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Taylor Swift is pretty much always a mastermind, but there have been some recent times when she’s been a muse. Attending Kansas City Chiefs games to support All-Pro tight end Travis Kelce has inspired her boyfriend to play out of his mind. Meanwhile, her simply existing inspired Jeanette Paras to paint a 399-pound pumpkin in her image.

“Meet Taylor SwiftKin!” Paras posted to her @paras_pumpkins Instagram page earlier this week, revealing it on her porch alongside an NFL football atop a red bucket with Kelce’s No. 87 painted on it. “A gorgeous 399 lb. #giantcelebritypumpkin who is the answer to #whowillitbe in 2023. Everyone who guessed #taylorswift – you were right! And see if you can spot the nod to her romantic interest in the display. #traviskelce #paraspumpkins #35years The Kansas City Chiefs #Halloween.”

Paras posted another Instagram time-lapse video, which she said “squeezes more than 10 hours of painting into just 58 seconds.”

The pumpkin displays Swift’s red carpet look from the 2023 Grammys, where she won Best Music Video for All Too Well: The Short Film. She’ll soon have even more material to submit to the Recording Academy for consideration when her 1989 (Taylor’s Version) re-recorded album arrives on Friday, October 27.

Also, the “Taylor SwiftKin” should be the Chiefs’ new mascot — sorry, K.C. Wolf — especially considering The Daily Mail reported that Kelce’s “teammates have joked that [Swift] is their unofficial mascot.”

Earlier this year, Grandaddy celebrated the 20th anniversary of their 2003 album, Sumday, with the releases Sumday Twunny and Sumday: Excess Baggage. Now the Jason Lytle-led indie-rock band is ready to turn a new page. On Wednesday, October 25, Grandaddy announced that their new studio album, Blu Wav, will arrive on February 16, 2024. The lead single, “Watercooler,” is already here.

Per a press release, Lytle was “inspired by the overwhelming beauty of nature to the mundane moments that spark life’s strongest memories.” “Watercooler” is his commentary “on the dichotomy of both.”

“Most of my relationships have involved girls who worked in office settings,” Lytle said in a statement. “This song is about the end of one, or perhaps a few, of those relationships. Listeners will also notice the pedal steel on this track and eventually on many others from the forthcoming new album. It’s a first for Grandaddy, and I couldn’t be more thrilled about this fact.”

The press release also notes that the album’s title is meant to represent “a literal mash-up of ‘bluegrass’ and ‘new wave.’”

Listen to “Watercooler” above, or check out the Blu Wav cover art and tracklist below.

1. “Blu Wav”
2. “Cabin In My Mind”
3. “Long As I’m Not the One”
4. “You’re Going To Be Fine And I’m Going To Hell”
5. “Watercooler”
6. “Let’s Put This Pinto On The Moon”
7. “On A Train Or Bus”
8. “Jukebox App”
9. “Yeehaw Ai In The Year 2025”
10. “Ducky, Boris and Dart”
11. “East Yosemite”
12. “Nothin’ to Lose”
13. “Blu Wav Buh Bye”

Blu Wav is out 2/16/2024 via Dangerbird Records. Find more information here.

SNL may be back now that the WGA strike is over, but that doesn’t mean things are back to normal yet. There’s still another strike, involving SAG-AFTRA, that’s yet to be resolved. That means shows shows can’t bring on guests or hosts to promote new shows or movies. That’s not to say the strike is the only reason this weekend’s SNL has tapped Nate Bargatze as host. He’s a super popular comic, with a hit special on Amazon Prime! He sells out big arenas! Still, even he’s joking that maybe he’s not big enough for the show that once touted their “Not Yet Ready For Prime Time Players.”

Per The Daily Beast, Bargatze went on Late Night — which is, of course, hosted by an SNL alum — to talk about how it’s been going prepping for Saturday’s big show.

“It’s insane, dude,” Bargatze told former Weekend Update host Seth Meyers. “It’s almost like when they asked, you’re like, I don’t know if I’m famous enough to do that.” He even cracked wise about nearly turning down their offer. “I appreciate it, but there’s some other people I think y’all should go after.”

But Bargatze agreed and here we are. He pinpointed the moment when he knew his SNL hosting gig was really “happening.” It was when they called him up Sunday to talk about sketch ideas. Still, he’s worried that there will be a time when they say, “‘We’re not gonna to air this,’ like I’m just some trial show where they wanted to make sure the cameras worked.”

Joining Bargatze on the show will be musical guests The Foo Fighters, which prompted Bargatze to joke that they’ll be the main focus of the episode. “It’s gonna be all Dave Grohl in every sketch,” he joked. “I’m just kind of on the show.”

You can watch Bargatze’s self-deprecating Late Night appearance in the video above.

(Via The Daily Beast)

Nicki Minaj does things on her terms. If the Barbz needed a refresher course, she reminded them by changing the release date for Pink Friday 2, her highly anticipated fifth studio album.

On Tuesday, October 24, Minaj went live on Instagram, where she said, “The new album date for this incredible body of work, that I am so proud of is on a special day to me and to the Barbz — it will come out on my birthday. Pink Friday 2, I am so happy to announce will be out on my birthday.” For the non-Barbz out there, Minaj’s birthday is December 8.

On Sunday, October 22, Minaj posted on X, “Mighta just recorded the hardest verse on the album. Idk tho. Bookmark me. Code word: won won won.” In other words, the prolonged wait figures to be worth it.

Pink Friday 2 was previously due on November 17. Minaj released “Bahm Bahm” exclusively on her website on Friday, October 13. One month prior, Minaj hosted and performed “Last Time I Saw You” at the 2023 MTV Video Music Awards. Other singles released by Minaj are “Super Freaky Girl,” debuting at No. 1 on the Billboard Hot 100 all the way back in August 2022, and “Red Ruby Da Sleeze” from this March.

Pink Friday 2 is out 12/8 via Republic Records. Find more information here.

Megan Thee Stallion is free. Last week, Billboard reported that Hot Girl Meg’s years-long legal battle against her label, 1501 Certified Entertainment, and its president, Carl Crawford, had “mutually reached a confidential settlement to resolve their legal differences.” That resulted in Megan and 1501 agreeing to “amicably part ways.”

This week, Megan has continued setting the stage for her first act as an independent artist. On Monday, October 23, she posted an Instagram video hinting at an imminent new album. The frame is all black with the exception of a spotlight on Meg’s mouth, as she says, “Just as a snake sheds its skin, we must shed our past over and over again.” She is then revealed to have snake eyes and fangs, hissing and rattling, while the screen displays the words “A story by Megan Thee Stallion” and “directed by Douglas Bernardt.” The Instagram caption reads, “ACT ONE [snake emoji].”

On October 12, Meg posted three sequential Instagram photos that, when pieced together on her grid, read, “ACT ONE.” It should be noted that the “O” in “ONE” is a red snake. On the same day, Megan Thee Stallion went live on Instagram and shared that she is not currently signed to a label and is “so excited to be doing something for the first time independently since it was just me and my momma.” She added, “We’re doing everything funded straight out of Megan Thee Stallion’s pockets. So, the budget is coming from me. Motherf*cking Hot Girl Productions! The next sh*t y’all about to see is all straight from Megan Thee Stallion’s brain and Megan Thee Stallion’s wallet.”

All signs point toward Megan introducing the follow-up album to August 2022’s Traumazine. In September, she told Billboard that new music was “definitely coming very soon,” but Hotties are still waiting on an official album announcement.

Megan Thee Stallion is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.

With most of the NBA taking the floor for regular season openers on either Tuesday or Wednesday, much of the focus in the league is away from the transaction cycle. However, the Philadelphia 76ers remained mired in the James Harden saga as the team waits an extra day to begin the 2023-24 campaign with a matchup against the Milwaukee Bucks on Thursday.

Approximately 24 hours before tip-off, ESPN’s Adrian Wojnarowski reported on Wednesday that Harden’s primary suitor, the Los Angeles Clippers, will be stepping back in their pursuit at this juncture.

“I’m told that, with the start of the season now, at least for the foreseeable future, the Clippers are stepping back from these trade talks about James Harden,” Wojnarowski said. “They are essentially pausing them. They have talked with Philadelphia for months about a trade, they’ve made their best offer for Harden, and they are now gonna start their season and see what this team looks like with a healthy Kawhi Leonard, a healthy Paul George.”

“Now, the Clippers may revisit this at some point,” he continued. “But they know they’re the only bidder for James Harden, they’re the only team that’s made a serious offer, they don’t wanna bid against themselves, and again, while they may revisit this later in the season, I think the Sixers have to wonder: Have we already gotten the best offer we’re gonna get for James Harden? Especially as the games start to peel off the calendar, if you’re the Clippers, why offer more when there’s fewer and fewer games that James Harden can play for you?”

Though there is nothing official when it comes to the reported pause, but the reference to the “foreseeable future” does seemingly put the 76ers in an even more difficult position. Harden has been away from the team for different stretches in recent weeks and, even amid buzz that he is attempting to get up to speed for when the 76ers get off the road, there is considerable uncertainty about whether he’ll suit up and play at all, much less at an optimal level.

The Clippers could still rekindle things, of course, but there isn’t a clear No. 2 suitor and the heat is on all parties. Daryl Morey likely knows Philadelphia isn’t a top title contender without Harden (or at least without something in return for Harden), but he is famously stubborn. On the other side, the rest of the NBA isn’t exactly incentivized to jump in right now, and Harden isn’t the easiest player to integrate into many systems. In the end, this could be an even more prolonged stand-off.

With James Harden‘s future in Philadelphia so up in the air, all eyes are on Tyrese Maxey to see how he is able handle being Joel Embiid’s running mate. There have been plenty of people who have expressed optimism that he’ll thrive in a larger role, and apparently, his old coach with the 76ers is of the belief that a monster season is incoming.

Doc Rivers sat down with Bill Simmons for an interview in the lead-up to the start of the season and offered a major endorsement to Maxey, saying that he has faith that he’ll rise to the occasion if Harden is moved for the right pieces.

“Maxey is ready, Bill,” Rivers said. “He is ready. Sam Cassell said it all last year to me, like, ‘He’s ready now, but you know, we got two guys.’ And so, I believed that. So, I do think if they make the right trade and allow Maxey to be Maxey, he’s ready, and that makes them a really good team.”

After a brief note from Simmons about how the team’s win total and playoff odds have both dropped recently, Rivers expressed that he shares Simmons’ belief about them being a solid team.

“They’re gonna get to the second round, and then, if healthy, they got Joel Embiid,” Rivers said. “My three years there, you knew you were gonna get there — unfortunately, Joel was never healthy, but if healthy? And no other stuff, you know what I mean. If James is there or James is gone, then you got a shot. But if you have the saga going on, plus not health, you have no chance.”

Maxey averaged a career-high 20.3 points in 33.6 minutes per game last season under Rivers.

Learning to taste whiskey like a pro (and this goes for any spirit, really) is a journey. There are steps. There is a vocabulary to get a handle on. And then there’s a lot of f*cking practice required. Which takes time.

Oh yeah, then there’s the cost of buying bottles, attending industry events, hitting whiskey bars, traveling to distilleries, and living that whiskey lifestyle. Like any refined skill — effort is the secret to success.

If you’re still with me, I have good news — I have the credentials to help you take your adoration of whiskey from novice to pro. Back in 2000, I was like any other American who loved whiskey and drinking plenty of Wild Turkey (though it was still Austin Nicol’s back then), Jim Beam, and Jack Daniel’s. A two-week trip to Ireland in the spring of 2000 with a trip to the Midleton Distillery helped me fall in love with Irish whiskey. I got into Scotch whisky back in 2005 on a trip to Edinburgh when I was introduced to Talisker 10 in a small whisky bar. It was love at first sip and started me on a path of really diving into the Scotch whisky and Irish whiskey worlds. In 2007, I was lucky enough to befriend the manager of Vendome Wine & Spirits in Studio City — which proved crucial to me learning what real bourbon and rye whiskey were via amazing bottles of Pappy van Winkle, Black Maple Hill, Blanton’s, Hirsch, and many others.

I carried my education with me and it helped me score an elite cocktail job at the famed Victoria Bar in Berlin, Germany. There, I was lucky enough to be taken under the wing of cocktail industry icons Stefan Weber and Beate Hindermann (the bar’s owners). As I learned from them, I commented on posts featured in the fledgling LIFE section on Uproxx.com. Before long, founding editor Steve Bramucci offered me a job and… away we went! By 2020 (20 years into my whiskey journey), I was spending my days reviewing endless spirits with a focus on whiskey. Today, I judge the world’s biggest spirits competitions (San Francisco World Spirits Competition, New York World Wine & Spirits Competition, John Barleycorn, IWSC, Tales of the Cocktail, and more). I’m a consultant for charities, retailers, and brands for barrel picks throughout the whiskey industry.

This year alone, I’ve sampled over 2,000 whiskeys. And peak whiskey season has just begun.

So now that you know my bona fides, let’s dive into how to taste whiskey like a true pro. Trust me, it’s not that hard and it is always rewarding. Especially if you proceed with an open mind.

• The 100 Best Bourbon Whiskeys From Kentucky, Ranked
• The Absolute Best Bottle Of Whiskey From Each Of The 50 States
• The ‘Smoothest’ Bourbons Under $100, Blind Tasted And Ranked
• The ‘Smoothest’ Bourbons On The Market, Blind Tasted And Ranked
• The 100 Best Bourbons Under $100 Right Now, Ranked

Bottle Selection: Chose The Right Adventure

This is critical. While you can taste whatever you want whenever you want, there really should be a rhyme and/or reason to what you’re tasting. Moreover, the order in which you taste the whiskeys does make a difference.

Let’s look at Blanton’s Single Barrel Bourbon as a sample tasting flight. Here’s how to set that flight up like a pro:

• Taste 1 — Blanton’s Single Barrel Bourbon Special Reserve Kentucky Straight Bourbon Whiskey (40% ABV)
• Taste 2 — Blanton’s The Original Single Barrel Kentucky Straight Bourbon Whiskey (46.5%)
• Taste 3 — Blanton’s Gold Edition Kentucky Straight Bourbon Whiskey (51.5%)
• Taste 4 — Blanton’s Straight From The Barrel Kentucky Straight Bourbon Whiskey (66.85%)

Notice the order?

You want to start with the lowest ABV/proof and work your way up to the highest. This will allow your palate to slowly build and not get blown out on the first sip. Moreover, the lower the proof of the first whiskey, the more flavor notes you’re going to notice throughout. Those notes build on each other as the heavier alcohol starts to mute subtle flavor notes in the higher ABV/proof whiskeys. Think of it as a building process across your senses.

This sort of order works with any combination. Say, you’re sipping wheated bourbons or single pot still Irish whiskeys, always order them from lowest ABV to highest. Then mix and match! You don’t have to keep everything to one brand or even one distillery. That said, always try and keep your flights to one style. Single barrel bourbon, Islay peated Scotch single malts, sherry cask finished Highland single malts, high-rye bourbon, Kentucky rye whiskey, and so on. This allows you to really get a clear sense of a style.

Tasting a heavily peated Scotch whisky next to a sweet AF bourbon will just be confusing.

Setting the Stage: Environment, Glasses, And Tone

None of this happens in a vacuum. Any sensory experience is massively dependent on your surroundings. Tasting whiskey from the barrel in a warehouse built in the 1800s in Scotland or Kentucky is going to change the way the whiskey tastes (drastically) compared to tasting that exact same juice at home at your kitchen table. Be aware of where you are.

Things to consider when setting up and tasting whiskey:

• Where are you? If at home, are you comfortable? Are you sitting in a loud bar?
• Who’s with you? Are you with other whiskey lovers, newbies, distillers, or alone? Who you’re with has a big impact thanks to chatter about what others are sensing in the pour. You can be incepted with flavor notes very easily.
• What glass are you using? If it’s not a Glencairn, get one ASAP.
• What sounds are around you? Soft and familiar music is ideal to let you focus on your senses.
• What time of year is it? Seasonal diets and atmospheres make a difference in how and what you taste.
• What time of day is it? Our palates get more and more worn out as the day progresses.
• Do you have palate cleansers at the ready? Oyster crackers (unsalted), celery, and edam cheese are all good candidates.
• Do you have a notebook for taking notes? Get one.

Yes, these are all things that I consider before every single tasting that I do.

The Visuals: Deep Dive into Color & Clarity

Okay, the prep is out of the way. You’ve chosen a flight, poured it, and set up your tasting environment. Time to get started. Look at the whiskey in the glass. It’s best to look at it against a white background (like a sheet of paper or wall) to really let the color pop.

Color can reveal a lot about whiskey. For instance, a deep, dark, and almost ruddy American whiskey that’s young (two to four years) is likely from Texas or another hot state where whiskey ages much faster. A pale straw color on an Irish whiskey or Scotch whiskey usually denotes aging in a used bourbon barrel (since the heavier coloring agents were already extracted when bourbon was in the barrel previously). Most bourbon and American straight rye whiskeys from the Ohio Valley region (Ohio, Indiana, Kentucky, Pennsylvania, and even Tennessee) will have a dark(ish) caramel color with a hint of cherry red from time to time. Japanese whisky, which also uses used barrels, will have that same pale straw or light amber color as some Scotch or Irish whiskeys. But all three of those styles can get super dark and reddish thanks to secondary barrel aging.

And while it’d be easy to say “The barrel is what gives you the color” every time, that’s just not true. Coloring agents are allowed in Scotch, Irish, and Canadian whiskeys and any American whiskey that’s not labeled as a “straight” whiskey. That makes caring about the color of a lot of whiskeys pretty inconsequential, in the grand scheme of things. It still looks pretty though.

Nosing: The Art of Aroma Profiling

Okay, this is where things get fun. A lot is going on with a nose of any whiskey (yes, even the cheap stuff). That’s because about 80% of all taste is based on smell. That makes this the crucial step.

First, don’t swirl. Just sniff. Start to inhale the aromas from a still glass. Those first smells are the base for everything to come. Then maybe give the glass a swirl and nose it again.

Where you place your nose in relation to the glass will depend on how far down your whiskey road you are. I need to get right in the glass with my nose. If you’re a beginner, you want your nose to be about six inches away and then slowly move to four inches, and then two inches.

Next, keep your jaw loose and your mouth just open as you nose the whiskey, this will help your olfactory stay open as you smell the whiskey.

Lastly, move your nose around the opening of the glass. Different smells rise to the top and sink to the bottom of the glass’ rim as they approach your nose. The fruity notes will sit at the bottom while the woody and spicy notes sit at the top with grassy and floral notes in between.

There’s also an order to how you compute the smells from your nose (which has five million olfactory cells that can access about 32 distinct aromas in every flavor group) to your brain, which can translate the 300-odd chemical compounds (flavors) in a whiskey into tens of thousands memories of smells and tastes.

I know, I just threw a lot of big numbers your way. Think of it this way: vanillin is a chemical compound (from the wood aging in whiskey) that enters your olfactory. That chemical is converted into an electrical current that zooms to your brain where a memory is unlocked of a specific vanilla that you’ve experienced in your life. So that single chemical compound, vanillin in this case, becomes your grandmother’s vanilla cake or the vanilla you bought at a market in Oaxaca or the vanilla in the plastic extract bottles your dad used to make cookies or that vanilla latte you had in college. Or maybe it’s just plain vanilla bean to you. That’s fine too. That happens with every single flavor note you smell and taste based on those 300 flavor compounds in every glass of whiskey.

Getting back to the order of what you’re smelling on the nose of whiskey.

• The Primary Aromas are the grain and malting process. If the whisky is peated, you’re going to get that upfront on any nose. If it’s a corn-fueled bourbon, you’re going to get sweetness. Etc.
• The Secondary Aromas are the fermentation and distillation smells. This is where the fruity, floral, and spicy notes from the yeast come out. You’ll also get sour from the mash or a lactic quality in some whiskeys. Some whiskeys will have a metallic taste (especially cheap ones) thanks to the more stainless steel used in place of copper in the stills and tanks.
• The Tertiary Aromas are from the wood aging. This is where you get that rich vanilla, caramel, woody spice, oak, tobacco, and even wine-forward notes on the whiskey.

Each of these aromas tells you a story about the whiskey’s process. What you’re looking for is balance and harmony between the grain mash bill, the yeast for fermentation, the distillation process and proofing for barreling, the aging, and the batching/blending/proofing for bottling. It’s a lot but it is all there in that nose.

Without getting too far ahead of ourselves, adding water will often drastically change the nose’s profile — allowing you to experience tons of new notes. We’ll get to that.

The Sipping: Decoding Complex Flavors

Yes, now you can drink some! Here’s what to remember when tasting whiskey:

• Trust your taste buds! You have spent your whole life building a palate. Accept it and let it tell you a story.
• Your tongue senses different notes in different areas. The tip is connected to sweet tastes, the middle is connected to sour and salty, and the back of your tongue feels the bitter notes more.
• Move the whiskey all around your mouth and coat the whole thing — top, bottom, and sides — with the sip. This will help your sensory perception get a complete picture of what is in the whiskey.

Again, you’re looking for harmony and balance between the grain (mash bill), the fermentation with yeast, the distillation, aging, and perhaps proofing when batched or blended.

Big fruity notes with sharp fruity spice (think fresh chili pepper) or floral flourishes? That’s the yeast saying “hello.” Corn husks or Cream of Wheat vibes? That’s the grain mash bill shining through. Caramel and vanilla pipe tobacco with winter spice barks? That’s the barrel making its mark. Fatty smoked salmon covered in black pepper and sea salt? That peated malt that’s spent a little time in wood next to the sea.

The taste tells you everything you need to know about how the whiskey was made.

The Finish: Analyzing the Aftermath

There are two ways to experience the finish of a whiskey:

• If you’re swallowing, swallow slowly. Let the whiskey roll down while you take in a little air.
• If you’re spitting, spit and then immediately take in some air and swallow. You’ll get the same finish (though be warned, a little whiskey is going to get swallowed).

There are days when I’m judging where I’ll sample over 100 whiskeys in a single day. Of course, every single one is spit out. Every competition operates on this method, as it couldn’t function otherwise. So delete from your mind that spitting somehow lessens the tasting experience.

In fact, spitting often heightens the finish when you’re drinking higher-proof whiskeys. See, the higher proof will burn or fade the finish tasting notes when it hits the back of the mouth and throat. By spitting, you’re avoiding the actual liquid from muting the finish on the back of the mouth. Of course, this barely applies if you’re talking about lower-proof whiskeys.

All of that aside, this finish is more about the feeling the whiskey leaves you with. It’s where a catharsis should happen between the nose and palate with the flavor notes. As the whiskey settles into your chest, it should still be permeating with flavor notes (especially the tertiary ones) that tie off the journey you’ve been on in a way that makes sense.

Still, think about how you feel. Do you want more? Do you never want to taste this whiskey again? Does it taste like burning? Did you get that warm Kentucky hug? Or was it a slap in the face? Answer those questions and you’ll be on track to understand a good finish.

Water & Ice

Make sure to add a few drops of water after you nose and taste your pour. This will release the fatty acids from the esters (flavor compounds). New flavor compounds will suddenly be accessible to your nose (and palate) while the fatty acids will create a creamier (and sometimes nuttier) experience on the nose (and palate).

Adding a little water is not only okay, it’s essential to the tasting experience. When those fatty acids are released, the whole vibe of the whiskey will change and you’ll basically get a whole new pour. This will give you a much deeper understanding of what the distiller and blenders were going for when making the whiskey.

Why? Every whiskey is tested in the lab at the distillery or blending house at 40 proof/20% ABV. That’s the prime proof for revealing the most flavor notes in a pour of whiskey. It’s also the proof that you can best identify the most faults. Yes, that means that your favorite insanely high-proof whiskey is still best when it’s watered down to 20% ABV. It’s not that you’re drinking incorrectly when you drink a high-proof whiskey neat at its full bottled proof. It’s more that you’re not experiencing everything that the whiskey has to offer by not adding some water to let it bloom. But hey, you do you!

Moreover, ice adds both proofing dilution and cooling. Cooling adds a whole other dimension to the whiskey by muting some flavor notes while highlighting others. Adding ice simply gives you a chance to dive deeper into what’s already present in the whiskey, giving a more well-rounded view of the pour.

The best advice is to try it all three ways, neat, with water, and on the rocks to get the full picture. None of them are inferior or wrong ways to experience whiskey. And anyone who says otherwise is full of sh*t.

Chronicle Your Journey

Keep a notebook with tasting notes of every whiskey that you taste. This allows you to internalize the whiskey while you’re tasting it. You can kind of get into a flow wherein flavor notes will pop into your brain as you taste and you can write them down immediately. By the time you’ve finished writing “vanilla,” another note will already be washing over you. Keep writing. Let it flow. Add in notes as you taste and nose again and again.

The best part is that this gives you a chance to go back and see how much development your palate has gone through over the years. If you want to take any of this seriously, keep a tasting journal.

Advanced Flavor Profiling

The key here is that you kind of can’t be wrong with anything you smell or taste in a whiskey. Again, 300 compounds that express in tens of thousands of ways depending on your palate means that there is way more that you’re not tasting than you are in every sip of whiskey.

What does that mean? Well, no one can tell you what you taste. We all have our own palates that are built over our entire lives. Where we grew up, what we ate as a kid, where we live, the foods we love, the things we’ve drunk, the smells we’ve smelled — all of this adds to what you will and won’t taste or smell when you sip a whiskey. Sure, someone like me can tell you what they experience in a certain pour. But those are nothing more than road markers for your brain to latch onto to start your own journey with the same pour. In the end, you’re going to experience what you have access to.

The long and short of it is this: The more you smell, taste, and experience in this world, the more you will experience in your whiskey’s nose, palate, and finish. The less you’ve lived, the less you’ll find in that glass. It’s really as simple as that.

And perhaps most importantly, don’t ever let anyone tell you that you’re wrong for smelling or tasting a certain note. That’s simply your brain translating that compound in the only way it knows how. Moreover, if someone tastes something that you don’t, that doesn’t mean that it’s not there. It just means that you have no receptor for that compound to translate into a sensory note in your brain. That’s it.

Final Thoughts on Whiskey Tasting Like a Pro

The true north star of any professional whiskey taster is knowing the difference between “It tastes bad” and “I don’t like it.” Those two things are completely different thoughts.

As a professional taster, I have to set my personal taste/palate aside and judge the whiskey first on its quality — whether it’s bad, average, or great whiskey. How does the nose, palate, and finish tell me a story of how that whiskey was made? How are the mash bill and grains present? What yeast notes are in there? How does the distillate work within that? What has the wood brought to the table? Where does the proofing fit in? Does it all come together? Does it fall apart? Does the build of the batch or blend make sense?

Next, you have to ask yourself the important question: Does this go beyond the ordinary? Let’s say the whiskey is well-made, you’ve been able to get that out of the way with the first taste. Now, you have to go back and nose and taste the whiskey to see what is actually there that makes it special. How deep do the flavor notes go? Are they nuanced or do they clash? And how do they make you feel? Where do they take you mentally? Do you want to stay there or run away?

After that, your personal taste comes into play. Some whiskeys speak to my palate that are mediocre all things considered. Knowing that difference is key.

Lastly, if you don’t have receptors for the prominent flavor notes that make a certain whiskey what it is, then you’re not going to get that whiskey. That’s no fault of your own or the whiskey. We are all in different places with our palates. Again, building a palate is a never-ending journey that we’re all on every single day of our lives. So don’t let your palate get in the way of acknowledging a great glass of whiskey in your hand. On the flip side of that coin, don’t let your palate convince you that a glass of whiskey is perfect just because you like it.

Master all that, and you’ll be a pro.

How bad is the cryptocurrency world doing these days? So bad that Sam Bankman-Fried isn’t the only one aching. While the FTX bro is duking it out in the courtroom, another fallen crypto star has told him to hold his beer.

Per Protos, in a thread posted to the joint formerly known as Twitter Tuesday night, Ben Armstrong — a crypto guy formerly known as “BitBoy” — had a few big announcements. One, he was leaving his longtime wife. Two, he was leaving her for his sidepiece, who is also now the CEO of his tanking crypto token $BEN. Three, he wants his personal life to “be less in public” now. That ought to be news to those who had no idea who Armstrong was until his posts went viral.

“Sometimes in life you make mistakes you can’t undo. Sad to tell you all that @Bethanyliterary and I are getting a divorce,” Armstrong tweeted. “She filed divorce papers to me today. To get it out of the way so there are no questions, yes, I am with @DuchessOfDeFi,” aka one Cassandra Wolfe.

Armstrong called Bethany “incredible” and a “great mother” who had “helped me build my business and supported me.” Alas, they “grew apart as people and we were heading in opposite directions for a while.” He said that marriage is “hard very hard because people change over time and after 15 years neither one of us is the same person we were when we met.”

People on social media sure had thoughts about Armstrong’s TMI thread, including how he had tagged both his wife and mistress.

Others argued that social media isn’t the best place for divorce news.

Some wondered if this thread was a smart thing to do from a legal standpoint.

Others wondered if Armstrong didn’t have friends or a therapist to confide in with private business like this.

And some pointed out that Armstrong’s story is even bleaker than his thread suggests.

https://twitter.com/BenArmstrongsX/status/1716835531265606069/quotes

For Armstrong, getting dragged on social media over divorce news continued a bad streak. Not only is his crypto token a dismal failure, but he spent a night in the slammer last month after livestreaming outside of a former associate’s house, leading him to be charged with “loitering/prowling” and “simple assault by placing another in fear.”

(Via Protos)

Sometimes the best new R&B can be hard to find, but there are plenty of great rhythm-and-blues tunes to get into if you have the time to sift through the hundreds of newly released songs every week. So that R&B heads can focus on listening to what they really love in its true form, we’ll be offering a digest of the best new R&B songs that fans of the genre should hear every Friday.

Since the last update of this weekly R&B and afrobeats column, we’ve received plenty of music and news from the genre’s artists.

Kali Uchis announced her Spanish-language album Orquídeas, shared its features, and released its latest single, “Te Mata.” Daniel Caesar held a sold-out show at Madison Square Garden for his Superpowers Tour and announced plans to celebrate the fifth anniversary of “Girls Needs Love.” Elsewhere, Ty Dolla Sign appears to be linking up with Kanye West for a joint album and Rema joined Ice Spice for a performance on SNL.

Here are some more releases on the new music front that you should check out:

Sampha — Lahai

Six years have gone by since Sampha’s stellar debut album Process, and finally, prayers for a new body of work have been answered. The singer returned with his sophomore album Lahai complete with 14 songs and a feature from Léa Sen. With his latest output, Sampha explores the ways that humans connect to each other as well as the life cycle and what exists beyond.

Summer Walker — “Girls Need Love (Girls Mix)”

Five years ago, Summer Walker received her big break with the success of “Girls Need Love.” The record was latest remixed by Drake, but it put Walker in the driver’s seat to eventually have a pair of top-two albums with Over It and Still Over It. To celebrate the anniversary, Walker returns to “Girls Need Love” to release remixes with Tink, Tyla, and Victoria Monét.

Arin Ray — Phases III

A little over a year after releasing Hello Poison, Cincinnati-born and LA-bred singer Arin Ray is back with Phases III. The third installment in his trademark series finds Ray letting loose and finding the fun in music again thanks to records like “Tequila” and “Psychic. ” Still, he finds moments to dive into true love on “Wait So Long” and “Cold” for what arrives as a well-balanced project.

Naomi Sharon — Obisidian

OVO Sound’s newly-signed First Lady has arrived with her debut project. Naomi Shoaron’s Obisidian arrives with 13 tracks and a sole feature from Omah Lay for an album that Sharon says is about “rebirth, confrontation, and healing.” She adds, “Obisidianis just me being very vulnerable and that’s something that I’m missing in the industry right now.”

Felix Ames — Jena

Milwaukee native Felix Ames makes his mark with his debut album Jena. The 12-track body of work combines soul, jazz, alternative, and R&B for an impressive display of his artistry. Look no further than the lovelorn “Liquor Locker,” the dynamic “Always, I’ll Stay,” and the introspective “Half A Man.”

Elmiene — Marking My Time

British singer Elmiene arrives with one of the best R&B EPs 2023 has to offer with Marking My Time. His captivating voice and impressive voice lead the way through the project’s six songs. “The general theme of this project is trying to mark my time not in terms of history but just for me personally, so I don’t get lost,” Elmiene says of the project.

Terrace Martin & Alex Isley — I Left My Heart In Ladera

Terrace Martin and Alex Isley join forces as two of the best in their respective spaces for their joint project I Left My Heart In Ladera. Aside from the pristine production from Martin and the soothing vocals from Isley, I Left My Heart In Ladera is also a heartful tribute to the neighborhoods of Ladera and Crenshaw in Los Angeles as well as an undeniable example of the culture, art, and influence that lives there.

Jesse Boykins III — New Growth

On his latest album New Growth, Jesse Boykins III has one goal in mind: to create a sanctuary for the soul. “This album is the rawness of emotions presented in a space that has every intention to become a sanctuary,” he says about the album. “It’s an album about being semi-vulnerable, the waves that come with life as a black man who wants progress more than he wants power.” Boykins III does it without any additional vocal help as collaboration is seen with help from producers that include DJ Dahi, Los Hendrix, BJ The Chicago Kid, and more.

Kyle Dion — “Let’s Get It On”

It’s been a little over a year since Kyle Dion delivered his standout Sassy album, and he’s back to gear up for another project to arrive in the near future. He returns with “Let’s Get It On,” the latest single from his upcoming EP. The new track honors Marvin Gaye’s single of the same name as a smooth and sexy record dedicated to heading out into the city and having a great time with your partner.

NSG — Area Boyz

Ten years into their career, the six-piece East London afro-fusion collect NSG (short for Nigeria Slash Ghana) is here with their debut album Area Boyz. With help from Libianca, JAE5, Seyi Vibez, Tion Wayne, Aitch, Odumodublvck, and others, NSG delivers 19 tracks that are packed with bangers from top to bottom making for a project that is meant to be blasted on speakers near and far.

ReleastK — Real World

At just 19 years old, Toronto native RealestK is already on his second project with the newly released Real World mixtape. The follow-up to last year’s Dreams 2 Reality presents eight songs and a more vulnerable side of the singer. RealestK touches on the highs and lows of love and the other life-changing moments that had an undeniable effect on him.

Shae Universe — “LOML”

Fresh off her appearance on A COLORS Show, Shae Universe keeps the show going with her new single “LOML (Love Of My Life).” On it, she takes a trip to the past with nostalgic 2000s R&B production as she confesses to the vulnerabilities that lie within. “This is definitely one of, if not THE most heartfelt song I have ever written as it was birthed from pure vulnerability & honeymoon love,” she says about the new song.

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.