Max‘s Naked Attraction is your average dating show with one big (or small or average sized) difference: the contestants are naked. The British series has been a much-discussed hit since quietly dropping on the streaming service, which came as a surprise to executive producer Darrell Olsen. “We thought it probably wouldn’t [air in the United States] due to the general restrictions in the States and the public feeling about nudity on TV,” he told the Hollywood Reporter.
Olsen also revealed the process behind finding contestants, who spend much of the episode standing in glass pods like they’re on display in a museum. “Everyone thinks everyone coming on is a naturist or massive extrovert who just runs around naked. Some of the people are quite shy. It’s just about finding people who have enough body confidence to come on the show,” he explained. The contestants might be confident, but the guys are also not above trying to make themselves look more.
Do guys ever try anything to make themselves appear, you know, bigger?
When the screens are down before before we start, it’s hard to know what they’re doing. A few of them pull in their stomach.
The heat isn’t the only thing getting cranked [gets escorted by security into a Naked Attraction tube that’s then launched into the sun]
Beyoncé recently wrapped up the North American leg of her massive Renaissance World Tour, as she closed it last night (October 1) in Kansas City. While she previously finished the European run earlier this year, many fans are wondering if there will be any other global stops.
Some Beyhive fans spotted a cryptic post from Ticketmaster Chile’s social media account — as it is just a photo of a folder on a laptop titled “Eventos Ticketmaster 2024_Final.” Many suspect that she’s heading to South America next year. In the photo, it has 12 items listed, which could also correspond to the number of dates.
While the comments are mostly flooded with Beyoncé fans hoping it’s tied to her, others have also speculated that the folder is of 12 artists coming to South America instead. Either way, she is rumored to be one of them.
For those who also won’t or haven’t been able to make it to the Renaissance Tour, Beyoncé recently announced that she’s bringing it as a concert film to theaters on December 1. Right now, only North American showtimes have been announced, but Parkwood Entertainment has said that there will be global screenings announced at a later date.
Check out the rumored Renaissance Tour teaser post from Ticketmaster Chile below.
Keeping up with new music can be exhausting, even impossible. From the weekly album releases to standalone singles dropping on a daily basis, the amount of music is so vast it’s easy for something to slip through the cracks. Even following along with the Uproxx recommendations on a daily basis can be a lot to ask, so every Monday we’re offering up this rundown of the best new music this week.
This week saw a number of big hip-hop collabs and Bad Bunny unexpectedly come through with a new tune. Yeah, it was a great week for new music. Check out the highlights below.
Bad Bunny is one of biggest musicians in the world (perhaps the biggest), but instead of dropping on Friday like most other major artists do, he went ahead and unveiled a new track on a Monday. The song is “Un Preview,” a catchy number accompanied by a video that seems to include some nods to Kendall Jenner.
Jung Kook is undeniable and Jack Harlow appears to agree, as he joined the BTS star on his latest solo single, “3D.” Uproxx’s Alex Gonzalez notes of the track, “Over a groovy, rhythmic R&B-inspired beat produced by BloodPop and David Steward, Jung delivers silky vocals, continuing the smooth, captivating story he began with Latto in ‘Seven.’”
PinkPantheress — “Mosquito”
“Boy’s A Liar, Pt. 2” is quite the hit, but PinkPantheress’ bag goes much deeper than that. Last week, for instance, yielded “Mosquito,” a personal number she indicated she’s been sitting on for a minute, explaining, “After a long wait my favourite song is coming out to the public. I’m so excited for you guys to hear something different from me in form of this song.”
Ed Sheeran — “Plastic Bag”
Sheeran has kept things pretty low-key with his latest album, Autumn Variations. It arrives just months after – (Subtract), and he didn’t really drop any major singles to promote the project. That doesn’t mean the songs aren’t there, though, like the introspective anthem “Plastic Bag.”
Latto — “Issa Party” Feat. Baby Drill
Baby Drill gave fellow Georgia rapper (and former Uproxx cover star) Latto an assist on her latest, “Issa Party.” On the song, as Uproxx’s Alex Gonzalez notes, “Latto puts her haters and naysayers on notice, warning them that they can look forward to a surprise from her if they don’t stop trying to play her.”
Sexyy Red — “No Panties”
UPROXX Sessions alum Sexyy Red had herself quite the summer and she’s clearly carrying the momentum into fall with “No Panties,” for the soundtrack of Season 2 of Rap Sh!t. As the title and Sexyy Red’s oeuvre might suggest, “No Panties” leaves little to the imagination: “I ain’t got no panties on, gotta let this coochie breathe / Bend that sh*t over, touch them toes, grab your knees.”
Oneohtrix Point Never — “Again”
After spending the last few years working with The Weeknd on his two latest hit albums, Daniel Lopatin is back on Oneohtrix Point Never duty with his first album under the name since 2020. It’s full of the experimental electronic music that he so deftly knows his way around, and while these certainly aren’t pop songs, there’s still an undeniable allure to them.
Feid — “Ferxxo Edition”
Feid established himself as a Latin star on the rise with 2022’s Feliz Cumpleaños Ferxxo Te Pirateamos el Álbum, and now, barely over a year later, he’s back with another new LP, Mor, No Le Temas A La Oscuridad. He recently told Uproxx of the project, “For me, my inspiration was trying to make music that puts me on the outside of all the songs that I’ve been doing. I know that formula of doing reggaeton songs, of doing sad perreo, and doing songs like ‘Porfa,’ ‘Normal,’ ‘Hey Mor,’ and ‘Yandel 150.’ I’m a fan of myself, too, so I really wanted to listen to new Feid music. We were trying to write special lyrics that couples can relate to good moments. I always say that the songs by Sin Bandera always bring you back to a special moment in your life, and that’s what I’m trying to do with this specific album. The name is saying to not be afraid of change. Dare yourself to change. You’ve always been shining in that dark world or industry.”
Becky G and Ivan Cornejo — “2ndo Chance”
Speaking of Latin stars, Becky G came through with a new project of her own, Esquinas. Her third album is yet another winner and sees her, in honor of her grandparents, confidently exploring the Regional Mexican genre.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
After first debuting in 2021, Invincible proved to be a smash hit with fans thanks to the faithful adaptation of the Robert Kirkman comic. The Amazon series follows teenage Mark Grayson (Steven Yeun) as his superpowers finally kick in and he can follow in the footsteps of his dad Nolan (J.K. Simmons) a.k.a. the intensely powerful Omni-Man. Unfortunately, things go catastrophically south with their father/son relationship, setting the stage for the highly-anticipated Season 2 that finally debuts next month.
While you’d think the status of Mark and his dad’s relationship would be the top concern on fans minds, not so much, according to Kirkman. In a new interview with IGN, the comics creator revealed the question he gets asked a lot coming out of Season 1: “When is Mark going to start winning fights?”
In fairness, Mark got the snot beat out of him in the first season as he slowly got the hang of his powers. He also got thrown into a brutal fight where he stood absolutely zero chance against his opponent: His own dad. However, according to Kirkman, things are going to start turning around for Mark, but not too much!
“He starts winning fights in Season 2,” Kirkman told IGN. “He still does lose fights, though. Angstrom Levy is another big part of that, just showing Mark as a capable superhero who can stand on his own and to really give people a sense of what this show really is about.”
That being said, don’t look for Mark to become a triumphant hero right out of the gate. Invincible doesn’t work like that, and Kirkman made it clear that Mark’s journey is only warming up in Season 2.
“Mark is in this place where he was on this trajectory to become this superhero, and everything seemed to be going really well. Now, he’s been shaken to his core,” Kirkman said. “Aside from the betrayal, he’s also left with being the new last line of defense on Earth. He’s the guy that’s the only one strong enough to actually replace Nolan, so he’s kind of thrust further into this superhero world that he may not quite be prepared for, and there’s no end of conflict that’s boiling on the planet that is coming at him nonstop.”
Invincible Season 2 premieres November 3 on Amazon Prime Video.
Keeping track of all the new albums coming out in a given month is a big job, but we’re up for it: Below is a comprehensive list of the major releases you can look forward to in October. If you’re not trying to potentially miss out on anything, it might be a good idea to keep reading.
Friday, October 6
A. Savage — Several Songs About Fire (Rough Trade Records)
Lauryn Hill is currently overseas for the 25th anniversary tour for her groundbreaking solo debut The Miseducation Of Lauryn Hill. The tour kicked off last month with a pair of festival appearances in the US, while this week brings a handful of festivals in Australia and New Zealand before she returns to the States in late October. When she does, fans will have a whole bunch more opportunities to see her (and co-headliners the Fugees), as she recently announced a slew of new dates for the North American leg of the tour. Atlanta, Boston, Charlotte, Detroit, Miami, Nashville, San Francisco, St. Louis, Tampa, and Vancouver have all been added due to overwhelming demand, while shows in Brooklyn, Chicago, Los Angeles, Oakland, Seattle, and Washington, DC have completely sold out.
You can see the full dates below. Tickets go on sale Friday, October 6 at 10:00 am local time. We also have Ms. Hill’s setlist (so far) here.
10/03 — Melbourne , AUS @ Rod Laver Arena (with Sampa The Great)
10/05 — Sydney, AUS @ Kudos Banks Arena (with Show Dem Camp)
10/07 — Auckland, NZ @ Eden Festival
10/13 — Uncasville, CT @ Mohegan Sun Arena (solo)
10/17 — Newark, NJ @ Prudential Center (with Fugees)
10/19 — Brooklyn, NY @ Barclays (with Fugees) SOLD OUT
10/21 — Washington, DC @ Capital One Arena (with Fugees) SOLD OUT
10/23 — Philadelphia, PA @ Wells Fargo Arena (with Fugees)
10/26 — Toronto, ON – Scotia (with Fugees) SOLD OUT
10/28 — Chicago, IL @ United Center (with Fugees) SOLD OUT
10/30 — Fort Worth, TX @ Dickies Arena (with Fugees)
11/02 — Denver, CO – Ball Arena (with Fugees)
11/04 — Los Angeles, CA @ Crypto.com Arena (with Fugees)
11/05 — Los Angeles, CA @ Kia Forum (with Fugees) SOLD OUT
11/07 — Oakland, CA @ Oakland Arena (with Fugees) SOLD OUT
11/09 — Seattle, WA @ Climate Pledge Arena (with Fugees) SOLD OUT
11/12 — Vancouver, BC @ Rogers Arena NEWLY ADDED
11/17 — San Francisco, CA @ Chase Center NEWLY ADDED
11/21 — Detroit, MI @ Little Caesars Arena NEWLY ADDED
11/25 — St. Louis, MO @ Enterprise Center NEWLY ADDED
11/27 — Atlanta, GA @ State Farm Arena NEWLY ADDED
11/29 — Nashville, TN @ Bridgestone Arena NEWLY ADDED
12/01 — Charlotte, NC @ Spectrum Arena NEWLY ADDED
12/08 — Tampa, FL @ Amalie Arena NEWLY ADDED
12/10 — Miami, FL @ Kaseya Center NEWLY ADDED
12/13 — Boston, MA @ TD Garden NEWLY ADDED
(Spoilers for Amazon’s Gen V will be found below.)
The Boys spinoff Gen V is a true chip off the old block, and the flagship series has always been there to “Bless Your Little Cotton Socks” off the college-aged crew that’s holding their own in the raunch department. The new crowd will make the older one proud, for there’s already been ball stomping and orifice infiltration, and there’s plenty more to come on that note.
Also, cameos galore from The Boys shall materialize, and the show tossed in a few during the first three episodes. In particular, we didn’t quite get to see Homelander, but we did see someone who used to be very close to him — before he killed her with those laser eyes. That would be Madelyn Stillwell, former wrangler of The Seven and adoptive maternal figure (and more) to the Baddest Supe. Stillwell is seen in some promotional material for Godolkin University, and The Boys were so happy, they had to address the subject on Twitter. Naturally, one has to read this in Billy Butcher’s voice: “Would never want to milk a cameo, but it was great seeing her again.”
The chyron also tells the tale: “[Growing] up without a father figure… he’l be the first to tell you I filled a void for him.” So Homelander is definitely alive and well in spirit as well as statue form on this show, and naturally, responses embraced the milk guzzling in spades.
You’ve got Timothée Chalamet dreaming of Zendaya (who amongst us); naked Oscar Isaac slumped over in a chair; throat singing; Stellan Skarsgård caked in black goo; Rebecca Ferguson being the best; heroic Jason Momoa; Dave Bautista as Glossu Rabban, which is fun to say out loud; and sandworms. Dune is not lacking in sandworms, but sadly, this month is lacking in Dune.
Denis Villeneuve’s Dune: Part Two was originally scheduled to come out on October 20, 2023, before it was pushed back to November 17, then moved forward to November 3rd. Now, due to the ongoing SAG-AFTRA strike, the Dune sequel will be released on March 15, 2024. Don’t blame the actors and actresses on the picket lines; blame the executives. It’s because of their greed that we won’t return to Arrakis until next year. Thankfully, there’s a lot of other good movies coming out this month to ease the pain.
Strange Way of Life (October 6)
The best thing about Pedro Almodóvar’s queer Western starring Ethan Hawke and Pedro Pascal, besides the fact that it’s a queer Western starring Ethan Hawke and Pedro Pascal directed by Pedro Almodóvar? It’s a short film with a run time of only 30 minutes.
The Royal Hotel (October 6)
Kitty Green’s follow-up to the brilliant The Assistant finds Julia Garner and Jessica Henwick stuck in the Outback surrounded by something even worse than the deadly snakes Australia is known for: misogynistic men.
Dicks: The Musical (October 6)
A24’s first movie-musical stars Aaron Jackson and Josh Sharp as “f*cking identical twins,” which is also the name of the off-Broadway show the film is based on. Dicks: The Musical also stars Nathan Lane, Megan Mullally, Bowen Yang, Megan Thee Stallion, and Tom Kenny, and is directed by Larry Charles, the comedy legend who wrote many of your favorite episodes of Seinfeld.
Totally Killer (October 6)
This is one of only two streaming movies on the list, but I’ll make an exception for a Happy Death Day-like horror-comedy with Kiernan Shipka, Olivia Holt, and Randall Park.
Fair Play (October 6)
This is the other, although the excellently trashy erotic thriller, starring Phoebe Dynevor and Alden Ehrenreich, is playing in select theaters now.
Taylor Swift: The Eras Tour (October 13)
Didn’t get tickets to see the Eras Tour in person? Now you can sing along in a crowded room with your fellow Swifties to “All Too Well.” Ten-minute version, obviously.
Anatomy of a Fall (October 13)
Anatomy of a Fall took home the prestigious Palme d’Or at the Cannes Film Festival this year. Previous winners include Pulp Fiction, Parasite, and The Tree of Life.
It’s hard to believe it took this long for Nicolas Cage to play a bald buffalo hunter who slowly goes mad.
The Holdovers (October 27)
The Holdovers is Paul Giamatti’s first time working with director Alexander Payne since a little movie called Sideways.
Five Nights at Freddy’s (October 27)
October is surprisingly light on horror movies. The most high-profile releases are the demonic The Exorcist: Believer (October 6th) and the creepy animatronics in Five Nights at Freddy’s, which is finally coming out after a hellish development cycle.
It’s been said that nostalgia moves in 20-year cycles. The kids of the ’90s were obsessed with the ’70s. In the ’00s, it was all about the ’80s, just as the ’10s reflected on the ’90s. Which means that we’re due for a generation that brings back the aughts. If this is true, then Slow Pulp has arrived just in time.
Formed back in 2015 in Madison, Wisconsin by childhood friends Henry Stoehr, Alex Leeds, and Teddy Matthews, who added singer/guitarist Emily Massey two years later, Slow Pulp seemed to have the opposite of good timing when they dropped their affecting debut LP Moveys at the height of the pandemic in 2020. But while they weren’t able to tour behind the record, the downtime allowed Moveys to become a slow-burn favorite online, insists Massey, who eventually relocated to Chicago with the rest of the band. Fans were drawn to Slow Pulp’s amalgam of downer lyrics and poppy guitar jams, which bear an obvious influence from a range of early ’00s mainstream rock — everything from Coldplay to Sum 41, whom they have covered — the band members consumed in their youth.
Massey also credits a cinematic touchstone from the era as an inspiration: Richard Linklater’s School Of Rock.
“That movie is why half of us learned to play an instrument when we were kids,” she said last month in advance of Slow Pulp’s just-released second record, Yard. “Especially for me, seeing another person who wasn’t a boy play bass or play guitar was a huge deal.”
In fact, every member of Slow Pulp participated in a School Of Rock-like music program as teenagers — Stoehr, Leeds, and Matthews took the class on one side of town, and Massey on the other — where the ultimate goal was to learn how to play a rock classic. (Hers was “Beverly Hills” by Weezer, theirs was “Sweet Child O’ Mine” by Guns N’ Roses.) As grown-ups, they have applied those lessons very well on Yard, which elaborates upon the sticky melodies of Moveys with a broad set of stylistic turns that span from buzzy pop-punk to dark-hued country. It’s the kind of big-tent indie rock record that was more common in the — you guessed it — aughts. And I think it has the potential to position Slow Pulp as one of 2023’s breakout bands.
When I caught with Massey, we spent the first 10 minutes talking about the Green Bay Packers. (I am also from Wisconsin.) It was before the season started, so our conversation about Aaron Rodgers vs. Brett Favre — whom Slow Pulp has saluted in song — as well as the prospects for new Packers quarterback Jordan Love now seems out-of-date. (Thankfully for both of us, Love has fared better than Rodgers so far this season.) However, we did manage to also talk about Wisconsin more broadly as well as the making of Yard, early aughts rock, and how the video for “Scar Tissue” by the Red Hot Chili Peppers pulled Slow Pulp out of a creative impasse.
Do you feel that being from Wisconsin informs who the band is?
Oh yeah. It’s hard to pinpoint exactly what it is about Wisconsin that feels true to our identity, but something about it just does. Maybe because we’re just around each other all the time and we have this shared cultural understanding of our upbringing. But I feel like we have a lot of pride for Wisconsin. It’s just a beautiful place. I feel lucky to have grown up there. Wisconsin also has a lot of political turmoil. There’s some issues that I’m not so proud of, in terms of the Supreme Court and whatnot. But I think there’s a lot of really lovely people there. Especially in rural Wisconsin, it has this energy for me that feels really like home, and I feel like I’m able to be really vulnerable there.
There’s different facets of Wisconsin music. One of our biggest influences is Garbage. Shirley Manson is from Scotland, but most of them are from Wisconsin. There’s also the Bon Iver route, and we love Bon Iver. I think those encapsulate certain energies that relate to Wisconsin to me. Bon Iver has got this more natural folk sense, and Garbage has a thing that’s a little bit more youthful or energetic to it. And that is what relates to our music. I know that they started in playing basements in Madison, and that’s what we did, too. And you just want kids to rage, so I feel like you make really distorted music.
You also did some work on Yard at a cabin in northern Wisconsin, which is very on-brand for a band from the region.
It’s funny to talk about working at the cabin because there’s the Bon Iver image of doing that. I feel like it’s a wood-burning stove and a little log cabin tucked in the woods, and my version is much more ping-pong table, scooters, lake, boogie boards.
It’s the summer cabin vibe vs. the winter cabin vibe.
Exactly. I think that’s maybe the way I should describe it, summer vs. winter. We have a weird way that we talk about music, especially how we want production to sound on a song. We’ll talk about like, “Oh, we want this song to sound like rolling hills and cows.” And that, to me, is very quintessential Wisconsin. Or wakeboarding on the lake.
The thing that jumped out to me about Yard is how eclectic it is. It’s hard to pin Slow Pulp down to a specific sound.
There’s an element of that on the first record, but this one goes in different directions more. And, I think that is due to the process of how we wrote this album. Most of the songs started out in a lot more of a sparse space, just guitar chords. And then I’d take the chords and change up the structure and write a melody and lyrics over it. And then there are a couple songs that we wrote as a group, and we were being loud from the get-go. “Cramps,” for example, has that type of energy. But then “Broadview” started really sparse. So I feel like that’s how we get both ends of the spectrum of loud and quiet, for lack of a better term. But I think also Henry [Stoehr], who is our producer, he’s the guitar player in the band. I think he’s really good at hearing the base of the song, and understanding what world it needs to live in, and letting the song dictate that rather than trying to control what type of song it’s going to be.
“Broadview” is one of my favorite songs on Yard, and it’s a real curveball. It’s this beautiful alt-country song.
“Broadview” started as a guitar part. Just chords and a riff that Henry had made. We send things to each other through Google Drive. We work on a lot of things alone before we come together as a group. So I had those guitar chords and one day I was in my apartment and singing over it, just walking around my house and singing over it before I recorded anything, and I was doing this thing with my voice that I don’t normally do, and it was able to open up in this way I didn’t know I could. And, I was like, “I got to record this right now! This is crazy!” And once the vocals started to take shape, I was like, “This needs to be almost like a country ballad.”
When I wrote that song and “Fishes,” I was listening to a lot of Lucinda Williams, and I think it was just some sort of unconscious thing that came out in me from that.
Your first album Moveys came out during the pandemic, which seems like a hard time to launch a career. How do you feel like that affected Slow Pulp’s trajectory?
I think we got really lucky. Turned out people needed a sad album. We didn’t know that that was going to work out that way, but I think we learned some lessons about how to work together. There was a lot of things that needed to happen out of necessity during that time that felt really good, like writing alone and having that isolation. We thought, “Maybe this isn’t the worst way to work on stuff.” Like a “don’t fix what’s not broken”-type of situation. Another thing that came out of the pandemic that I think is really cool is I got to work with my dad. My dad is a musician and has a little home studio, and so I recorded all my vocals for the album with him during Covid. I wasn’t sure how that was going to go, but it went really well. I feel like he’s really good at bringing out a certain emotional quality in the delivery of the vocals, or he’ll have really great suggestions of things to try. So when we made this record, I was pretty adamant about wanting to try to do that again with him.
So you don’t feel like the pandemic hurt you?
I think having time with an album, or having an album represent a year for somebody — a lot of people have told me that that’s something that Moveys did for them, that it was a companion to loneliness. The type of music that we make just resonated, and the emotional quality that’s being touched on in those songs are so directly related to that time period, and just trying to get through it. Trying to do the best you can, and being vulnerable about mental health, and being sad, and going through hard times. I think that’s something that everyone can relate to.
I wanted to ask about “Gone 2.” You have said that you were influenced by the video — not necessarily the song, but the visuals — for “Scar Tissue” by the Red Hot Chili Peppers. Please explain.
A week before the record was due, when we were like, “We really have to turn the record,” we were re-listening to that song and felt like it wasn’t quite right. What we did was we took the song back to its acoustic roots. And somebody was like, “It reminds me of the desert.” And somebody else was like, “Oh, what’s that Red Hot Chili Peppers song with the music video where they’re all in the car?” We were also fairly delirious at this point. We had been working on the record every day, all day, just to get it done, so we were hopped up on Red Bull. That music video, we just kept it on silent while we tried to build out the new production of the song. And I feel like it evokes that desolate energy.
Absolutely. Growing up in the early 2000s, we all had this. That was all the music we loved. You hear Green Day for the first time when you’re 10, and you’re like, “Whoa, what is this?” It was an introduction to music that we all kind of experienced, that when we came together and made Slow Pulp, that was an evident thing that we all shared. I mean, we were still buying CDs, and going to big box stores. We weren’t necessarily going into record stores when we were little kids. It wasn’t until we were teenagers that we got into that stuff. So that’s what’s available to you — the radio and popular music that’s happening.
Shopping at Best Buy for American Idiot.
Or going to Target and seeing posters for No Doubt. It just ended up in our psyche. That’s what got us into music. And I think it’s just so deeply ingrained.
Power Trip Festival is kicking off for 2023 this weekend, as fans flock to Indio, California’s Empire Polo Club for a rocking three-day lineup. While there’s only six acts, they are some serious heavy-hitters in rock music — so it is sure to be an experience.
On Friday, October 6, Iron Maiden starts playing at 6:45 p.m. and will be followed by Guns N’ Roses at 9:25. It’s unclear when the sets actually finish or how late the festival will go, but they are likely sharing the same stage.
Saturday (October 7) follows a similar format, as Judas Priest will open at 6:45, and AC/DC close the night out at 9:25.
Finally, Sunday (October 8) changes things up for the last festival day. Tool will go on at 6:55 p.m.. With the set times pushed back by ten minutes, Metallica will be the closing act at 9:35 p.m..
The venue itself will open the doors at 4 p.m. each day, giving attendees a chance to get as close as possible by arriving early. 3-day General Admission passes are still available for purchase, running $599 + fees. There are also options for reserved floor and grandstand seats, a 3-day “The Pit” option, and VIP packages, with more information on all available through Power Trip Festival’s website.
View a flyer with the set times below.
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