recognized now had more to do with something we’d created and not just with this randomness that we were born twins and we look the same,” Sara says. “There’s not much you can say when someone goes, ‘Are you guys twins?’ and you’re like, ‘Yeah.’ Like, that’s it.”

In Under My Control, listeners join them on their journey as they win their local music competition, Garage Warz, choose to start their band instead of attending university, and take on all of the industry meetings that follow. Though they are both musicians and songwriters, it took some convincing for Sara to commit to the band, while Tegan knew and had known that it was something she wanted for herself. “There was no question. I was going to be a musician. That’s what I was. I was a rockstar. That’s how I talked at the time,” Tegan says, laughing. “But it was fueled by fear that there was nothing else for me.” In terms of what propelled them to take on the huge task of recording their first album, Under Feet Like Ours, on their own, Tegan admits that it was not, “normal behavior to figure out how to get the funds, make an album, release that album, get an agent, find management. But I felt like we wanted to prove that we could do it and I think we really didn’t know what we wanted to do at university. We had no goals. Like. I did not want to get a normal job.”

The band ended up signing to Neil Young’s label, Vapor Records, and opening for Young on tour. It was the first time they had been out on the road, traveling internationally, and they were terrified. They recounted doing their first round of press during the tour and expressing the fear they had been experiencing to journalists. Their candor was not well received. “I learned really quickly ‘Do not tell people really how you feel,’” Sara says on Under My Control.

Since then, through multiple mediums including their music, their memoir High School, and their new Audible Original, it seems as though Tegan and Sara have grown to become more vulnerable so that they’re able to be honest about their story, and so fans and artists alike can connect to them on a deeper level. “By putting our voice on record we’re hoping to at least share our perspective and that feels really good,” Tegan says. “When we were 22 I’m glad that this didn’t exist. I’m glad there was no social media. I mean we say it all the time. F*ck, I mean it’s a nightmare when I think about what we would’ve said or done online.” Sara also tells me that not wanting to share her negative feelings about their career came from a place of shame. “I’ve always been afraid by being honest about not always liking our career or not always having a good time on tour with people that it would be insulting or disrespectful,” she says. “I was so embarrassed and ashamed to admit it was hard and that I wasn’t having fun and that I just wanted to hang out with my girlfriend. I don’t know, I was like a child. That’s what I wanted to do.”

“It was a tremendous weight,” Sara mentions on Under My Control, referencing the pressure to come out as queer to the world on top of all of the other stresses that come along with being in the band. “Even if I was having a good time it was like all this big important stuff around like money, and travel, and safety, and queerness, and whatever. It was just always kind of like an albatross on my shoulder. I couldn’t ever be totally free of it,” she elaborates. When both sisters decided to come out of the closet, Sara tells me that the thing that made it scarier was that Tegan was also queer. “It would be one thing if I was just going to be closeted, but if we’re both gay, I mean, I guess we come out. It’s like how do we both lie?” So though it might’ve made it scarier, it also pushed them to come out. Now when I ask if they’ve been able to process it all to arrive at a place of peace, Sara says, “that’s an Audible Words and Music piece onto itself on some level,” but that any internalized homophobia she had, “really broke for me in my mid to late twenties. It was like a ten-year process I would say.”

In an attempt to control their narrative in the early days of their career, they pushed back against the label “lesbian folk band,” fearing it made them inaccessible to a broader audience. “At the time we really fixated on the fact that they called us folk, but I actually think that what we were fixated on was that they were calling us lesbians because it felt at times coded, but mostly just blatant,” Tegan explains on their Audible Original. “It felt like them saying, “This is not music for everybody. This is only music for other lesbians.” Sara communicates this same thing over Zoom adding that, “the second I found queer and embraced it I was like, ‘We’re f*cking queer. We’re queer musicians,’ and I just remember that being like hugely freeing. It was like liberation.”

As Tegan and Sara tell the story of their career and sisterhood during Under My Control, they also take eight breaks in the action, in which new recordings of some of their hits including, “Closer,” “Where Does the Good Go,” “Walking With A Ghost,” and more appear. These performances offer a look into how the band’s music has changed over the years, along with explanations from the sisters about why it was changing. They perform “Living Room” from their album If It Was You, which Tegan notes “was an aggressive attempt to shake off” the lesbian folk label. Before their performance of “Walking With A Ghost,” Sara explains how the song was responding “to what I thought was sexist reviewing of our music.”

There’s often an expectation for women in music to constantly evolve and Tegan is aware of this. “I’ve read lots about how women feel they have to remake themselves every record and that women have to make career-defining albums and career-defining haircuts every time they do something new. But I think even in 2004 that I understood that and that with each new record, it was going to be our job to change.” Sara has a similar perspective, but she also feels that they were reinventing themselves because it’s just a fun thing to do, she tells me. “I’ve looked at other bands where they always wear a plaid shirt and have a beard and are always making records that sound the same. It’s just like so that’s it for them huh? It’s just the same old black-rimmed glasses. That’s it huh? In some ways I guess I envy that, but then on the other hand I’ve had so much fun reinventing myself.”

While Tegan and Sara might be known by many as incredible musicians, that’s not necessarily what they want to be remembered for. When they started to think about what legacy meant to them, they started to explore new avenues to tell their story to connect with fans outside of touring. What resulted was their memoir turned TV show, High School. When I asked what they hope people think of when they think of Tegan and Sara, Sara says, “I truly, truly hope that at the end of my life people still think I’m a good person, a nice person, a generous person.” Outside of that, Sara mentions their advocacy and philanthropic work through the Tegan and Sara Foundation. “I’m very proud of it. It’s not easy work.”

“There’s something very comforting and healing in remembering that we used to just be sisters,” Sara mentions towards the end of Under My Control. After all this time of attempting to control the narrative of their band and their story, it really does boil down to just this: Tegan and Sara are sisters. I know I mentioned above that using only a few words to describe the two can minimize them, but somehow after Sara says this, I was left with a sense of fulfillment. Tegan and Sara will always be sisters, and nothing in the past, present, or future will change that.

Melissa McCarthy stopped by Live with Kelly and Mark this week where the actress revealed a painful experience she had while filming in Australia. The worst part about it? No one believed it was happening.

According to Entertainment Weekly, McCarthy kept getting bit on set, but “nobody knew” what was happening. The Little Mermaid star said it was so bad that she needed ice packs at the end of the day.

“I kept getting bit by things,” McCarthy told Kelly Ripa. “And people were like, ‘I don’t think anything’s biting you.’ And I’m like, ‘No. I’m pretty confident I know when I’m being bitten.’ It’s not like I have a weird feeling. I have bite marks.”

However, the culprits were discovered when the crew realized that McCarthy’s chair had been placed over a nest of fire ants. Her doubters finally admitted that the actress was getting bit, but she won’t let the experience stop her from visiting Australia because she loves being in the country so much. In fact, she landed a cameo in Thor: Love and Thunder thanks to being in the country while the fourth Thor film was filming nearby.

We’re also pretty sure this wasn’t the “volatile, toxic set” that McCarthy opened up about earlier this year. Granted, this experience also made her “physically ill” on account of the swelling. Thankfully, the matter was quickly resolved and everyone acknowledged the problem: a whole bunch of fire ants.

(Via Entertainment Weekly)