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How a man with a love of words created a dictionary for our most complex emotions

What if you needed a word for something that you can’t quite define? Where would you turn?

Have you ever tried to explain something but gave up because the person you’re talking to wouldn’t be able to relate? Or worse yet, there’s not an actual word for what you’re trying to explain?


Well, there’s a word for that feeling: exulansis.

Haven’t heard that term before? How about this one:

Anecdoche — a conversation in which everyone is talking, but nobody is listening.

No? How about this:

Opia — the ambiguous intensity of looking someone in the eye.

Now, before you start doubting your own vocabulary skills, you won’t find those words in any of the major dictionaries. Instead, they come from The Dictionary of Obscure Sorrows, a collection of newly minted words for life’s hard-to-define feelings.

So, these words aren’t real? Well, it’s not quite that simple.

What makes something a “real” word?

It’s a word that’s found in the dictionary, you might say. That leads to an entirely separate question: Whose dictionary? Merriam-Webster? Oxford? Cambridge? Urban?

The truth is that language is ever-changing, and what one might say is a “fake” word today could very well be a “real” word tomorrow (or within a few years, at least).

In June 2015, the Oxford English Dictionary added a handful of new words to its rolls, including “Interweb,” “jeggings,” “hot mess,” “crowdfunding,” and “cisgender.” Will all of these words stick with us for the long haul? Almost certainly not. Still, in the mind of OED’s editors, those words are just as real as any others.

The Dictionary of Obscure Sorrows, on the other hand, contains many useful terms that you won’t find in a traditional dictionary … yet.

You’ll find words like “Vellichor” (“The strange wistfulness of used bookshops”) and “Adronitis” (“Frustration with how long it takes to get to know someone”) buried within the dictionary’s six-year history.

While some terms come off as, well, obscure, others seem to fill meaningful voids left by the limitations of language for common emotions.

Its existence feels almost otherworldly, like spells from the mind of J.K. Rowling.

“I’ve been writing a dictionary of emotions for about five years, and still the most common question I get is, ‘Are these words real?'” Dictionary of Obscure Sorrows creator John Koenig told Upworthy over email.

To answer that question, Koenig says (emphasis mine):

“One answer is an obvious ‘no,’ [they’re not real] because you couldn’t find them in a leather-bound dictionary — and because I create them myself by twisting together word roots from any one of a dozen different languages, from French, Japanese and Mayan to my personal favorite, Greek.

On the other hand, of course these words are real, because in reality there is no such thing. A word is not like a gold coin that you bite to tell whether it’s counterfeit, so you might be able to trade it for a mule. It becomes real when it’s spoken and understood. And by that standard, I’ve seen some of my words (particularly ‘sonder’) used earnestly in many different conversations online. Are they all wrong? Is ‘sonder’ any less meaningful because it hasn’t yet been enshrined on the page of a leather-bound book? After all, almost every word in the Oxford English Dictionary has a birthdate, a notation of its first recorded use, back when it was just a yawp of nonsense that only made sense to one person, then two. All words were born this way.”

Here’s “sonder” by the way:


When it comes to how we think about words, popularity is often a stand-in for legitimacy.

You might not find the verb “retweeted” in the dictionary on your bookshelf, but it’s an understood term. Koenig has thoughts on that, as well:

“So then, does realness require the blessing of popular use? How many millions of people does it take to change the word ‘literally’ to mean ‘figuratively’? Is a word still alive if only one person knows its meaning? Or is that too far?”

“Personally, I think words should exist for their own sake, regardless of how they are used,” Koenig says, pointing out that our language is particularly lacking when it comes to describing emotions.

“When I post a new definition or a new episode of The Dictionary of Obscure Sorrows, I often have no idea if anyone else out there feels the emotion I’m trying to pin down. Because it’s a one-man show, it’s totally possible that it’s just me. So then this question about realness [of a word] becomes just another way of asking, ‘Am I the only person who feels this way?‘”

Koenig isn’t alone in his curiosity about the authenticity of words. English professor Anne Curzan gave a TED Talk on this exact topic.

During her talk, Curzan recounts someone asking her if “defriend” is a “real word.” She wound up in the same sort of existential rabbit hole:

“What makes a word real? My dinner companion and I both know what the verb ‘defriend’ means, so when does a new word like ‘defriend’ become real? Who has the authority to make those kinds of official decisions about words, anyway?”

Here’s Curzan giving her TED Talk “What makes a word ‘real’?” in March 2014.

She touched on the process of words making their way into the dictionary. This might seem like a stale topic, but it’s pretty fascinating.

To her, dictionary editors are similar to anthropologists — that’s a way most of us probably hadn’t thought about them before (if we thought about them at all).

“So how does a word get into a dictionary? It gets in because we use it and we keep using it, and dictionary editors are paying attention to us. If you’re thinking, ‘But that lets all of us decide what words mean,’ I would say, ‘Yes it does, and it always has.’

Dictionaries are a wonderful guide and resource, but there is no objective dictionary authority out there that is the final arbiter about what words mean. If a community of speakers is using a word and knows what it means, it’s real. That word might be slangy, that word might be informal, that word might be a word that you think is illogical or unnecessary, but that word that we’re using, that word is real.”

So, what makes a “real” word? That’s entirely up to you.

This article originally appeared on 07.02.15

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Mom finds brilliant way to tell her kids the ‘truth’ about Santa and other parents take notes

“It’s the mooost wonderful tiiiiime of the — OH NO, did Charlie just ask if Santa is real?!”

If you’re a parent in a household that celebrates Christmas, you can likely relate to the dreaded Santa Claus conversation. It may come with tears, it may come with tantrums, and it may even be worse for you, seeing that heart-wrenching look of disappointment spread across your child’s once-merry face.


It’s a dilemma Charity Hutchinson of British Columbia was pondering, as a mom to two young boys and the two nephews she cares for as well.

family, advice, truth for kids

One of Hutchinson’s nephews raised the notorious question, telling her he no longer believed in Santa Claus.

“I felt sad because he seemed disappointed telling me his news,” she explained in a message. “And in that moment I didn’t know what to say to him.”

Hutchinson soon stumbled upon some advice online, finding what she described as “by far the best idea I’ve seen about telling your kids about Santa.”

The idea of Santa may seem frivolous to many adults, but to believe in something much bigger than yourself, only to learn you’ve been lied to by the people you trust most in the world? That can be a really big deal to a kid (and can possibly even create long-term trust issues for them, as one study found). The Santa conversation is one many parents understandably want to get right.

So when Hutchinson saw one of her friends on Facebook share an anonymous post detailing a strategy for breaking the news to your kids without disappointing them, she was thrilled.

Hutchinson loved the idea so much, she shared it on Facebook as well:

This is by far the best idea I’ve seen about telling your kids about Santa. Had to share! *********”In our family, we…
Posted by Charity Hutchinson on Tuesday, November 29, 2016

This is how it works:

1. Find a time to take your kid out, one-on-one, to a favorite spot and deliver the great news: The time has come for them to become a Santa.

“When they are 6 or 7, whenever you see that dawning suspicion that Santa may not be a material being, that means the child is ready. I take them out ‘for coffee’ at the local wherever. We get a booth, order our drinks, and the following pronouncement is made: ‘You sure have grown an awful lot this year. Not only are you taller, but I can see that your heart has grown, too.'”

The post suggests pointing to a few different examples of how your kid has shown empathy or done something nice for another person throughout the past year. Let them know it was in those moments they proved themselves worthy of finally “becoming a Santa” themselves.

2. Assure your kid that they’re ready to become a Santa because they understand the true meaning of giving (it’s not just about the milk and cookies).

“You probably have noticed that most of the Santas you see are people dressed up like him. Some of your friends might have even told you that there is no Santa. A lot of children think that because they aren’t ready to BE a Santa yet, but YOU ARE.”

Get them talking about all the reasons they think Santa’s the best. They may start out by pointing to his sleigh-riding skills or the fact he can go around the whole world in just one night. But move the conversation toward Santa being not so much of a cool person, but a cool concept that’s focused on giving. Handing out presents makes the spirit of Santa a spectacular thing. Because your kid understands why giving back matters too, it’s time they become a Santa themselves.

Also, “make sure you maintain the proper conspiratorial tone,” the post notes.

3. Now that they’re in on the secret, have them choose someone who could really use a great gift and devise a plan to give it away — secretly, of course.

“We then have the child choose someone they know — a neighbor, usually. The child’s mission is to secretly, deviously, find out something that the person needs, and then provide it, wrap it, deliver it — and never reveal to the target where it came from. Being a Santa isn’t about getting credit, you see. It’s unselfish giving.”

In the original post, the writer explains that their oldest child decided to buy a gift for a neighbor who always walked out to get the newspaper without her shoes on. Their son spied on the neighbor one day from the bushes to estimate her shoe size — he predicted she wore mediums — and then slipped a pair of slippers under her driveway gate one evening with a note “from Santa.” The following morning, the neighbor was spotted wearing the slippers. Their son was ecstatic.

4. Remind them that being a Santa is top-secret business. And that, next year, they can carry on with their selfless Santa duties once again.

I had to remind him that NO ONE could ever know what he did or he wouldn’t be a Santa. Over the years, he chose a good number of targets, always coming up with a unique present just for them.”

One year, for instance, he polished up a bike for a family friend’s daughters. The writer’s son was just as over the moon about giving the gift as the daughters were about receiving it.

In a little over a week, Hutchinson’s post has racked up thousands of Likes and shares, with plenty of thankful parents chiming in in the comments.

“I never imagined it would be so popular!” Hutchinson explains. “I mean, it felt special when I read it and completely gave me goosebumps, but I didn’t realize it would go this far.”

Where the original post came from is still somewhat of a mystery. As The Huffington Post reported, it seems to have first cropped up in 2007 in an online forum. Ever since, the idea has floated around the web here and there, but has only made waves recently with Hutchinson’s post going viral.

The secret of being a Santa, so to speak, has already worked its holiday magic on Hutchinson’s once-suspicious nephew.

Filling him in on becoming a Santa was an instant game-changer, she says.

“His eyes lit right up,” she writes. “That excitement and joy returned to him and he couldn’t stop asking me questions! … Instantly I could see the wheels were turning and he started planning who his special target would be and what he would get them and how he’d pull it off.”

Hutchinson is happy her simple Facebook post has turned into something so special. “It isn’t just a nice way to break the news to your kids,” she writes. “But it really teaches them about the true meaning of Christmas and how you should always give to others.”

This article originally appeared on 12.09.16

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SNX: The Week’s 10 Best Sneakers Featuring The Jordan 4 Red Cement, Nike AF-1 X Off-White Sheed, & More

Welcome to SNX DLX, your weekly roundup of the best sneakers to hit the internet. Brace yourself, because we’re in for a pretty big week of great must cop sneaker drops. If you’re a Jordan head, you probably already know what’s up but if you’re a more casual sneaker fan we’d like to point out that this is the drop week for the Jordan 4 Red Cement, a remixed colorway that is guaranteed to sell out instantly and one that may go down as one of the best Jordan 4 colorways of the entire year.

But just because this week holds a big Jordan drop doesn’t mean the other sneakers landing in stores and online are forgettable. Outside of Jordan, we’ve got new Air Maxes, a punk rock-leaning collaboration between Rick Owens and Converse, and New Balance’s latest seasonal collection. As we approach the fall season now is the perfect time to update your sneaker rotation and this week brings a little something for everyone.

Let’s dive in!

Nike Zoom KD III White and Gold

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Nike

Price: $130

Kevin Durant’s latest with Nike, the KD III White and Gold, offers a luxury take on Easy Money’s nest silhouette. The Sneaker features a bright white leather build with regal gold accents a milky white outsole, and the now iconic four-dot KD branding at the heel.

The Nike Zoom KD III White and Gold is set to drop on September 7th at 7:00 AM PST for a retail price of $130. Pick up a pair via the Nike SNKRS app.

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New Balance Made in USA 996 Sulphur With Forest Green

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New Balance

Price: $199.99

I love a great Jordan drop as much as the next person, but I’d be lying if I said the Red Cement was my personal pick of the week. It’s not, because I’m all in on the Sulphur with Forest Green New Balance 996.

Part of New Balance’s Made in USA line, this 996 features a mixed upper of leather, mesh and suede with an ENCAP midsole and a faded yellow colorway with rich green accents. It’s like visual candy to me!

The New Balance Made in USA 996 Sulphur with Forest Green is set to drop on September 7th at 7:00 AM PST for a retail price of $199.99. Pick up a pair via the New Balance webstore.

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New Balance

Thisisneverthat x New Balance BB550

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New Balance

Price: $129.99

Korean streetwear brand Thisisneverthat has teamed up with New Balance for a new hiking and skatewear-inspired take on the 550 silhouette. The BB550 swaps out the leather upper of the original 550 for a more durable washed canvas upper with metal eyelets, and EVA midsole, a co-branded tongue label, and a faded brown colorway.

The 550 silhouette is now at the stage where brands are experimenting with the construction and look of the silhouette and we’re all for it! Let’s be real, I love the 550 as much as the next person, but the silhouette is getting a bit stale outside of collaborations like this.

The Thisisneverthat x New Balance BB 550 is set to drop on September 7th at 7:00 AM PST for a retail price of $129.99. Pick up a pair via the New Balance webstore.

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New Balance
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New Balance

New Balance Made in USA 990v6 Sulphur with Green

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New Balance

Price: $219.99

Fans of New Balances 990 silhouette are getting a new Sulphur and Green colorway of the v6. Released under NB’s Made in USA label, this v6 features a pigskin and mesh upper with reflective accents, a FuelCell equipped midsole with a TPU mack tab, synthetic overlays, and a beautiful pale yellow colorway.

The New Balance Made in USA 990v6 Sulphur with Green is set to drop on September 7th at 7:00 AM PST for a retail price of $219.99. Pick up a pair via the New Balance webstore.

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New Balance
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New Balance

Nike Women’s Air Max 1 Obsidian and Light Orewood Brown

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Nike

Price: $160

This super clean women’s exclusive Air Max 1 features a denim and leather upper, vintage Nike heel and tongue branding, and a beautiful three-color design that begins with a white base, adds some obsidian panels, and Orewood brown accents.

It’s one of the best Air Max 1s to drop all week and a testament to what you can do with the canvas of this all-time great sneaker.

The Nike Women’s Air Max 1 Obsidian and Light Orewood Brown is set to drop on September 8th at 7:00 AM PST for a retail price of $160. Pick up a pair via the Nike SNKRS app.

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Nike
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Nike

Converse x DRKSHDW DBL DRKSTAR Chuck 70

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Nike

Price: $165

Rick Owens is dropping a new DRKSTAR Chuck 70 this week with a double-stacked sole, transforming the iconic Chuck 70 into a punk rock platform sneaker. Aside from the double-stacked sole, the DRKSTAR also features an elongated tongue, speckled toe cap, and an off-white canvas upper.

It’s not for everyone but Rick Owens continues to carve out a lane in streetwear that is unlike anything else.

The Converse x DRKSHDW DBL DRKSTAR Chuck 70 is set to drop on September 8th at 7:00 AM PST for a retail price of $164. Pick up a pair via the Nike SNRKS app.

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Converse X DRKSHDW DBL DRKSTAR Chuck 70

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Nike

Price: $170

The DRKSTAR Chuck 70 low-top is a major departure from the original Chuck 70 silhouette design than what we have here, but if you like some of Owens’ alterations to the design but want something that still looks a bit classic, this high-top is for you.

The high-top version features the same double-stacked sole, elongated tongue and speckled details, but still retains some of that familiar Chuck 70 shape, making a bit less of a departure, but still radical enough to capture that unique Rick Owens aesthetic.

The Converse x DRKSHDW DBL DRKSTAR is set to drop on September 8th at 7:00 AM PST for a retail price of $170. Pick up a pair via the Nike SNKRS app.

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Nike Air Force 1 Mid x Off-White Sheed

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Nike

Price: $205

It’s been a minute since we’ve seen an Off-White Nike collaboration but this week brings a mid-top Air Force 1 team-up that honors influential NBA player Rasheed Wallace, who was known to rock the AF-1.

The Sheed features a shiny patent leather upper with a fade-away logo (inspired by the iconic Jumpman), a spiky outsole, and embroidered details throughout. It’s a bittersweet release however — since Virgil Abloh’s untimely death we haven’t had any radical reconstructions of Nike’s best silhouettes and who knows if we ever will again.

The Nike Air Force 1 Mid x Off-White Sheed is set to drop on September 8th at 7:00 AM PST for a retail price of $205. Pick up a pair via the Nike SNKRS app.

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Nike Air Max 1 ’86 Dark Obsidian and University Red

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Nike

Price: $150

If you’ve got big feet and the Obsidian and Light Orewood Brown Air Max 1 made you feel a bit left out, don’t worry, this week also brings a Dark Obsidian and University Red which follows a lot of the same design details but places it on the ’86 Big Bubble version of the silhouette.

Featuring a color block design of white, light grey, obsidian and University Red, this Air Max 1 was constructed based on CT scans of the original Big Bubble Air Max 1 for an updated take on a forgotten classic. For hardcore Air Max fans, this is going to be one of the most exciting releases of the year.

The Nike Air Max 1 ’86 Dark Obsidian and University Red is set to drop on September 9th at 7:00 AM PST for a retail price of $150. Pick up a pair via the Nike SNKRS app.

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Nike Air Jordan 4 Red Cement

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Nike

Price: $210

We’ll close out with the entry that most people were waiting for. Jordan heads, welcome, while just about every week brings a new Jordan colorway, few are as dope as the Jordan 4 Red Cement. This is an all-time great colorway, one that should probably be included in our list of the Best Jordan 4 Colorways of All Time.

The Red Cement is a combination of two iconic Air Jordan colorways, Fire Red, and the Jordan 4s original White Cement makeup. The design features a crispy white leather upper with Fire Red and black accents. The red details feature speckled elements, reminiscent of the iconic Cement design.

Whether you’re a hardcore Jordan fan or not, it’s easy to fall in love with this design.

The Nike Air Jordan 4 Red Cement is set to drop on September 9th at 7:00 AM PST for a retail price of $210. Pick up a pair via the Nike SNKRS app.

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We’re Picking Winners For Week 1 Of The 2023 NFL Season

Nearly seven months have passed since the NFL showcased a game with tangible stakes. That all changes with Week 1 on the horizon, and the anticipation is off the charts for the country’s most popular sport to return. In this space over the last five-plus years, we’ve endeavored to find winners on the odds slate each week with mild, but still profitable, success. We’re back for another run in 2023 and, as always, we’re seeking value wherever it can be found, no matter how hideous the selections may seem.

Before we hop into Week 1, let’s take a look at where things ended up a year ago.

Come get these winners.

Pittsburgh Steelers (+2.5) over San Francisco 49ers — Widely available

At last check, Mike Tomlin was 15-4-3 against the spread as a home underdog in Pittsburgh. That isn’t the only reason for this play, but it does help. Anyway, I’m a buyer on the Steelers offensive infrastructure with Pickett, and Pittsburgh’s defense projects to be pretty nasty when healthy, as the team is in Week 1. On the other side, Brock Purdy is firmly in the “I’m skeptical” zone for me at this stage, and I’ll glad take the 2.5 while also noting Pittsburgh could be an appetizing teaser leg. Speaking of teasers…

TEASER: Washington Commanders (-1) over Arizona Cardinals and Cleveland Browns (+8.5) over Cincinnati Bengals — Widely available

We love a good teaser across key numbers, don’t we folks? I don’t love having Sam Howell in a teaser, but Washington’s roster is considerably better than Arizona and I think they get there on the field often enough to push this teaser into value territory. On the other side, Cleveland going through both key numbers is appealing at home. That is especially true with a dash of uncertainty around Joe Burrow after his preseason injury.

Carolina Panthers (+3.5) over Atlanta Falcons — Widely available

To me, it seems like the Falcons love is getting a little bit aggressive. This line already moved through the key number of three during the late stages of the offseason, and I’m not entirely sure why. Yes, it’s a little bit scary to back a rookie quarterback on the road in his first start, but Carolina shouldn’t be getting a full 3.5 from Atlanta, especially given the uncertainty that the Falcons also have at quarterback.

Green Bay Packers (+1.5) over Chicago Bears — FanDuel

I’m not entirely sure why the Bears are favored in this football game. Green Bay got hit by some sharp action before I could write the column and include the Packers as probably my favorite teaser leg of the week at +8.5 earlier this summer. Alas, I still like the Packers to win this one on the field, and if you can nab +1.5 at FanDuel, that is the best price at post time.

Los Angeles Chargers (-3) over Miami Dolphins — Widely available

I’m doing it again and believing the Chargers are undervalued. I’m prepared to change course if I need to and, yes, it does matter that the Chargers have basically no home-field advantage at all. But I’m going to try and get ahead of the market and we’ll see if I’m wrong.

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Post Malone, Morgan Wallen, And Miranda Lambert Lead The Stacked 2024 Stagecoach Festival

Stagecoach 2023 proved to be a suitable Coachella encore this April, with headlining performances from Luke Bryan, Kane Brown, and Chris Stapleton. The annual country music festival will return to the Empire Polo Club in Indio, California from Friday, April 26, to Sunday, April 28, 2024. The 2024 lineup was announced on Thursday morning, September 6.

Next year’s headliners are Eric Church on April 26, Miranda Lambert on April 27, and Morgan Wallen on April 28. A press release additionally confirmed that Post Malone will perform “a special set of country covers” on April 27, a day that will also boast Willie Nelson & Family and Leon Bridges. The late-night performers are Diplo, Nickelback, and Wiz Khalifa.

Guy Fieri’s Stagecoach Smokehouse will be featured on the grounds for a fifth year, and the Compton Cowboys will be present for a third consecutive year.

Other notable acts include Jelly Roll, Elle King, Dwight Yoakam, Hardy, Bailey Zimmerman, and The Beach Boys.

Festival passes will go on sale this Friday, September 15, beginning at 11 a.m. PT. Prices range from $429 for a three-day general admission “Tier 1” pass and $2,999 for the Desert Diamond VIP Package. Ticketing information can be found here.

Check out the full lineup poster below.

Stagecoach 2024 lineup
Courtesy of Stagecoach/Goldenvoice

Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.

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When Will Olivia Rodrigo Go On Tour For ‘Guts?’

Olivia Rodrigo‘s sophomore album Guts is out tomorrow. The follow up to 2021’s massive Sour has been previewed by her poignant ballad “Vampire” and her playful anthem “Bad Idea Right?” However, fans want to know: is she going to bring these songs to stage on a tour?

The pop star stopped by Capital Breakfast for an interview and acknowledged this. “Ooh, it’s all in the works. I can’t say anything yet but I’m so excited to play all these songs in a live show,” she said. “I wrote this album with a tour in mind, so I think they’re all songs I want people to sing in a crowd, so hopefully that’s what is achieved.”

Unfortunately, there are no dates yet, but hopefully there will be an announcement soon.

About the song “Bad Idea Right?,” Rodrigo said in a statement, “‘Bad Idea Right?’ started with us making a joke song about me hooking up with an ex-boyfriend, but then we realized we were actually onto something,” she explained. “We were throwing the weirdest things at the wall — in one of the choruses there’s a part that sounds like an instrument in the background, but it’s me gradually screaming louder and louder.”

Watch the interview above.

Guts is out 9/8 via Geffen. Find more information here.

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The AI ‘Drake’ Song Shouldn’t Be Eligible For A Grammy

The Recording Academy is making a grave mistake in allowing the AI-performed song “Heart On My Sleeve” to remain Grammy eligible. The song was apparently submitted for Grammy consideration by its “creator,” an anonymous social media user calling themselves Ghostwriter977. According to Recording Academy CEO Harvey Mason Jr., “I knew right away as soon as I heard that record that it was going to be something that we had to grapple with from an Academy standpoint, but also from a music community and industry standpoint.”

“When you start seeing A.I. involved in something so creative and so cool, relevant and of-the-moment,” he continued. “It immediately starts you thinking, ‘OK, where is this going? How is this going to affect creativity? What’s the business implication for monetization?’”

And herein lies the error in that thinking: Because in nearly every instance in which the implications of new technology have been “considered,” rarely has the potential harm given tech cheerleaders enough pause to prevent legitimate disaster. In the just the past three years, we saw election tampering through social media platforms like Facebook and Twitter (Nazis!), the collapse of the NFT/cryptocurrency bubble, and housing and transportation crises exacerbated by apps like Airbnb, Lyft, and Uber (to say nothing of the exploitation and abuses inherent to the workings of apps like these or the massive delivery infrastructure of Amazon).

But let’s just stick to how tech has impacted the music industry for now. Last year around this time, I wrote that the virtual rapper FN Meka, which was allegedly created through AI and voiced by a human performer, presaged an incoming industry push to make performers and writers alike obsolete. I hate to say “I told you so,” but it’s beginning to look like the next phase of that push is peeking over the horizon. While “Heart On My Sleeve” is unlikely to earn a nomination — there’s little about it that’s truly innovative aside from its use of a burgeoning technology that many of us only barely understand — legitimizing it will undoubtedly inspire future imitators.

With listeners’ attention spans already stretched to the limit by a near constant deluge of new content from artists who themselves can barely keep up with demand in the struggle to remain relevant, how are any of us going to contend with robots that can churn out as many new songs as quickly as prompts are written? Computers don’t need to take vacations — and let’s be honest here, they don’t need any inspiration or real-life experiences, either. They can just trawl our tweets (posts, TikToks, whatever) and “create” songs algorithmically programmed to crawl inside our brains and get stuck there, tickling our cortexes with mathematical precision.

Now, as Mr. Mason points out (perhaps inadvertently), this won’t be a problem for anyone on the business side of the equation. A sleepless machine churning out an endless stream of content is a perfect money generator in the streaming economy. The labels will, of course, see infinite profits in investing in these technologies, because we’ve seen CEOs pull out the same playbook in industries like auto manufacturing, construction, and even now, in the ongoing struggle between the movie and television studios and their writers and actors. They’ll drive profits by cutting overhead — meaning labor — trying to squeeze blood from stones.

We see the problems with this approach, even if the CEOs never seem to. Elon Musk thought he could run Twitter (I am NEVER calling it “X”) with a skeleton crew of devoted loyalists; the site barely runs, and this plan has been executed with all the forethought and thoroughness of a game of Calvinball. Label heads might see AI music as a great investment initially, but as they realize that entire departments become superfluous as a result, they’ll cut those jobs too — right up until they’re being asked to perform basic administrative duties by themselves, with no idea how exactly to manage the “artists” whose inner workings they have only a baseline understanding of.

If this seems like catastrophizing or slippery slope rationalizing, just look at every other time a new technology has rumbled the foundations of the music industry. When .mp3s came along, there was mass panic until the innovation of the 360-degree deal — a proposition that took more wealth out of artists’ pockets and sent it up the pyramid to the shareholders and CEOs. As Spotify became the default source for fans to enjoy the music they love, labels not only worked out favorable deals to ensure they got the bulk of the revenue, but also bought parts of the platform itself to get paid both ways. And as TikTok became the music discovery watering hole of the digital age, labels swooped in to monetize that too.

All of this came at the expense of the artists who actually create the product that drives the profits. How many artists have complained in the past two years that they’ve been pushed to “go viral on TikTok” instead of making music (the answer: a lot)? How many stories have we seen about artists losing money as their slices of streaming get thinner and thinner? And that’s not to mention the peripheral industries, the managers, the lawyers, the promoters, the touring bookers, and the venues, all losing out as the streaming space gets more and more crowded with viral one-hit wonders and wannabe superstars whose attentions are being pulled in a thousand different directions — sync licensing, sponsorship seeking, merchandising, and social media management/monetization — just so they can make rent.

Imagine that this is all a house of cards built on one shaky foundation: human creators relating human experiences to human listeners. Streaming and social media have already sent tremors through this foundation by gaming algorithms and creating overnight stars with few credentials and even less credibility. But adding AI to the equation just might kick that foundation out entirely, taking the entire industry with it. And it all starts with seemingly insignificant moves like considering AI songs for awards that committees already rarely get “right” in the eyes of fans.

Legitimizing work like Ghostwriter977’s — whether they truly wrote the song or not — wouldn’t just hurt the artists it imitates, although Universal Music Group was quick to issue a takedown request for “Heart On My Sleeve,” since it would clearly violate likeness rights in a sane society. It would also hurt practically every other artist in the industry, devaluing their work for what’s basically a novelty. Then, like dominos, dozens of peripheral industries could fall, until the only thing left is the AI. Then, when the bubble inevitably bursts, all that’ll be left is deafening silence.

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John Fetterman Is Daring Republicans To Impeach Biden: ‘Sometimes You Gotta Call Their Bulls**t’

John Fetterman has had enough of Republicans threatening to impeach Joe Biden. While talking to reporters, the Pennsylvania senator who relentlessly pummeled Dr. Oz during the 2022 election aimed his cannons at the GOP and let them have it.

“Go ahead, do it. I dare you,” Fetterman said in response to the Biden impeachment talk. “Your man has what, three or four indictments now? Trump has a mug shot, and he’s been impeached twice.”

As Fetterman explained to reporters, the GOP knows trying to impeach the president with no evidence will look bad, but he’s tired of them “talking like they’re hard asses.”

Via NBC News:

“Sometimes you just gotta call their bulls—,” he said.

Fetterman, who is in his first term, said that a Biden impeachment “would just be like a big circle jerk on the fringe right” and that it “would diminish what impeachment really means.”

Despite his fiery words about the GOP’s impeachment charade, Fetterman was notably sympathetic towards Republican Senator Mitch McConnell. Fetterman suffered a stroke during his senate race against Oz, and it gave some perspective on the calls for McConnell to resign after he experienced two public freezing episodes.

“I truly don’t believe in kind of hammering individuals, elderly, I just don’t,” Fetterman said. “It’s not really a partisan thing. It’s like whenever it’s the right time to leave, I believe they have the right to do that, as well.”

“I just really leave it to each person to have the respect to and the dignity to handle it the way they want to,” he added.

(Via NBC News)

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Julia Garner And Jessica Henwick Are Stuck In The Australian Outback In ‘The Royal Hotel’ Trailer

The last time actress Julia Garner and director Kitty Green worked together, they made The Assistant, one of the best movies of 2019 (and the best movie about the #MeToo movement). The pair have have reunited for The Royal Hotel, a thriller starring Garner and Glass Onion: A Knives Out Mystery scene stealer Jessica Henwick as best friends who take a job in remote Australia. They expect kangaroos but instead are greeted by, OK yes, kangaroos, but also threats from misogynistic customers and — because it’s Australia — snakes.

You can watch the trailer from Neon above. Here’s the official plot synopsis:

Americans Hanna (Julia Garner) and Liv (Jessica Henwick) are best friends backpacking in Australia. After they run out of money, Liv, looking for an adventure, convinces Hanna to take a temporary live-in job behind the bar of a pub called ‘The Roval Hotel’ in a remote Outback mining town. Bar owner Billy and a host of locals give the girls a riotous introduction to Down Under drinking culture but soon Hanna and Liv find themselves trapped in an unnerving situation that grows rapidly out of their control.

The Royal Hotel, which also stars Toby Wallace, Hugo Weaving, Ursula Yovich, Daniel Henshall, James Frecheville, and Herbert Nordrum, opens in theaters on October 6th.

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British kids try American cereal for the first time and are absolutely baffled

British high schoolers were asked to sample some of America’s most iconic cereals, and some of your favorites might not pass the worldwide taste test.

Author and culinary enthusiast Josh Carrott, who often invites people to try food of different cultures over on YouTube, introduced a handful of students—and their principal—to Lucky Charms, Trix, Cap’n Crunch, Froot Loops, Cinnamon Toast Crunch and Reese’s Puffs.You know, all the staples of American childhood.

Since these kids eat breakfast cereal on a regular basis, they couldn’t be that surprised by the new flavors, could they?

Yeah…no. British and American cereals are worlds apart, apparently.


“It looks like a bath bomb!” exclaimed a student named Rory after seeing the tiny marshmallow green clover in his bowl of Lucky Charms. (He’s not wrong).

“Why would you want your milk to be pink?!” asked Ricky, utterly confused as to why Trix would advertise such a thing. (Also, not wrong).

At this point, it’s mentioned that cereals in the UK don’t turn the milk different colors because the chemicals that do that are illegal in the country, since it can’t be ruled out that they cause genetic damage. Not America’s finest moment, but worth mentioning.

So no, colored milk did not impress. Nor did artificial fruit flavorings. Both Trix and Froot Loops got the lowest rankings, not to mention they left the group pretty flabbergasted.

“What even is the taste?” said headmaster Smith after one bite of Trix.

Even Reese’s Puffs failed to impress, despite many of the kids liking the candy. According to student Casey, it looked and tasted like “rabbit poo.”

Not to worry, not all American cereals failed! Both Cap’n Crunch and Cinnamon Toast Crunch, colorless as they are, got an enthusiastic stamp of approval. Goes to show that appearances don’t account for everything.

Americans are all too aware of the way many of our most popular food brands rely on obscene amounts of sugar, artificial chemicals and a well-marketed sense of nostalgia in order to sell products. But it’s still another thing to see how unappealing these kinds of food are to folks who haven’t really been exposed to them.

Regardless, it’s fun to watch how some of these stack up. And as the kid who enjoyed their Saturday morning cartoons with a tasty bowl of Cap’n Crunch, I personally felt vindicated for my superior taste buds.

Watch below: