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Making new friends as an adult is challenging. While people crave meaningful IRL connections, it can be hard to know where to find them. But thanks to one Facebook Group, meeting your new best friends is easier than ever.

Founded in 281, NYC Brunch Squad brings together hundreds of people who come as strangers and leave as friends through its in-person events.

“Witnessing the transformative impact our community has on the lives of our members is truly remarkable. We provide the essential support and connections needed to thrive amid the city’s chaos,” shares Liza Rubin, the group’s founder.

Despite its name, the group doesn’t just do brunch. Members also hold book clubs, seasonal parties, and picnics, among other activities.

NYC Brunch Squad curates up to 10 monthly events tailored to the specific interests of its members. Group organizers handle all the details, taking into account different budgets and event sizes – all people have to do is show up.

“We have members who met at our events and became friends and went on to embark on international journeys to celebrate birthdays together. We have had members get married with bridesmaids by their sides who were women they first connected with at our events. We’ve had members decide to live together and become roommates,” Liza says.

Members also bond over their passion for giving back to their community. The group has hosted many impact-driven events, including a “Picnic with Purpose” to create self-care packages for homeless shelters and recently participated in the #SquadSpreadsJoy challenge. Each day, the 100 members participating receive random acts of kindness to complete. They can also share their stories on the group page to earn extra points. The member with the most points at the end wins a free seat at the group’s Friendsgiving event.

If you want to meet the group in person, NYC Brunch Squad, along with many other locally-based New York groups, is participating in the upcoming Facebook IRL event on December 2. This pop-up experience in New York City’s West Village will provide a space to discover new hobbies, find new friends, and connect with others around the things they love.

Learn more about the event and sign up to attend here.

Not in the New York area but still want to get involved? As a result of NYC Brunch Squad’s popularity, the group is expanding across the country.

“With a robust community established in NYC, we’re now excited to announce our expansion with pop-up events in the works in 15 additional cities. What’s more, we’re launching a travel club, extending our mission to foster connections beyond the city limits and to help people build life-changing friendships in new and exciting places,” Liza says.

If you’re ready to make new meaningful connections, join NYC Brunch Squad! You might just meet your new best friends.

Every month, Uproxx cultural critic Steven Hyden makes an unranked list of his favorite music-related items released during this period — songs, albums, books, films, you name it.

1. Andre 3000, New Blue Sun

I can never remember the name of this album. I had to Google it again just now. It will forever exist in my mind as “The Andre 3000 Flute Record.” For the sake of efficiency, I wish he had just called it that. But I suspect it will be permanently known by that colloquial moniker in retrospect, in the same way that The Beatles is known as “The White Album” and Weezer is identified by everybody as “The Blue Album.” Let me just say that I love this record as a gesture. I am extremely happy that it exists. By the “as a gesture” standard, it’s my record of the year. But as an album, I have listened to it one and a half times, and I’m not sure I will go back to it. And that’s fine. Again, the “as a gesture” part is probably enough for me. However, at the risk of being wet blanket-y, I must point out the following: The fun of a “bold left turn” record is reacting against the people who initially hated it upon release. That’s the whole point of a revisionism — if, for instance, Bob Dylan puts out a live album in 1979 in which he radically re-arranges his songs so that they sound like Hot August Night-era Neil Diamond, part of the fun of playing that album in 2023 is pointing out the ways in which all of those mean critics were wrong about the record 44 years ago. That’s not going to happen with New Blue Sun. People have bent over backward to call it a work of genius. And while I’m not doubting their sincerity I do wonder if that relegates New Blue Soon to a different kind of historical dustbin once the novelty wears off. Nobody wants to be the jerk that future generations wind up telling off. But does this self-consciousness ultimately impair an ongoing critical conversation in retrospect? Let’s check back in 10 years!

2. Bob Dylan, The Complete Budokan 1978

Speaking of that Bob Dylan live record, the frankly stunning existence of this box set commemorating the single most polarizing release in his catalogue represents either a worthy reappraisal of a flawed but fascinating effort (my view) or an example of revisionism run amok. Originally released on August 21, 1978 as a Japan-only release, and then worldwide the following April, Bob Dylan At Budokan was recorded at Tokyo’s Nippon Budokan Hall on February 28 and March 1 of ’78. It contains 22 songs, including many of Dylan’s most famous tunes: “Like A Rolling Stone,” “Blowin’ In The Wind,” “The Times They Are A-Changin,’” “All Along The Watchtower,” “Knockin’ On Heaven’s Door,” etc. Judging by the tracklist, Bob Dylan At Budokan appears to be a greatest hits record, except that the songs are played live. But while the album is that in form, it is not in execution a straight-forward recounting of past glories. It is the opposite of straightforward. It is crooked and backward. For At Budokan, Dylan employed an expansive 11-piece band staffed with, among other musicians, three backup singers, an extremely audible percussionist, an ex-King Crimson drummer, Eddie Money’s keyboardist, a blonde guitarist who performed in the Broadway production of Hair, and (most notoriously) a horn player doing double duty on saxophone and flute. That’s right, flute. “But what Dylan songs require a flute?” you ask. On At Budokan, way more than you might expect! In case anyone needed to be reminded: The Complete Budokan 1978 is yet more evidence that the canon is always in flux. And that today’s trash might very well be tomorrow’s $159.99 retail-priced doorstop.

3. Hotline TNT, Cartwheel

One of my favorite albums of 2023, and definitely one of my top “CD album” albums of the year. A fuzzed-out corker with shoegaze guitars that lean more in the direction of Copper Blue than Loveless, Cartwheel sounds amazing while driving, it’s the right length to soundtrack most errands, and it’s easy to find in that between-seats middle compartment. I can’t honestly think of a higher function for a record than this.

3. MJ Lenderman, And The Wind (Live And Loose!)

While the bulk of this excellent live record is made up of the slacked-up and witty country-rock tunes from last year’s tremendous Boat Songs, the most revelatory performances are of material that pre-date Lenderman’s indie fame, particularly the numbers from 2021’s Ghost Of Your Guitar Solo. Lenderman recorded that album by himself, and the songs are skeletal and rendered in bottom-of-the-barrel fidelity. On Live And Loose!, great tunes like “Catholic Priest” and “Someone Get The Grill Out Of The Rain” are transformed with extra layers of instrumental muscle, with Lenderman’s Crazy Horse-like band fleshing out their bones with sympathetic washes of lap steel and chunky guitars. Taken in tandem with the murderer’s row of stunners from Boat Songs — plus the fantastic recent single “Rudolph” — the revamped Guitar Solo tracks make Live And Loose! feel like something more important than a mere tour souvenir. It just might be Lenderman’s best effort yet, and the definitive document of this rising star’s 1.0 era.

5. Cat Power, Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert

The third live album on this list, and the second one to involve Bob Dylan. But otherwise Chan Marshall, as always, is operating entirely on her own wavelength. Her decision to cover one of the most the famous live performances of the rock era — the one where Dylan faced off with an audience of pissed-off folkies triggered by his decision to play with The Hawks, including one anonymous buffoon who called him “Judas” — flips the drama of the original concert. Whereas the electric half of Dylan’s show overshadows the opening acoustic half, just for the sheer drama on display between him and the clueless audience, the acoustic portion of Cat Power’s redux is where this album truly beguiles. No matter her capable backing band, she simply can’t match the firepower of Dylan and the Hawks. But her run through the stoned and winding likes of “She Belongs To Me,” “Mr. Tambourine Man,” and “Desolation Row” is an absolute delight, spotlighting both the timeless power of Dylan’s songs and Marshall’s own once-in-a-generation voice.

6. Golden Apples, Bananasugarfire

I’m tempted to compare this crafty Philadelphia power-pop band to Apples In Stereo, even if it seems hacky to the extreme. Would this thought had entered my mind if both bands didn’t happen to include “Apples” in their name? Screw it — apples or not, it’s an apt comparison. Bananasugarfire has that jangly ’60s vibe goosed up with loud guitars that veteran Elephant 6 lovers will recall from the glories of Fun Trick Noisemaker, a reference I suspect this band would appreciate.

7. Ryan Davis & The Roadhouse Band, Dancing On The Edge

As has been noted elsewhere, this has been a banner year for indie-rock bands discovering the power of pedal-steel guitar. Few instruments automatically make a band better more quickly than this mysterious conjurer of high-lonesome sounds. Louisville singer-songwriter Ryan Davis clearly gets this, given the prominent pedal-steel that glides throughout Dancing On The Edge. But this is not another by-the-numbers wannabe country-rock troubadour LP. Drawing on the tradition of iconoclastic Americana smart-asses like Terry Allen and David Berman, Davis marries down-home music to sprawling story songs that drag on in mesmerizing fashion for several minutes at a time, like an Aristocrats joke lollygagging to a surprising finish.

8. R.E.M., Up (25th Anniversary Edition)

The last great R.E.M. record. And perhaps the best and truest rock album ever about processing the trauma of your friend leaving the band you started together. Unlike virtually every other rock band that has lost an essential member, R.E.M. did not pretend like it was business as usual on their first record after Bill Berry’s exist. (They actually didn’t make a conventional rock album for another 10 years.) On Up, they deliberately leave holes in the middle of the songs as constant reminders of who is not there. Drums either are absent or replaced with drum machines. R.E.M. doesn’t even sound like a band much of the time; sounds are layered in a manner that recalls the late-’60s Beach Boys, one of the album’s obvious influences. (Another touchstone is OK Computer, though Up ultimately sounds like a prequel to Kid A.) What’s apparent is R.E.M.’s thoughtfulness about rethinking their musical milieu in the wake of becoming a trio, and how correct their choices seem. They absorbed a critical loss and somehow spun it forward as the next logical step in their creative evolution. The resulting record simultaneously mourns the version of R.E.M. that no longer exists, while also positing that this latest incarnation is a perfect next step. That the next two albums were less successful reiterations of Up shouldn’t diminish this achievement. (Especially since those records, 2001’s Reveal and 2004’s Around The Sun, are better than their reputations suggest.) Even when R.E.M. fell apart, the pieces fell in all the right places.

Spotify Wrapped 2023 has arrived! The popular annual campaign already has music fans around the world sharing their lists of favorite artists, albums, and songs along with the cheery, colorful graphics that make the event so anticipated each year. And while the focus is usually on users’ individual lists, it’s also fun to see what everybody else was listening to. So, what was the most-streamed album? Well, that depends. The world likes one thing, but of course, the US likes its own thing. Find out more below.

Spotify’s Most-Streamed Album Globally For 2023

The most-streamed album on Spotify in the world was Un Verano Sin Ti by Bad Bunny, a popular icon in much of the Spanish-speaking world (and a big chunk of the Anglophone one as well). You might think it would have been Midnights by Taylor Swift due to her massive Eras Tour shifting the global economy — and you’d be close, as she came in second.

Spotify’s Most-Streamed Album In The US For 2023

However, when it came to America, the biggest hit was in a completely different, more homegrown genre. One Thing At A Time by Morgan Wallen was the No. 1 album on Spotify in the US, which only makes sense, as country music isn’t quite as popular outside of our cowboy-obsessed corner of the continent (there’s also some weird culture war stuff going on, which… yeah). R&B is also much more popular at home than abroad; SZA overtakes Taylor for the second position with SOS, while Swift comes in third.

Spotify Wrapped for 2023 dropped today, giving listeners the chance to discover their stats — including Top Songs, Top Artists, Top Genres, Top Podcasts, what city matches your listening taste, and so much more. For those who have found theirs, some might be wondering if it can be seen by other people.

Continue scrolling for a breakdown of what to know.

Can Your Spotify Wrapped Be Seen By Other People?

It depends. Each user’s Spotify Wrapped is tailored to them, so others won’t be able to see it through the platform. However, you can take screenshots of your top stats for 2023 and share them on social media or with friends — and then, it would be seen by others that way.

Otherwise, you could simply keep the Wrapped reveal to yourself, and nobody would know.

As for your Top Songs Of 2023 playlist, this is not able to be seen by other people either. Sure, you can tell friends what tracks are on it, but each user will only be able to see their own personalized set and nobody else’s. (In past years, the playlists used to be separate and you could see ones from other users, but that doesn’t seem to be the case anymore.)

Expectations were tempered heading into the release of Wonka, a musical prequel to the iconic Willy Wonka and the Chocolate Factory starring Gene Wilder. This time around, Timothée Chalamet would be in the title role with Paddington director Paul King at the helm. When the first trailer hit, reactions were mixed, but that’s definitely not the case with the movie itself.

As the first reactions to Wonka pour in, there’s an overwhelming sense of surprise. People can’t believe how much fun the movie is, and Chalamet’s performance is apparently out of this world.

You can see what folks are saying below:

“It’s DELICIOUS – Timmy’s all in,” Jason Adams tweeted. “Total charm and glee and goofball music man razzmatazz magic, and Paul King delivers yet again. SUCH FUN.”

“#Wonka is an instant holiday classic & a truly magical time at the movies,” Zoë Rose Bryant wrote. “Paul King’s whimsical style works as well here as it did in paddington, every musical number enchants, & the entire ensemble takes turns stealing the show, led by an endlessly charming Timothée Chalamet.”

“If I’m being honest: I wasn’t expecting much when I walked into #Wonka,” Jake Hamilton tweeted. “But I fell in love with a charming, heartfelt and pretty spectacular musical that is a loving tribute to everything we love about the ‘71 original. Chalamet is unbelievably fun and charismatic as Wonka.”

#Wonka is SHOCKINGLY good,” Grace Randolph tweeted. “Paul King delivers a movie along the lines of #Paddington for adults turning Wonka into a male #MaryPoppins! The movie manages to be its own thing and is as fun as seeing a live Broadway show! Definitely this year’s big holiday movie!”

“Paul King proves both PADDINGTON films were far from being a fluke with #Wonka,” Sara M Fetters tweeted. “Takes a moment to find its footing but, when it does, this is a scrumdiddlyumptious sorta prequel filled to the candy-colored brim with delectable delights. Can’t wait to see it again.”

You can see more reactions to Wonka below:

Wonka opens in theaters on December 15.

The debate over whether The Nightmare Before Christmas is a Halloween or Christmas movie rages on, but one thing is for sure: Fargo is a Nightmare Before Christmas show. There have been a pair of references to Henry Selick’s 1993 stop-motion masterpiece so far in season five: a “This is Halloween” needle drop and Gator (played by Joe Keery) wearing a Jack Skellington mask.

Creator Noah Hawley included the song in the two-part premiere simply because “I like that movie!” he told Entertainment Weekly. “It’s a specific choice, and I chose that movie because it’s a favorite of my house. My kids will grow up and watch Fargo one day and it will feel meaningful to them. We had to get a blessing from Tim Burton to do it, which is great.”

As for the menacing mask, “[Jack is] someone who, much like Joe Keery’s character, is trying to be something he’s not, which is an evil, scary dude when, really, he’s a softie,” Hawley explained. “There’s just too much pressure on Gator, and he’s always trying to live up to those expectations while at the same time, deep down, with a different father, he would have been a kind soul.”

Gator’s father is played by Jon Hamm. If there’s a Nightmare sequel, maybe he can voice Jack Skellington’s dad? Or better yet, don’t make a sequel, because The Nightmare Before Christmas is perfect as is.

(Via Entertainment Weekly)

At long last, Spotify Wrapped has arrived. Today (November 29), Spotify has gifted users with interactive statistics based on their listening habits. In each Wrapped, listeners get a fun, colorful summary featuring their most listened-to songs, albums, and artists. Spotify also puts together a nifty little playlist featuring each listener’s most listened-to songs, as well as an assessment of their mood and personality.

As this year’s Spotify Wrapped begins to unwrapped, Spotify users have questions as to how they can access their annual stats.

Is Spotify Wrapped only for Premium users?

Both Spotify Free and Spotify Premium users can see their Wrapped statistics. However, Spotify Premium users will have access to some more interactive features. The aforementioned mood and personality assessment will only be available for viewing on the Wrappeds of Premium users.

Some of the newer features also include “Me in 2023,” which assigns each listener one of 12 characters specific to their listening habits, in a tarot-like fashion. Another feature called “Sound Town” matches each user to a city based on the songs and artists they’ve listened to.

According to a press release, listeners will also get their top five genres presented to them in a “sandwich-inspired design.”

All Spotify users can see their individual Wrappeds here.

Today, Spotify rolled out their annual Wrapped feature for 2023, giving listeners a chance to discover what their top songs or most-listened-to artists were. As many wait for the lists each year, new users might be wondering how exactly to find theirs.

Here’s what to know.

How To Find Your Spotify Wrapped For 2023

Spotify Wrapped for 2023 can be accessed through the app on your phone, typically with a pop-up alerting you that it’s ready. If you don’t receive a pop-up, you can also tap under the Wrapped section on the homepage.

For users who still aren’t seeing it or can’t access their Wrapped on the Spotify app, you can try entering through spotify.com/wrapped on a web browser. It will prompt you to sign into your account before showing your Top Listens that way.

Along with showing users their top artists and songs, Spotify Wrapped is also revealing your most-listened genres, where on Earth matches your listening history, your listening personality type, your top podcasts, and more. For those who reached a top percentage of a musician’s listeners, you might even get a special video message from them — as artists like Taylor Swift, Boygenius, and more filmed ones this year.

Enjoy, and happy reveal day to all who celebrate.

Today (November 29) is Spotify Wrapped day, as the world’s leading music streaming platform has unveiled its year-end lists of what artists, songs, albums, and more enjoyed the most streaming activity in 2023. As for what songs were the biggest this year, it depends on where you look.

On the global list, Miley Cyrus’ “Flowers” wound up on top. If you focus in on just the US, though, Morgan Wallen’s “Last Night” takes home the crown. SZA crushed it on both lists, and both ranks have her at No. 2 with “Kill Bill.”

Check out the top 10 songs lists for both the world and just the US below, and find more of Spotify’s year-end data here.

Spotify’s Most-Streamed Songs Globally For 2023

1. Miley Cyrus — “Flowers”
2. SZA — “Kill Bill”
3. Harry Styles — “As It Was”
4. Jung Kook — “Seven” Feat. Latto
5. Eslabon Armado and Peso Pluma — “Ella Baila Sola”
6. Taylor Swift — “Cruel Summer”
7. Metro Boomin, The Weeknd, and 21 Savage — “Creepin’”
8. Rema and Selena Gomez — “Calm Down”
9. Bizarrap and Shakira — “Shakira: Bzrp Music Sessions, Vol. 53”
10. Taylor Swift — “Anti-Hero”

Spotify’s Most-Streamed Songs In The US For 2023

1. Morgan Wallen — “Last Night”
2. SZA — “Kill Bill”
3. Miley Cyrus — “Flowers”
4. Eslabon Armado and Peso Pluma — “Ella Baila Sola”
5. PinkPantheress and Ice Spice — “Boy’s a liar Pt. 2”
6. Taylor Swift — “Cruel Summer”
7. Zach Bryan — “Something in the Orange”
8. Morgan Wallen — “You Proof”
9. Metro Boomin, The Weeknd, and 21 Savage — “Creepin’”
10. Taylor Swift — “Anti-Hero”

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

Happy Spotify Wrapped Day. To celebrate, Taylor Swift finally put one of her best “from the vault” songs on streaming services.

“Um ok this is unreal?? I just wanted to say to anyone who listened to my music this year, anywhere in the world, thank you,” Swift wrote on X. “Getting named Spotify’s Global Top Artist in 2023 is truly the best birthday/holiday gift you could’ve given me. We’ve seriously had THE MOST fun this year out there on tour and now this. Are you serious. So I was trying to think of a way to thank you, and a lot of you have been asking me to put ‘You’re Losing Me (From The Vault)’ on streaming… so here you go! You can finally listen EVERYWHERE now.”

“You’re Losing Me” was initially released on the “late night” edition of her 2022 album Midnights, but the only way to hear the song was to buy the physical album or download the digital copy. It was nowhere to be found on Spotify or Apple Music (which released its Apple Music Replay on Tuesday), but now it’s available on the streaming service of your choosing.

Over the sound of a beating heart, Swift sings in the chorus, “Stop, you’re losin’ me / I can’t find a pulse / My heart won’t start anymore for you / ‘Cause you’re losin’ me.” The song is rumored to be about her breakout with Joe Alwyn. Later, in the bridge, she wonders “how long could we be a sad song / ‘Til we were too far gone to bring back to life?” Then, the line that’s bound to caption millions of Instagram captions: “And I wouldn’t marry me either / A pathological people pleaser / Who only wanted you to see her.”

You can listen below, as well as see reactions.